Sgt. Fury #32

A Traitor in Our Midsts!

Featuring: Sgt. Fury and his Howling Commandos
Release: May 10, 1966
Cover: July 1966
12 cents
Exquisitely non-edited by: Stan Lee
Ecstatically scripted by: Roy Thomas
Excitedly drawn by: Dick Ayers
Elatedly inked by: John Tartaglione
Eventually lettered by: Sam Rosen
20 pages

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Amazing Spider-Man #40Reading orderThor #131
Sgt. Fury #31Sgt. FurySgt. Fury #33

“Now lissen, ya blasted goldbricks, and lissen good! This medic’s come all the way from the States to find out what makes us Howlers tick, an’ anybody that gives him trouble will answer to me! The doc’s here to see to it that none’a you jaw-flappin’ hyenas conks out on a mission! Like the sayin’ goes, a chain’s only as good as its weakest link!”
“Ain’t that pretty, Reb?”
“It sho’ nuff is, Gabe! Hey, Sarge… y’all think up that li’l ol’ speech by yoahself?”
“Shuddup!”

Stan has something of a mixed reputation amongst fans today. One of the common complaints against him is that he took more credit than was due, that he accepted the credit and pay of a writer on works where his role was closer to that of an editor.

As he’s been handing off scripting duties to folks like Thomas and O’Neil, he’s stopped taking writing credit. But still gets his name first in the credits, now as an editor. (Interestingly, Roy Thomas is facing a bit of controversy lately for claiming to much creative credit from his later role as an editor.)

Amusingly, the credits admit Stan is now on vacation and wasn’t able to edit this particular book. So he claims credit for not editing the comic.

And still gets his name at the top of the credits!

We’d recently read a Daredevil comic from the same month where O’Neil had to finish the script because Stan took a vacation.

This actually may be the first comic we’ve come across that Stan Lee claims no credit for.

It’s possible this was Stan’s first vacation in five years.

Continue reading “Sgt. Fury #32”

X-Men #23

To Save a City

Featuring: X-Men
Release: June 2, 1966
Cover: August 1966
12 cents
Edited in ecstacy by Stan Lee
Written in rapture by Roy Thomas
Drawn in delight by Werner Roth
Delineated in depth by Dick Ayers
Lettered in a lawn-chair by Artie Simek
20 pages

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POSTLUDEMarvels #3
X-Men #22Reading orderDaredevil #18
X-Men #22X-MenX-Men #24

It is only in this form, in which I have no solid substance, that I can know anything like the thrill of walking again!

Werner Roth had been referring to himself as “Jay Gavin” these last several issues. But now he’s ready to use his real name in the credits.

We pick up where last issue left off, with the X-Men prisoners of Count Nefaria and the new Maggia, with lieutenants picked from an assortment of titles.

Now Nefaria executes his plan, holding Washington DC hostage, blackmailing America, and framing the X-Men.

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X-Men #22

Divided– We Fall!

Featuring: X-Men
Release: May 3, 1966
Cover: July 1966
12 cents
Editor emeritus: Stan Lee
Script by: Roy Thomas
Art by: Jay Gavin
Inking by: Dick Ayers
Lettering by: Artie Simek
Colosso by: Irving Forbush Robotics, Inc.
20 pages

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Sgt. Fury #31Reading orderX-Men #23
X-Men #21X-MenX-Men #23

And, we did it as a team! No one of us could have done it alone!

The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.

As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.

The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.

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Sgt. Fury #31

Into the Jaws of… Death!

Featuring: Sgt. Fury and his Howling Commandoes
Release: April 12, 1966
Cover: June 1966
12 cents
Written by: Roy Thomas
Illustrated by: Dick Ayers
Inked by: J. Tartaglione
Lettered by: Sam Rosen
20 pages

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X-Men #21Reading orderX-Men #22
Sgt. Fury #30Sgt. FurySgt. Fury #32

I guess these big bad nazis plain scared me so much I couldn’t remember a thing!

This is an above-average Sgt. Fury story. It’s got a more intricate plot than usual with some clear stakes. Captain Sawyer gets a larger role, allowing his character to be fleshed out some. And it’s notable for introducing us finally to General Eisenhower, the Supreme Allied Commander. I like that guy.

We saw in last issue’s text box that D-Day was approaching. We see the Howlers training underwater for that mission, dubbed Operation Overlord.

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X-Men #21

From Whence Comes… Dominus?

Featuring: X-Men
Release: April 5, 1966
Cover: June 1966
12 cents
Exemplary editing by: Stan Lee
Extraordinary writing by: Roy Thomas
Exceptional art by: Jay Gavin
Exhilarating inking by: Dick Ayers
Exasperating lettering by: Artie Simek
20 pages

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X-Men #20Reading orderSgt. Fury #31
X-Men #20X-MenX-Men #22

We are now preparing to engage the enemy in his own lair– and it is always there that he is most dangerous!

Porter Mack runs the local dude ranch and thinks there may be a reward if his men capture the X-Men.

They are outmatched.

This is an example of the anti-mutant sentiment, which would make a better focus for these stories than alien invasions.

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X-Men #20

I, Lucifer

Featuring: X-Men
Release: March 3, 1966
Cover: May 1966
12 cents
Expertly edited by: Stan Lee
Skillfully scripted by: Roy Thomas
Perfectly penciled by: Jay Gavin
Ideally inked by: Dick Ayers
Laxly lettered by: Artie Simek
20 pages

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Sgt. Fury #30Reading orderX-Men #21
X-Men #19X-MenX-Men #21

As usual, a mob seldom makes the right decision!

With this issue, Roy Thomas takes over as regular writer on The X-Men, a position he will hold for the next two years. Some sources suggest Stan gave a writing assist on this and the next issue, but Stan is only credited as Editor. (Of course, even as editor, Stan’s credit goes first.)

