Sgt. Fury #23

The Man Who Failed!

Featuring: Sgt. Fury and his Howling Commandos
Release: August 10, 1965
Cover:
12 cents
Stirring story by: Stan Lee
Powerful pencilling by: Dick Ayers
Bold brushwork by: Frank Ray
Lilting lettering by: Artie Simek
20 pages

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Amazing Spider-Man #30Reading orderSgt. Fury #24
Sgt. Fury #22Sgt. FurySgt. Fury #24

Years from now, when our grandchildren tell stories of those who came before them, I rawther suspect that the exploits of Percy Pinkerton will be those that endure the longest!

I always have a general concern about Marvel’s depiction of Asian people during this era, which comes into play when the Commandos encounter the Japanese army on the Burma Road. I’m more on the fence about it than usual here.

The Commandos use racial slurs to refer to the Japanese, and the Japanese officers are depicted attempting to commit horrible atrocities. However, the language likely accurately (if tamely) reflects language soldiers of the time used. And the Japanese military really is responsible for countless atrocities during World War II, many far more horrific than the accusations here. There are certainly ethnic stereotypes in place, but it’s very similar to how the German soldiers are depicted.

The Commandos are sent to rescue Sister Theresa and a group of children who had been living at her mission. The Japanese had burned the mission and are seeking to kill the nun and children.

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Amazing Spider-Man #30

The Claws of the Cat!

Featuring: Spider-Man
Release: August 10, 1965
Cover: November 1965
12 cents
Heroically written and edited by: Stan Lee
Homerically plotted and drawn by: Steve Ditko
Hastily lettered and bordered by: Artie Simek
20 pages

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THUNDER Agents #1INTERLUDE
Daredevil #11Reading orderSgt. Fury #23
Amazing Spider-Man #29Amazing Spider-ManAmazing Spider-Man #31

Why wouldn’t he listen?? What is it that always stands between us? The one secret he keeps locked within him– the secret he never shares, or talks about–!

We may as well start with the striking cover. Extremely unusual when compared to every cover we’ve yet seen. Look at how small Spider-Man is on the cover, your eyes hardly drawn to him. The covers usually have the hero big and bold. The issue’s super-villain is easy to miss at a glance. He’s a small figure up in the corner. What draws your eye is the falling water tower. Everything else is designed to give you a sense of scale, to make it look like Spider-Man might have a long drop ahead of him.

Similar to the recent Daredevil story we read, this is another story where behind-the-scenes drama has bled onto the page, but perhaps in ways more subtle.

Let’s try to keep off my soapbox for the moment and read the comic. The question is, which comic do I read? The comic that Ditko wrote? Or the one that Stan wrote? I guess we’ll go with what Stan wrote, since that’s what got published, and maybe we’ll note some oddities as we go.

The opening splash page is a great mini-cover for the story, one that again emphasizes the importance of the supporting cast.

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Daredevil #10

While the City Sleeps!

Featuring: Daredevil
Release: August 3, 1965
Cover: October 1965
12 cents
Exquisite editing by: Stan Lee
Lustrous layouts by: Bob Powell
Stunning script and art by: Wally Wood
Lots of lettering by: Artie Simek
20 pages

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Amazing Spider-Man #29Reading orderDaredevil #11
Daredevil #9DaredevilDaredevil #11

Wally Wood has always wanted to try his hand at writing a story as well as drawing it, and big-hearted Stan (who wanted a rest anyway) said okay! So, what follows next is anybody’s guess! You may like it or not, but, you can be sure of this… it’s gonna be different!

This comic’s cool because if you look closely you can see all the behind-the-scenes drama playing out on the page.

The hype box is unusually important. Stan notes Wally had always wanted to try writing a story as well as drawing it, so Stan’s giving him a shot. Really, Wally claims he’s already been writing these comics, but not being paid for doing so.

The precise way in which this issue was constructed is unclear to me, in part because the people who could describe it to history weren’t in agreement, and nobody involved is still living. My best guess is the process here is something like this. Wally came up with the story and gave it to Bob Powell to lay out. Wood filled in the final art and supplied the script. Lee made his final edits.

The other important part of that narration box is that this is a mystery with clues. We’ll see that the mystery isn’t resolved in this issue, but we’ll also see that Wood doesn’t write the next issue and instead leaves the company.

