frank giacoia – Page 3 – Coke & Comics

Sgt. Fury Annual 1

Commission in Korea!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 1, 1965
Cover: 1965
25 cents
Story: Smilin’ Stan Lee
Art: Darlin’ Dick Ayers
Inking: Frisky Frankie Ray
Lettering: Artful Artie Simek
15 pages

Previous	#391	Next
Tales to Astonish #76	Reading order	Journey Into Mystery #120
	Sgt. Fury Annual	Sgt. Fury Annual 2

They have been shown, in the only way they understand, that free men can always strike back!

We check in with Sgt. Fury during the Korean War. The Commandos are sent on a secret mission across the 38th Parallel. Based on a cursory knowledge of the war, the massive American presence combined with a reticence to cross the 38th Parallel would place this story in July-August 1950.

The remaining Commandos all survived WWII and re-enlisted when the Korean War broke out. All of them have attained at least the rank of Sergeant, but they still seem to be in the same formation with the same personnel from 1943.

The narrator reminds us that the US are the good guys, who play by the agreed-upon rules of war. Unlike those Reds.

Sgt. Fury #20

The Blitz Squad Strikes!

Featuring: Sgt. Fury and His Howling Commandos
Release: May 11, 1965
Cover: July 1965
12 cents
Smashing script: Stan Lee
Awesome art: Dick Ayers
Inspired inking: Frank Ray
Luscious lettering: Artie Simek
20 pages

Previous	#370	Next
Strange Tales #135	Reading order	Avengers #18
Sgt. Fury #19	Sgt. Fury	Sgt. Fury #21

Mister, when it comes to being tough, us Commandos invented the word!! And we don’t need a ravin’ Fuehrer to remind us how good we are!! All we gotta do is pick up a history book!! Mebbe we don’t push our weight around like you Nazis do! But, mebbe it’s because we know we don’t haveta! We got all the muscle we need– when we need it! And the dictator don’t live who can push us around!! Waddaya think of us “inferior races” now? Answer me, ya creep!! And then answer all the innocent people, all over the world, that ya been tramplin’ on–!!

We just saw an eye-patched Colonel Fury take over the international spy agency, SHIELD in the 1960s. Let’s head back to the 1940s to see the adventures of Sgt. Fury with two good eyes.

The credits on these Sgt. Fury books have usually emphasized the creators’ status as former military. “Ex-Sgt. Stan Lee”, “Ex-Corp. Dick Ayers”, “Ex-Corp. Frank Ray”. In fact, I think they’ve done that in every one of the first 19 issues of this series, but seem to be done with the practice now. I wonder why. They’re not phasing it out; they’ll just never mention the military service of the creators again.

We see the return of Baron Strucker’s Blitzkrieg Squad, introduced in issue 14, the Nazi counterparts to the Howling Commandos.

That truck seems to have a target on it.

Unless somebody has a better explanation, I’m going to suggest the logo is the RAF roundel, simply miscolored here, and not indicative of the Target corporation. The Turkish Air Force roundels look like the Target logo, but no British ones that I can find.

A bit of poking fun at themselves here. Fury’s rival Bull McGiveney claims all Fury knows how to do is rip up shirts.

A torn chest-revealing shirt is basically Fury’s uniform.

Sgt. Fury #19

An Eye for an Eye!

Featuring: Sgt. Fury and his Howling Commandos
Release: April 8, 1965
Cover: June 1965
12 cents
You’ll relive the torment of warfare in this script by Ex-Sgt. Stan Lee
You’ll see the blaze of battle in this artwork by Ex-Corp. Dick Ayers
You’ll feel the drama of conflict in this inking by Ex-Corp. Frank Ray
You’ll hear the sounds of attack in this lettering by exquisite S. Rosen
20 pages

Previous	#370	Next
Daredevil #8	Reading order	Amazing Spider-Man #26
Sgt. Fury #18	Sgt. Fury	Sgt. Fury #20

Let’s remind ourselves of the dramatic final page of the previous issue.

This story picks up where that left off. Lady Pamela Hawley died in a bombing raid before Nick could propose to her. Now we see him trying to deal with his pain and frustration. Will revenge bring him catharsis?

After Nick is working the Howlers too hard, Captain Sawyer orders a furlough. They decide to take their “furlough” in occupied Holland and track down the Squadron behind Pam’s death.

