Featuring: Iron Man Release: December 9, 1965 Cover: March 1966 12 cents Titanically written by: Stan Lee Tremendously drawn by: Adam Austin Tumultuously inked by: Gary Michaels Timorously lettered by: Sam Rosen 12 pages
He’s got to learn that Iron Man cannot work only for him, when the entire nation might benefit by his powers!
Happy Hogan has been turned into a Freak. A depowered Iron Man is in pursuit.
The Freak takes an interest in Pepper.
Senator Byrd has been a thorn in Iron Man’s side. Not a villain, but a nuisance. Does he have a point though? Should the powers of Iron Man benefit the entire nation, and not be controlled by a single corporation?
Featuring: Iron Man Release: November 11, 1965 Cover: February 1966 12 cents Story: As only the fabulous Stan Lee can tell it! Art: As only the fantastic Adam Austin can draw it! Inking: As only the flamboyant Gary Michaels can delineate it! Lettering: As only the frantic Artie Simek can scribble it! 12 pages
Somehow– I feel as though my whole world is crashing down around me–!
Jack Abel returns under the Gary Michaels pseudonym. He’ll be the regular inker for a period of time.
Recall Happy had been badly injured during the battle with Titanium Man in issue 71, and last issue he was kidnapped from his hospital by the Black Knight. Iron Man rescued Happy and the Black Knight fell to his death, but now Iron Man is out of power.
To add a bizarre but strangely common wrinkle to the relationships, Pepper now decides she loves Iron Man and hates Tony. It used to be the other way around. Tony loves Pepper but can’t be with her because he has a bad heart, so he’s been intentionally cruel. Happy loves Pepper, but Pepper couldn’t love him back because of Tony, but now she’s over Tony and in love with Iron Man.
Featuring: Iron Man Release: October 12, 1965 Cover: January 1966 12 cents Stan Lee, Roy Thomas, Adam Austin, Gary Michaels, Sol Brodsky, Flo Steinberg, and Merrie Ol’ Marie Severin! 12 pages
Now look, Avenger– No one takes the law into his own hands– not even you!
Stan seems to be crediting an unusual amount of people, but it’s really people who are always involved. Lee always credits himself, this time presumably in an editing role. Roy Thomas is the scripter, Adam Austin (aka Gene Colan) the penciller, Gary Michaels (aka Jack Abel) the inker. The other names show up less commonly in credits. Sol Brodsky is the production manager, and usually is, though uncredited. Marie Severin is the colorist, and frequently is, though uncredited. (Unfortunately we won’t see any of Severin’s coloring in my images, as I’ve only found the digital version online, which is entirely recolored, and that’s likely Stan Goldberg coloring the cover above.) What’s interesting here is Flo Steinberg, who’s been behind the scenes since the beginning, handling the office work for Marvel. She gets her name here apparently because she assisted Roy with the plot.
Weirdly, for all that crediting, they forgot to mention the letterer. Apparently this time normal letter Artie Simek is joined by Ben Oda.
Speaking of Roy Thomas, that’s the new guy we first met on Modeling with Millie, which was released one week earlier. This is his first superhero work. Wonder if he’ll do any more.
Jack Abel is also new to us in our modern reading, though we read an old Captain America story he’d likely contributed to. He’d worked for Marvel back in the 1950s, often inking Bill Benulis or Bob Forgione, but lately has been focused on DC’s war comics. It’s probably why he uses a pseudonym here, so DC won’t know he’s doing side-work. He’ll eventually move on to DC’s superhero line and become the main inker on Superman stories. Here’s a sampling of his artwork.
Journey Into Mystery #20, Marvel, 1954
Our Fighting Forces #50, DC, 1959
Sea-Devils #14, DC, 1963
And a sampling of his finishing work.
Western Outlaws and Sheriffs #72, Marvel, 1952, pencils by Warren Broderick
Adventures into Terror #11, Marvel, 1952, pencils by Bill Benulis
Combat Casey #11, Marvel, 1953, pencils by Bill Benulis
All-American Men of War #25, DC, 1955, pencils by Bob Forgione
Wyatt Earp #1, Marvel, 1955, pencils by Bob Forgione
Turok, Son of Stone #3, Dell, 1956, pencils by Bob Correa
As a complete aside, the plot of that Adventures into Terror story amused me to no end. Lots of these stories about somebody murdering a partner for ambition. But in this case, they were a two-man horse act, and the guy who played the end of the horse wanted to play the horse’s head. Talk about ambition!
Featuring: Everybody Release: August 21, 1996 Cover: October 1996 $2.95 Scintillating script by Stan Lee Prurient plot by Fabian Nicieza Pulse-pounding pencils by Sal Buscema, John Buscema, John Romita, Sr., Steve Ditko, Gene Colan, Marie Severin & Ron Frenz Incredible inks by Tom Palmer, Joe Sinnott, Terry Austin, Bill Reinhold, Marie Severin & Al Milgrom Kaleidoscopic colors by John Kalisz (with perfect page one and colossal cover coloring by Paul Becton) Lascivious letters by Richard Starkings and Comicraft/ad Effervescent edits by Matt Idelson Aching assistant edits by Paul Tutrone Evil editing-in-chiefing by Bob Harras Very special thanks to: Mariano Nicieza, Darren Auck, Scott Koblish, Gil Kane, The Raiders, and the many terrific talents of the Mighty Marvel Bullpen Based on Fantastic Four Annual #3 by Stan Lee and Jack Kirby 48 pages
Just between us, Alicia– I’ve been ready ever since I met the man!
