sam rosen – Page 9 – Coke & Comics

Tales to Astonish #65, Story B

On the Rampage Against the Reds!

Featuring: Hulk
Release: December 3, 1964
Cover: March 1965
12 cents
Written by: Stan Lee (our faithful writer!)
Drawn by: Steve Ditko (our reliable artist!)
Inked by: Dick Ayers (our dependable inker!)
Lettered by: S. Rosen (our other letterer!)
10 pages

Previous	#350	Next
Tales to Astonish #64, Story B	Reading order	Tales to Astonish #66, Story B
Tales to Astonish #65	Tales to Astonish	Tales to Astonish #66

Our saga continues. Stan offers a recap. Hulk and Talbot are on Astra Isle with a new nuclear device of Dr. Banner’s. Hulk is fighting the Leader’s humanoids and a Marine task force is closing in.

We know now that strain triggers the transformation. When Dr. Banner feels strain, he turns into the Hulk. And when the Hulk feels too much strain, he turns back into Dr. Banner.

Now that Roussos has moved on, Ditko will have rotating inkers to finish off his run on the Hulk. Of course, Ditko’s work looks its best when he inks himself.

The cliffhanger of last issue resolves by page 2 as Hulk and the Humanoids fall into the ocean.

This leads to the actual plot of this issue. Banner is rescued by a Soviet sub and taken to an unnamed Soviet country as a prisoner.

Tales to Astonish #63, Story B

A Titan Rides the Train!

Featuring: Hulk
Release: October 1, 1964
Cover: January 1965
12 cents
Only Stan Lee could have written this monumental masterpiece!
Only Steve Ditko could have drawn these powerful panels!
Only Geo. Bell could have inked this sensational saga!
Only S. Rosen would have lettered his name S. Rosen!
10 pages

Previous	#348	Next
Journey Into Mystery #119, Story B	Reading order	Tales to Astonish #64, Story B
Tales to Astonish #63	Tales to Astonish	Tales to Astonish #64

We’re nominally on the March books, but we just got up to June with Thor comics and July with X-Men, and now we need to go back to October of 1964 for Hulk stories.

We read the first story of this issue a while back. We’ve been skipping the Hulk stories because they are so intertwined with each other. Hulk is in the middle of a saga that really began in issue 60. We’re going to try to do the whole saga in something like three chunks.

Let’s review the story so far.

Dr. Bruce Banner is a weapons builder on a military base who is frequently absent. General Thunderbolt Ross has little patience for Banner and is uspet his daughter Betty seems so fond of the “weakling”. Of course, Bruce is also the Hulk. He recently decided that strain was the trigger of his uncontrollable changes into a monster with its own personality.

Dr. Banner has built a robotic suit, but a spy has stolen it. Hulk fights the spy in the robot suit. After a couple encounters, the robot is tossed into a bottomless pit.

Major Glen Talbot has been hired as the chief of security, with a particular remit to look into Dr. Banner’s strange behavior and any connection between Banner and the Hulk. He also seems fond of Betty, and the General would much prefer his daughter choose someone like the Major.

Hulk finds himself captured by the military. Rick has been spending time with Captain America and the Avengers, but still feels a debt to the Hulk. He returns to the New Mexico military base and helps Dr. Banner escape the military. This was likely before the Avengers’ battle with Immortus.

We learn the spy was working for someone named the Leader, whose face we do not see. Since the spy failed, the Leader dispatches the Chameleon to investigate what happened. When the Hulk foils Chameleon’s plans, Leader decides to get personally involved. He has just perfected a creation called the Humanoid.

And that’s where we left off.

Journey Into Mystery #118, Story B

The Crimson Hand!

Featuring: Tales of Asgard
Release: May 4, 1965
Cover: July 1965
12 cents
Story by: Stan Lee the legend teller!
Art by: Jack Kirby the legend maker!
Inking by: Vince Colletta the legend portrayer!
Lettering by: Sam Rosen the letterer!
5 pages

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	PRELUDE	Mystic Comics #6
Journey Into Mystery #118	Reading order	Journey Into Mystery #119
Journey Into Mystery #118	Journey Into Mystery	Journey Into Mystery #119

This is the second part of what I’ll dub the “Odinsword Saga”. Unlike most sagas which we’ll try to read all together, I’ve deemed this one reads best one chapter at a time, as the backups to the main Thor feature.

