Featuring: Fantastic Four Release: December 8, 1966 Cover: March 1967 12 cents Dazzlingly depicted by: Stan Lee and Jack Kirby Inking by: Joe Sinnott Lettering by: Sam Rosen 20 pages
I… never felt… pain.. like this… before..! ..Never knew anything… could hurt… so much… But… can’t let go… can’t knuckle down…! All I got is… my strength..! If I let that fail me… there’s nothin’ left…! Nothin’..! Fight it, Ben… fight it!! Fight… ya ugly , good-fer-nothin’ orange-skinned meathead… fight..! What’s a little bit… of pain… to a big beautiful slob… like you..!
Black Bolt has spoken, and his voice had the power to destroy the Negative Zone surrounding the Great Refuge. And now he along with the Royal Family and Court of the Inhumans venture forth into the wider world. Meanwhile, Dr. Doom continues to wield the cosmic power of the Silver Surfer.
As noted, I’m here for Doom on a surfboard. That’s what this story is about to me. And this is the best image of that yet.
The Human Torch tries to take on Dr. Doom by himself. It won’t go well.
Featuring: Fantastic Four Release: November 10, 1966 Cover: February 1967 12 cents A Stan Lee * Jack Kirby modern day masterwork! Delineation by: Joe Sinnott Lettering by: Artie Simek 20 pages
Featuring: Fantastic Four Release: October 11, 1966 Cover: January 1967 12 cents A Stan Lee * Jack Kirby powerhouse production Inked by: Joe Sinnott Lettered by: Artie Simek 20 pages
“Hah! The once-mighty Silver Surfer! Now, barely able to move a muscle since your new master has stripped you of your power!” “Master? Galactus had been– my master! You– are but– a flea!”
Dr. Doom’s head appears in the air. I appreciate that Reed just thinks it’s a random pattern from the electrical storm. Smartest man in the world.
But then the pattern randomly looks like Dr. Doom again, and Reed begins to do the math on the odds of that.
Featuring: Fantastic Four Release: September 8, 1966 Cover: December 1966 12 cents Panoramically produced by: Stan Lee, Jack Kirby Inking: Joe Sinnott Lettering: Artie Simek 20 pages
It is you I wish to learn about! For power has ever been my god– And, in all the universe, there can be no greater truth than– knowledge is power!
One thing we’ve seen going back to issue 36 is a tighter continuity amongst a larger cast. These aren’t isolated adventures anymore, but part of a larger whole. I mention issue 36 because it introduced the Frightful Four. The character of Medusa led us to the Inhumans, who have essentially become supporting characters on this title, as we check in with them often. The FF have had three battles against the Frightful Four, but now Sandman and Wizard are attempting a prison break.
After the Inhumans saga, we met the Silver Surfer, who has also become a supporting cast member in essence.
Sandman is an interesting character, as he was created to be a Spider-Man villain but at this point seems to have been adopted by the Fantastic Four. Which leads me to a question. Is Sandman a Jack Kirby creation?
Sandman was introduced in Amazing Spider-Man by Steve Ditko. But I believe Ditko has been quoted that he got occasional help on Spider-Man’s villains from Jack. And I wonder if that refers to the Sandman.
Ditko’s first Spider-Man super-villains were: Chameleon, Vulture, Dr. Octopus, Lizard… and Sandman. Who stands out in the group. Spider-Man has an excellent rogues gallery, and Stan and the other artists have brought many of them around to threaten other heroes… but Kirby has shown no interest in using any of them in his comics… except for Sandman, who is essentially a regular Fantastic Four character at this point.
I don’t know any of this. I’m just speculating out loud. But at this point, Sandman has been adopted by the FF as a villain… and I wonder if Jack Kirby created him?
Featuring: Fantastic Four Release: July 7, 1966 Cover: November 1966 12 cents Produced by: Stan Lee and Jack Kirby Delineated by: Joe Sinnot Lettered by: Artie Simek 20 pages
Our biggest problem seems to be keeping the somewhat disoriented Marvel Universe in some semblance of order! But, when you constantly mess around with space/time warps, and continuums, negatives zones, intra-cosmic deviationary fields, and universes beyond the reached of infinity, you’re apt to get a little bit confused! So bear with us, erudite one, for verily thou hast the seeming of a true believer!
