Featuring: Iron Man Release: July 7, 1966 Cover: October 1966 12 cents Script: Stan Lee Pencils: Gene Colan Inks: Frank Giacoia Lettering: Artie Simek Emergency first aid: Irving Forbush 12 pages
Featuring: Iron Man Release: May 3, 1966 Cover: September 1966 12 cents Stan Lee… writer Gene Colan… artist Gary Michaels… inker Sam Rosen… letterer Irving Forbush… armor polisher 12 pages
This feeling of total freedom… of being air-borne under your own power… like some great metal bird… makes all the hardhip, all the danger of the past, utterly meaningless… as inconsequential as some dim, half-forgotten nightmare!
We already read the second half of this issue to finish off Captain America’s battle with Red Skull. We held off on this first half as it starts a new arc for Iron Man with Titanium Man.
Where were we? Senator Byrd has insisted for a while that Tony Stark appear before Congress to reveal Iron Man’s secrets. Stark has been conveniently avoiding this summons by doing things like get kidnapped by the Mandarin. Growing impatient, Byrd had Stark factories closed. But now, after a battle with Sub-Mariner, he’s called Senator Byrd to offer to testify.
At some point, perhaps around the time he made this phone call, Stark also took a call from Hank Pym, and recommended his employee Bill Foster to help Pym’s research.
Featuring: Prince Namor, the Sub-Mariner Release: May 3, 1966 Cover: August 1966 12 cents Plotted by Smilin’ Stan (who then went on vacation!) Scripted by Rascally Roy (who wishes he had!) Begun by Gallant Gene (who caught the flu after finishing the first two pages!) Finished by King Kirby (who drew the last ten pages, then asked who Sub-Mariner was!) Inked by Darlin’ Dick (who else?) 12 pages
Never will Prince Namor surrender! Never shall your eyes view the true Sovereign of Atlantis humbled! Not all your vaunted power will give you the final triumph!
Yesterday was Mother’s Day, and my mother, this blog’s most loyal reader, always liked Namor in her youth. So this is for her.
The digital reprints leave off the letterer credit, and I don’t own the original of this comic. And my reprint in Marvel Masterworks has the same misprint as the digital version. But the GCD tells me there should be one more line in the credits, which reads:
Adorable Arthur (Who??)
Where were we? Red Skull is alive and has been working with Them, and AIM and Them may be the same organization. AIM/Them had created the Cosmic Cube, which Red Skull used to make himself a god, but was still defeated by Captain America. AIM is a defense contractor trying to worm its way into SHIELD and convince the government to remove Col. Fury. But Fury suspects what they are up to.
The Secret Empire is after the Orion Missile, and has hired Boomerang to the task. He has kidnapped the General’s daughter, Betty Ross, as the first step in his plan.
To save Namor from the Behemoth, Dorma agreed to marry Krang, and they ran off together. Unaware of her noble intentions, a furious Namor pursued them to the surface.
Returning to America from a battle with Ultimo, Iron Man found that his factories had been closed, and that he was running low on power and friends. Happy, Pepper, the Avengers… none were home when he desperately needed them. Happy and Pepper may have been on a date. The Avengers may have been in a hidden kingdom in South America.
Krang attacked Iron Man, then escaped. Namor blamed Iron Man for the escape, and decided to stop pursuing Krang and battle Iron Man instead.
This is the direct continuation of the story from Tales of Suspense #80.
Featuring: Iron Man Release: May 10, 1966 Cover: August 1966 12 cents Stan Lee, Sovereign of Script Gene Colan, Prince of Pencilling Gary Michaels, Imperator of Inking Artie Simek, Lord of Lettering 12 pages
At last! I’m at the peak of my power! This is the moment that makes all the agony of the past more than worthwhile! This is the supreme sensation which no other living being can ever experience– the feeling which none can ever fully comprehend– the triumphant moment when the strength of a thousand transistors flows thru me and I stand once more ready for battle– as the invincible Iron Man!
Namor attacks Iron Man. Superheroes do that when the meet, generally. And Namor has always walked that superhero/supervillain line.
Superhero brawls are a well-established trope by this point. A one-on-one battle between Namor and Iron Man was due. Of course they’ve fought before, but then Iron Man had all the Avengers on his side. And Namor still held them at bay.
The battle will exploit their respective weaknesses. They both need the occasional charge. Iron Man needs to plug in. Namor needs water.
Featuring: Iron Man Release: April 12, 1966 Cover: July 1966 12 cents Drama-drenched script by: Stan Lee Power-packed pencilling by: Gene Colan Fantasy-filled inking by: Jack Abel Twelve pages of lettering by: Artie Simek 12 pages
Sometimes I feel as though this iron head shield actually has a life of its own! I find myself thinking of Iron Man as someone else– almost as if it’s a separate entity– as though we’re really two men!
