marvel universe – Page 43

PRELUDE: Mystic Comics #4, Story E

The Black Widow

Featuring: Black Widow
Release: June 12, 1940
Cover: August 1940
10 cents
By: George Kapitan and Harry Sahle
7 pages

I’ll confess I have very little idea what I just read. Sometimes, that’s because the storytelling is wonky and I can’t parse what’s happening in the moment. Othertimes, I think I do follow what’s happening and that confuses me even more.

We’re about to meet the modern Black Widow. So I thought it would be worth looking at the original 1940s Black Widow. I may come to regret that decision.

On the other hand, Black Widow might be the very first female superhero. If so, it certainly makes this a notable–if very strange–story.

Toonpedia discusses the question in gory detail. Don Markstein notes Black Widow has two notable superheroesque predecessors. Fantomah used extraordinary powers to combat evil. The Woman in Red wore a flashy costume while battling evil. Black Widow was the first woman in comics to do both.

However, while undeniably super, was she a “hero”, given that her charge was to collect souls for her master Satan? I’ll leave that to you to decide.

Let’s get to the story, such as it is.

We’re at a seance. Check. Claire Voyant. I get it. I’m with it for one panel. I’m not sure what’s happening in the second panel. Maybe Satan is appearing?

Whatever happened, the customer is very upset by the third panel. She wanted a seance, not witchcraft. She apparently sees some clear distinctions, where I personally find the lines pretty fuzzy. By the fourth panel of this story, Claire is cursing the family who was just attending her seance. Perhaps because she’s possessed by Satan. Maybe? By the end of the second page, I think I’m starting to follow. But a lot happened really fast.

As best I can gather, the psychic promised to make the woman’s late husband appear. Instead, Satan appeared, upset the family, possessed the psychic, who cursed the family, which caused a car crash. That’s a dense 6 panels.

James Wagler’s mother and sister are killed in the crash. He swears revenge, being himself now under the influence of Satan.

See how it’s weird even when I’m starting to follow?

Fantastic Four #26

The Avengers Take Over!

Featuring: Fantastic Four
Release: February 11, 1964
Cover: May 1964
12 cents
Unforgettably written in the grand manner by: Stan Lee
Powerfully drawn in the heroic manner by: Jack Kirby
Inked by: George Bell
Lettered by: Art Simek
23 pages

Thing stands alone no longer.

The Avengers and Fantastic Four team up to battle the Hulk. If there’s a better issue that serves as a microcosm for what the Marvel Universe is all about, I don’t know what it is.

I think this is perhaps the best comic cover we have yet come across. It’s very atypical of the Kirby covers in a number of ways. Likely stemming from having to cram an atypical number of characters in. But we see the full figure of each character, each taking up a small amount of cover real estate. He usually likes characters on his covers to be bigger. He also shows less concern about perspective than usual, since we see neither the floor nor any overlapping characters. He allows the action to be basically 2-dimensional and each character to be small, while overlapping none of the characters. He wants us to be able to see each character and their pose clearly. I’m reminded more than anything of posing action figures.

The whole of the scene with its 11 characters still fills a small amount of the cover. Kirby gives a lot of top real estate to word balloons. He could have zoomed in more if he wanted to. He didn’t. He wanted what is probably the widest cover shot we’ve seen yet.

This concludes a two-part Fantastic Four story, the best Fantastic Four story yet, but it’s also part of a bigger saga. It’s been building since Hulk quit the Avengers in Avengers #2, carried over into the Avengers’ battles with Hulk and Namor in Avengers #3 and #4 and will have an epilogue in Avengers #5, where the Avengers have one last encounter with Hulk, at least for now.

Still, it doesn’t really end there. Events at the end of Avengers #5 lead directly into issue 6, which itself ties in with Sgt. Fury #8. And the Hulk’s story continues, with the toll these events have taken on him leading indirectly to his upcoming battles with Spider-Man and Giant-Man. These two issues are at the center of a giant interconnected web of stories, which revolve around Hulk being (justifiably) upset with how the world’s been treating him.