Two notes about the credits. The first is that there are two Ts in Sinnott.
The second is that the credits will stop specifying Stan Lee as the writer, when Kirby is doing most of the writing. The compromise is the nebulous “produced by” credit. Ditko had fought for a similar credit in his comics before leaving.
Sue is upset that Reed is always working, and not spending enough time with his wife. Not the first time we’ve seen this complaint.
Reed has all kinds of fancy technology, including a visi-phone which connects to his lab. Wow. A visi-phone. Imagine being able to talk to someone remotely and see them at the same time!
Featuring: Fantastic Four Release: July 7, 1966 Cover: October 1966 12 cents Scripted with a smile by: Stan (The Man) Lee Pencilled with a passion by: Jack (King) Kirby Delineated with a dignity by: Jovial Joe Sinnott Lettered with a lilt by: Swingin’ Sammy Rosen Applauded with Aplomb by: Honest Irving Forbush 20 pages
I have seen men build… and destroy! I have seen this world, which could be paradise, reduced to a planet of greed, and fear, and hatred! I have seen humanity with its heritage betrayed!
When Galactus came to devour Earth, Silver Surfer was his herald. But Silver Surfer met Alicia Masters, and she convinced him that humanity was worth saving. So Silver Surfer betrayed his master. As punishment, Galactus took Silver Surfer’s space-time powers from him. This presumably means he cannot fly faster than light speed, so is practically confined to within a lightyear or so of Earth.
Thing hadn’t been happy that Alicia seemed so impressed by the Silver Surfer, and spent some time moping in the rain about it.
Johnny and Wyatt have been on their way to the Great Refuge of the Inhumans since they left Wakanda. Along the way, they came across Prester John and the Evil Eye, which Johnny thought might break the Negative Zone barrier around the Great Refuge. But that didn’t work out.
Shouldn’t Johnny and Wyatt be in school?
Reed still owes Sue a proper honeymoon. Though he has taken her to the Great Refuge and Wakanda. But I guess she wants somewhere just the two of them where they don’t battle evil. Women, eh.
Featuring: Marvels Release: January 25, 1994 Cover: March 1994 $5.95 Writer: Kurt Busiek Artist: Alex Ross Letterers: Starkings w/ John Gaushell Editor: Marcus McLaurin Assistant editor: Spencer Lamm Editor in chief: Tom DeFalco Cover design & logo: Joe Kaufman Interior Design: Comicraft 45 pages
And then it was quiet. No one around. They were all inside– or gone. Was this what it was going to be like? Silence and emptiness– forever?
We again jump back to 1994. As noted in this post, which serves as something of a vision statement, my goal here is to be able to reread my first comic, Avengers #309, but this time with full context, without feeling like I was missing anything or that I had read things out of order. More than that, it’s an attempt to try to see decades of disparate titles by a variety of creative voices as telling a larger single story.
I see Marvels, the masterpiece by Busiek and Ross, as an attempt to come to terms with that same story, and then to tell it in miniature. In general I try to take a contemporaneous viewpoint, looking at our 1966 stories from the perspective of 1966, and not spending too much thought on what later stories have to say. Marvels is the exception, as I’m using Marvels to frame our reading and my thinking about this reading.
For example, we jumped a little bit ahead in our X-Men reading lately. The rush through X-Men was to line up with this issue of Marvels. I was eager to read this comic right after the Galactus saga, but knew I had to hold back until after the X-Men battled Count Nefaria. And the choices in reading order we made with respect to the Avengers and Fantastic Four stories were inspired by how Marvels presented them.
There is no other later series I let impact my thinking on these stories. That’s born both out of a love of Marvels and its creators, and a trust in Kurt Busiek to have done his homework.
As this post is a bit long and picture-heavy, I’ve broken it into twoparts.
The series Marvels covers the Marvel Universe from 1939-1973. I don’t know how far this blog will go before I get bored or die, but I’m hoping to at least hit 1973 and finish Marvels. But that is several years away.
There’s also a bit of timing in the writing of this blog that has recontextualized Marvels and the stories it represents again. I started this blog in 2019 and reached Marvels #1 in 2020, and found new meaning in Phil’s desire for the world to return to normalcy. I write this blog post in 2024, with 2020 four years in the past, but the pandemic continuing to affect lives in big and small ways.
