Featuring: Tales of Asgard Release: August 2, 1966 Cover: October 1966 12 cents A Stan Lee-Jack Kirby production Inked by: Vince Colletta Lettered by: Sam Rosen 5 pages
From out of the mists she hath come… She… before whom all who live must one day bow!
As we saw in the last post, my version of this comic has been well looted of pages, and this entire story has been absconded with. So we’ll look to the digital version for our images.
The battle with Harokin and his Warlock’s Eye to retake Muspelheim was entirely forgettable. But it led to this fairly unique coda, two issues devoted to the death of Harokin. Last issue was an ominous and ritualistic issue about acceptance of death. A drumbeat, an approaching black horse…
Featuring: Thor Release: August 2, 1966 Cover: October 1966 12 cents Star-studded script: Stan Lee Planet-pounding pencilling: Jack Kirby Real Rigellian rendering: Vince Colletta Lots of little lettering: Artie Simek 16 pages
Every part of this planet upon which we stand is verily a part of Ego! He is everywhere– he is everything! He is a living world!
I’d like to say I own this comic, but really I own some fraction of this comic, as a lot of pages have been ripped out of my copy. I’m sure I didn’t know that when I bought it. I’m not too picky about condition. I look for “readable” copies… but readable includes having all the pages.
Wonder what I paid for it. I have no idea because I have tens of thousands of these things. Not even sure where I bought it. Probably at some comic convention with a couple hundred other comics I thought would help me complete the Marvel Universe so that one day I could read through all of them in order. Presumably it was pretty cheap– that’s what I was always looking for.
I spoke at length about how cool I thought it was when Ditko introduced a being that was also a universe. So of course I also think it’s cool when Kirby introduces a being who is also a planet. Not as cool as being a universe, of course. But still cool.
Thor is also impressed, and you figure this is a guy who’s been around and seen some stuff. He says that the planet developed a face right in front of them and then they heard it speak.
Now, even if a planet could speak, there’s presumably no way it could transmit that voice across space. Unless the substance of this Black Galaxy is really different from our universe. Or unless the planet is broadcasting its speech through some other means than sound, some form of transverse wave.
Reminder of where we are. Tana Nile has conquered Earth via a Space Lock. The Space Lock was controlled from Rigel, so Thor went there to free Earth. The Rigellians agreed to free Earth if Thor dealt with the menace of the Black Galaxy. So here is Thor, accompanied by a Recorder, confronting Ego, the living planet.
Featuring: Tales of Asgard Release: June 30, 1966 Cover: September 1966 12 cents Script writing: Stan Lee Picture drawing: Jack Kirby Panel inking: Vince Colletta Word lettering: Sam Rosen Armor polishing: Irving Forbush 5 page
Already the Stygian darkness looming ahead… blotting out the comforting glow of a thousand stars…!
Where were we. While Thor was fighting Pluto in the Netherworld, Jane’s roommate Tana Nile sent her away with mind control. Tana Nile has since been revealed as a Rigellian and conquered earth via a Space Lock from Rigel. Thor has traveled to Rigel to destroy the Space Lock.
The Rigellians have some pretty advanced technology, and aren’t used to losing. But Thor is Thor.
So! Thou wouldst trifle with Volstagg? Know you that my very belly is more than a match for a dozen such as thee!
It’s been a minute. We were in the middle of the Harokin/Warlock’s Eye saga. I’ve decided not to worry about the flow of the Tales of Asgard feature, and just read them as back-ups to the Thor comics, as they were published. So because we paused Thor’s story in the main stories, we paused here.
But now it’s been 9 months and we need to remember things. Harokin has used the Warlock’s Eye to conquer Muspelheim. Thor looks enough like Harokin that he thinks he can disguise himself as Harokin and do some subterfuge.
Ay! The gladness in his heart doth make mine own regal soul rejoice! Too long hath he been brother to sorrow! Too long hath grim duty o’ershadowed his days! Yet, a feeling of unease lies within my heart! I fear that happiness may still be denied to the so-richly-deserving, most noble Thor!
Thor’s comic has become one ongoing saga to the point where it’s hard to figure out where to cut. We obviously did cut after the last issue, which basically ended the Hercules/Pluto saga. But here we are picking up right where that left off, with Thor and Hercules returning from the Netherworld to Olympus.
We’re just going to plow through the next 6 issues of Thor, getting a bit ahead in time of the rest of the Marvel Universe. There are probably 3 distinct arcs among them, but they all just flow together. Really, the main plot of this issue has been building for a bit now. Jane has had a strange roommate named Tana Nile, who’s up to some stuff. It’s been in the background, but now comes to the foreground. And Jane’s encounter with Tana Nile will be the springboard for the next two arcs.
