Strange Tales #143

To Free a Brain Slave

Featuring: Nick Fury, Agent of SHIELD
Release: January 11, 1966
Cover: April 1966
12 cents
Story: Stan Lee
Art: Jack Kirby
with an assist by: Howard Purcell
Inking: M. Demeo
Lettering: A. Simek
12 pages

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Howard Purcell is a new name to us, but he’s been in the business since 1940, mostly doing work for the companies that would become DC. He’s not going to be a regular Marvel artist. It’s not even clear what he did this issue. Some form of finishing Kirby’s pencil art before handing it off to Mike Esposito to finish in ink.

Here’s a sampling of his work for DC.

  • Adventure Comics #53, featuring Mark Lansing of Mikishawm, 1940
  • World’s Finest Comics #2, feat. Lando Man of Magic, 1941
  • All American Comics #25, 1941
  • All American Comics #26, feat. Sargon the Sorcerer, 1941
  • Sensation Comics #1, feat. The Gay Ghost, 1942
  • Comic Cavalcade #15, feat. Johnny Peril’s Surprise Story, 1946
  • Green Lantern #26, 1947
  • Mr. District Attorney #6, 1948
  • Mystery in Space #1, 1951
  • My Greatest Adventure #29, 1959
  • The Brave and the Bold #51, 1964
  • Sea Devils #16, 1964
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Strange Tales #140

The End of Hydra!

Featuring: Nick Fury, Agent of SHIELD
Release: October 12, 1965
Cover: January 1966
12 pages
Senses-shattering story by: Stan Lee
Power-packed presentation by: Jack Kirby
Drama-drenched drawing by: Don Heck
Dreamy-designed delineation by: Joe Sinnott
Booboo-bulging balloons by: Sam Rosen
12 pages

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Mankind cannot live in fear of Hydra! In the name of SHIELD… in the name of universal freedom… I cannot fail!

Kirby. Heck. Sinnott. That’s a lot of artists to draw 12 pages of comic. (A heck of a lot.)

“Booboo-bulging balloons” took a bit of deciphering. I think Stan’s claiming the letterer makes a lot of mistakes. The word balloons are bulging fit to burst with mistakes.

Hydra could have served as a looming background threat for some time to come. But they decided it was time to settle it up. This is part 6 of the “Hydra Saga”. SHIELD agents are swarming Hydra’s headquarters for the final battle.

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Strange Tales #139

The Brave Die Hard!

Featuring: Nick Fury, Agent of SHIELD
Release: September 9, 1965
Cover: December 1965
12 cents
Sensationally written by: Stan Lee
Spectacularly laid-out by: Jack Kirby
Superbly illustrated by: Joe Sinnott
Silently lettered by: Artie Simek
12 pages

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You know that no insurance company would give a policy to a SHIELD man! There’s only one thing we won’t die of– and that’s old age!

I think you can tell at a glance my copy of this comic has seen better days.

The cover’s an interesting gimmick. It’s mostly just the first page of the issue, but then it has Dr. Strange holding the page. The caption tells us, “Amost everybody reads SHIELD!”

The Dr. Strange figure is drawn by Marie Severin, sister of John Severin, who drew the last couple issues of SHIELD. She’s been doing staff work at Marvel, but will soon enough be chosen to draw Dr. Strange herself.

You kind of get the sense that they didn’t have a cover at all, and this got thrown together by staff. But they get a nice test run for Ms. Severin on the Doctor.

The story opens with Nick Fury in outer space being pursued by…err… that… thing.

Ah, he’s being subjected to some virtual reality thing designed to pry from his mind the secrets of Stark’s new weapon, the, err, braino-saur.

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Tales of Suspense #45

The Icy Fingers of Jack Frost!

Featuring: Iron Man
Release: June 11, 1963
Cover: September 1963
12 cents
Story plot: Stan Lee
Script: R. Berns
Art: Don Heck
18 pages

We meet a new villain, Jack Frost. His special suit covers himself in ice and he can freeze people. He isn’t the first ice-themed super character and won’t be the last. Though off the top of my head, I am not thinking of any earlier examples within Marvel. Over at DC, we met Captain Cold in Showcase #8 (1957) and Mr. Zero in Batman #121 (1959).

