Featuring: Hulk Release: June 1, 1965 Cover: September 1965 12 cents Stunning story: Stan Lee Lavish layouts: Jack Kirby Awesome art: Mickey Demeo Luscious lettering: Artie Simek 10 pages
Don’t ever call me “Doc”! Dr. Banner is dead! From now on, I’m just the Hulk!
Notice Kirby is only credited with layouts. Mike Esposito (alias Mickey Demeo) is the credited artist.
We get a scene with a poetic callback, perhaps intentional. Rick rushes into the path of a blast to save Hulk just as Banner had once raced into the path of an explosion to save Rick.
Are they using nuclear weapons on American soil? That seems like a big deal. Oh, I guess this is a “clean bomb”, which leaves no radioactive fallout. I feel better, I guess.
The new status quo is pretty confusing. Hulk apparently has Banner’s mind, but also insists Banner is dead. And his speech reminds us more of Hulk’s.
Featuring: Hulk Release: May 4, 1965 Cover: August 1965 12 cents Take a Stan Lee story, add Jack Kirby artwork, mix with Mickey Demeo inking, and Artie Simek lettering… Presto! Instant confusion! 10 pages
A little surprising this series is continuing since last issue ended with Bruce Banner dead. But then, the title of this issue is “To Live Again!” So maybe we shouldn’t give up on him.
We’d probably have gotten around to this story sooner if I hadn’t just assumed he was dead and it was over. Now I’m beginning to think this Hulk guy is Immortal.
Plus, the threat of the Leader still looms.
Are we going back to the days of the constantly changing status quos for Hulk? We’d been able to hold on to this one for an entire dozen issues. Now we’re back to: always Hulk, Banner’s mind. Perhaps all creators except for Ditko struggle with how to deal with a non-heroic protagonist.
Featuring: Thor Release: June 1, 1965 Cover: 1965 25 cents Mighty story by: Stan Lee Majestic art by: Jack Kirby Masterful inking by: Vince Colletta Mostly lettered by: Sam Rosen 15 pages
Thus, the Thunder God falls.. for time without end.. through a vast void of heavy nothingness… of shimmering energy barriers and mystic space disrupters…
This is the first Thor Annual. Your 25 cents is mostly buying you reprint stories. But you also get a 15 page new Thor story, which is perhaps more properly a Tales of Asgard story, focused as it is on an early adventure of Thor. In those tales, Loki is always scheming to kill him, but Thor seems blissfully unaware.
We’ve reviewed some early history of Hercules and Zeus. Marvel introduced a gigantic superhero named for Hercules then weeks later introduced a comedic hero named Little Hercules. A mythologically-confused version of Hercules gave his powers to Marvel Boy in 1940 and then to another Marvel Boy in 1943. Tommy Tyme witnessed the mythological Hercules’ legendary battle against Antaeus, which bore quite the resemblance to a Thor story we read where he battled Sigurd.
Jupiter was a recurring character in Venus, and the Jupiter of Roman myth is very similar to the Zeus of Greek myth. We saw Zeus unleash a Fury in a 1955 fantasy story. We know Zeus had given Pandora her box from a 1961 Tales of Suspense story. And that Pandora’s Box was later used by the Sorcerer to menace Johnny Storm. In the early days of our reading, we read a weird tale where Zeus came to Earth to prove his power, and was offered movie deals.
But those appearances of Hercules and Zeus are not necessarily part of our canon. This issue represents the proper Marvel Universe introductions of Hercules and Zeus.
Do not be sad, for I do not really leave you– I shall be back– when America needs me the most–
Well, that’s an unfortunately racist cover from Jack Kirby and Joe Simon.
When we met Marvel Girl in X-Men #1, we took the excuse to meet Marvel Boy from 1950. That was actually not Marvel’s first character named Marvel Boy, and perhaps we should have met the other(s) then. We didn’t.