Of course the other springboard is Thor’s decision to marry Jane, even though a god and a mortal may not marry. Thor is ready to surrender his immortality for this.
Featuring: Fantastic Four Release: May 10, 1966 Cover: August 1966 12 cents Script: Stan Lee Art: Jack Kirby Inks: Joe Sinnott Lettering: Artie Simek Native Dances: The Ballet Forbush Terpsichorean Troupe 20 pages
From this moment forth– I live with but one thought– one aim– one goal!! This deed must be avenged! Klaw shall pay– in full measure! I shall be as strong– and as fearless– as the sacred Black Panther!! This do I swear to T’Chaka– my father who is no more!
I’m sure my highly literate readers don’t need me to tell that that terpsichorean means “referring to dancing”. It’s obviously not a new word to me either, as I’ve read this comic plenty of times before. But this was the first time I bothered to look it up.
Thing is perplexed by the contrast between the advanced scientific gizmos and the primitive customs. Perhaps he should reflect on what it means to be primitive. Maybe he is the primitive one?
Featuring: Fantastic Four Release: April 12, 1966 Cover: July 1966 12 cents Script by: Smilin’ Stan Lee Art by: Jolly Jackie Kirby Inking by: Gentleman Joe Sinnott Lettering by: Hammy Sammy Rosen 20 pages
The time has come for the Black Panther to stalk once more!
I’m going to repeat something I’ve been saying for the last year’s worth of Fantastic Four stories: just how impressive this moment in time is. What they accomplish in four consecutive stories arcs is unparalleled in comics history. Unprecedented and unequalled. To introduce the Inhumans, then have that story bleed into introducing Galactus and the Silver Surfer, then have that story bleed into the seminal “This Man This Monster”, to then immediately follow that up with the introduction of the Black Panther. Next issue will introduce the villainous Klaw and tell the origin of the Black Panther.
That’s a run of 10 incredibles issues. This run was preceded by the famous wedding, which was preceded by an epic three-part battle with the Frightful Four, which was preceded by one of their most iconic battles against Dr. Doom over the previous two issues…
The comic has been on fire with a sustained level of quality no other comic series has ever reached.
It can’t last forever. Fantastic Four #54 is a solid but ultimately forgettable comic. Though the stretch of stories that follow is also excellent, on par with anything except this incredible 10-issue stretch.
Let’s dive into the story without further hyperbolic build-up, and then we’ll take some time at the end to reflect on this new character we’ve just met, the Black Panther.
Featuring: Nick Fury, Agent of SHIELD Release: April 12, 1966 Cover: July 1966 12 cents Far-fetched script by Stan Lee Fantastic layouts by Jack Kirby Fabulous pencilling by Don Heck Fanciful inking by Mickey Demeo Freehand lettering by Sam Rosen 12 pages
We’re dealin’ with an outfit that can turn out artificial men to do any kinda job… just like Marvel can grind out comic books!
The word of late has been Them. Them financed the Fixer. Them sent a chemical android to attack Nick Fury and Captain America. Them consists of several brilliant scientists.
Spinning right out of the Captain America adventure, Nick Fury has traced that android to this swampland.
In a bit of bravado, and a wink at the other titles, Fury notes that SHIELD agents aren’t superheroes. They don’t always win.
Featuring: Fantastic Four Release: March 10, 1966 Cover: June 1966 12 cents Writer: Stan Lee Penciller: Jack Kirby Inker: Joe Sinnott Letterer: Artie Simek 20 pages
He paid the full price– and, he paid it– like a man!
After introducing the Inhumans, and then introducing the Silver Surfer and Galactus in perhaps the best and most iconic FF story ever immediately after, you’d think Stan and Jack would want a break from the iconic stories that will be remembered for decades to come.
But this is perhaps the most iconic issue of Fantastic Four ever. It’s perhaps the best Fantastic Four comic ever. It might be the best comic Stan and Jack ever made.
It might be the best comic anybody ever made.
The World’s Greatest Comic Magazine indeed.
I won’t ruin this image with my clumsy words. You can just appreciate the opening page for yourself. I just suggest that you take a minute with it.
This picks up from last issue in a couple ways. Alicia and the Silver Surfer grew close during the events, enough to make Thing jealous and wander off morosely. There were even newspaper headlines about Thing being seen wandering the streets feeling sad. We saw a mysterious man reading those headlines. We didn’t learn his name, but we learned he intends to destroy the Fantastic Four.
