Featuring: Hulk Release: January 4, 1966 Cover: April 1966 12 cents Story by: Stan Lee (Certainly!) Layouts by: Jack Kirby (Naturally!) Artwork by: Bill Everett (Surprisingly!) Lettering by: Sam Rosen 10 pages
Everett is on art now. We know him as the creator of Sub-Mariner, who told Namor’s original stories. And as the co-creator of Daredevil with Stan Lee, who worked on that series for a single issue. He was removed for being very over-deadline. I think a full-length comic for an entirely new character takes longer than a 10 page Hulk story.
Nonetheless, Kirby is brought in for layouts. Though Everett is the more senior of the two and has long been a writer/artist.
Hulk’s story hasn’t had a pause to breathe since he got his new title. No sooner had the Leader finally been defeated than Hulk was transported into the future. Thinking him dead, Rick revealed Banner’s secret to Major Talbot. But Hulk lives, and has returned from the future.
Has Talbot not told anybody his news yet? Not even Ross?
Featuring: Hulk Release: December 2, 1965 Cover: March 1966 12 cents Script by: Stan Lee Layouts by: Jack Kirby Pencilling + inking by: Johnny Romita! Lettering by: Sam Rosen 10 pages
Why shouldn’t I tell? It’s time the world learned the truth…!
That’s a damn compelling cover, a collaboration between Kirby and Romita, with the Romita influence coming in heavy, but a unique look for the Hulk that is very distinctive compared to either man’s style. Dramatically, we shockingly hear Rick Jones tell an officer (presumably Talbot) Hulk’s secret. We’ll see how that plays out.
John Romita took over as the regular artist on Daredevil last month. He’s just filling in here, as the series has floundered without a regular artist for the last 10 months. Bill Everett will be taking over next issue. We also saw Romita filling in on last month’s Captain America
As we noted in our recent Daredevil post, John Romita just recently passed away in June 2023 at the age of 93. One of the greatest comic artists of all time.
It is a compelling title. “Bruce Banner is the Hulk!” Is this the issue where his secret identity is finally revealed? Secret identities have been revealed on occasion before, but the learner of the identity usually develops amnesia or dies.
Recall from last issue the army built Banner’s T-Gun without knowing what it did. They hit Hulk with it and now everybody assumes Hulk is dead. In fact, Hulk has been transported to the future.
Featuring: Hulk Release: November 4, 1965 Cover: February 1966 12 cents Script: Stan Lee Layout: Jack Kirby Pencilling: Scott Edward Inking: Mickey Demeo Lettering: Artie Simek 10 pages
Stay back!! Back!! You’re just a pack of men– but me, I’m the Hulk!
I like to think I know Marvel decently well, but I’ve never heard of Scott Edward. Usually means a regular DC artist is moonlighting at Marvel on the down low. Indeed, Scott Edward is the already legendary Gil Kane. He’s got some great work at Marvel ahead of him. Of course, Gil Kane isn’t actually his name either. His birth name is Eli Katz, but we all know him as Gil Kane.
But let’s see what he’s done in his 20+ years in comics before getting here. We technically did meet him as one of the artists working with Wood on Thunder AGENTS.
By this point in his career, his biggest claim to fame is the creation of the new Green Lantern, Hal Jordan.
As well as the new Atom, Ray Palmer.
Inks by Murphy Anderson
Arguably, the sleek stylish sci-fi looks of Gil Kane– along with those of Carmine Infantino– are what gave birth to DC’s Silver Age of comics.
Featuring: Hulk Release: October 5, 1965 Cover: January 1966 12 cents Story: Stan Lee Layouts: Jack Kirby Illustrations: M. Demeo Lettering: S. Rosen Enjoying: That’s your job, pussycat! 10 pages
At last I got somethin’ to smash out against… somethin’ to fight… a chance to do the thing I can do better than anything that lives!
This picks up right where the last issue left off, though we paused for a bit since reading the last issue and since reading the earlier half of this comic.