It’s all part of the long build-up to Hulk finally getting his solo adventures again. He was the first superhero of the new Marvel Age to have his title cancelled and will be the first to be revived.

Fantastic Four #25

The Hulk vs. The Thing

Featuring: Fantastic Four
Release: January 10, 1964
Cover: April 1964
12 cents
Sensational story by: Stan Lee
Astonishing art by: Jack Kirby
Incredible inking by: G. Bell
Lighthearted lettering by: S. Rosen
22 pages

I have no idea why it took us so long to get to something like this. It seems like such an obvious superhero story to me: a good old-fashioned slugfest. Take two very strong characters and just have them duke it out. Thing and Hulk are perfect for a brawl. They met before, but it wasn’t a brawl. There was a mystery and a Commie plot and all this stuff. This time, the rest of the team is quickly taken out of contention. And it’s up to Ben Grimm to hold his own against the Hulk.

Worth the wait.

We get some preamble. Hulk has returned to New Mexico with the Avengers in pursuit. Unbeknownst to them, he turned around suddenly and went to New York to find them. He read in the paper that Captain America had replaced him and thought Rick had betrayed him. He is off to finally destroy the Avengers. Of course, Rick never betrayed him. And the Avengers only replaced him because he quit.

Avengers #4

Captain America Joins… The Avengers!

Featuring: Avengers
Release: January 3, 1964
Cover: March 1964
12 cents
Gloriously written by: Stan Lee
Grandly illustrated by: Jack Kirby
Gallantly lettered by: Art Simek
23 pages

No inker is given in the credits for some reason. The GCD suggests the inker is George Roussos, who has been doing a lot of inking lately under the pseudonym George Bell. I don’t think we’ve yet seen a single comic where Kirby has done his own finishes. Probably because he’s drawing a half dozen comics each month.

There’s something that troubles me about these credits, and it’s the type of thing that makes Stan Lee a controversial character to this day. Look to the acknowledgement on this first page. Stan notes that Jack drew the original Captain America comics. That’s true and good to point out. But that massively understates Kirby’s contribution. Kirby and Simon created Captain America. The box should say. “Jack Kirby is one of the creators of Captain America.” Now, this may have been mere thoughtlessness on Stan’s part. Kirby used to draw Captain America and now is drawing him again; Stan used to write Captain America and now is writing him again. That may be the only point he wanted to make, and perhaps no other thoughts occurred to him. But the phrasing seems careful, and reflects the longtime legal stance of the many companies that have owned Marvel, that people don’t create characters, companies do. You can read an article from Brian Cronin on a piece Stan Lee had written in 1947 crediting publisher Martin Goodman with the idea for Captain America. The piece is basically fictional. Joe Simon came up with the character independently, and Kirby helped him flesh out the details. Stan’s failure to credit them for that goes back a long ways.

PRELUDE: Captain America #78, Story D

The Hour of Doom

Featuring: Captain America
Release: May 19, 1954
Cover: September 1954
10 cents
By: John Romita
6 pages

We bring Captain America’s very short 1950s revival to a close with the final story of the final issue. We read the first story of this issue, where Captain America fought Electro. We skipped the terrible racist second story and we skipped a Human Torch story and a prose story.

This might be the best Captain America story of the era, but it’s a low bar to clear.

The story concerns Chuck Blayne, a television pundit who has become very influential amongst children. Captain America does not like what he has to say, even comparing his words to Hitler’s.

Blayne’s plans seems subtle and insidious, to influence the hearts and minds of America’s youth. Then he goes and plants a bomb at the UN. So much for subtlety.

PRELUDE: USA Comics #6

The Ghost’s Gaze of Death

Featuring: Captain America
Release: October 28, 1942
Cover: December 1942
10 cents
15 pages

I don’t see any credits. Except for the publisher and “editorial and art director”. The GCD credits the art to Al Avison and Syd Shores.