I’m not trying to include too many POSTLUDE entries, but don’t have a clear standard for when I do. Having a copy of the comic in my living room as opposed to in storage somewhere is a good motivator. Plus, I actively used this comic as a reference when making my Fantastic Four Annual post, in deciding who might have been present at the wedding but off-panel.
Heroes & Legends is a loving retelling of the wedding of Sue and Reed from 1996, by continuity nerd Fabian Nicieza with a rotating cast of classic artists and a script by Stan Lee.
We know Steve Ditko very well by this point. We’ve seen some early work of John Romita, but he’s just about to join our regular cast of artists. Gene Colan just started drawing Namor’s adventures. Marie Severin has been working behind the scenes, and we’ll see her artwork soon enough. We’ve already seen some artwork of her brother John. John and Sal Buscema will be shaking things up eventually, and Ron Frenz in the more distant future. We’ll see Tom Palmer soon enough. We’ve briefly met Joe Sinnott a couple times, but he’s just about to become a regular. I’d bemoaned he wasn’t the original inker on the annual. It came out just one month too early. The other inkers will be coming along later.
This tells the same story as the Fantastic Four Annual, but with over twice as many pages.
In a short while, we’ll also read Marvels #2, which includes yet another take on this wedding to contrast with these two takes.
We’ll compare the new comic to the original and note the artist on the new comic. The original art is all by Jack Kirby and Vince Colletta. As noted above, for everything but the first page, John Kalisz did the colors in the new one.
The opening page deliberately mirrors the original.
New art by Sal Buscema & Tom Palmer with colors by Paul Becton
The big addition is a kid named Mark, a superhero fan who gets separated from his father in the commotion, and targeted by villains and saved by heroes. He serves as the centerpiece for this retelling.
Featuring: Prince Namor, the Sub-Mariner Release: November 4, 1965 Cover: February 1966 12 cents Story: Stan Lee Pencilling: Adam Austin Delineation: Vince Colletta Lettering: Sam Rosen 12 pages
Featuring: Prince Namor, the Sub-Mariner Release: October 5, 1965 Cover: January 1866 12 cents Story by: Smilin’ Stan Lee Pencilling by: Admirable Adam Austin Delineation by : Valorous Vince Colletta Lettering by: Sagacious Sam Rosen 12 pages
Though I hold life most dear to me, I shall show how a Prince faces death!
It turns out abandoning the quest was the way to complete the quest.
Per Neptune: Every attribute of a Prince is yours… courage, strength, honest… and, most important of all… a heart which can love… a soul which can sacrifice!
Featuring: Prince Namor, the Sub-Mariner Release: September 2, 1965 Cover: December 1965 12 cents Devastating drama by: Stan Lee Shattering spectacle by: Adam Austin Explosive embellishment by: Vince Colletta Cataclysmic Calligraphy by: Sam Rosen 12 pages
Though I am an Ancient of Atlantis, this one last deed can I do for the land we hold so dear!
After five pretty repetitive issues, finally we’re getting somewhere. Still two more issues after this one to resolve Namor’s dust-up with Krang, but at least the structure is starting to change.
Namor has abandoned his quest to save Dorma from the Faceless Ones. Since he had no idea where to go next in his quest anyway, why not.
Featuring: Prince Namor, the Sub-Mariner Release: August 3, 1965 Cover: November 1965 12 cents Script: Smilin’ Stan Lee Art: Amiable Adam Austin Inks: Valiant Vince Colletta Lettering: Angelic Artie Simek 12 pages
Featuring: Prince Namor, the Sub-Mariner Release: July 1, 1965 Cover: October 1965 12 cents Written in majesty by: Stan Lee Drawn in grandeur by: Adam Austin Inked in splendor by: Vince Colletta Lettered in the suburbs by: S. Rosen 12 pages
A Prince of the Blood must be true to his duty… though the sorrow in his breast be more than he can endure!
Once again, Namor gets to dominate the cover. Only the slightest mention that this is also Hulk’s comic.
To be completely honest, stories with a repetitive format get a bit dull to discuss. I can only make fun of how identical the plots are in so many different ways. Last issue, Namor defeated the creature guarding a clue on his quest, found the clue, went to the next spot, found a creature guarding the next clue. To be continued. Guess the plot of this issue?
Meanwhile, the Krang/Dorma drama continues. We get a new development there as he banishes her to the realm of the Faceless Ones for rejecting him.
Featuring: Prince Namor, the Sub-Mariner Release: June 1, 1965 Cover: September 1965 12 cents Superlative story by: Stan Lee! Sensational art by: Adam Austin! Spectacular inking by: Vince Colletta! Sufficient lettering by: Artie Simek! 12 pages
For, no matter how long the quest shall be–no matter how deadly the dangers I face–naught but victory can be mine! I was born to rule!! I was born Namor, the Sub-Mariner!
His second issue and Namor gets the entire cover. Take that, Hulk.
Expected structure continues. Last issue, Namor found the first clue, met a threat, and it was to be continued. This issue, he resolved that threat, found the second clue, met a new threat, and now it’s to be continued.