Marvels #1 starts with the dawn of Marvel in 1939 and takes us into the war in Europe, likely around 1943. We then jump forward 20 years and Marvels #2 covers the ground of part of our reading. It skips the introductions of most of the heroes and takes us to 1964 and Avengers #6 (May 1964), then ends in 1965 with Tales of Suspense #69 (around July 1965). Its focus was on the juxtaposition of two major events, the wedding of Reed and Sue in Fantastic Four Annual 3, and the introduction of the Sentinels in X-Men #14-16.
Thinking in terms of Fantastic Four, a title which has been a monthly constant in our reading, Marvels #2 covers the ground of approximately Fantastic Four #29-43.
Marvels #3 will cover a little less ground, Fantastic Four #44-50, bringing us to around February 1966. And most of the page count is dedicated to recapturing a single story, the battle between the Fantastic Four and Galactus in Fantastic Four #48-50. Due to its wonky arrangement with other stories, the original battle only covered about 48 pages of comics originally, so the retelling in miniature is not actually that much shorter, taking up almost 32 pages.
Of course, this retelling will not be from the perspective of the Fantastic Four, but our man Phil Sheldon.
The story has been about Phil, but also about his changing opinion of the Marvels. In the 1930s, he thought they were something to fear when he first saw Human Torch and Sub-Mariner, but came to conclude they were something to cheer on when he saw Captain America, and then all the heroes teaming up against Nazis. He continued to cheer them on into the 1960s, loving the Fantastic Four and the Avengers… but not the X-Men. Mutants, he hated. Though he grew a bit by the end.
Now he begins to wonder if he’d put a bit too much faith in all the Marvels, put them too much on a pedestal. As they become embroiled in controversy after controversy… had he overestimated them? He begins to have doubts.
Featuring: Fantastic Four Release: February 10, 1966 Cover: May 1966 12 cents Script: Stan Lee Art: Jack Kirby Inks: Joe Sinnott Lettering: S. Rosen 20 pages
Master! For the first time I realize the dread enormity of what you plan to do! You must not tamper with other worlds! You cannot destroy the entire human race!
Would you hesitate to tread upon an ant hill? These creatures are of no consequence to Galactus!
These are not ants, Master! They think… they feel… they have even created the primitive civilization which we see all about us!
Master! Say we may leave this world! My heart grieves at battling one with whom I shared… a universe!
You speak of me as though I am a monster! Do not the humans themselves slay the lesser beasts for food… for sustenance? Galactus does no less!
Galactus is not evil! He is above good.. or evil! He does what he must… for he is Galactus!
Emulate the Watcher! Stand and observe! Try to fathom the cataclysmic forces which have been unleashed! For you shall never see their like again!
Long have I cherished the stumbling, bumbling, but always aspiring human race!
Consider the courage they display! Though they are still in their infancy, you must not disdain them! Did not your race… and mine… evolve from such humble beginnings? Do they not possess the seed of grandeur within their frail, human frames?
And at last I perceive the glint of glory within the race of man! Be ever worthy of that glory, humans… be ever mindful of your promise of greatness! …For it shall one day lift you beyond the stars.. or bury you within the ruins of war!! The choice is yours!!
Generally, my plan is to pick a single quote from each issue to open these posts. I cheated last issue and am doing so again this issue. Too many great quotes. Also too many great images.
This isn’t the worst cover we’ve seen, but it is the most disappointing. Compare it to the awesome first page.
That’s a cool image. But the cover? No Galactus? The FF just as floating heads? Just a shot of the Silver Surfer. With the corner of the cover devoted to Johnny at college? What?
Notice they seem to have gotten the coloring of Galactus basically right now. Purple over red, wearing pants. Still bare arms, but that’s fine. Third time’s the charm. Here’s how it looks in the digital version with modern coloring.
I think the conclusion of the Galactus saga is excellent, but the structuring of this issue is again weird. To appreciate that, I’d like to peek ahead a few pages.
Recall where we were. Galactus is about to destroy the entire world in order to convert its resources into energy to feed himself. His herald has been convinced by Alicia that human life matters, so Silver Surfer has decided for the first time in countless eons to defy his master. Meanwhile, the Human Torch has journeyed across the universe to the giant space station that is Galactus’ home, to find the one weapon that may yet save them.