Fantastic Four #39

A Blind Man Shall Lead Them!

Featuring: Fantastic Four
Release: March 11, 1965
Cover: June 1965
12 cents
Splendiforious story by: Stan Lee
Delectable drawings by: Jack Kirby
Deliciious Delineation by: Frank Ray
Laconic lettering by: Artie Simek
20 pages

Previous	#367	Next
Amazing Spider-Man #25	Reading order	Fantastic Four #40
Fantastic Four #38	Fantastic Four	Fantastic Four #40

I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.

So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.

Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.

After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.

To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.

But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.

Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.

Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.

Tales of Suspense #68, Story B

The Sentinel and the Spy!

Featuring: Captain America
Release: May 11, 1965
Cover August 1965
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inker: Frank Ray
Letterer: Sam Rosen
10 pages

Previous	#359	Next
Tales of Suspense #68	Reading order	Amazing Spider-Man #25
Tales of Suspense #68	Tales of Suspense	Tales of Suspense #69

The story’s title, “The Sentinel and the Spy”, seems to refer to Captain America’s nickname, “The Sentinel of Liberty”. It’s not clear to me how established that nickname is at this point. It’s been associated with the character since his first appearance in 1941, as the Sentinels of Liberty was the name of his fan club.

At the end of last issue, Cap still seemed to be brainwashed, but he’s snapped out of it by the opening splash page.

Tales to Astonish #67, Story B

Where Strides the Behemoth

Featuring: Hulk
Release: February 4, 1965
Cover: May 1965
12 cents
Script by Stan Lee, who created [sic] the Hulk!
Art by Steve Ditko, who adopted the Hulk!
Inking by Frankie Ray, who fears the Hulk!
Lettering by Art Simek, who looks like the Hulk!
10 pages

Previous	#353	Next
Tales to Astonish #67	Reading order	Tales to Astonish #68
Tales to Astonish #67	Tales to Astonish	Tales to Astonish #68

Hulk remains in the unnamed “iron curtain nation”. We will learn this nation borders Mongolia.

We see an impressive battle with the Soviet military. Hulk’s been fighting the US military since issue 1, but this is the first real all-out battle between Hulk and a bunch of tanks.

Journey Into Mystery #115

The Vengeance of the Thunder God

Featuring: Thor
Release: February 4, 1965
Cover: April 1965
12 cents
Story by: Stan Lee the sage of the Marvel Age!
Penciling by: Jack Kirby the rage of the Marvel Age!
Inking by: Frankie Ray for his wage in the Marvel Age!
Lettering by: Artie Simek from his cage in the Marvel Age!
16 pages

Previous	#337	Next
Journey Into Mystery #114, Story B	Reading order	Journey Into Mystery #115, Story B
Journey Into Mystery #114, Story B	Journey Into Mystery	Journey Into Mystery #115, Story B

Recall last issue Thor and Absorbing Man were locked in battle when Balder transported Thor away to Asgard because Loki had imprisoned Jane Foster.

I noted that starting just about last issue, the Thor title is finally getting good. In the old stories, Mr. Hyde or Cobra would kidnap Jane and Thor would fight them.

Admittedly the plot of this issue is that Loki kidnaps Jane and Thor fights him. But it’s good.

At least Loki imprisoning Jane makes sense, as Loki is well aware of Thor’s secret identity– which makes one question the value of the secret identity. Mr. Hyde would just pick the right victim by chance.

Admittedly the plot of next issue is that Enchantress and Executioner kidnap Jane, but I still maintain these stories are getting better.

Sgt. Fury #16

A Fortress in the Desert Stands!

Featuring: Sgt. Fury and his Howling Commandos
Release: January 12, 1965
Cover: March 1965
12 cents
Written with machine gun power by Ex-Sgt. Stan Lee
Drawn with howitzer impact by Ex-Corp. Dick Ayers
Inked with rifle-fire sharpness by Ex-Corp. Frank Ray
Lettered with bloodshot eyes by Artie Simek Civilian 1st Class
20 pages

Previous	#321	Next
Amazing Spider-Man #23	Reading order	Sgt. Fury #17
Sgt. Fury #15	Sgt. Fury	Sgt. Fury #17

The cover is striking because of the dominant yellow. We haven’t yet seen a cover with such a coloring scheme, but they’ll become more common, and they’ll always catch my eye. This particular color evokes the intense heat of the desert.

