Featuring: Thor Release: April 2, 1963 Cover: June 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Jack Kirby Inking: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
Another Cold War story, but this one tying itself closely to current events, seeming to be set during the Sino-Indian War.
Thor takes quite the interest in particular geopolitical concerns.
This allows us to align the comic’s timeline with our own. The Sino-Indian War mainly took place October-November 1962, about 6 months before this comic came out. And since it takes some number of months to go from concept to the comic being finished, printed, distributed and appearing on stands, they were drawing from pretty current events.
Featuring: Thor Release: February 5, 1963 Cover: April 1963 12 cents Plot: Stan Lee Script: Larry Lieber Art: Joe Sinnott 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
Joe Sinnott is best known as an inker. We’ve seen him twice so far in that capacity, inking Kirby for the introductions of Thor and Dr. Doom, respectively. This is the first time we see him as the primary artist.
This event was teased already because I chose to read the last Fantastic Four slightly out of chronological order and because I accidentally read the last Strange Tales out of chronological order.
Spiffy!
But this is one of three comics released February 5 to sport the spiffy new Marvel logo. The others are Tales to Astonish and Patsy Walker. We are not currently including the Patsy Walker stories in our Marvel reading, not until she becomes more intertwined with the superheroes than she currently is.
There’s a lot going on that will become a feature of Marvel covers for years. The first is that there’s a little box with the picture of the lead character. Now, Journey Into Mystery is still an anthology title. There are two other scifi/fantasy tales within this very issue. But Thor is the star, now. And that little box makes that clear.
Then we get the price, 12 cents. That’s been the price of all the comics since Fantastic Four #3 raised the price from 10 cents. Usually, the price has been in a circle somewhere on the cover. Now it’s in this new logo box.
And then the phrase “Marvel Comics Group”. Previously, there had been the letters “MC” in a little box on the covers.
5th alien invasion. 2nd by shape-changing aliens. But who’s counting?
Trapped by the Carbon-Copy Man! Featuring: Thor Release: January 3, 1963 Cover: March 1963 12 cents Plot: Stan Lee Script: Larry Lieber Art: Al Hartley 13 pages
I read this comic in Marvel Masterworks: The Mighty Thor vol. 1.
As has been the theme of recent posts, Jack Kirby seems to be on a bit of a break, letting Al Hartley fill in on this Thor story. As far as I can tell, this is Hartley’s only credit for Marvel superheroes. He’d been working with Stan Lee for at least 14 years at this point, in a variety of genres. Most notably, he’d been working on Marvel’s Patsy Walker since 1958. He’s quoted as saying he was more comfortable in the humor and teen drama genres than the superhero genre.
The Vengeance of Loki!
Featuring: Thor
Release: November 1, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages
Loki is Thor’s first repeat villain. Coming up with new villains every month is exhausting, so it’s worth repeating the best ones. Loki was the best one. (His competition is: the Stone Men from Saturn, the Executioner, Zarrko, and some Soviet soldiers.) The Fantastic Four have now fought Doom and Sub-Mariner three times each. Human Torch has faced off twice against the Wizard. Ant-Man hasn’t had a repeat villain yet, but I suspect we’ll see the return of Egghead soon enough. Hulk has a persistent nemesis in Thunderbolt Ross, but otherwise hasn’t encountered any actual villains twice. I think repeating villains is good, unless it’s overdone. It is how you develop good rivalries and get an arch-nemesis. But once Joker appeared in the old Batman comics, he started showing up in every single issue of Batman. It’s a balance of having some variety in the foes while giving a chance for a proper rivalry to develop. So far, these comics are doing well enough on the variety side.
We see Heimdall at his post for the first time, guarding the Bifrost. Loki is forbidden to leave Asgard, so he must somehow sneak past Heimdall. He does so by disguising himself as a snake. I really thought of Heimdall as being better than that.
Prisoner of the Reds! Featuring: Thor Release: October 2, 1962 Cover: December 1962 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inking: Dick Ayers 10 pages
It seems overly sanctimonious to sit here almost 60 years later and dismiss comics like this as propaganda, though it’s evident that’s what it is. Thor, God of Thunder, refers to a Soviet stronghold as a “citadel of evil” and calls upon Odin to smite it. No, it’s a military facility, just like the ones the US has. And the Russian citizens depicted are sympathetic to America and its cause of freedom. That part at least allows it to rise above the propaganda comics of the ’40s, as it demonizes the enemy’s government and military, but not its people.
Why does Thor need Odin’s help to summon a storm?
But really it’s just a story of its time. Stan and Jack are looking for enemies. Twenty years earlier, during the last wave of superhero comics, the Nazis made convenient targets. In 1962, the Soviets seem a natural extension. I think it was a scary time in America, with nuclear war a barely understood but terrifyingly likely reality. Moreover, it’s October of 1962. This comic reached the shelves just 2 weeks before the Cuban Missile Crisis.