With all that to wrap up ahead of us, this is page 15.
We meet Coach Thorpe, who is very concerned his college football team is performing poorly. And his star quarterback is giving him attitude.
I cannot even begin to explain the surreality of the contrast between the first and fifteenth page of this comic.
Featuring: Fantastic Four Release: January 1, 1966 Cover: April 1966 12 cents Written in the masterful manner of Stan Lee Illustrated in the magnificent mode of Jack Kirby Inked in the majestic mood of Joe Sinnott Lettered in the nick of time by S. Rosen 20 pages
Of what import are brief, nameless lives… to Galactus??
It is not my intention to injure any living being! But… I must replenish my energy! If petty creatures are wiped out when I drain a planet, it is regrettable… but unavoidable!
I am supreme unto myself… I am Galactus!
This planet contains the energies to sustain me! I shall absorb it at will… as I have for ages in countless galaxies throughout the cosmos!
Destroy is merely a word! We simply change things! We change elements into energy… the energy which sustains Galactus! For it is only he that matters!
No! No! We all matter! Every living being… every bird and beast… this is our world! Ours!
Perhaps we are not as powerful as your Galactus… but we have hearts… we have souls… we live… breathe… feel! Can’t you see that?? Are you as blind as I?
Never have I heard such words… sensed such courage… or known this strange feeling… this new emotion…! There is a word some races use… a word I have never understood… until now! At last I know… beauty!
But look! Look at the city below you! Look at the people! Each of them is entitled to life… to happiness… each of them is… human!
All I need do is link these two igniters… and all the seas of Earth shall be transformed into purest energy… enough energy to sustain me until I find the next such planet somewhere in the endless cosmos!
Trust me! Banish fear from your heart! You shall travel by time space distortion! We must force open the very fabric of time itself! Let it be done… now! You are traveling back… far, far back… into the center of infinity!
There’s always a chance, darling… so long as we’re alive!
Perhaps for the first time within memory… I have found something worth protecting!
This is the middle chapter of the Galactus saga. In many cases, the middle chapter of a saga is the weakest. But the odd structuring of the story makes this the best issue. The first issue was beset by having to finish off the Inhuamns saga before getting started. The last issue will oddly finish halfway through and then become about college football.
Making this the only chapter that dedicates 20 pages to being about Galactus.
I have a book collecting some Jack Kirby Collector magazines, which includes some pencils for this issue. Comparing Kirby’s pencils with the finished artwork can help us understand what Joe Sinnott brings to the table with his finishes.
Let’s dive in and I’ll make some comments as we go.
Featuring: Fantastic Four Release: December 12, 1965 Cover: March 1966 12 cents Stan Lee, writer without peer! Jack Kirby, penciller of the year! Joe Sinnott, inker most sincere! Artie Simek, how’d he get in here! 20 pages
My journey is ended! This planet shall sustain me until it has been drained of all elemental life! So speaks Galactus!
There’s a lot going on in this issue, and a lot to say. So we’ll break it into sections.
The end of the Inhumans saga
We were reading the Inhumans saga in Fantastic Four #44–47. And it wasn’t done. Maximus, the mad would-be king of the Inhumans, was just about to wipe out all humanity with his weapon.
Despite this cliffhanger, we left the saga behind to check in on the rest of the Marvel Universe. We’ve read 70 other stories over the 9 months since we left ourselves hanging. The story concludes this issue. Prior to issue 44, the longest FF saga was 3 parts in the previous 3 issues, #41–43, clocking in at 60 pages. Before that, the longest FF saga was the 2-part #39–40, clocking in at 40 pages.
We’ve already ready 4 issues and 80 pages of the Inhumans arc, and we’re not done! Here we are on the 5th issue. Since this issue is another 20 pages, does that mean it’s a 100-page long saga?
I would say no. I would put it at about 86.7 pages.
That’s right. There are less than 7 pages left.
The Fantastic Four have found the Great Refuge within the Andes. Black Bolt wants them to leave immediately. Reed wants Black Bolt to stop hiding from humanity. Crystal and Johnny want each other.
And Maximus… he fires his “atmo-gun”, which will send vibrations that only affect humans into the air, leaving the Inhumans the rulers of the world.