Hans Rooten takes his new place as squad mascot. He’s even got a uniform to indicate his “mascot” status. He’s written far more sensibly than, say, Rick Jones is in Avengers. He is allowed to train with the Commandos, but not on dangerous maneuvers, and he doesn’t go on missions, whereas the Avengers take Rick to fight most any super-villain.

The only not-particularly sensible thing is why they continue to let Hans believe his father is a traitor. Now that he’s safely in England, there’s surely no harm in telling the kid his father is a heroic Allied double agent. But these were his father’s wishes, so the child will go on thinking himself to be basically an orphan, with the Howlers the only family he has left.

This page is from the original comic, found online.

Hans has already figured out the character of Sgt. Fury: “He is yelling at me! That means he likes me!”

Hans wants to be a Howler when he grows up. Nick hopes that when he grows up, there won’t be any need for Howlers.

Tales of Suspense #64, Story B

Among Us, Wreckers Dwell!

Featuring: Captain America
Release: January 12, 1965
Cover: April 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Delineator: Frank Ray
Letterer: S. Rosen
10 pages

Previous	#317	Next
	Prelude	Captain America Comics #1, Story C
Tales of Suspense #64	Reading order	Strange Tales #131
Tales of Suspense #64	Tales of Suspense	Tales of Suspense #65

This is an extremely close retelling of the second story from Captain America Comics #1, which we covered back when Captain America first returned in Avengers #4.

The original story is most notable for being Captain America’s first case and for introducing Betty Ross.

I see I didn’t go into great detail on the plot in that post, writing this:

The story of the comic doesn’t make any sense whatsoever. I can’t begin to try to explain it and I’m not sure it’s worth considering all the many ways in which it makes no sense. Suffice it to say they stop the bad guys.

We’ll delve deeper here.

Last issue was a close retelling of the first story from Captain America Comics #1, which was the story of Captain America’s origin. Next issue will be a retelling of Captain America’s first battle against Red Skull from the same issue. It makes sense why one might want to revisit those two stories. And then there’s this one.

The original stories are by Joe Simon and Jack Kirby. Joe Simon’s name should probably have been in the credits of this comic, as it’s based so closely on his original story. The plot owes more to Simon than many of the comics Stan Lee claims “plot” credit on owe to Stan.

My issue with the original is that I didn’t really understand what Sando and Omar brought to the scheme. There were Nazi saboteurs in America successfully blowing things up. Why have a member of your crew go onstage and warn people about the attacks in advance by pretending to be psychic? The comic didn’t really try to explain.

Let’s compare the new one to the original. The first thing we will notice is the new one fits into very regular grid patterns that make it easy to crop out groups of panels. The original felt bound by no such structure, so the croppings will all be imperfect.

Looking to the opening splash pages, the crystal ball image is very close. The changes fit Kirby’s more dramatized style and generally make a more modern splash page. Omar is a little less freakish in the new one. The biggest loss is Sando, whose fingers had an unusual positioning in the original, almost suggesting his role as puppeteer. Kirby opted for a more standard-for-Kirby dramatized positioning.

The modern comic claims to be “introducing” Sando and Omar. This seems blatantly false, as they were obviously introduced 25 years earlier.

Tales to Astonish #66

The Menace of Madam Macabre

Featuring: Giant-Man and Wasp
Release: January 5, 1965
Cover: April 1965
12 cents
Story: Smilin’ Stan Lee
Art: Beamin’ Bobby Powell
Inking: Friendly Frankie Ray
Lettering: Sunny ol’ Sherigail
12 pages

Previous	#314 *(≈ 100 𝜋)**	Next
	Prelude	Marvel Comics #1, Story F
Tales to Astonish #65	Reading order	X-Men #10
Tales to Astonish #65, Story B	Tales to Astonish	Tales to Astonish #66, Story B

The Giant-Man tale is hogging most of the cover real estate.

Wasp doesn’t seem to be recognized as a co-lead for the second issue in a row. This is just described as a Giant-Man story. The covers have long since omitted her name.

Yes, we are falling farther and farther behind in our Hulk reading.

As before, it’s not actually a new Giant-Man. He just has a new hat.

Madam Macabre is an evil analogue to Giant-Man, with the power to make things shrink or grow. Not knowing she is evil, Giant-Man considers partnering with her, until he learns she thinks they can rule the world together.