To recap, warriors of Asgard were getting restless, when Odin revealed the Oversword was broken, and directed Thor and Loki to go on a quest to learn who was responsible.

Now Thor is visiting Morduk the map maker.

Is that candle holder a monstrous hand? That’s cool.

Morduk warns Thor’s course will take him… into the unknown.

Journey Into Mystery #114

The Stronger I Am, the Sooner I Die!

Featuring: Thor
Release: January 5, 1965
Cover: March 1965
12 cents
Written at white heat by: Stan Lee
Drawn with purple passion by: Jack Kirby
Inked with golden serenity by: Chic Stone
Lettered on a blue Monday by: Sam Rosen
16 pages

Previous	#335	Next
Avengers #16	Reading order	Journey Into Mystery #114, Story B
Journey Into Mystery #113, Story B	Journey Into Mystery	Journey Into Mystery #114, Story B

“The Stronger I Am, the Sooner I Die!”

Well, damn. That’s maybe the most compelling title yet. It turns out to also make complete sense into the context of the story. I like it.

This is the issue Thor finally gets good.

Quality-wise, Thor’s been turning around since about a dozen issues back. It went from being the single worst title to a pretty decent one. The stories still haven’t been much to speak of, but the art and action have been excellent. There’s been great storytelling of late, even if not applied to many stories worth telling.

The great storytelling has been owed to the pairing of Kirby and Stone. We just bid farewell to Stone’s tenure on FF. Now we must bid farewell to him on Thor (recall we’ve jumped back in time, so this is a month before his final FF issue). Vince Colletta will graduate from the Tales of Asgard backups and start on the main strip. There are those who love Colletta’s work on Thor, and there are many others who… don’t. We’ll see what we think in the months to come.

We are jumping back in time a couple months. Thor is changing. It has so far mostly consisted of identifiable discrete stories, usually one or two issues long. No more. Stories will flow into each other; it will be hard to tell where one begins and ends. It will be hard to identify where Thor gets enough of a breather to go be an Avenger. (Though we know that soon won’t be an issue.) We’re already behind on our Dr. Strange and Hulk reading because they’ve started the “saga” approach to storytelling.

To that end, the plan is to read the next 6 issues of Thor basically together, pausing only to check in on Daredevil, because it’s relevant to the happenings in Thor.

Most of the issue is dedicated to Thor’s battle against the Absorbing Man, but it ends indecisively. It’s over for the moment, but Thor’s foe remains at large. Meanwhile, we get a second conflict in the final pages. Loki has kidnapped Jane and holds her in his stronghold. Thor must go battle Loki and rescue Jane. Next issue will pick up both of these plots, but the Absorbing Man story still won’t conclude, and it will bleed into the Trial of the Gods” arc, which has already been hinted at in our Avengers reading because we got 2 months ahead.

We’ll talk in more detail about chronology next issue, but my loose idea is that this story takes place between the pages of Avengers #15. After the first Thor scene but before the second. The MCP disagrees, placing this squarely after Avengers #16.

Let’s dive in.

Fantastic Four #38

Defeated by the Frightful Four!

Featuring: Fantastic Four
Release: February 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Inker: Chic Stone
Letterer: S. Rosen
20 pages

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X-Men #13	Reading order	Avengers #15
Fantastic Four #37	Fantastic Four	Fantastic Four #39

My sincerest apologies, faithful readers. Been a few weeks now since we covered the epic battle between the X-Men and the unstoppable Juggernaut. That’s life nonsense getting in the way of my priorities. Let’s pick up our reading with the Fantastic Four.

I’ve teased for years now that at some point this title goes from “good” to “transcendentally great”. The precise transition point is unclear and I’ve repeatedly noted some key issues that seemed to step up the quality. I feel like that transcendentally great era is now here. I could maybe hear an argument it begins with issue 44, but I feel like it’s here now.

We’ll talk about 44 when we get there, as there is a notable change that issue. This issue also represents a change. This is Chic Stone’s final issue of Fantastic Four.

Stone has inked the last 10 issues of Fantastic Four, and it’s now hard to remember the title without him. Prior, it had been Roussos or Ayers, and the difference is just night and day. The only standout prior to Stone was the couple issues inked by Joe Sinnott. (Hint, hint.)