We’ll read about him/them now due to his/their connections to Hercules. (Join me in the next post to see why I seem so confused about singular vs. plural pronouns.)
This Marvel Boy is a creation of Joe Simon and Jack Kirby, before the same team created Captain America, and before Jack Kirby and various collaborators would go on to create… a lot of famous superheroes.
I think there is a case to be made this might be Kirby’s first superhero co-creation, which makes Marvel Boy quite notable in itself. Moreso because you can see elements that made their way into Captain America, including the basic mask shape, the boots and gloves, using Hitler as an enemy.
Two notes against that point. Kirby had previously co-created with Martin Burstein the feature “Mercury in the 20th Century”. This was about the classic god Mercury. Not precisely a superhero, but if Thor counts, perhaps he should too. (We’ll probably read that Mercury story in the near future when we are ready to meet Pluto.)
That same issue introduced Jack Kirby’s science fiction hero Comet Pierce. In the Flash Gordon or Buck Rogers mold. Again, not exactly a superhero.
Marvel Boy is Kirby’s first standard superhero co-creation.
Except the second note is I have no idea who created Marvel Boy. Harry Mendryk explains the creation of this issue as follows on the Kirby Museum blog. He credits Joe Simon with the initial 3 pages which introduce the character and lay out his origin, and then Kirby with the rest. It’s thus quite possible that Joe Simon created the character on his own, and then gave the partially completed issue to Kirby to finish.
Often, history doesn’t tell us with much certainty what the division of labor going into an issue was. So I usually find it easiest to credit the writers and artists of a character’s inaugural issue as co-creators. By my normal intentionally naive standards, I would say Marvel Boy was a co-creation of Joe Simon and Jack Kirby.
But there is probably room for disagreement and assertion this was a Joe Simon creation.
The character only lasts one issue, though there is a sort-of revival 3 years later we will consider in the next post.
I’ve expressed before my opinion that initials are generally the worst logo for a superhero uniform. Imagine that chest with a better logo, like say a star. And imagine he wore pants. Now lose the cape and add some little wings to the cap. You’re getting closer to a good superhero design.
Featuring: Fantastic Four Release: July 8, 1965 Cover: October 1965 12 cents Daringly written by Stan lee Dazzlingly drawn by Jack Kirby Dramatically inked by Vince Colletta Docily lettered by Artie Simek 20 pages
You thought you were the equal of the Fantastic Four– and nobody is!
Another great cover, and showing off Kirby’s versatility. Last issue had a cover beautiful in its simplicity, focused on two men locked in combat. Now we see a lot of complexity, that intricate machinery Kirby is so famous for drawing, but where the complexity frames the emotion of a defeated Fantastic Four.
When we left off, the Frightful Four had brainwashed Ben and Johnny into joining them. Now it’s up to Reed and Sue to fight off 6 enemies and restore their teammates’ minds. The startling conclusion of a 3-part battle.
Featuring: Fantastic Four Release: June 8, 1965 Cover: September 1965 12 cents Produced by: Stan Lee and Jack Kirby Inking: V. Colletta Lettering: S. Rosen 20 pages
Featuring: Fantastic Four Release: May 11, 1965 Cover: August 1965 12 cents Story by: Stan Lee, who has never lost his touch! Art by: Jack Kirby, who has never lost his magic! Inking by: Vince Colletta, who has never lost his flair! Lettering by: Sam Rosen, who has never lost Artie Simek! 20 pages
You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!
I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.
Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.
Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.
Ben is justifiably angry and quitting the Fantastic Four.
Featuring: Nick Fury, Agent of SHIELD Release: May 4, 1965 Cover: August 1965 12 cents Writer: Stan Lee Artist: Jack Kirby Inked by: Dick Ayers Lettered by: Artie Simek 12 pages
It’s 1965. Thunderball will be hitting the cinemas in Decembr, the 4th consecutive year Sean Connery will go into action as 007.