Hulk had just acquired the Ultimate Machine for the Leader from the Watcher’s world. Leader’s attempt to use the machine resulted in his death.
Featuring: Captain America Release: December 9, 1965 Cover: March 1966 12 cents Stan Lee, script Jack Kirby, layout Dick Ayers, pencil J. Tartaglione, inks Artie Simek, lettering Irving Forbush, cheerleader 10 pages
But, there was one other! Our lives touched for only a short time– but I’ve never forgotten her! I can still remember our final date– when she whispered to me thru trembling lips… “I’ll wait till you return, Steve! No matter how long– no matter what happens– I’ll wait for you, my darling…!”
We read this issue’s Iron Man story a little while ago, in which Happy had turned into a Freak. We saved this story to make sure it tied into to the issue of Strange Tales that referenced it.
It was a tricky call for reading order, as I don’t like to separate issues, so I’d prefer to have read this story with the Iron Man story, and continuity-wise, the issue of Strange Tales we’re tying into doesn’t fit in where we left off with the Iron Man story. But I just couldn’t find a good way to juggle all the things I’m juggling to assemble a reading order.
This is a good comic with lots going on to talk about. I had to make a checklist for myself to ensure I covered the 10 most important points.
Though we’d taken a pause in reading Cap’s story, there is no break between the beginning of this story and the end of the last. As we open, Cap is hurtling toward the sea after the defeat of the Sleepers.
Except last seen, he had a working parachute. Sometime between the issues, his parachute seems to have failed, so we get a dramatic opening.
We cut to some shadowy figures observing a test of Inferno 42. Nick Fury was aware of this item and had sent an agent to retrieve it. We learned this in Strange Tales #142. Also in that story, Fixer referred to a mysterious organization that was his benefactor, known as Them. Is that who these shadowy figures are?
Back to Cap, we get a great moment. The sailors are in awe of him. One had idolized him as a child.
I have a notion in my head of who these characters are, formed from reading decades of comics beyond these. Cap inspiring awe in those around him is part of my basic image of Cap. But it’s not necessarily something we’ve seen a lot of in these early comics. We did see examples in Cap’s return in Avengers #4. But it’s not yet that common, so every such example is notable, as together they will form the basis for that aspect of Cap’s character.
Featuring: Nick Fury, Agent of SHIELD Release: January 11, 1966 Cover: April 1966 12 cents Story: Stan Lee Art: Jack Kirby with an assist by: Howard Purcell Inking: M. Demeo Lettering: A. Simek 12 pages
Howard Purcell is a new name to us, but he’s been in the business since 1940, mostly doing work for the companies that would become DC. He’s not going to be a regular Marvel artist. It’s not even clear what he did this issue. Some form of finishing Kirby’s pencil art before handing it off to Mike Esposito to finish in ink.
Here’s a sampling of his work for DC.
Adventure Comics #53, featuring Mark Lansing of Mikishawm, 1940
World’s Finest Comics #2, feat. Lando Man of Magic, 1941
All American Comics #25, 1941
All American Comics #26, feat. Sargon the Sorcerer, 1941
Sensation Comics #1, feat. The Gay Ghost, 1942
Comic Cavalcade #15, feat. Johnny Peril’s Surprise Story, 1946
Featuring: Nick Fury, Agent of SHIELD Release: December 9, 1965 Cover: March 1966 12 cents Stan Lee, writer! (Our answer to Bond) Jack Kirby, penciller! (Our answer to UNCLE) Mike Demeo, inker! (Our answer to Brand echh) Artie Simek, letterer! (Our answer to Rosen) 12 pages
We’re a team, blast it! We trained month after month ta live like a team– fight like a team– die like a team!
I’d like to open this post with a happy birthday to the issue’s artist, Jack Kirby. He would be 106 years old today.
The story breaks have become increasingly unclear. Last issue seemed to both end the Hydra saga and begin this Mentallo/Fixer saga we find ourselves embroiled in. We took a pause at the end of the last issue, so let’s recall where we were.
