Amazing Spider-Man #30

The Claws of the Cat!

Featuring: Spider-Man
Release: August 10, 1965
Cover: November 1965
12 cents
Heroically written and edited by: Stan Lee
Homerically plotted and drawn by: Steve Ditko
Hastily lettered and bordered by: Artie Simek
20 pages

Previous#436Next
THUNDER Agents #1INTERLUDE
Daredevil #11Reading orderSgt. Fury #23
Amazing Spider-Man #29Amazing Spider-ManAmazing Spider-Man #31

Why wouldn’t he listen?? What is it that always stands between us? The one secret he keeps locked within him– the secret he never shares, or talks about–!

We may as well start with the striking cover. Extremely unusual when compared to every cover we’ve yet seen. Look at how small Spider-Man is on the cover, your eyes hardly drawn to him. The covers usually have the hero big and bold. The issue’s super-villain is easy to miss at a glance. He’s a small figure up in the corner. What draws your eye is the falling water tower. Everything else is designed to give you a sense of scale, to make it look like Spider-Man might have a long drop ahead of him.

Similar to the recent Daredevil story we read, this is another story where behind-the-scenes drama has bled onto the page, but perhaps in ways more subtle.

Let’s try to keep off my soapbox for the moment and read the comic. The question is, which comic do I read? The comic that Ditko wrote? Or the one that Stan wrote? I guess we’ll go with what Stan wrote, since that’s what got published, and maybe we’ll note some oddities as we go.

The opening splash page is a great mini-cover for the story, one that again emphasizes the importance of the supporting cast.

Continue reading “Amazing Spider-Man #30”

Amazing Spider-Man #29

Never Step on a Scorpion!

Featuring: Spider-Man
Release: July 8, 1965
Cover: October 1961
12 cents
Writing and editing by: Stan Lee
Plotting and drawing by: Steve Ditko
Lettering and loafing by: Sam Rosen
20 pages

Previous#433Next
Sgt. Fury #22Reading orderDaredevil #10
Amazing Spider-Man #28Amazing Spider-ManAmazing Spider-Man #30

I don’t believe in false modesty! The best thing about being a publisher is you can write what you please about yourself!

Again, notice the plotting credit for Ditko. Ditko has plotted every issue and exclusively plotted the last several issues, but Stan is doing better at giving him credit in an attempt at appeasing Ditko’s concerns. It will prove to be too little, too late.

We’ve remarked repeatedly on just how many iconic villains Ditko came up with in a short period of time. By issue 15, we’d met: Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard, Living Brain, Electro, Big Man and the Enforcers, Mysterio, Green Goblin, and Kraven the Hunter. That’s insane. Since then, Ditko has slowed down some, and Spider-Man has had rematches with foes like Green Goblin, Sandman, and Mysterio, while also borrowing foes from other heroes, like the Circus of Crime or the Beetle. However, we’ve still gotten some good creations in the latter half of this series, including Scorpion, the Spider Slayer, and just last issue, the Molten Man.

Ditko is basically done with creating cool iconic villains for Spider-Man. He’ll create a few more villains, but they won’t fall anywhere near the iconic camp: the Cat, the Looter, Robot Master… Otherwise, he’ll just have Spider-Man fight the villains he already has. Hence, this issue is a rematch with the Scorpion. The series is winding down. Ditko is winding down. He has one great Spider-Man story left in him, and then it’s time to say goodbye.

This issue is treading water. It’s still well told. Ditko’s a good storyteller and can churn out a solid action yarn. But we’re basically biding time.

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Fantastic Four Annual 3

Bedlam at the Baxter Building!

Featuring: Fantastic Four
Release: July 1, 1965
Cover: 1965
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Vince Colletta
Lettered by: Artie Simek
23 pages

Previous#400!Next
POSTLUDEMarvel: Heroes & Legends #1
Journey Into Mystery #123, Story BReading orderX-Men #14
Fantastic Four Annual 2, Story CFantastic Four AnnualFantastic Four Annual 4

I now pronounce you man and wife! You may kiss your bride!

It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!

This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.

This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.

This is the most significant moment in the early Marvel Universe.

I think I’d have come up with a better title than “Bedlam at the Baxter Building”.

I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.

I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.

Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.

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Amazing Spider-Man Annual 2

The Wondrous World of Dr. Strange!