Having his one writing gig be the setup to a mystery he doesn’t tell anybody the ending of may have been an intentional parting shot from Mr. Wood.

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Sgt. Fury #22

Don’t Turn Your Back on Bull McGiveney!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 8, 1965
Cover: September 1965
12 cents
Story: The greatest, by Stan Lee
Art: The first-ratest, by Dick Ayers
Inking: The ornatest, by Carl Hubbell
Lettering: The straightest, by Art Simek
20 pages

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Marvels #2PRELUDE
Tales of Suspense #72Reading orderAmazing Spider-Man #29
Sgt. Fury #21Sgt. FurySgt. Fury #23

“Figure it wuz worth it, Sarge?”
“That’s for the history books, soldier!”

This story sets the Howlers on a mission that ties into a famous mission from World War II, Operation: Tidal Wave. This shows us where we are in time. It’s now August 1, 1943. The real-life operation was an ambitious bombing of Nazi oil refineries near PloieČ™ti, Romania, which this comic will spell “Ploesti”.

Sergeants Fury and McGiveney will both be assigned to take their squads to provide preliminary support by destroying Nazi flak guns. McGiveney’s Maulers will be assigned to sabotage the main emplacements, while Fury and his Howlers will be assigned to destroy a train used to deploy mobile flak guns.

Of course, these two squads don’t get along and we’ve never before seen them try to work together. In fact, the story opens with them in a typical brawl, which gets interrupted by Captain Sawyer.

A Sergeant Lee and Corporal Ayers witness the Howlers going off to their mission. Lee decides he’s going to write stories about the Howlers one day and that Ayers can draw them. Indeed, we’ve met this Lee fellow a couple times before. We know he would go on to write the Fantastic Four comics, but would not get an invite to the FF wedding.

Sure enough, the rival squads step on each others’ toes a bit come the mission. The squads run into each other in the dark and mistake each other for the enemy. The confusion created leads to the capture of Fury and McGiveney.

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Tales of Suspense #72

Hoorah for the Conquering Hero!

Featuring: Iron Man
Release: September 9, 1965
Cover: December 1965
12 cents
Writer: Stan Lee
Penciller: Don Heck
Inker: Mickey Demeo
Letterer: Artie Simek
12 pages

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PRELUDEWeird Science #20
Avengers #22Reading orderSgt. Fury #22
Tales of Suspense #71, Story BTales of SuspenseTales of Suspense #72, Story B

The nation asks– no, it demands to know the true identity of one of its greatest heroes! We must learn– Who is Iron Man?

Let’s start with a bit of an apology to Iron Man. His character was introduced in Tales of Suspense #39, released December 10, 1962. So we just passed his 60th birthday and failed to mark the occasion with appropriate fanfare. Happy belated 60th, Iron Man.

Iron Man returns to America and cheering crowds, having triumphed over Titanium Man. But the victory was costly, as Happy now hovers on the edge of death.

Reporters seem eager to get the scoop on Iron Man’s true identity. I don’t really think it’s that hard if you want to do any amount of investigating.

Nobody ever seems concerned how casually Iron Man walks into Stark’s office and makes himself at home.

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Avengers #22

The Road Back

Featuring: Avengers
Release: September 2, 1965
Cover: November 1965
12 cents
Star-studded story by: Stan Lee!
Peerless pencilling by: Don Heck!
Dazzling delineation by: Wally Wood!
Lonesome lettering by: Artie Simek!
20 pages

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Avengers #21Reading orderTales of Suspense #72
Avengers #21AvengersAvengers #23

I was chosen to be– keeper of the flame! But now– the torch has– gone out!

Captain America is certain there is somebody behind Power Man. Since he knows nothing about Power Man, I’m not sure where that certainty comes from.

The Avengers have been ordered to disband by the city. That’s enough for most of the team, but not for Captain America. He thinks they stand for something bigger than obeying laws.

This leads the Avengers to fight amongst themselves. They do this a lot. But this time, the fight dissolves the team.

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Avengers #21

The Bitter Taste of Defeat!

