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Strange Tales #152, Story B

Into the Dimension of Death!

Featuring: Dr. Strange
Release: October 11, 1966
Cover: January 1967
12 cents
Truly hath Stan Lee authored yon awesome epic–
Verily hath Bill Everett such scenes depicted–
And, finally didst Artie Simek the lettering incribe!
10 pages

Previous	#619	Next
Strange Tales #152	Reading order	Strange Tales #153
Strange Tales #152	Strange Tales	Strange Tales #153

I sense– a female!

I’d say this issue picks up where the last issue left off, but nothing happened last issue. Except that Clea was captured by Umar after a recap of the last 40 issues.

Everett’s depiction of Dark Dimension is fine, maybe even good. Maybe I’m just in a bad mood since Ditko left and am being unfair to Everett. I do appreciate Everett for his work on Sub-Mariner, Venus, and Daredevil… just not here.

Strange Tales #152

The Power of SHIELD!

The Power of SHIELD!
Featuring: Nick Fury, Agent of SHIELD!
Release: October 11, 1966
Cover: January 1967
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Artwork: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
12 pages

Previous	#618	Next
Strange Tales #151, Story B	Reading order	Strange Tales #152, Story B
Strange Tales #151, Story B	Strange Tales	Strange Tales #152, Story B

So long as men such as you exist– men who are dedicated not merely to the cause of nationalism– but to international freedom– to global justice– so long will the lamp of liberty continue to burn bright– until men of good will, everywhere, put down their arms and come forth to reason together!

Once again, Kirby is on layouts with Steranko on art, but the character work looks more like Steranko this issue than last, perhaps suggesting looser layouts from Kirby.

Worth noting this will be Stan Lee’s final work on Nick Fury, Agent of SHIELD. He remains the editor, of course.

Last issue, Nick had escaped Hydra, but was unwittingly piloting their Overkill Horn. We pick up there this issue. Sitwell is in charge of SHIELD, and manages to destroy the Horn, fearing he has killed Fury in doing so. But Nick gets free.

Strange Tales #151, Story B

Umar Strikes!

Featuring: Dr. Strange
Release: September 8, 1966
Cover: December 1966
12 cents
Script by Stan Lee, defender of the faith!
Art by Bill Everett, keeper of the flame!
Lettering by Artie Simek, printer of the word!
10 pages

Previous	#617	Next
Strange Tales #151	Reading order	Strange Tales #152
Strange Tales #151	Strange Tales	Strange Tales #152

By the Demons of Darkness! By the oath I now speak! Umar commands– reveal what I seek!

At the end of last issue, we briefly met Dormammu’s sister Umar.

Given how weird and cool Dormammu looked, it’s disappointing to see his sister look just like a human woman. You can try to explain it off as these beings having amorphous forms or such. But it mostly seems like a failure of creativity and design.

Strange Tales #151

Overkil!

Featuring: Nick Fury, Agent of SHIELD
Release: September 8, 1966
Cover: December 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Illustrations: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
Hood laundering: Irate Irving Forbush
12 pages

Previous	#616	Next
Tales of Suspense #85, Story B	Reading order	Strange Tales #151, Story B
Strange Tales #150, Story B	Strange Tales	Strange Tales #151, Story B

So you’re the guys who’re gonna take over the world, huh?

A new name in the credits. Who is this Jim Steranko on the art over Kirby’s layouts?

He had apparently dabbled in comics briefly in 1957, but I have no examples of that. His first work came out for Harvey just three months earlier. He co-created several adventure heroes for them like Spyman. And perhaps contributed to varying degrees to the stories.

Per The Comics Journal, some of this work such as in Double Dare Adventures is illustrated by Steranko.

Either way, he’s new to comics. This is a pretty big assignment for a rookie. Let’s see if he makes anything of himself.

Tales of Suspense #85, Story B

The Blitzkrieg of Batroc!