The art popped under Stone. He highlighted the melodrama Kirby was infusing the stories with. He didn’t soften the exaggerations of Kirby’s faces or poses. He outlined them; he leaned in to just how over the top–and larger than life– Kirby wanted this all to be. And you see this across titles, just as evidently in the Thor stories, for example. The action and tension and emotion and drama are all just illustrated to the max under the Kirby/Stone collaboration. It will be sad to see him go.

This isn’t goodbye forever to Stone. He did a couple other titles this month we’re yet to read, and he has the odd cover or fill-in issue still to come. But here we bid goodbye to his work on Fantastic Four.

X-Men #13

Where Walks the Juggernaut!

Featuring: X-Men
Release: July 1, 1965
Cover: September 1965
12 cents
Story by smilin’ Stan Lee
Layouts by jolly Jack Kirby
Penciling by Jay Gavin
Inking by Joe Sinnott
Lettering by Swingin’ Sam Rosen
20 pages

Previous	#331	Next
X-Men #12	Reading order	Fantastic Four #38
X-Men #12	X-Men	X-Men #14

We are jumping a bit ahead with X-Men, as issues 11-13 all take place the same day, but the comic is bi-monthly. In general, we are still in March 1965, which is when X-Men #11 was released.

Last issue sort of introduced the Juggernaut. We mostly saw him in shadow and marveled at how easily he broke through the X-Men’s defenses. He was revealed in the last panel. Most of the issue had been about Xavier’s youth. Now, we meet Juggernaut properly.

We also had the legendary Alex Toth on art, as Kirby is moving off X-Men. Kirby has often been the go-to guy for getting series started, but then usually soon handed off the reins. Fantastic Four is the only series he’s really stuck with so far. Though he’ll do a decent stretch on Captain America, and his recent return to Thor is for the long haul.

Let’s look at the credits. Jay Gavin is a new name, and not even a real one. Jay and Gavin are the names of the sons of Werner Roth, our new artist. Werner Roth is not quite the legend that Alex Toth is. He is probably most notable for this stint on X-Men, where he is unfortunately stuck being “the guy that followed Kirby”. He got started in comics later than many peers, already 30 or so before working regularly. He’s already 44 at this point as he takes the reins on X-Men. He died tragically young at the age of 52, never quite having set the world of comics on fire.

X-Men #12

The Origin of Professor X!

Featuring: X-Men
Release: May 4, 1965
Cover: July 1965
12 cents
Stupifying story by: Stan Lee
Spectacular layouts by: Jack Kirby
Slam-bang pencilling by: Alex Toth
Sensational inking by: Vince Colletta
The usual lettering by: Sam Rosen
Kibitzing by: the whole blamed bullpen!
20 pages

Previous	#330	Next
X-Men #11	Reading order	X-Men #13
X-Men #11	X-Men	X-Men #13

Happy Labor Day. Thanks to all the workers, past and present, for all they have done to shape this nation by the fruits of their labors.

We just read X-Men #11. And by just, I mean over 2 weeks ago. Sorry, life stuff got in the way of my comic reading priorities. That issue ended with alarms warning the X-Men of what Xavier called the most deadly danger they had ever faced approaching. Seeming to ignore the fact that they’d just faced a godlike alien being.

I’ve left us hanging with that cliffhanger for 2 weeks now. But it’s better than kids in the 60s had it. They had to wait 2 months to meet this new menace, and then perhaps be disappointed to learn we don’t actually glimpse him until the very final panel.

Before we get to the story, we must ask questions about the credits: Why are there so many artists? And who is this Alex Toth? What’s this bullpen?

This is the second time Stan has referred to the “bullpen” in the credits, and the second time he has credited them with kibitzing.

Strange Tales #133

The Terrible Toys!

Featuring: Human Torch and Thing
Release: March 11, 1965
Cover: June 1965
12 cents
Written in the magnificent Stan Lee tradition!
Illustrated in the majestic Bob Powell manner!
Inked in the magiloquent Mick Demeo style!
Lettered in the mortgaged Sam Rosen home!
12 pages

Previous		Next
Strange Tales #132	Reading order	Strange Tales #134
Strange Tales #132, Story B	Strange Tales	Strange Tales #133, Story B

Due to the tightness of forthcoming FF chronology, we are reading ahead a bit in these Human Torch stories. Since Dr. Strange is still involved in a big saga, we are still holding off on reading Dr. Strange stories.