Featuring: Spider-Man
Release: June 1, 1965
Cover: 1965
25 cents
Written and edited by the toast of Marvel: Stan Lee
Plotted and drawn by the boast of Marvel: Steve Ditko
Lettered and bordered by the ghost of Marvel: Sam Rosen
20 pages

Previous#378Next
Amazing Spider-Man #28Reading orderSgt. Fury #21
Amazing Spider-Man Annual 1, Story CAmazing Spider-Man AnnualAmazing Spider-Man Annual 3

“May the Vishanti watch over thee!”
“And may your amulet never tickle!”

This is a great comic, but it seems like they forgot to make a cover for it. It’s actually a decent picture by Ditko with the many Spider-Men of various poses and sizes. But a picture of Spider-Man and Dr. Strange would be in order. A missed opportunity as Dr. Strange gets so few cover appearances, sharing his title with Human Torch or Nick Fury.

Next week, we will read Strange Tales #136, except not the entire issue. We’ll skip the Dr. Strange story, just as we have skipped the Dr. Strange Stories from #130-135. And I appreciate your patience, I really do.

I decide what order to read these in based on when they came out and when the stories take place, sometimes heavily weighting either one over the other on a whim.

Because Dr. Strange appears in this story and an upcoming Fantastic Four story, and I judged there’s no room for him to do so after #130, we are holding off on the Dr. Strange stories until after these two guest appearances.

I’ve made no secret of the fact that I think Dr. Strange and Spider-Man are Marvel’s two best titles at the moment, courtesy of the fact that I think Steve Ditko is the greatest graphic storyteller of all time.

They finally meet. For sort of the first time. They had a brief meeting in the last Amazing Spider-Man Annual.

Now that’s what the cover should have looked like.

As far as Dr. Strange knows, this is the first meeting between him and Spider-Man. He and Peter Parker have briefly crossed paths, and it seems likely that Peter would remember the encounter while Strange would not.

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Amazing Spider-Man #28

The Molten Man!

Featuring: Spider-Man
Release: June 8, 1965
Cover: September 1965
12 cents
Written and edited with loving care by Stan Lee
Plotted and drawn with talent rare by Steve Ditko
Lettered and bordered with a vacant stare by Sam Rosen
20 pages

Previous#377Next
Journey Into Mystery Annual 1Reading orderAmazing Spider-Man Annual 2
Amazing Spider-Man #27Amazing Spider-ManAmazing Spider-Man #29

Your Uncle Ben would have been so proud of you.

Check out that cover. It’s based on effects Ditko has used before, of letting the blue of Spider-Man’s costume blend into black shadow and disappear, but here fully realized. The negative space defines the cover.

The issue opens picking up on a subplot from last issue. Flash and Peter had a fight; Peter was in trouble until Flash went to the Principal and accepted blame. The matter resolves itself. But leads into Peter and Flash noticing that something is bothering Liz.

Weirdly, Peter calls her Liz Hilton. He knows her name is Liz Allan, but must have been momentarily confused. Mrs. Watson shows some similar confusion later in the issue, referring to her niece Mary Jane as her daughter. Weird.

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June 5, 1962

Sixty years ago today. Probably the most important date in the history of Marvel.

Dr. Henry Pym decided to use his shrinking formula once more and assume the identity of Ant-Man.

Dr. Donald Blake found a cane in a cave of Norway, which transformed into a magic hammer bearing the inscription: “Whosoever holds this hammer, if he be worthy, shall possess the power of… Thor!”

High school student Peter Parker was bitten by a radioactive spider and gained the powers of a Spider-Man. He sought to use these powers for selfish ends and sneered at an opportunity to help others. A karmic twist led to personal tragedy and taught him: “…in this world, with great power there must also come– great responsibility!”

Spider-Man is my single favorite fictional character ever. Happy 60th birthday, Peter.

With all respect to Thor and Ant-Man, I propose that June 5 is Spider-Man Day!

In fact, I met two Spider-Men at Glasgow Comic Con just yesterday.

Amazing Spider-Man #27

Bring Back My Goblin to Me!

