Thor #127

The Hammer and the Holocaust!

Featuring: Thor
Release: February 3, 1966
Cover: April 1966
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Delineator: Vince Colletta
Letterer: Sam Rosen
16 pages

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For one brief, fleeting instant of eternity, a god hath dared to love a mortal! Till the universe crumbles, my heart is ever thine! Let that be our epitaph… and our glory!

Now that’s a cover.

We discussed Pieta-inspired covers with Journey Into Mystery #110. This is a much better example of such a cover. I would call this awesome.

As with Avengers, I want to note where Thor is during an upcoming Fantastic Four story, published concurrently with the last few issues. What keeps him away from helping the FF? I don’t believe his short fight with the Demon nor his tiff with Hercules would do it.

Also, the last year of Thor stories still must have taken very little time, as there has been little room for pausing. So it’s likely these Thor stories take place before a lot of the other stories we’ve been reading, and the adventure that seemed more important than helping the FF is still ahead. We’ll be on the lookout for it!

In that sense of there being not a lot of time passing, this picks up precisely where last issue left off, with Jane trying to comfort a moping Thor, who has just lost his first fight, because his daddy halved his powers. Notably, Odin finally seems to support the relationship.

Of course, now there’s a new reason Thor and Jane can’t be together. It’s not about his bum leg or his daddy issues. How could she love a man who can’t even beat Hercules in a fight?

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Tales to Astonish #79, Story B

The Titan and the Torment!

Featuring: Hulk
Release: February 3, 1966
Cover: April 1966
12 cents
Hulkish story by: Stan Lee
Hulkable layouts by: Jack Kirby
Hulking artwork by: Bill Everett
Hulksome lettering by: Artie Simek
10 pages

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Even he cannot suspect that Bruce Banner’s gamma rays have miraculously given Hulk the power to grow stronger, rather than weaker, so long as his rage keeps mounting!

As Richard recently pointed out in the comments, this is a great cover of Hulk battling Hercules, courtesy of Kirby and Everett. I fear the issue itself won’t quite live up to the image.

There is some pretty tight continuity on display. When we last saw Hercules, he and a casting agent had left New York bound for Los Angeles. Here we see them on a train from New York to LA. We’ll next see them arriving in LA in Thor #128. The casting agent doesn’t know this is the real Hercules. He’s been cast to play Hercules, so the agent assumes he’s method acting.

Note how little time there has been to breathe in these stories. Hulk’s battle with the Leader led right into his battles in the future, which have led right into his battle with Dr. Zaxon. There’s been no room to breathe. Cliffhanger after cliffhanger. Not so much one long story, as a bunch of story threads that don’t respect issue boundaries.

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Tales to Astonish #78, Story B

The Hulk Must Die!

Featuring: Hulk
Release: January 4, 1966
Cover: April 1966
12 cents
Story by: Stan Lee (Certainly!)
Layouts by: Jack Kirby (Naturally!)
Artwork by: Bill Everett (Surprisingly!)
Lettering by: Sam Rosen
10 pages

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Everett is on art now. We know him as the creator of Sub-Mariner, who told Namor’s original stories. And as the co-creator of Daredevil with Stan Lee, who worked on that series for a single issue. He was removed for being very over-deadline. I think a full-length comic for an entirely new character takes longer than a 10 page Hulk story.

Nonetheless, Kirby is brought in for layouts. Though Everett is the more senior of the two and has long been a writer/artist.

Hulk’s story hasn’t had a pause to breathe since he got his new title. No sooner had the Leader finally been defeated than Hulk was transported into the future. Thinking him dead, Rick revealed Banner’s secret to Major Talbot. But Hulk lives, and has returned from the future.

Has Talbot not told anybody his news yet? Not even Ross?

Continue reading “Tales to Astonish #78, Story B”

Tales to Astonish #77, Story B

Bruce Banner is the Hulk!

Featuring: Hulk
Release: December 2, 1965
Cover: March 1966
12 cents
Script by: Stan Lee
Layouts by: Jack Kirby
Pencilling + inking by: Johnny Romita!
Lettering by: Sam Rosen
10 pages

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Why shouldn’t I tell? It’s time the world learned the truth…!

That’s a damn compelling cover, a collaboration between Kirby and Romita, with the Romita influence coming in heavy, but a unique look for the Hulk that is very distinctive compared to either man’s style. Dramatically, we shockingly hear Rick Jones tell an officer (presumably Talbot) Hulk’s secret. We’ll see how that plays out.

