Strange Tales #129

The Terrible Trio!

Featuring: Human Torch and Thing
Release: November 10, 1964
Cover: February 1965
12 cents
Story by: Stan Lee (as if you didn’t know!)
Pencilling by: Dick Ayers (as if anyone cares!)
Inking by: Frankie Ray (as if it matters)
Lettering by: Art Simek (as if things aren’t bad enough!)
12 pages

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Dr. Doom’s loser henchmen return, and Lee is still convinced that’s more interesting to spotlight than whatever Dr. Strange is up to this issue. At least Stan acknowledges Dr. Strange’s existence with a caption on the cover.

The loser henchmen now have a name. They are the Terrible Trio. They even have a cool logo design, where their name appears to be shaking.

It will be 15 years before a writer thinks they’re worth bringing back.

Frank Giacoia returns as inker. We met him last issue, where he used the pen name “Frank Ray”. Now he’s settled into the more informal “Frankie Ray”, which he will be better known as.

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Sgt. Fury #14

The Blitzkrieg Squad of Baron Strucker!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1964
Cover: January 1965
12 cents
Written with the explosive power of a live grenade by: Ex-Sgt. Stan Lee
Drawn with the savage impact of a block-buster by: Ex-Corp. Dick Ayers
Inked with the smashing force of a Sherman tank by: Geo. Bell
Lettered with a brand new bottle of India ink by: Artie Simek
20 pages

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We’ve met Baron Strucker twice before. Fury’s only recurring foe at this point. But now he’s got his own team of commandos backing him up, the Blitzkrieg Squad.

The idea of the Blitzkrieg Squad is that each is specifically chosen to be a match for a commando. The brawler matches Dugan; the charmer, Manelli; the musician, Gabe; the mechanic, Izzy; the horseman, Reb; the aristrocrat, Percy.

I was a bit confused by the word “Junker” in the context and had to look it up. It refers to a Prussian noble, not somebody who trades in scraps.

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Journey Into Mystery #112, Story B

The Coming of Loki!

Featuring: Tales of Asgard
Release: November 3, 1963
Cover: January 1964
12 cents
Majestically written by: Stan Lee
Magnificently drawn by: Jack Kirby
Masterfully inked by: Vince Colletta
Magnanimously lettered by: Artie Simek
5 pages

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We see this story described as the start of a new biography in-depth. There won’t be that much depth. What’s meant is that we have had sequences of this series devoted to Heimdall and Balder respectively. It’s now Loki’s turn to take the spotlight for the next few issues.

This story is set when Thor is a young child, and the universe as well is young. Odin is solidifying his rule and Asgard is at war with Jotunheim. Jotunheim is a land of giants and Laufey is their king. Odin seeks to end Laufey’s rule.

We have before met Frost Giants, Storm Giants, Rime Giants, and Mountain Giants. The inhabitants of Jotunheim are here just referred to as giants. Later comic stories will suggest Laufey is actually a Frost Giant, but he looks nothing like Ymir.

Odin is wielding what appears to be the uru hammer he would later give to Thor.

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Tales of Suspense #62, Story B

Break-Out in Cell Block 10!

Featuring: Captain America
Release: November 10, 1964
Cover: February 1965
12 cents
Pow! script: Stan Lee
Wham! art: Jack Kirby
Zowie! inking: Chic Stone
Ulp! lettering: Art Simek
10 pages

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The title brings to mind the classic 1954 film, Riot in Cell Block 11. Perhaps an intentional homage?

These opening credits left me with some fascinating questions. “Pow! Wham!” is forever associated with the medium of comics and the superhero genre, an association devotees of both often bemoan. People rightfully want to make clear that comics is a broad medium and not just superheroes and silliness. Others want to argue that the superhero genre is not children’s stuff, despite the fact that it evidently is.

I am not certain when this association between these sound effects and comics first took place. I believe the 1966 Batman television series really cemented it in the wider public consciousness. These onomatopoeic effects go back to the earliest days of the medium and we’ve seen plenty of sound effects in our reading. What is interesting here is that they are presented as a gag which presupposes the association of these words and superheroes, as well as the choice of words. “Pow” and “Wham”. These seem the sound effects most associated with superheroes (perhaps along with Biff! and Bam!), though I can’t say we’ve seen them any more than other sound effects in our reading.

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Tales of Suspense #61, Story B

The Strength of the Sumo!

Featuring: Captain America
Release: October 8, 1964
Cover: January 1965
12 cents
Stan Lee writer par excellence!
Jack Kirby illustrator without peer!
Chic Stone delineator extaordinaire!
Artie Simek letterer– what else?
10 pages

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Captain America goes to Vietnam and fights a sumo wrestler. I usually associate sumo wrestling with Japan, and suspect that Stan and Jack just haven’t thought too hard about the differences between Vietnam and Japan. However, culture does spread in our modern world, and I can’t confirm Vietnam didn’t have any sumo wrestlers in the 1960s, so I’m going to give them a pass.

