The Trap is Sprung Featuring: Daredevil Release: August 2, 1966 Cover: October 1966 12 cents Spellbinding script: Stan Lee Phenominal pencilling; Gene Colan Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill Laudatory lettering: Artie Simek Bombastic bird-watching: Irving Forbush 20 pages
Featuring: X-Men Release: June 30, 1966 Cover: September 1966 12 cents Editing by: Stan (Busy Bee) Lee Script by: Roy (Bookworm) Thomas Art by: Werner (Worker-ant) Roth Inking by: Dick (Doodlebug) Ayers Lettering by: Sam (Pussycat) Rosen 20 pages
“Grow! Grow! Grow! Let not one X-Man survive!” “Now, how does a rational person argue with sentiments like those?”
As we learned last issue, Jean is leaving the X-Men to go to college. She’ll be at Metro College, the same college as Johnny Storm. We just saw that Johnny Storm was on school break with Wyatt Wingfoot, and using that break to travel to the Great Refuge to try to free the Inhumans.
The Narrator notes Johnny and Wyatt are in the Himalayas. Last we saw them, they were traveling from Wakanda in Africa and on their way to the Great Refuge, which had been in the Andes, not the Himalayas. Perhaps they got lost.
Featuring: Sgt. Fury and his Howling Commandos Release: June 9, 1966 Cover: 1966 25 cents Stan Lee, editor extaordinary Roy Thomas, scripter superlative Dick Ayers, penciler pre-eminent John Tartaglione, inker infallible Sam Rosen, letterer lamentable 24 pages
Countless ships… squadrons of high-flying B-17’s, and medium-range bombers…170,000 American and British troops– all part of the mightiest armada ever assembled by man! All dedicated to the overthrow of the most unholy empire ever conceived by man… or demon!
We’ve been hanging out in 1943-44 for this whole series. It’s been pointedly pre-D-Day. The Howlers are based in England because there is no major Allied presence in Europe. They keep sneaking into Europe for their adventures.
These annuals aren’t necessarily set with the monthly comics, so there may be several pre-D-Day comics yet to come. For example, the first annual showed the Howlers reunite in Korea, and the next one will take us to Viet Nam. And we have several more pre-D-Day stories to come in the main title.
June 5. 1944. Normandy. Hitler believes his wall around Europe to be impenetrable. The Howlers once again sneak into France on their most important mission.
Featuring: Sgt. Fury and his Howling Commandos Release: May 10, 1966 Cover: July 1966 12 cents Exquisitely non-edited by: Stan Lee Ecstatically scripted by: Roy Thomas Excitedly drawn by: Dick Ayers Elatedly inked by: John Tartaglione Eventually lettered by: Sam Rosen 20 pages
“Now lissen, ya blasted goldbricks, and lissen good! This medic’s come all the way from the States to find out what makes us Howlers tick, an’ anybody that gives him trouble will answer to me! The doc’s here to see to it that none’a you jaw-flappin’ hyenas conks out on a mission! Like the sayin’ goes, a chain’s only as good as its weakest link!” “Ain’t that pretty, Reb?” “It sho’ nuff is, Gabe! Hey, Sarge… y’all think up that li’l ol’ speech by yoahself?” “Shuddup!”
Stan has something of a mixed reputation amongst fans today. One of the common complaints against him is that he took more credit than was due, that he accepted the credit and pay of a writer on works where his role was closer to that of an editor.
As he’s been handing off scripting duties to folks like Thomas and O’Neil, he’s stopped taking writing credit. But still gets his name first in the credits, now as an editor. (Interestingly, Roy Thomas is facing a bit of controversy lately for claiming to much creative credit from his later role as an editor.)
Amusingly, the credits admit Stan is now on vacation and wasn’t able to edit this particular book. So he claims credit for not editing the comic.
And still gets his name at the top of the credits!
We’d recently read a Daredevil comic from the same month where O’Neil had to finish the script because Stan took a vacation.
This actually may be the first comic we’ve come across that Stan Lee claims no credit for.
It’s possible this was Stan’s first vacation in five years.
Featuring: X-Men Release: June 2, 1966 Cover: August 1966 12 cents Edited in ecstacy by Stan Lee Written in rapture by Roy Thomas Drawn in delight by Werner Roth Delineated in depth by Dick Ayers Lettered in a lawn-chair by Artie Simek 20 pages
It is only in this form, in which I have no solid substance, that I can know anything like the thrill of walking again!
Werner Roth had been referring to himself as “Jay Gavin” these last several issues. But now he’s ready to use his real name in the credits.
We pick up where last issue left off, with the X-Men prisoners of Count Nefaria and the new Maggia, with lieutenants picked from an assortment of titles.
Now Nefaria executes his plan, holding Washington DC hostage, blackmailing America, and framing the X-Men.
Featuring: X-Men Release: May 3, 1966 Cover: July 1966 12 cents Editor emeritus: Stan Lee Script by: Roy Thomas Art by: Jay Gavin Inking by: Dick Ayers Lettering by: Artie Simek Colosso by: Irving Forbush Robotics, Inc. 20 pages
And, we did it as a team! No one of us could have done it alone!
The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.
As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.
The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.
Featuring: Sgt. Fury and his Howling Commandoes Release: April 12, 1966 Cover: June 1966 12 cents Written by: Roy Thomas Illustrated by: Dick Ayers Inked by: J. Tartaglione Lettered by: Sam Rosen 20 pages
I guess these big bad nazis plain scared me so much I couldn’t remember a thing!
This is an above-average Sgt. Fury story. It’s got a more intricate plot than usual with some clear stakes. Captain Sawyer gets a larger role, allowing his character to be fleshed out some. And it’s notable for introducing us finally to General Eisenhower, the Supreme Allied Commander. I like that guy.
We saw in last issue’s text box that D-Day was approaching. We see the Howlers training underwater for that mission, dubbed Operation Overlord.
Featuring: X-Men Release: April 5, 1966 Cover: June 1966 12 cents Exemplary editing by: Stan Lee Extraordinary writing by: Roy Thomas Exceptional art by: Jay Gavin Exhilarating inking by: Dick Ayers Exasperating lettering by: Artie Simek 20 pages
Featuring: X-Men Release: March 3, 1966 Cover: May 1966 12 cents Expertly edited by: Stan Lee Skillfully scripted by: Roy Thomas Perfectly penciled by: Jay Gavin Ideally inked by: Dick Ayers Laxly lettered by: Artie Simek 20 pages
With this issue, Roy Thomas takes over as regular writer on The X-Men, a position he will hold for the next two years. Some sources suggest Stan gave a writing assist on this and the next issue, but Stan is only credited as Editor. (Of course, even as editor, Stan’s credit goes first.)
It begins with fake X-Men, villains seeking to ruin their reputation.
As Mark had previously noted in comments, you can spot the villains by the smoking of cigarettes.
Featuring: Sgt. Fury and his Howling Commandos Release: March 10, 1966 Cover: May 1966 12 cents Energetic editing by: Stan Lee Rambunctious writing by: Roy Thomas Actionistic art by: Dick Ayers Dynamic delineation by: John Tartaglione Lethargic lettering by: Sam Rosen 20 pages
Awright you yardbirds… keep firin’! You want the Fascisti ta forget we’re here?
The Howlers parachute into Italy. This is momentous for Dino. We knew he was Italian-American, but we learn a couple new facts, including that he was born in Italy, but moved to America as a baby. We also learn he loves spaghetti.
Unusually, Sgt. Fury orders the Commandos to surrender, and they are taken to a prison camp. The Canadian Captain in charge has been planning a great escape. But Sgt. Fury has other plans.