John Romita took over as the regular artist on Daredevil last month. He’s just filling in here, as the series has floundered without a regular artist for the last 10 months. Bill Everett will be taking over next issue. We also saw Romita filling in on last month’s Captain America

As we noted in our recent Daredevil post, John Romita just recently passed away in June 2023 at the age of 93. One of the greatest comic artists of all time.

It is a compelling title. “Bruce Banner is the Hulk!” Is this the issue where his secret identity is finally revealed? Secret identities have been revealed on occasion before, but the learner of the identity usually develops amnesia or dies.

Recall from last issue the army built Banner’s T-Gun without knowing what it did. They hit Hulk with it and now everybody assumes Hulk is dead. In fact, Hulk has been transported to the future.

Continue reading “Tales to Astonish #77, Story B”

Tales to Astonish #76, Story B

I, Against a World!

Featuring: Hulk
Release: November 4, 1965
Cover: February 1966
12 cents
Script: Stan Lee
Layout: Jack Kirby
Pencilling: Scott Edward
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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Stay back!! Back!! You’re just a pack of men– but me, I’m the Hulk!

I like to think I know Marvel decently well, but I’ve never heard of Scott Edward. Usually means a regular DC artist is moonlighting at Marvel on the down low. Indeed, Scott Edward is the already legendary Gil Kane. He’s got some great work at Marvel ahead of him. Of course, Gil Kane isn’t actually his name either. His birth name is Eli Katz, but we all know him as Gil Kane.

But let’s see what he’s done in his 20+ years in comics before getting here. We technically did meet him as one of the artists working with Wood on Thunder AGENTS.

By this point in his career, his biggest claim to fame is the creation of the new Green Lantern, Hal Jordan.

As well as the new Atom, Ray Palmer.

Inks by Murphy Anderson

Arguably, the sleek stylish sci-fi looks of Gil Kane– along with those of Carmine Infantino– are what gave birth to DC’s Silver Age of comics.

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Tales to Astonish #75, Story B

Not All My Power Can Save Me!

Featuring: Hulk
Release: October 5, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Illustrations: M. Demeo
Lettering: S. Rosen
Enjoying: That’s your job, pussycat!
10 pages

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At last I got somethin’ to smash out against… somethin’ to fight… a chance to do the thing I can do better than anything that lives!

This picks up right where the last issue left off, though we paused for a bit since reading the last issue and since reading the earlier half of this comic.

Hulk had just acquired the Ultimate Machine for the Leader from the Watcher’s world. Leader’s attempt to use the machine resulted in his death.

Continue reading “Tales to Astonish #75, Story B”

Tales of Suspense #75, Story B

30 Minutes to Live!

Featuring: Captain America
Release: December 9, 1965
Cover: March 1966
12 cents
Stan Lee, script
Jack Kirby, layout
Dick Ayers, pencil
J. Tartaglione, inks
Artie Simek, lettering
Irving Forbush, cheerleader
10 pages

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But, there was one other! Our lives touched for only a short time– but I’ve never forgotten her! I can still remember our final date– when she whispered to me thru trembling lips… “I’ll wait till you return, Steve! No matter how long– no matter what happens– I’ll wait for you, my darling…!”

We read this issue’s Iron Man story a little while ago, in which Happy had turned into a Freak. We saved this story to make sure it tied into to the issue of Strange Tales that referenced it.

It was a tricky call for reading order, as I don’t like to separate issues, so I’d prefer to have read this story with the Iron Man story, and continuity-wise, the issue of Strange Tales we’re tying into doesn’t fit in where we left off with the Iron Man story. But I just couldn’t find a good way to juggle all the things I’m juggling to assemble a reading order.

This is a good comic with lots going on to talk about. I had to make a checklist for myself to ensure I covered the 10 most important points.

Though we’d taken a pause in reading Cap’s story, there is no break between the beginning of this story and the end of the last. As we open, Cap is hurtling toward the sea after the defeat of the Sleepers.

Except last seen, he had a working parachute. Sometime between the issues, his parachute seems to have failed, so we get a dramatic opening.

We cut to some shadowy figures observing a test of Inferno 42. Nick Fury was aware of this item and had sent an agent to retrieve it. We learned this in Strange Tales #142. Also in that story, Fixer referred to a mysterious organization that was his benefactor, known as Them. Is that who these shadowy figures are?

Back to Cap, we get a great moment. The sailors are in awe of him. One had idolized him as a child.