It begins with fake X-Men, villains seeking to ruin their reputation.

As Mark had previously noted in comments, you can spot the villains by the smoking of cigarettes.

Heroes smoke pipes.

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Sgt. Fury #30

Incident in Italy!

Featuring: Sgt. Fury and his Howling Commandos
Release: March 10, 1966
Cover: May 1966
12 cents
Energetic editing by: Stan Lee
Rambunctious writing by: Roy Thomas
Actionistic art by: Dick Ayers
Dynamic delineation by: John Tartaglione
Lethargic lettering by: Sam Rosen
20 pages

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Avengers #31Reading orderX-Men #20
Sgt. Fury #29Sgt. Fury Sgt. Fury #31

Awright you yardbirds… keep firin’! You want the Fascisti ta forget we’re here?

The Howlers parachute into Italy. This is momentous for Dino. We knew he was Italian-American, but we learn a couple new facts, including that he was born in Italy, but moved to America as a baby. We also learn he loves spaghetti.

Unusually, Sgt. Fury orders the Commandos to surrender, and they are taken to a prison camp. The Canadian Captain in charge has been planning a great escape. But Sgt. Fury has other plans.

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Tales to Astonish #80

To the Death!

Featuring: Prince Namor, the Sub-Mariner!
Release: March 3, 1966
Cover: June 1966
12 cents
Story by Smilin’ Stan Lee
Pencils by Grinnin’ Gene Colan
Inks by Dazzlin’ Dick Ayers
Lettering by Snarlin’ Sam Rosen
12 pages

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Tales to Astonish #79, Story BReading orderAvengers #26
Tales to Astonish #79, Story BTales to AstonishTales to Astonish #80, Story B

I am still the Lord of the Seven Seas!

Where were we. Krang and Puppet Master have teamed up to control the Behemoth. Hank Pym and Janet were around at some point. We’ll catch up with them next time in the pages of Avengers.

We’re supposed to believe that because Krang is controlling the Behemoth through the clay puppet, the creature has better reflexes than it would otherwise. That makes little sense to me.

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Tales of Suspense #75, Story B

30 Minutes to Live!

Featuring: Captain America
Release: December 9, 1965
Cover: March 1966
12 cents
Stan Lee, script
Jack Kirby, layout
Dick Ayers, pencil
J. Tartaglione, inks
Artie Simek, lettering
Irving Forbush, cheerleader
10 pages

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Strange Tales #143, Story BReading orderTales of Suspense #76, Story B
Tales of Suspense #75Tales of SuspenseTales of Suspense #76

But, there was one other! Our lives touched for only a short time– but I’ve never forgotten her! I can still remember our final date– when she whispered to me thru trembling lips… “I’ll wait till you return, Steve! No matter how long– no matter what happens– I’ll wait for you, my darling…!”

We read this issue’s Iron Man story a little while ago, in which Happy had turned into a Freak. We saved this story to make sure it tied into to the issue of Strange Tales that referenced it.

It was a tricky call for reading order, as I don’t like to separate issues, so I’d prefer to have read this story with the Iron Man story, and continuity-wise, the issue of Strange Tales we’re tying into doesn’t fit in where we left off with the Iron Man story. But I just couldn’t find a good way to juggle all the things I’m juggling to assemble a reading order.

This is a good comic with lots going on to talk about. I had to make a checklist for myself to ensure I covered the 10 most important points.

Though we’d taken a pause in reading Cap’s story, there is no break between the beginning of this story and the end of the last. As we open, Cap is hurtling toward the sea after the defeat of the Sleepers.

Except last seen, he had a working parachute. Sometime between the issues, his parachute seems to have failed, so we get a dramatic opening.

We cut to some shadowy figures observing a test of Inferno 42. Nick Fury was aware of this item and had sent an agent to retrieve it. We learned this in Strange Tales #142. Also in that story, Fixer referred to a mysterious organization that was his benefactor, known as Them. Is that who these shadowy figures are?

Back to Cap, we get a great moment. The sailors are in awe of him. One had idolized him as a child.

I have a notion in my head of who these characters are, formed from reading decades of comics beyond these. Cap inspiring awe in those around him is part of my basic image of Cap. But it’s not necessarily something we’ve seen a lot of in these early comics. We did see examples in Cap’s return in Avengers #4. But it’s not yet that common, so every such example is notable, as together they will form the basis for that aspect of Cap’s character.

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X-Men #19

Lo! Now Shall Appear– The Mimic!

Featuring: X-Men
Release: February 3, 1966
Cover: April 1966
12 cents
Story: Stan Lee
Pencils: Jay Gavin
Inking: Dick Ayers
Lettering: Artie Simek
(All that, and Forbush too!)
20 pages

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Daredevil #15Reading orderAmazing Spider-Man #36
X-Men #18X-MenX-Men #20

The danger is clear– the task is yours– the moment is now!

This Irving Forbush fellow was mentioned in the last Daredevil post as well. What’s that about?

X-Men #10-18 took place over a very short span of time, with one adventure right after the other, likely knocking out of alignment with the other titles. There is now a big gap before this adventure, which hopefully brings us closer to alignment. The X-Men are healed from the battle against the Sentinels. Cerebro has been rebuilt.

Bobby and Zelda seem to be going steady now, so Zelda is setting Hank up with her friend Vera so they can have a double date. Prior to the blind date, Hank stops at the library and meets a woman… and they do not get along at all.

Guess who his date turns to be?

The already fraught romantic situation heats up when Calvin Rankin shows up. He’s basically a stalker who has been pressuring Vera to go out with him and refusing to take no for an answer. Well, he’s angry to find her out with another man and conflict ensues.

Continue reading “X-Men #19”