Tales of Suspense #39, Story C

Gundar!
Featuring: Odin
Release: December 10, 1963
Cover: March 1963
12 cents
Script: Stan Lee
Art: Steve Ditko
5 pages

A short story we’ll cover for a couple reasons. One is that it’s the other new comic story in the issue that introduces Iron Man. So noteworthy in and of itself. Another is that it includes Odin. And this is after Odin has become a regular in the Thor stories. That doesn’t mean Stan sees any particular connection between this Odin and the one in the Thor stories. But Odin is here.

A shipwrecked man finds immortal vikings trapped there by a curse. Their captain Gundar had been evil, and they once questioned his orders, so he attacked and ultimately cursed them. Odin apparently took Gundar’s side in the conflict; so he’s not entirely benevolent here. Or perhaps he’s just literal-minded about the laws– the crew had taken up arms against their captain; that he attacked them may be immaterial to the laws Odin enforces.

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Tales of Suspense #39

Iron Man is Born!
Featuring: Iron Man
Release: December 10, 1962
Cover: March 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Don Heck
13 pages

I read this story in Invincible Iron Man Omnibus vol. 1.

Don Heck is the artist on this issue, but the cover is by Jack Kirby. The cover was drawn first, and Jack Kirby is thus responsible for designing this version of the Iron Man armor. Heck claims credit for the look of Anthony Stark and generally the interiors. I’ve read conflicting reports on how much input Kirby had to the interior art and storytelling.

Recall that Kirby had been drawing every ongoing Marvel superhero series prior to this month. One week earlier, Don Heck took over as artist on the Ant-Man feature, and now Heck will also be the artist on the Iron Man stories. And a new Marvel superhero title premieres this same day which will be drawn by Steve Ditko, so the load is getting shared now.

That’s right! It’s Iron Man! The character nobody had heard of in 2007 who was everybody’s favorite superhero by 2009.

As we discussed, December 10, 1962 is a day with four big milestones in Marvel superhero history. This is the second.

  • Milestone #1 of December 10, 1962:
    Fantastic Four meet the Hulk!
  • Milestone #2:
    Iron Man

Anthony Stark is a rich, handsome, glamorous playboy, a bachelor and socialite. Also a brilliant scientist helping out the US military. He’s invented a tiny transistor that increases the force of any device, which he’s helping the military deploy in South Vietnam.

As I understand the problem in Vietnam, it will take more than a tiny transistor to solve…

Wong-Chu is described as a “Red Guerilla” conquering villages is South Vietnam. I assume the implication is he is with the Việt Cộng, but that is not explicit.

The depictions of Asian people remain awful, with Wong-Chu as racist a caricature as General Fang.

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Tales to Astonish #41

Prisoner of the Slave World!
Featuring: Ant-Man
Release: December 3, 1962
Cover: March 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Don Heck
10 pages

I read this story in Marvel Masterworks: Ant-Man/Giant-Man vol. 1.

This is a pretty momentous issue. We’ve read a variety of Marvel comics together here. We’ve taken peeks into the past and the future, and checked out some of Marvel’s “weird tales” books with tangential connections to our superhero comics. But we’ve mostly been reading superhero series of the early ’60s. We’ve followed the Fantastic Four, Hulk, Human Torch, Thor, and Ant-Man. What have all these series had in common? They’d all been drawn by Jack Kirby.

That’s not Kirby…

Now, for the first time, Jack is going to take a break from drawing several comics a month and draw one less. This issue of Ant-Man will be drawn by Don Heck. We’ve met Heck once before. He drew a Medusa story we checked out in Tales to Astonish. A great artist in his own right. He’d been associated with the company that will become Marvel off and on for almost a decade at this point, drawing westerns, war stories, and sci-fi/fantasy tales.

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Journey Into Mystery #89

The Thunder-God and the Thug!
Featuring: Thor
Release: December 3, 1962
Cover: February 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Mighty Thor vol. 1.

Ray Holloway is credited as the letterer. First credit we have seen for him. Art Simek has been doing most of the lettering when it’s been credited.

As with his battle against the Soviets, fighting mobsters is unworthy of Thor’s power. They really don’t stand a chance. The only trick that works is taking a hostage, usually Jane.

Good luck, mobsters.
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Tales to Astonish #40

The Day that Ant-Man failed!
Featuring: Ant-Man
Release: November 8, 1962
Cover: February 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Sol Brodsky
11 pages

We’re 6 issues in to these Ant-Man stories, and it’s time to state the obvious conclusion: they’re not very good. Now, the first story in issue 35 was good. It was a clever story about a scientist quickly having to put his inventions to work to stop some Commies. But it then falls apart. Somewhere between issue 35 and 36.

In issue 35, Ant-Man is forced to be born by circumstance– he has hostages to rescue. The issue ends with him musing whether he will ever be forced to become Ant-Man again. Issue 36 begins some time later. Ant-Man is now a regular crimefighter, internationally famous, beloved by people and law enforcement, who has specially constructed an ant-sized headquarters in his home, and who uses his network of ant friends to help him find crime to battle.