Captain America is fighting the Commies. This brings to mind his very brief 1954 return as “Captain America… Commie Smasher!” Of course, those stories are hard to reconcile with the modern Marvel Age continuity in which Captain America was frozen in ice from 1945 to 1963. How could he then have been fighting Commies in 1954?

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Strange Tales #128, Story B

The Demon’s Disciple!

Featuring: Dr. Strange
Release: October 8, 1864
Cover: January 1965
12 cents
Written by: Stan Lee– unchallenged master of the dramatic word!
Drawn by: Steve Ditko– unquestioned innovator of the occult illustration!
Lettered by: Artie Simek– unabashed purveyor of the captivating caption!
10 pages

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Dr. Strange gets more cover real estate than usual.

Recall that after last issue’s epic battle with Dormammu, Dr. Strange was rewarded with a more powerful amulet and a new cape. The narrator here notes the amulet and new powers of levitation. This seems to imply the cape itself bestows the power of levitation. Dr. Strange confirms this at the end of the story.

A man comes to Dr. Strange seeking help. He had become the disciple of a magician known as the Demon and wishes to leave the Demon’s service. The Demon summons him back before Dr. Strange can help.

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Fantastic Four #34

A House Divided!

Featuring: Fantastic Four
Release: October 8, 1864
Cover: January 1965
12 cents
Rapturously written by: Stan Lee
Deliciously drawn by: Jack Kirby
Impeccably inked by: Chic Stone
Lavishly lettered by: Art Simek
20 pages

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We begin with Ben and Johnny fighting as usual.

Then Ben trying on the Beatles wig he received from the Yancy Street Gang.

Mr. Gideon is a ruthless multi-billionaire financial wizard. By his reckoning, he is about 3 years away from buying out his top competitors and gaining financial control of the world. Impatient, he proposes they speed things up with a gamble. They propose the challenge. If he wins, they sell out now; if he loses, he stops trying to conquer the world. The challenge they propose: the defeat of the Fantastic Four.

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Sgt. Fury #13

Fighting Side-By-Side With… Captain America and Bucky!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 8, 1964
Cover: December 1964
12 cents
Written and drawn by the Titanic Two: Stan Lee and Jack Kirby
Inked by: Dick Ayers
Lettered by: A. Simek
23 pages

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Amazing Spider-Man #20Reading orderFantastic Four #34
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Jack Kirby returns for one final issue of Sgt. Fury, likely motivated by the choice of guest star. Under Kirby, this was one of Marvel’s best titles. It’s perhaps lost a step under Ayers, though remains one of the better series we are reading.

So far, one could almost question why we are reading this World War II series along with all the superhero ones. It is certainly the odd duck in my reading list. We have had two points of crossover so far. The Commandos teamed with a young Mr. Fantastic when he was Major Richards of the OSS, and we saw an older Colonel Fury team up with the Fantastic Four. This is the third point of crossover between Nick Fury and the superhero titles. There will be more.

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Journey Into Mystery #111, Story B

The Secret of Sigurd!

Featuring: Tales of Asgard
Release: October 1, 1964
Cover: December 1964
12 cents
Superbly written by: Stan Lee
Supremely drawn by: Jack Kirby
Savagely inked by: Vince Colletta
Sagatiously lettered by: Artie Simek
5 page

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The theme of many of these early Thor stories is that Loki is still considered a friend and ally by Thor, yet Loki is always secretly trying to get Thor killed, usually in pretty non-subtle ways. This has been going on since they were children.

Loki has recommended a short cut through a forbidden forest, then goads Sigurd and Thor into battle. Balder is suspicious.

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Journey Into Mystery #111

The Power of the Thunder God!

Featuring: Thor
Release: October 1, 1964
Cover: December 1964
12 cents
Written with the mastery of: Stan Lee
Illustrated with the genius of: Jack Kirby
Delineated with the delicacy of: Chic Stone
Lettered with the India ink of: Artie Simek
16 pages

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It is a pretty cover. I would argue the box about not having captions counts as a caption.

The two panels devoted to the love of Odin’s youth is far more interesting than the many pages devoted Thor fighting Cobra and Mr. Hyde.

It’s tantalizingly sparse in details. Balder sings a song of Odin’s youth and own forbidden love, until Loki interrupts, fearing Balder is trying to sway Odin to be fairer to Jane. Odin and the unnamed girl he was forbidden to marry took “one last ride over the eternal chasm together”. What does that even mean?

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