Featuring: Spider-Man
Release: May 11, 1965
Cover: August 1965
12 cents
Edited and written by Smilin’ Stan Lee
Plotted and drawn by Scowlin’ Steve Ditko
Lettered and gift-wrapped by Swingin’ Artie Simek
20 pages

Previous#372Next
Amazing Spider-Man #26Reading orderStrange Tales #135
Amazing Spider-Man #26Amazing Spider-ManAmazing Spider-Man #28

Spider-Man is still Green Goblin’s prisoner, as Green Goblin is trying to take over the gangs instead of Crime-Master.

Lots of mysteries left over from last issue. Who is Green Goblin? Who is Crime-Master? Who is Patch? What is Foswell’s secret connection to all this? We should answer all but one of those questions by issue’s end.

Spoilers likely follow.

Continue reading “Amazing Spider-Man #27”

Amazing Spider-Man #26

The Man in the Crime-Master’s Mask!

Featuring: Spider-Man
Release: April 8, 1965
Cover: July 1965
12 cents
Stealthily scripted by: Stan Lee
Painstakingly plotted and drawn by: Steve Ditko
Lovingly lettered by: S. Rosen
20 pages

Previous#371Next
Sgt. Fury #19Reading orderAmazing Spider-Man #27
Amazing Spider-Man #25Amazing Spider-ManAmazing Spider-Man #27

The issue credits Ditko for the plot. Ditko has probably plotted most of these stories and has been largely responsible for the writing. But he has only so far been credited as the artist, with Lee taking the writer’s credit. Lee’s role is that of editor and making the final script off Ditko’s notes. Most of the storytelling is done through the art, which is entirely by Ditko, accompanied by notes as to what is happening and what type of thing each character might be saying.

The first page serves as a detailed teaser for the comic. Crime-Master is a new character to us, but we are told his identity will be a mystery. Green Goblin was introduced in issue 14; he’s yet to be caught, and his face has always been hidden from us, so his identity remains a mystery. Issue 10 revolved around the mystery of the Big Man’s identity. He turned out to be meek Frederick Foswell of the Daily Bugle. Ditko’s noting this plot will resemble plots we’ve seen, but also take its own twists. We now have three crime bosses or former crimes bosses with a secret.

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Amazing Spider-Man #25

Captured by J. Jonah Jameson!

Featuring: Spider-Man
Release: March 11, 1965
Cover: June 1965
12 cents
Swingin’ script by: Stan Lee
Dazzlin’ drawings by: Steve Ditko
Loquacious lettering by: S. Rosen
20 pages

Previous#366Next
Tales of Suspense #68, Story BReading orderFantastic Four #39
Amazing Spider-Man #24Amazing Spider-ManAmazing Spider-Man #26

I appreciate that the splash page centers Spider-Man’s supporting cast. It really is what separates this comic from all the others we’re reading. And this issue is significant for an almost-addition to that cast!

In addition to the normal credits, there’s an extra note crediting Ditko with the plot. Ditko has been responsible for all the plots and most of the writing without credit for it. And his relationship with Stan is starting to deteriorate over this and other concerns. Pretty soon, we’ll be at the point where Ditko has made a condition of his continued employment that he never has to speak to Stan.

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Amazing Spider-Man #24

Spider-Man Goes Mad!

Featuring: Spider-Man
Release: February 11, 1965
Cover: May 1965
12 cents
Mighty script by: Stan Lee
Powerful art by: Steve Ditko
A lotta lettering by: S. Rosen
20 pages

PreviousNext
Tales of Suspense #65, Story BReading orderStrange Tales #132
Amazing Spider-Man #23Amazing Spider-ManAmazing Spider-Man #25

I declared last month’s cover the best we’ve yet seen. Two months earlier, I’d declared it that cover. I really don’t want to keep doing that, but man, look at that crazy cover. It brings to mind Ditko’s roots in weird horror tales, and captures some of the madness of his Dr. Strange work.

The comic more than lives up to the cover.

The opening splash is also excellent. It shows Spider-Man haunted by the same ghost images of his villains, but makes it clear that’s a psychiatrist’s office, and it’s Spidey in the chair. And from the look on the doctor’s face, not about to receive a favorable diagnosis regarding his mental stability.

Aunt May is still struggling with the bills, and Peter plans to make more money taking pictures of Spider-Man to help out. Remember the theme of responsibility. Most often, it’s assumed his responsibility is to do good as Spider-Man, but he also has a responsibility to his aunt.

Continue reading “Amazing Spider-Man #24”