We continue our survey of early Captain America comics in preparation for Avengers #4. We started out with some significant milestones and will mostly focus on significant milestones. But I wanted to get a sense of who Captain America was in a run-of-the-mill story, not in any way a milestone. This story fit the bill for its insignificance.

It was chosen specifically because there is a connection to Medusa, which will also tie into Avengers #4.

PRELUDE: USA Comics #1, Story F

Jack Frost

Featuring: Jack Frost
Release: April 20, 1941
Cover: August 1941
10 cents
Story by: Stan Lee
6 pages

A bit of an interlude from our run of old Captain America Comics.

I’ve gotten in the habit of reading these Golden Age superheroes when their namesakes were introduced, but I missed this one. Iron Man fought the new Jack Frost in Tales of Suspense #45. Perhaps that would have been a good time to introduce the Golden Age superhero of the same name. But we didn’t.

I’d say I didn’t have the idea of going back to look at namesakes in my head yet, but that’s clearly not true. Our second post goes back to 1939 to meet the original Human Torch for no reason other than we’d just introduced the new one in Fantastic Four #1. And then a couple posts later, the introduction of the new Gorilla Man gave us all the excuse we needed to meet the original gorilla men. I guess I should admit that I just forgot about Jack Frost.

I thought of him now because we just read Stan Lee’s first Marvel story, and this features Stan’s first superhero co-creation.

Stan created Jack Frost along with the uncredited Charles Nicholas.

Also, I wanted to read the Captain America story from USA Comics #6, which had me anyway looking at the first issue of USA Comics.

And, man if that dude left suspended in a block of ice isn’t good foreshadowing for what’s coming…

Maybe this is a fine time to read this story. Or maybe I should rearrange things to place it back alongside Tales of Suspense #45. Plenty of time to decide that, I guess.

For now, let’s look to the comic.

PRELUDE: Captain America Comics #3, Text Story

Captain America Foils the Traitor’s Revenge

Featuring: Captain America
Release: March 17, 1941
Cover: May 1941
10 cents
By: Stan Lee
2 pages

Marvel comics up through the 1960s have often included short prose stories. We haven’t covered any yet in detail, as none have been sufficiently relevant. In the 1960s, they have been short one-off tales of science fiction or fantasy.

The first two Captain America comics also each featured a text story we did not cover. We have not even covered all the Captain America comic stories from those first two issues. We are just doing a brief scan of Captain America’s history prior to his return in 1964.

Why cover this particular text piece? The author is notable.

PRELUDE: Captain America Comics #2, Story B

Trapped in the Nazi Stronghold

Featuring: Captain America
Release: February 10, 1941
Cover: April 1941
10 cents
By: Joe Simon and Jack Kirby
15 pages

Notice that for the second issue in a row, Captain America is attacking Adolf Hitler on the cover. A disappointing thing about the first issue was that the scene was not reflected inside the comic. This comic makes up for it with this second story. Which is of course why we are reading it. To actually see Cap sock Hitler.

Note that it’s February 1941. Still 10 months before America enters the war. But Joe and Jack aren’t shy about letting their opinions out. They inform us that Cap and Bucky head to “Nazi enslaved France”. Quite the strong language.

PRELUDE: Captain America Comics #2

The Ageless Orientals Who Wouldn’t Die

Featuring: Captain America
Release: February 10, 1941
Cover: April 1941
10 cents
By: Joe Simon and Jack Kirby
15 pages

This comic was released on my birthday, just 40 years early.

Our buildup to Avengers #4 continues.

Once again, the cover of the comic shows Captain America directly confronting Hitler, this time without the satisfying sock to the jaw. The interior of the first issue disappointed, as Captain America and Hitler did not actually meet. This issue will rectify that, but not with this story. We’ll see Hitler in the next post, concerning “Case No. 2”.

The title of the story alone–“The Ageless Orientals Who Wouldn’t Die”– tells you that this comic is probably extremely inappropriate, and it is. Popular culture depictions of Asian characters were problematic for decades. This comic at least only features giants, not meant to represent actual people.