But Jack Frost is something of a footnote in the Marvel Universe. This is the first of 6 stories he’ll appear in, making him the most significant Iron Man villain we’ve met, but still not all that significant.

The bigger news is that Iron Man gets a supporting cast!

The writers must know that having a supporting cast is a good idea. This isn’t new. Superman has had Lois since his first issue. Jimmy and Perry followed eventually. Batman has had Alfred for a couple decades at this point. It’s just not a new concept. And it’s working really well for Spider-Man. Aunt May, J. Jonah Jameson, Flash Thompson… they help make the book. But the other stories have mostly not bothered with the concept. Thing has Alicia and Thor has Jane, but that’s the extent of it so far.

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Tales of Suspense #40

The armor makes him a superhero and keeps his heart beating.

Iron Man Versus Gargantus!
Featuring: Iron Man
Release: January 10, 1963
Cover: April 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: J. Kirby
Inking: D. Heck
13 pages

I read this story in Iron Man Omnibus vol. 1.

Most of the credits only get first initials, perhaps to fit on a line. The letterer John Duffy doesn’t even get an initial, referred to as “Duffi”. Heck was the primary artist on the first issue of Iron Man, though building off some initial character work by Kirby. Here, Heck is credited with inking over Kirby. But to my eye, this issue mostly reminds me more of Heck than Kirby.

The script is credited to “R. Berns”. The first time we’ve seen that name. In fact, I think it’s the first writing credits given to anybody except for Stan or his brother Larry. The scripter is Robert Bernstein, who used the pseudonym “R. Berns” for all of his Marvel work, as he was mostly known for his DC superhero work at the time. He’d been working in comics for at least 17 years at this point, and had worked with Lee before on western and war stories. But he’d spent the last 4 years working in superhero comics at DC, famously reviving Aquaman for the Silver Age, and adding Aqualad and Aquagirl to the cast (working with Ramona Fradon). His Superboy stories (with George Papp) introduced the menace of General Zod and other Kryptonian criminals imprisoned in the Phantom Zone, concepts that would make it into the 1978 Superman film and the 2013 reboot. And he transformed Congo Bill into Congorilla (alongside Howard Sherman). An impressive pedigree to join our crew.

We saw 18 months of superhero comics made almost entirely by 3 people. It wasn’t sustainable as the number of heroes continued to grow, so we’ve seen an infusion of new writers and artists in the last month, some filling in, some here to stay.

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Tales of Suspense #39

Iron Man is Born!
Featuring: Iron Man
Release: December 10, 1962
Cover: March 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Don Heck
13 pages

I read this story in Invincible Iron Man Omnibus vol. 1.

Don Heck is the artist on this issue, but the cover is by Jack Kirby. The cover was drawn first, and Jack Kirby is thus responsible for designing this version of the Iron Man armor. Heck claims credit for the look of Anthony Stark and generally the interiors. I’ve read conflicting reports on how much input Kirby had to the interior art and storytelling.

Recall that Kirby had been drawing every ongoing Marvel superhero series prior to this month. One week earlier, Don Heck took over as artist on the Ant-Man feature, and now Heck will also be the artist on the Iron Man stories. And a new Marvel superhero title premieres this same day which will be drawn by Steve Ditko, so the load is getting shared now.

That’s right! It’s Iron Man! The character nobody had heard of in 2007 who was everybody’s favorite superhero by 2009.

As we discussed, December 10, 1962 is a day with four big milestones in Marvel superhero history. This is the second.

  • Milestone #1 of December 10, 1962:
    Fantastic Four meet the Hulk!
  • Milestone #2:
    Iron Man

Anthony Stark is a rich, handsome, glamorous playboy, a bachelor and socialite. Also a brilliant scientist helping out the US military. He’s invented a tiny transistor that increases the force of any device, which he’s helping the military deploy in South Vietnam.

As I understand the problem in Vietnam, it will take more than a tiny transistor to solve…

Wong-Chu is described as a “Red Guerilla” conquering villages is South Vietnam. I assume the implication is he is with the Việt Cộng, but that is not explicit.

The depictions of Asian people remain awful, with Wong-Chu as racist a caricature as General Fang.

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