Featuring: Spider-Man Release: May 11, 1965 Cover: August 1965 12 cents Edited and written by Smilin’ Stan Lee Plotted and drawn by Scowlin’ Steve Ditko Lettered and gift-wrapped by Swingin’ Artie Simek 20 pages
Spider-Man is still Green Goblin’s prisoner, as Green Goblin is trying to take over the gangs instead of Crime-Master.
Lots of mysteries left over from last issue. Who is Green Goblin? Who is Crime-Master? Who is Patch? What is Foswell’s secret connection to all this? We should answer all but one of those questions by issue’s end.
Featuring: Fantastic Four Release: April 8, 1965 Cover: July 1965 12 cents Spellbinding script by: Stan (The Man) Lee Astonishing artwork by: Jack (King) Kirby Inked by: V. Colletta Lettered by: Artie Simek 20 pages
Stan’s repeaing himself here. He used those same credits in Journey Into Mystery #107 the previous year. Stan (The Man) Lee. Jack (King) Kirby. Basically every comic has had a different nickname for the creators. These may be the first repeats. They are certainly the most famous and today recognized as the semi-official nicknames of the two creators.
Dr. Doom purloins Reed’s remote-control TV eye. Basically what we today would call a drone. Now readily available. Invented 60 years ago by Reed Richards. Reed refers to the drone as a “flying spotter”. Another invention Reed refers to is the “electronic stimulator”. I wonder if that resembles any modern devices?
We’ve seen Daredevil’s billy club has some neat tricks, like becoming a grappling hook. But now we see it’s a gun. That’s new.
Featuring: Fantastic Four Release: March 11, 1965 Cover: June 1965 12 cents Splendiforious story by: Stan Lee Delectable drawings by: Jack Kirby Deliciious Delineation by: Frank Ray Laconic lettering by: Artie Simek 20 pages
I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.
So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.
Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.
After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.
To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.
But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.
Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.
Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.
Featuring: Captain America Release: April 8, 1965 Cover: July 1965 12 cents Story and art by: Stan Lee and Jack Kirby Inking: Frank Ray Lettering: Artie Simek 10 pages
Featuring: Captain America Release: March 11, 1965 Cover: June 1965 12 cents By: Stan Lee and Jack Kirby Inked by: Chic Stone Lettered by: Artie Simek 10 pages
We’ve been very slowly saying goodbye to Chic Stone, as this represents his last month with Marvel. So we’ve seen his last work on many titles already. This is his final Captain America Story. He is Kirby’s best inker on these books so far, for my money. And he will be missed.
These Captain America stories have been set in his early days. The last three issues retold stories from Captain America Comics #1, with last issue retelling the introduction of the Red Skull (and making it really lame). This issue offers a new Red Skull story. At last we learn his origin.
In the original story, Red Skull was revealed to be American industrialist George Maxon. Last issue played out similarly, (though now he was John instead of George), but it added that Red Skull was not the real Maxon. He had killed Maxon and was impersonating him. That leaves room for his new origin here. As we’ve noted before, for my purposes we are treating the post-1961 stories as canonical for this Marvel Universe. The 1940s Marvel canon is separate. So the origin of the Red Skull is what gets told here. He is not Maxon.
We learn in this issue that he had also not been impersonating Maxon. That was someone pretending to be the Red Skull pretending to be Maxon. Yeesh. And apparently Captain America is desperate to hunt down the real Red Skull based on the crimes of a fake Red Skull. Maybe?
Will the real Red Skull please stand up?
The story opens with Captain America a prisoner of the Skull. That is not where the last issue left off at all. Perhaps they will fill us in how we got here.
Featuring: Sgt. Fury and his Howling Commandos Release: March 11, 1965 Cover: May 1965 12 cents Writer: Stan Lee Penciller: Dick Ayers Inker: Chic Stone Letterer: Artie Simek 20 pages
“Once again, sudden death claims another victim!” reads the cover.