On the Trail of the Tomorrow Man! Featuring: Thor Release: September 4, 1962 Cover: November 1962 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inks: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
There’s a pretty significant milestone here. Relatively full credits are given at the bottom of the first page. Many comics we’ve read had no credits at all. Others bore a signature here or there. The Fantastic Four have featured the signatures of Stan and Jack fairly prominently. For the first time, we see explicit credit given to Lieber and Ayers, along with a breakdown of who did what. Online sources were generally clear Lee and been doing the plotting on Thor (though it’s likely Kirby also deserves credit) and leaving the scripting to Lieber. The table of contents of the Marvel Masterworks edition simply refers to Lee and Lieber as writers. Fantastic Four #9 debuts the same day and also features similarly robust credits. We’ll cover that shortly.
Finally some credit to Dick Ayers
I’ve been noting the main credits above–writers and artists–as best I can, drawing from the credits given in the collection I’ve been reading or from online sources. I’m not trying to be a definitive source for credits, so have not been giving full credits myself. I don’t mention above the lettering of Artie Simek or the coloring of Stan Goldberg. I mean no disservice to their talents; it’s just not the focus of this blog. (Notably, I am often looking at these reprint editions, not the originals, and they have often been recolored… so I am anyway in no position to speak intelligently to Goldberg’s coloring).
Trapped by Loki, the God of Mischief!/The Vengeance of Loki!/ Release: August 2, 1962 Cover: October 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1. The credits above come from the collection. I see no credits within the comic itself.
This is a pretty exciting story for me. I like the character of Thor, but what excites me most is the mythological world surrounding him. The first 2 issues told of a man in Thor’s body battling aliens and Commies. Now we finally get to Asgard.
“Beyond our segment of time and space, there exists Asgard, the citadel of the Norse gods, which is connected to earth by a rainbow bridge called the Bifrost!”
The Mighty Thor vs. the Executioner Release: July 3, 1962 Cover: September 1962 12 cents Credits: Jack Kirby and Dick Ayers Writers: Stan Lee and Larry Lieber 13 pages
I read this comic in Marvel Masterworks: The Mighty Thor vol. 1. The issue doesn’t seem to have formal credits, but the first page has the signatures of Kirby and Ayers. The collection’s table of contents notes Stan Lee and Larry Lieber are the writers.
Correction: “Only my hammer and I…”
There’s a revolution in the country of San Diablo (mi español es muy rusty, but I think that translates to “Saint Devil”, which suggests the requirements for sainthood have really loosened). A pro-communist dictator has seized power, but is engaged in civil war with a democratic faction. The dictator is called the Executioner because he executes a lot of people. Dr. Don Blake travels on a medical expedition to help out in San Diablo. The Executioner interferes as he wants the people weak and subservient. But, well… Thor.
The Stone Men from Saturn!/The Power of Thor!/Thor the Mighty Strikes Back! Release: June 5, 1962 Cover: August 1962 12 cents Writing: Stan Lee, Larry Lieber Pencils: Jack Kirby Inks: Joe Sinnot 13 pages
Whosoever holds this hammer, if he be worthy, shall possess the power of Thor!
The credits are taken from the table of contents for Marvel Masterworks: The Mighty Thor vol. 1. I don’t see any credits in the story itself.
How wild is it that Thor and Spider-Man were introduced on the exact same day? There are a lot of days in the last 80 years, and only so many super heroes as iconic as those two. In the last year, we’ve met the Fantastic Four and the Hulk. The pace is picking up. Within a year, we’ll meet many of our favorite heroes.
The opening splash page depicts Thor, with a distinctive “T” on his elaborate belt. Except for simplifying the belt, Kirby’s rendition of Thor will last for decades with only minor variations. Notice the smile on Thor’s face; we see that later in the issue as well. Kirby depicts Thor as full of mirth. There is generally a dynamic and playful quality to the art.
In 1989, I was in Walgreens and my mother suggested I pick out a comic book from the newsstand. Thirty years and some 40,000 comics later, she has had time to regret that moment. On that day, I began a hobby which has consumed a large amount of my life’s attention and energy.
The comic was Avengers #309. I think I picked it out because I recognized some of the characters from cartoons I had seen. Thor, Captain America, Sub-Mariner. Perhaps I recognized She-Hulk. The other two characters on the cover were new to me.
The issue begins in the middle of events. Our characters stand atop a giant crater. The top reads, “Stan Lee PRESENTS: The MIGHTY AVENGERS!” Then in bolder letters, “TO FIND OLYMPIA!” Olympia is written is this cool gold font.
The story doesn’t end with this comic any more than it begins. By the final page, Thor is the only Avenger left standing and facing off against Blastaar. We get a little blurb which reads, “Next: The end of the Eternals? The end of the Avengers? You must not miss… Death in Olympia! In 30 days!!” The word ‘Death’ is written in this cool blood-dripping font.