Hydra was finally defeated, the Supreme Hydra murdered by his own agents; Nick allowed his daughter Agent H to escape because he had a soft spot for her. We were then introduced to the “Thinkers”, SHIELD’s ESP division. Mentallo had been a former agent of this division, who had gone rogue. Mentallo decides to form an alliance with a villainous inventor called the Fixer. And Nick Fury realizes Mentallo must be stopped at all costs.
This issue opens with a robot out of control. Lee, as the narrator, lets us know this robot has nothing to do with the main story. Sometimes it feels as though he is offering his commentary on Kirby’s storytelling as we go.
But whatever, Stan. Check out Jack’s awesome robot design!
Featuring: X-Men Release: December 12, 1965 Cover: February 1966 12 cents Story: Stan Lee Layouts: J. Kirby Pencils: Jay Gavin Inks: Dick Ayers Lettering: A. Simek 20 pages
Somehow, when I’m high in the sky this way, I feel there is no danger I cannot face– no problem I cannot solve– no enemy I cannot defeat!! Everything seems clean– and pure– and right! The way it ought to be! The way it must be one day, if man is ever to fulfill his promise– his glorious destiny!
I quite like the red glow of the cover. The cover warns me not to spoil the ending, but, well, I’m gonna do that anyway. Be warned.
Thoughts on the reading order. When books are published is a key factor, as is the order in which characters appear, as are story-arcs. What I’m not considering closely is the calendar date within the stories, as I don’t often know. We paused our X-Men reading because the Sentinels story ended and the next one was about to begin. This gave us a chance to catch up on other titles.
But this story begins the same day as the Sentinels story ended. Similarly, the X-Men had fought the Stranger and Juggernaut on the same day, with a short gap of time while the X-Men were injured between these momentous days.
In particular, it must now be within a couple days of Reed and Sue’s wedding, while most of our stories have jumped forward a bit more from that day.
While it’s been more than a year since the Stranger story was published, it’s only been a few weeks for the X-Men.
Featuring: Tales of Asgard Release: January 4, 1966 Cover: March 1966 12 cents Script: Stan Lee Art: Jack Kirby Inking: V. Colletta Lettering: Artie Simek 5 pages
Thy mission is ended! The danger you have been seeking is here– in the City of the Golden Spires! Return then at once– to Asgard!
Thor and his crew sail to find an unknown foe, but keep facing random dangers. At present, Loki has been captured by Queen Ula of Thryheim, and Thor has come to save him.
Ula wants Thor to be her King. If he agrees, she will release Loki. Else, she will kill his crew.
It’s important to note that Ula had nothing to do with cracking the Odinsword. She is not the unknown foe they are searching for, just a woman who wants to marry Thor.
Featuring: Thor Release: January 4, 1966 Cover: March 1966 12 cents Stan Lee the literary lion! Jack Kirby the pencilling pussycat! V. Colletta the delineating dragon! Artie Simek the lettering looks it! 16 pages
“By the cloven hooves of Pan!! What doth it take to defeat the Son of Odin!??!” “A stronger arm! A stouter heart! A nobler soul! And none doth Hercules possess, thou blabbering, blustering, boastful buffoon!”
This is the first issue of Thor. It’s also the 126th issue of Thor.
Which is a little confusing. Last month (well, last week for us), we read Journey Into Mystery #125, which starred Thor, as it has for the last 40+ issues. Now the comic will just be called Thor.
Why not call it Thor #1?
For complicated and probably shady legal and financial reasons, they found it more sensible to keep the numbering of the old magazine.
Thor’s name has been prominent on cover going back to issue 104. But it’s no longer “Journey Into Mystery with the Mighty Thor”. It’s just: “The Mighty Thor”. The official title as seen in the indicia is simply “Thor”.
Starting a new superhero title that keeps the numbering of the horror title will become a common practice… though not soon. We’ll talk more at the end of this post about Marvel’s history of naming comics. Let’s get into the comic, starting with the title.