Featuring: Captain America
Release: September 8, 1966
Cover: January 1967
12 cents
A Stan Lee Jack Kirby premium presentation
Inimitable inking by: Frank Giacoia
Laborious lettering by: Sam Rosen
10 pages

Previous	#615	Next
Strange Tales #150	Reading order	Strange Tales #151
Tales of Suspense #85	Tales of Suspense	Tales of Suspense #86

Indeed, eet shall be for zee last time, mon ami…! For none may strike Batroc in such a manner… wizout paying zee price!

“This must be the place,” thinks Cap, anticipating David Byrne.

In Tales of Suspense #76, Captain America defeated Batroc, but a SHIELD agent on assignment succumbed to poison and was hospitalized. We didn’t learn her name. She reminded Cap of a woman he’d known in World War II, a woman whose name we also didn’t learn.

Strange Tales #150

Hydra Lives!

Featuring: Nick Fury, Agent of SHIELD
Release: August 9, 1966
Cover: November 1966
12 cents
Script… Stan Lee
Layouts… Jack Kirby
Pencils… John Buscema
Inks… Frank Giacoia
Letterings… Sam Rosen
Ear plugs… Irving Forbush
12 pages

Previous	#614	Next
X-Men #26	Reading order	Tales of Suspense #85, Story B
Strange Tales #149, Story B	Strange Tales	Strange Tales #150, Story B

‘Cut off a limb, and two more shall takes its place!’ We were right… Hydra still lives!

We read the second half of this issue already. Last issue really ended the AIM stuff, and this issue begins the return of Hydra arc, so I wanted that cutoff. But the Dr. Strange stories cut a bit differently, as this issue ends the Kaluu arc and next issue properly begins the Umar arc.

Kirby is on hand for the layouts, but the main art credit goes to John Buscema. We spoke of him at length with his return to Marvel in Tales to Astonish #85, published one week prior to this. And we’ll be seeing a lot more of him.

We begin with Nick in a strange contraption performing a dangerous test. So dangerous, he won’t let anyone else do it. It’s a prototype Overkill Horn. They are concerned an enemy has a real one.

Perhaps a Super-Overkill Horn. Adding the word Super in front of something already called the Overkill Horn seems like, well, overkill.

Fantastic Four Annual 4

The Torch that Was!

Featuring: Fantastic Four
Release: August 2, 1966
Cover: November, 1966
25 cents
Conceived and created by: Stan Lee (scenarist) & Jack Kirby (illustrator)
Inked and lettered by: Joe Sinnott (Delineator) & Sam Rosen (Calligrapher)
Recited and ignited by: Irving Forbush (part-time non-entity)
19 pages

Previous	#611	Next
Human Torch #38, Story D	PRELUDE
Fantastic Four #56	Reading order	X-Men #25
Fantastic Four Annual 3	Fantastic Four Annual	Fantastic Four Annual 5

The Original Human Torch! Reborn– only to die again!

We began our Marvel reading with Fantastic Four #1, released in August 1961. But Marvel had 22 years of history predating that comic. What is the relationship between those older comics and the modern 1960s ones? We’ve seen some impacts.

Fantastic Four #56

Klaw the Murderous Master of Sound!

Featuring: Fantastic Four
Release: July 7, 1966
Cover: November 1966
12 cents
Produced by: Stan Lee and Jack Kirby
Delineated by: Joe Sinnot
Lettered by: Artie Simek
20 pages

Previous	#610	Next
	PRELUDE	Marvel Mystery Comics #2
Fantastic Four #55	Reading order	Fantastic Four Annual 4
Fantastic Four #55	Fantastic Four	Fantastic Four #57

Our biggest problem seems to be keeping the somewhat disoriented Marvel Universe in some semblance of order! But, when you constantly mess around with space/time warps, and continuums, negatives zones, intra-cosmic deviationary fields, and universes beyond the reached of infinity, you’re apt to get a little bit confused! So bear with us, erudite one, for verily thou hast the seeming of a true believer!