This is all getting confusing (to me, at least). Hulk has just escaped from the subterranean realm where Mole Man and Tyrannus were at war. The Secret Empire have employed Boomerang to steal the Orion Missile. Phase 1 of his plan was to kidnap Betty Ross. To save Namor, Dorma agreed to marry Krang. Namor only knows half this story, and ruthlessly pursues Dorma and Krang to the surface. Nick Fury recently teamed up with Captain America against Them. Fury suspects Them is connected to the supposedly benign scientific organization called AIM. Iron Man was kidnapped by Mandarin and brought to the Orient to fight Ultimo. He thus missed his summons to Congress, and has had his contracts revoked, factories closed, finances impounded, while a warrant has been placed for his arrest. This is all thanks to the zealous Senator Byrd. Before his factories were closed, Stark Industries was able to create a special suit for Colonel John Jameson, infected by space spores.
Of course, lots of other stuff is happening around the Marvel Universe, but that’s the most relevant for the next several issues.
We find Tony on the edge of collapse, recent events being a strain on his heart.
He’s in need of a charge.
Pepper and Happy are both not home. Are they out together? Tony is jealous.
When a Monarch Goes Mad! Featuring: Prince Namor, the Sub-Mariner Release: April 5, 1966 Cover: July 1966 12 cents Amazing story: Stan Lee Astonishing art: Gene Colan Astounding inking: Dick Ayers Agonizing lettering: Sam Rosen 12 pages
The color of one’s skin is but a chance accident of fate! It alters nothing else about the person!
Namor was fighting a Behemoth last issue, and Krang convinced Lady Dorma that Namor’s only chance for survival was for him to relinquish his control on the Behemoth, which he would only do if Dorma agreed to wed him.
This issue picks up right where that left off. Dorma had told Vashti she was to wed Krang, but not why. And Vashti has just delivered the news to Namor.
Namor declares the mention of Dorma’s to name to be treason. Rational. Namor claims he has the fury of youth. He had been a youth 25 years earlier when introduced in 1939. Not sure how long he can use that excuse. Vashti notes Namor had been the gentlest and noblest of monarchs. I am not sure that is true.
The Trap is Sprung Featuring: Daredevil Release: August 2, 1966 Cover: October 1966 12 cents Spellbinding script: Stan Lee Phenominal pencilling; Gene Colan Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill Laudatory lettering: Artie Simek Bombastic bird-watching: Irving Forbush 20 pages
In this court– presided over by the Owl– I make my own laws!
I’m a little confused about who the inker is. GCD claims Esposito, who we see credited in the reprint below by his standard pen name, Mickey Demeo. The GCD also claims the original comic has this credit. UHBMCC claims that the original comic credits Giacoia. Earth’s Mightiest Blog has a scan of what looks like the original credits, and it’s Giacoia.
Looking at various collections on my shelves, the Epic Collection and Marvel Masterworks volumes credit Frank Giacoia; but the Essential Daredevil credits Esposito.
Here’s the original art for the issue, which has Giacoia, though you can see it appears to be a last minute change over a whited-out name.
Note about pencilling that John Romita is too busy polishing off the Amazing Spider-Man Annual. Though he only does the layouts for that comic.
In fact, Colan turns out to not just be filling in. As of this issue, he’ll be the regular penciler on Daredevil for the next several years, freeing Romita to focus on Spider-Man.
Featuring: Fantastic Four Release: June 9, 1966 Cover: September 1966 12 cents Script: Smilin’ Stan Lee Art: Jolly Jack Kirby Inking: Jovial Joe Sinnott Lettering: Snarlin’ Sam Rosen 20 pages
My name is Prester John… and long have I travelled the world, seeking to unravel the mysteries of mankind! That is why men have ever called me… the Wanderer! And, the sights I beheld… the secrets upon which I stumbled… were far beyond description… yea, almost beyond belief itself… Can I ever forget those lonely mountain peaks from which I barely escaped with my life… after finding a savage race who thrived only in the land of endless snow…? And, I wonder if time has erased the glory of Cathay… where I witnessed the flight of giant projectiles… like roaring comets, soaring high into the heavens! Even madness did I encounter… such as the time I crossed the angry sea only to find a tribe who studied the stars… and who insanely proclaimed Earth to be round, like some great spinning egg shell! But, the greatest triump of my life was finding the fabled isle of Avalon! Avalon… hidden realm of miracles without end! Avalon… whose wizards created mighty machines which harnassed the natural forces of the universe!! Alas, that those same forces should have destroyed their own land… causing them to vanish forever from the sight of men!
Still in Wakanda, the Fantastic Four and Black Panther play a baseball game.
When Reed and Sue go off to “shmooze”, Ben exclaims, “What a revoltin’ development!” Not the first time he’s used the phrase in response to Reed and Sue going off to shmooze. We’d seen it before in Fantastic Four #35. Brian Cronin traces the evolution of the phrase from Life of Reily to Daffy Duck to Ben Grimm here.
Featuring: Iron Man Release: March 10, 1966 Cover: June 1966 12 cents Spectacular story by Stan Lee Pace-setting pencilling by Gene Colan Indescribable inking by Gary Michaels Lonesome lettering by Artie Simek 12 pages
Ultimo, who never really lived– is now truly dead!
Stark factories are closed because Senator Byrd has cancelled the Defense contracts. Tony Stark is missing because Iron Man is in Asia battling Ultimo, the android creation of the Mandarin.
We get a cool time lapse splash page. Ditko often did these time lapse panels in his Spider-Man stories.
Of course, the flip side of all these splash pages and large panels is we get fewer panels to tell the story.