Featuring: Avengers
Release: August 10, 1965
Cover: October 1965
12 cents
Written with the usual Stan Lee madness!
Drawn with the usual Don Heck magnificence!
Inked with the usual Wally Wood magic!
Lettered with the usual Artie Simek mistakes!
20 pages

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Strange Tales #141, Story BReading orderAvengers #22
Avengers #20AvengersAvengers #22

When I took command, the Avengers were at the height of their power, their prestige, their fame! And now– look what I’ve done!

Yesterday was Don Heck’s birthday! He would have been 94 years old, but he passed away at the age of 66.

The story opens with a lot of chastising.

Well, first Hawkeye is fixing a fuse. The narrator seems to mock that the artist chose to begin the story in such a “prosaic” way. Stan, if you want the stories to open differently, you have to write the stories.

The machinery seems unusually detailed. I suspect that has a lot to do with Wood’s inking.

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Strange Tales #141, Story B

Let There Be Victory!

Featuring: Dr. Strange
Release: November 11, 1965
Cover: February 1966
12 cents
Dialogue and captions: Stan Lee
Plot and artwork: Steve Ditko
Lettering and more lettering: Artie Simek
10 pages

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Strange Tales #141Reading orderAvengers #21
Strange Tales #141Strange TalesStrange Tales #142

…I must destroy him! And destroy him I shall!! For I am truly– the Dread Dormammu!!

Chapter 12. Dr. Strange had defeated and humiliated Mordo, so Dormammu challenged Strange directly to a duel of honor for the fate of Earth. They fought using “pincers of power”. Dr. Strange was on the edge of victory when the treacherous Mordo intervened and struck a cowardly blow, leaving Dr. Strange defeated.

And so we continue the Eternity Saga.

Notice the plotting credit for Ditko. He’s plotted every Dr. Strange story.

Generally these stories have really been 9 pages, with the opening splash page serving as a sort of cover for the issue, since the actual issue covers always go to Nick Fury. However, this time Ditko seems to need all 10 pages, so a lot of plot is covered on the opening splash page.

Dormammu banishes Mordo for daring to presume he needed help. That’s the end of that partnership and Mordo’s last bow for this story.

Then Dormammu gallingly still tries to claim his prize despite clearly cheating.

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Strange Tales #139, Story B

Beware…! Dormammu is Watching!

Featuring: Dr. Strange
Release: September 9, 1965
Cover: December 1965
12 cents
Script by sterling Stan Lee
Art by stalwart Steve Ditko
Lettering by stoical Artie Simek
10 pages

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Strange Tales #139Reading orderStrange Tales #140
Strange Tales #139Strange TalesStrange Tales #140

Where they employ power, you must employ wisdom– the wisdom of the just, the righteous, the fearless!

Dormammu is plainly the “big bad” of this series. Mordo is the lieutenant. It’s time for the big confrontation with Mordo.

I really appreciate what Ditko is doing with Strange’s fists on that opening page. He does the best things with fingers.

Mordo is supplied by near limitless power. But he lacks the wits and will of Dr. Stephen Strange.

And so the final battle begins.

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Strange Tales #139

The Brave Die Hard!

Featuring: Nick Fury, Agent of SHIELD
Release: September 9, 1965
Cover: December 1965
12 cents
Sensationally written by: Stan Lee
Spectacularly laid-out by: Jack Kirby
Superbly illustrated by: Joe Sinnott
Silently lettered by: Artie Simek
12 pages

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Strange Tales #138, Story BReading orderStrange Tales #139, Story B
Strange Tales #138, Story BStrange TalesStrange Tales #139, Story B

You know that no insurance company would give a policy to a SHIELD man! There’s only one thing we won’t die of– and that’s old age!

I think you can tell at a glance my copy of this comic has seen better days.

The cover’s an interesting gimmick. It’s mostly just the first page of the issue, but then it has Dr. Strange holding the page. The caption tells us, “Amost everybody reads SHIELD!”

The Dr. Strange figure is drawn by Marie Severin, sister of John Severin, who drew the last couple issues of SHIELD. She’s been doing staff work at Marvel, but will soon enough be chosen to draw Dr. Strange herself.

You kind of get the sense that they didn’t have a cover at all, and this got thrown together by staff. But they get a nice test run for Ms. Severin on the Doctor.

The story opens with Nick Fury in outer space being pursued by…err… that… thing.

Ah, he’s being subjected to some virtual reality thing designed to pry from his mind the secrets of Stark’s new weapon, the, err, braino-saur.

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