Two notes about the credits. The first is that there are two Ts in Sinnott.

The second is that the credits will stop specifying Stan Lee as the writer, when Kirby is doing most of the writing. The compromise is the nebulous “produced by” credit. Ditko had fought for a similar credit in his comics before leaving.

Sue is upset that Reed is always working, and not spending enough time with his wife. Not the first time we’ve seen this complaint.

Reed has all kinds of fancy technology, including a visi-phone which connects to his lab. Wow. A visi-phone. Imagine being able to talk to someone remotely and see them at the same time!

Eh. I’d rather just send a text.

Fantastic Four #55

When Strikes the Silver Surfer!

Featuring: Fantastic Four
Release: July 7, 1966
Cover: October 1966
12 cents
Scripted with a smile by: Stan (The Man) Lee
Pencilled with a passion by: Jack (King) Kirby
Delineated with a dignity by: Jovial Joe Sinnott
Lettered with a lilt by: Swingin’ Sammy Rosen
Applauded with Aplomb by: Honest Irving Forbush
20 pages

Previous	#609	Next
Sgt. Fury #35	Reading order	Fantastic Four #56
Fantastic Four #54	Fantastic Four	Fantastic Four #56

I have seen men build… and destroy! I have seen this world, which could be paradise, reduced to a planet of greed, and fear, and hatred! I have seen humanity with its heritage betrayed!

When Galactus came to devour Earth, Silver Surfer was his herald. But Silver Surfer met Alicia Masters, and she convinced him that humanity was worth saving. So Silver Surfer betrayed his master. As punishment, Galactus took Silver Surfer’s space-time powers from him. This presumably means he cannot fly faster than light speed, so is practically confined to within a lightyear or so of Earth.

Thing hadn’t been happy that Alicia seemed so impressed by the Silver Surfer, and spent some time moping in the rain about it.

Johnny and Wyatt have been on their way to the Great Refuge of the Inhumans since they left Wakanda. Along the way, they came across Prester John and the Evil Eye, which Johnny thought might break the Negative Zone barrier around the Great Refuge. But that didn’t work out.

Shouldn’t Johnny and Wyatt be in school?

Reed still owes Sue a proper honeymoon. Though he has taken her to the Great Refuge and Wakanda. But I guess she wants somewhere just the two of them where they don’t battle evil. Women, eh.

Tales to Astonish #88, Story B

The Boomerang and the Brute!

Featuring: Hulk
Release: November 3, 1966
Cover: February 1967
12 cents
Hulkamorous script by: Stan (The Man) Lee
Hulkitudinous art by: Gil (Sugar) Kane
Hulkifying lettering by: Sammy (Dozin’) Rosen
10 pages

Previous	#605	Next
Tales to Astonish #87, Story B	Reading order	Sgt. Fury #33
Tales to Astonish #88	Tales to Astonish	Tales to Astonish #89

The poor, lumbering brute! He was guilty only of being feared– and misunderstood!

Gil Kane is going to become a big name at Marvel. We’ve seen him once before on a Hulk story a dozen issues back under the alias of Scott Edward and we reviewed his career at the time.

It’s possible this is his first properly credited Marvel work.

He brings a distinctive style, a very different take on Hulk from that of John Buscema the past two issues.

It’s been 7 issues since Boomerang entered Hulk’s life. We finally see that saga reach a conclusion. It’s been a long road, and I summarize in painstaking detail that road below. These past 6 months have been the most interconnected the Marvel Universe has yet been. Perhaps fittingly we will soon see that the phrase “Marvel Universe” also debuted in that timespan.

At this point it seems like everybody knows Hulk’s secret identity. But the first person to learn it after Rick was the President of the United States, presumably President Johnson. And that is presumably President Johnson now interceding on Hulk’s behalf.

Unfortunately, Boomerang intervenes and drives Hulk to a rampage and another conflict with the military.