The “once again” refers to Junior Juniper, the first Commando to fall in battle, all the way back in issue 4. Letting us know that this was a series with consquence. It wasn’t a sure thing our heroes would make it back after each mission.
Since then, they all have turned out okay. But let’s read on.
The art is credited to Ayers and Stone, but Jack Kirby was brought in to redraw most of the famous final sequence.
The issue begins in the middle of intense action. Sgt. Fury is in his fancy duds, clearly having been on a date that’s been interrupted by an air raid.
Featuring: Hulk Release: April 1, 1965 Cover: July 1965 12 cents Hulking story by: Stan Lee Hulksome art by: Jack Kirby Hulkish inking by: Mickey Demeo Hulkable lettering by: Art Simek 10 pages
This is the 10th chapter of the Leader Saga. For 9 issues, Leader has been lurking in the background, secretly behind various threats Hulk has faced. Now they finally meet.
This weird scene weird Hulk is being transported by magnetic waves is notable as it directly ties into Avengers #17, which we will read next.
Featuring: Hulk Release: March 4, 1965 Cover: June 1965 12 cents Story and art by Marvel’s modern masters: Stan Lee and Jack Kirby Inking: Mickey Demeo Lettering: Artie Simek 10 pages
With Ditko off the title, Kirby is back to take another shot at his co-creation. Stan shares the top billing with Jack for this triumphant return. The original Lee/Kirby run on Hulk lasted 5 issues. This one will make it around 15 or so. I’m expecting it to be largely immemorable.
We open with a trick out of the Ditko run. The last issue ended with Banner facing impending death and transforms to the Hulk just in time to be saved. Banner and Talbot are falling to their death when Banner transforms.
Hulk crosses the Pacific with leaps. Isle to isle, plane to plane.
That’s… a very long distance, even if you can jump very far. Maybe there are enough islands between Japan and Hawaii to hopscotch it, but it’s 2500 miles from Hawaii to California with nothing in between.
Featuring: Hulk Release: February 4, 1965 Cover: May 1965 12 cents Script by Stan Lee, who created [sic] the Hulk! Art by Steve Ditko, who adopted the Hulk! Inking by Frankie Ray, who fears the Hulk! Lettering by Art Simek, who looks like the Hulk! 10 pages
Hulk remains in the unnamed “iron curtain nation”. We will learn this nation borders Mongolia.
We see an impressive battle with the Soviet military. Hulk’s been fighting the US military since issue 1, but this is the first real all-out battle between Hulk and a bunch of tanks.
The Mystery of the Hidden Man and his Rays of Doom!
Featuring: Giant-Man and Wasp Release: February 4, 1965 Cover: May 1965 12 cents Way-out story by: Stan Lee Ring-a-ding art by: Bob Powell Singin’ inkin’ by: Chic Stone Boss balloons by: Artie Simek 12 pages
We need to recall that everything is happening almost concurrently. The X-Men fight the Stranger and then Juggernaut. The Fantastic Four fight the Frightful Four and get lost at sea. The Avengers fight the Masters of Evil, then disband, then get replaced by the New Avengers. Thor fights Absorbing Man, then faces the Trial of the Gods, then the Destroyer. Hulk faces a series of villains controlled by the Leader.
These all overlap to some extent.
We’ve just caught up on 4 months of Hulk stories in this title. We’d been keeping up with the Giant-Man stories, but skipping the Hulk ones. Now we’re caught up to both. The Huk’s saga is continuing, so we’ll read the next 3 issues together.
That’s commentary on when these Giant-Man/Wasp stories take place. They fit better before Avengers #15 or perhaps in the middle of Avengers #16, before Giant-Man and Wasp announce their retirement (page 6). When the Avengers disbanded, it sure looked like Giant-Man and Wasp wanted a break from superheroing. These next 3 issues we are about to read are published concurrently with Avengers #15-17.