That’s a pretty big leap. It’s possible there’s some interesting character development there– but we don’t see it. In that first story, Dr. Pym had lab assistants. We’ve since met nobody else in his life: no friends, no colleagues, no love interest. The entire story in each issue is devoted to the mission. We learn nothing about his inner life, nothing about his personal life, and get no good sense of why he is Ant-Man. He just battles boring villain after boring villain (plus one giant beetle— that was cool.)

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Journey Into Mystery #88

The Vengeance of Loki!
Featuring: Thor
Release: November 1, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

Loki is Thor’s first repeat villain. Coming up with new villains every month is exhausting, so it’s worth repeating the best ones. Loki was the best one. (His competition is: the Stone Men from Saturn, the Executioner, Zarrko, and some Soviet soldiers.) The Fantastic Four have now fought Doom and Sub-Mariner three times each. Human Torch has faced off twice against the Wizard. Ant-Man hasn’t had a repeat villain yet, but I suspect we’ll see the return of Egghead soon enough. Hulk has a persistent nemesis in Thunderbolt Ross, but otherwise hasn’t encountered any actual villains twice. I think repeating villains is good, unless it’s overdone. It is how you develop good rivalries and get an arch-nemesis. But once Joker appeared in the old Batman comics, he started showing up in every single issue of Batman. It’s a balance of having some variety in the foes while giving a chance for a proper rivalry to develop. So far, these comics are doing well enough on the variety side.

We see Heimdall at his post for the first time, guarding the Bifrost. Loki is forbidden to leave Asgard, so he must somehow sneak past Heimdall. He does so by disguising himself as a snake. I really thought of Heimdall as being better than that.

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Tales of Suspense #27, Story D

His name was… Merlin!
Featuring: Merlin
Release: December 12, 1961
Cover: March 1962
12 cents
Credits: Stan Lee and Steve Ditko
5 pages

This is a late entry. But now that Merlin’s been mentioned as the ancient enemy of Tyrannus, I realize he did have a single earlier appearance in the Marvel Age. Again, these famous mythological figures were common fodder for Marvel’s old weird tales. There’s not necessarily a connection between these isolated stories and the characters who appear in the Marvel superhero stories. But it’s not clear there isn’t. And in hindsight, I wish we had covered this way back in the beginning. It came out the same day as Fantastic Four #3.

This was a pretty standard fantasy tale in one of these anthologies. We’ve seen the exact summary before: a dishonorable man gets what’s coming to him through a mystical twist when he picks the wrong victim to mess with. We’ve seen this in an Odin story and a Medusa story.

Yes, I’m sure your name was the problem…
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Incredible Hulk #5, Story B

The Incredible Hulk vs The Hordes of General Fang!
Featuring: Hulk
Release: November 1, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Incredible Hulk Omnibus vol. 1.

There are ways in which Stan and Jack are ahead of their time on social issues, and ways in which they are not. Their depictions of Asian people remain pretty racist. It will take a couple decades before Marvel is able to do much better. General Fang is an awful stereotype, and the story is more cold war propaganda, depicting the forces of Red China as strangely-drawn, yellow-skinned, and cartoonishly evil. Even the Asian people depicted as allies–including the citizens of Llhasa (Lhasa, Tibet) and the soldiers of Formosa (Taiwan)– have cringeworthy depictions.

This is the year after Breakfast at Tiffany’s came out…
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Incredible Hulk #5

Beauty and the Beast!
Featuring: Hulk
Release: November 1, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Incredible Hulk Omnibus vol. 1.

In a twist from the usual, the titular “Beauty” in this story is likely a man: Tyrannus by name. At least, that’s my interpretation of the title, given how beautiful he is. Though I guess he’s more of the Gaston character in the story. So maybe Betty is the beauty. Hmm… well, let’s read on.

Who is the Beauty in the picture?

Dr. Banner is the top scientist on Ross’ staff, assigned to help capture the Hulk. Rick Jones is his assistant. But Rick is known to have connections to the Hulk: they have been seen together often; Rick has been seen riding on Hulk’s back; in fact, the military once asked Rick to bring the Hulk to them and he did; then, Rick took over the controls of a military rocket and helped Hulk escape. Ross is well aware of all this. And yet Rick is still part of the government team to help capture Hulk.

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Strange Tales #105

The Return of the Wizard!
Featuring: Human Torch
Release: November 8, 1962
Cover: February 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1.

It’s time to reflect back on this series so far: it’s not very good. Now, the Fantastic Four comic is pretty good. This has the same creators and features a character from that comic. But they don’t seem to be bringing their A-game to this title.

There’s a couple things to notice about the Fantastic Four comics. The first is that Johnny has a pretty minor role in those stories. Most of the focus and character development is on Reed and Ben. Those are the characters Lee and Kirby seem interested in, notably the two male characters about their age, as opposed to the woman and teenager, who almost seem to be there as token characters.

Also, notice the Fantastic Four comic never gives any hints that this series exists. It’s never mentioned Glenville. Johnny continues to be open about his Human Torch identity there, while hiding it here. Johnny seems to always be in the Baxter Building; it seems like he lives there. Johnny’s solo adventures are just never mentioned.

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