Dr. Strange at last gets half of the cover, but Kirby’s work here doesn’t quite do justice to the tale Ditko is spinning inside.

Stan notes the story will start in the middle. That is unusual for one of these stories, but it’s a classical storytelling technique, en media res.

This issue promises a surprise twist, an old villain in a new guise. I don’t want to spoil the big surprise.

Strange Tales #132

The Sinister Space Trap!

Featuring: Human Torch and Thing
Release: February 11, 1965
Cover: May 1965
12 cents
Edited with reckless abandon by: Stan Lee
Written with daring bravado by: Larry Ivie
Drawn with brash impetuosity by: Bob Powell
Inked with reckless vigor by: M. Demeo
Lettered with a soggy penpoint by: S. Rosen
12 pages

Previous		Next
Amazing Spider-Man #24	Reading order	Strange Tales #133
Strange Tales #131, Story B	Strange Tales	Strange Tales #132, Story B

Dr. Strange gets a small box on the cover to acknowledge his story.

Yesterday was the 60th anniversary of the publication of Fantastic Four #1. Wish I could have timed my posts to have something better than this Human/Torch Thing story to celebrate with. So it goes. Happy birthday, Foursome!

Art by Alex Ross, inspired by Jack Kirby.

Lots to unpack from the credits page.

We’ve already met Mr. Demeo (Mike Esposito), as he also picked up inking on Iron Man this month.

Larry Ivie is a new name to us. He is an occasional comics writer and artist, and perhaps best known as a comics fan.

The blog, Professor H’s Wayback Machine, recently did a tribute series to Ivie’s work on his self-published fanzine, Heroes & Monsters.

This is the last we’ll see of Ivie for some time, but he’ll do occasional Marvel work here and there over the next couple decades.

Also unusual in the credits is a comic Stan Lee takes no writing credit on. This isn’t the first time, but it’s been a rare occurrence, and will become less rare. Stan still gets his name first in the credits somehow.

What we would today call editing is certainly a contribution that Stan makes to every one of these books, and not one to be taken lightly. The issues arise on the comics where he worked as an editor but credited himself as a writer.

Things are heating up in the Fantastic Four book, and there won’t be much space for solo adventures. So far, with only a few exceptions, Fantastic Four adventures have fit into a single issue, where one could easily imagine these Human Torch stories fitting in between the issues. But, as is the general trend these titles are taking, Fantastic Four stories are going to get more involved, with cliffhanger endings which lead us right into the next issue.

To that end, we’re going to knock out the next few Human Torch/Thing stories presently, getting us a little ahead with them. We’ll eventually revisit all these comics and read the Dr. Strange stories.

Thus subjecting myself and you to three of these in a row.

But there’s a light at the end of the tunnel…

Amazing Spider-Man #24

Spider-Man Goes Mad!

Featuring: Spider-Man
Release: February 11, 1965
Cover: May 1965
12 cents
Mighty script by: Stan Lee
Powerful art by: Steve Ditko
A lotta lettering by: S. Rosen
20 pages

Previous		Next
Tales of Suspense #65, Story B	Reading order	Strange Tales #132
Amazing Spider-Man #23	Amazing Spider-Man	Amazing Spider-Man #25

I declared last month’s cover the best we’ve yet seen. Two months earlier, I’d declared it that cover. I really don’t want to keep doing that, but man, look at that crazy cover. It brings to mind Ditko’s roots in weird horror tales, and captures some of the madness of his Dr. Strange work.

The comic more than lives up to the cover.

The opening splash is also excellent. It shows Spider-Man haunted by the same ghost images of his villains, but makes it clear that’s a psychiatrist’s office, and it’s Spidey in the chair. And from the look on the doctor’s face, not about to receive a favorable diagnosis regarding his mental stability.

Aunt May is still struggling with the bills, and Peter plans to make more money taking pictures of Spider-Man to help out. Remember the theme of responsibility. Most often, it’s assumed his responsibility is to do good as Spider-Man, but he also has a responsibility to his aunt.