In the second film, From Russia with Love, we were introduced to a global criminal organization that it takes a dedicated government to fight– SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge, and Extortion).
The head of SPECTRE wasn’t named and we didn’t see his face, only his kitten. The kitten plainly identifies him as evil.
These movies are popular, and the rest of the entertainment industry is taking notice.
Michael Caine just went into “action” in a more subdued and bureaucratic spy tale as Harry Palmer, definitely not the world’s best spy.
Television will soon be satirizing this secret agent genre with Get Smart, in which Maxwell Smart of CONTROL fights against KAOS, an international organization of evil.
The following year, secret agents on TV will be offered an impossible mission, if they choose to accept it.
Probably most relevantly, the previous year introduced The Man from UNCLE (United Network Command for Law and Enforcement), letting us know that these organizations should have acronyms for names.
(Picture chosen especially for my mother)
In the 1950s, Marvel had dabbled in every genre, including the occasional spy series like Spy Fighters or Kent Blake of the Secret Service.
Now they are bursting at the seams with the expanding superhero genre. They have one current war title, Sgt. Fury, which we’ve been reading with the superhero comics for some reason.
They haven’t abandoned their long successful romance/humor girl genre, and Millie and Patsy each carry two titles still. And three western heroes still carry titles: Two-Gun Kid, Rawhide Kid, and Kid Colt.
They’re ready to ride on the booming spy genre with their own 007 or Man from Uncle. They’ll need a secret spy organization with a cool title that’s really an acronym. And they’ll need an evil organization to pit them against. Preferably headed by a mysterious man with a kitten.
And a star to headline these adventures. New character? Or look to their already expansive cast of characters.
We know from the pages of Fantastic Four that Sgt. Fury of World War II is now Colonel Fury of the CIA. Why invent a new top spy when you already have one?
Where to put them? Make a new title? No, you’re having crazy distribution problems at the moment and are artificially limited in the number of titles you can put out. Why Captain America and Iron Man need to share a book.
I’ve got it! Strange Tales. The Human Torch/Thing stories all sucked, so we cancelled them. Our new spy series can share this former horror title with Dr. Strange. Makes sense to me.
On that note, I then have to recall that we haven’t actually read any Dr. Strange stories since issue 129, 6 issues ago. We read the wonderful Human Torch stories from issues 130-134, but skipped the Dr. Strange stories.
But now that Nick Fury is taking over the first half of the book, I would like to… still not read the Dr. Strange stories. Not just yet. We’ll read this first half of this comic, then return to it later. Even though, with the new Dr. Strange movie out, a Dr. Strange post would be topical.
Featuring: Fantastic Four Release: April 8, 1965 Cover: July 1965 12 cents Spellbinding script by: Stan (The Man) Lee Astonishing artwork by: Jack (King) Kirby Inked by: V. Colletta Lettered by: Artie Simek 20 pages
Stan’s repeaing himself here. He used those same credits in Journey Into Mystery #107 the previous year. Stan (The Man) Lee. Jack (King) Kirby. Basically every comic has had a different nickname for the creators. These may be the first repeats. They are certainly the most famous and today recognized as the semi-official nicknames of the two creators.
Dr. Doom purloins Reed’s remote-control TV eye. Basically what we today would call a drone. Now readily available. Invented 60 years ago by Reed Richards. Reed refers to the drone as a “flying spotter”. Another invention Reed refers to is the “electronic stimulator”. I wonder if that resembles any modern devices?
We’ve seen Daredevil’s billy club has some neat tricks, like becoming a grappling hook. But now we see it’s a gun. That’s new.
Featuring: Fantastic Four Release: March 11, 1965 Cover: June 1965 12 cents Splendiforious story by: Stan Lee Delectable drawings by: Jack Kirby Deliciious Delineation by: Frank Ray Laconic lettering by: Artie Simek 20 pages
I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.
So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.
Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.
After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.
To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.
But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.
Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.
Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.