I have a notion in my head of who these characters are, formed from reading decades of comics beyond these. Cap inspiring awe in those around him is part of my basic image of Cap. But it’s not necessarily something we’ve seen a lot of in these early comics. We did see examples in Cap’s return in Avengers #4. But it’s not yet that common, so every such example is notable, as together they will form the basis for that aspect of Cap’s character.

Continue reading “Tales of Suspense #75, Story B”

Strange Tales #143

To Free a Brain Slave

Featuring: Nick Fury, Agent of SHIELD
Release: January 11, 1966
Cover: April 1966
12 cents
Story: Stan Lee
Art: Jack Kirby
with an assist by: Howard Purcell
Inking: M. Demeo
Lettering: A. Simek
12 pages

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Howard Purcell is a new name to us, but he’s been in the business since 1940, mostly doing work for the companies that would become DC. He’s not going to be a regular Marvel artist. It’s not even clear what he did this issue. Some form of finishing Kirby’s pencil art before handing it off to Mike Esposito to finish in ink.

Here’s a sampling of his work for DC.

  • Adventure Comics #53, featuring Mark Lansing of Mikishawm, 1940
  • World’s Finest Comics #2, feat. Lando Man of Magic, 1941
  • All American Comics #25, 1941
  • All American Comics #26, feat. Sargon the Sorcerer, 1941
  • Sensation Comics #1, feat. The Gay Ghost, 1942
  • Comic Cavalcade #15, feat. Johnny Peril’s Surprise Story, 1946
  • Green Lantern #26, 1947
  • Mr. District Attorney #6, 1948
  • Mystery in Space #1, 1951
  • My Greatest Adventure #29, 1959
  • The Brave and the Bold #51, 1964
  • Sea Devils #16, 1964
Continue reading “Strange Tales #143”

Strange Tales #142

Who Strikes At— SHIELD?

Featuring: Nick Fury, Agent of SHIELD
Release: December 9, 1965
Cover: March 1966
12 cents
Stan Lee, writer! (Our answer to Bond)
Jack Kirby, penciller! (Our answer to UNCLE)
Mike Demeo, inker! (Our answer to Brand echh)
Artie Simek, letterer! (Our answer to Rosen)
12 pages

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We’re a team, blast it! We trained month after month ta live like a team– fight like a team– die like a team!

I’d like to open this post with a happy birthday to the issue’s artist, Jack Kirby. He would be 106 years old today.

The story breaks have become increasingly unclear. Last issue seemed to both end the Hydra saga and begin this Mentallo/Fixer saga we find ourselves embroiled in. We took a pause at the end of the last issue, so let’s recall where we were.

Hydra was finally defeated, the Supreme Hydra murdered by his own agents; Nick allowed his daughter Agent H to escape because he had a soft spot for her. We were then introduced to the “Thinkers”, SHIELD’s ESP division. Mentallo had been a former agent of this division, who had gone rogue. Mentallo decides to form an alliance with a villainous inventor called the Fixer. And Nick Fury realizes Mentallo must be stopped at all costs.

This issue opens with a robot out of control. Lee, as the narrator, lets us know this robot has nothing to do with the main story. Sometimes it feels as though he is offering his commentary on Kirby’s storytelling as we go.

But whatever, Stan. Check out Jack’s awesome robot design!

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X-Men #17

…And None Shall Survive!

Featuring: X-Men
Release: December 12, 1965
Cover: February 1966
12 cents
Story: Stan Lee
Layouts: J. Kirby
Pencils: Jay Gavin
Inks: Dick Ayers
Lettering: A. Simek
20 pages

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Somehow, when I’m high in the sky this way, I feel there is no danger I cannot face– no problem I cannot solve– no enemy I cannot defeat!! Everything seems clean– and pure– and right! The way it ought to be! The way it must be one day, if man is ever to fulfill his promise– his glorious destiny!

I quite like the red glow of the cover. The cover warns me not to spoil the ending, but, well, I’m gonna do that anyway. Be warned.

Thoughts on the reading order. When books are published is a key factor, as is the order in which characters appear, as are story-arcs. What I’m not considering closely is the calendar date within the stories, as I don’t often know. We paused our X-Men reading because the Sentinels story ended and the next one was about to begin. This gave us a chance to catch up on other titles.

But this story begins the same day as the Sentinels story ended. Similarly, the X-Men had fought the Stranger and Juggernaut on the same day, with a short gap of time while the X-Men were injured between these momentous days.

In particular, it must now be within a couple days of Reed and Sue’s wedding, while most of our stories have jumped forward a bit more from that day.

While it’s been more than a year since the Stranger story was published, it’s only been a few weeks for the X-Men.

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