Featuring: Tales of Asgard Release: October 5, 1965 Cover: December 1965 12 cents Writer: Stan Lee Penciller: JacK Kirby Inker: Vince Colletta Letterer: Artie Simek 5 pages
I’ve lost track of how many issues we’ve been caught in this storm headed for these deadly Pillars, which turn out to be the claws of the Utgard Dragon. But we finally seem to resolve that.
Featuring: Thor Release: October 5, 1965 Cover: December 1965 12 cents Fantasy to dazzle thy senses, written by: Stan Lee Drama to quicken thy pulse, illustrated by: Jack Kirby Beauty to nourish thine eyes, embellished by: Vince Colletta Balloons to compound thy confusion, lettered by: Artie Simek 16 pages
…It’s like being in the center of the universe! Like being part of– eternity!
Notice the credits use “thy” and “thine” everywhere, words Thor is today famous for using, but that Stan is only slowly starting to pepper into his speech. On this very page, he refers to Hobbs as “you” and not “thee”.
Where did we leave off? Harris Hobbs kidnapped Jane to get a picture proving Thor was Donald Blake. Thor seems to have forgiven Hobbs and agreed to take him to visit Asgard. Meanwhile, Loki and the Absorbing Man have declared war on Asgard. When we left off, the Absorbing Man was confronting Odin with his own power.
Featuring: Tales of Asgard Release: September 2, 1965 Cover: November 1965 12 cents A Stan Lee story spectacular! A Jack Kirby pencilling panorama! A Vince Colletta delineation drama! An Artie Simek lettering landmark! 5 pages
Featuring: Thor Release: September 2, 1965 Cover: November 1965 12 cents Written with compassion by: Stan Lee Drawn with comprehension by: Jack Kirby Inked with competence by: Vince Colletta Lettered for compensation by: Artie Simek 16 pages
I gave him strength to challenge a god– but even Loki could not give him valor to match that of Thor!
Odin gets the center stage on a pretty awesome cover.
Thor had been merely stunned at the end of last issue. Absorbing Man really seems unable to best Thor, so Loki brings him to Asgard.
It is of course against the law of Odin to bring mortals to Asgard.
Three basic dangling plot threads: Absorbing Man; Jane’s kidnapping; the lost Norn Stone. Plus the general overarching plot that Loki is probably scheming. We won’t check in on the Norn Stone this issue. After all, it’s a rock. It’s just sitting there where Thor dropped it. We’ll resolve the Jane subplot.
Let’s look to that now. We saw Jane’s kidnapper last issue in a hood, his identity unrevealed.
Featuring: Tales of Asgard Release: August 3, 1965 Cover: October 1965 12 cents Writer: Stan Lee Illustrator: Jack Kirby Delineated by: Vince Colletta Lettered by: Artie Simek 5 pages
According to the legends, the Pillars are merely the feet of the Utgard Dragon! Beneath the waves his jaws lie open, waiting for every ship that passes!
It’s not obvious to me how this ship knows where it’s going. All we’ve been told is they are searching for some hidden evil. Not much of a clue. Undeterred by his own ignorance, Thor decides the “Sea of Fear” is as good a place to start as any.
I expect better of the Asgardians, but maybe the Sea of Fear has some effect on people.
After 5 issues of waiting for the ship to set sail, now it has. The issue opens with the ship caught in a storm headed toward these deadly Pillars, and ends… with the ship caught in a storm headed toward these deadly Pillars.
Featuring: Thor Release: August 3, 1965 Cover: October 1965 12 cents Another towering triumph for Stan Lee, writer! Another fabulous feat for Jack Kirby, illustrator! Another amazing achievement for Vince Colletta, delineator! Another day, another dollar for Artie Simek, letterer! 16 pages
But, no matter how awesome the odds may be, I am son of Odin, Prince of Asgard! I would ever choose the eternal sleep, rather than a moment’s cowardice!
Kirby’s taken some artistic license with that cover. He metaphorically depicts Thor as gigantic compared to the city and bystanders caught in their battle. Absorbing Man is literally gigantic. But Thor is not, and I don’t think forced perspective is enough to justify Thor’s apparent size compared to those buildings.
As the length of stories is expanding, so is the length of action scenes. We pointed out that Fantastic Four #42 was entirely action start to finish, with the set-up and wrap-up in surrounding issues. This isn’t entirely that, as there are some interludes. We need to check on Jane. And Loki. And that lost Norn Stone. But most of the page count is just Thor battling Absorbing Man.
“What madness is this, Volstagg!!? I thought thou feared neither man nor beast!!” “In truth, I do not–!! But that is neither man nor beast– It is– my wife!!”
This is the fourth chapter of the Odinsword Saga. Let’s recap. The Odinsword was cracked by a mysterious enemy, so Thor is embarking on a quest to discover who is responsible. They are almost ready to leave.
Featuring: Thor Release: July 1, 1965 Cover: September 1965 12 cents Written in the fire of inspiration by: Stan Lee Drawn in the flame of dedication by: Jack Kirby Inked in the heat of devotion by: Vince Colletta Lettered in the other room by: Artie Simek 16 pages
There! It is done! My hammer can strike once more!
Continuity. How do these many titles all fit together? At present, Thor is the character making it the most difficult. It’s been over 6 issues since his title has given him a chance to breathe, yet we squeezed his last Avengers adventure in there somehow. We’re going to have to squeeze in a wedding somewhere. By the time of the wedding, his hammer should be intact, and he should have formally resigned from the Avengers.
At present, his hammer is broken and he is not yet aware of the new Avengers.
There will be difficulties and contradictions to come, so just remember where we are. Loki cheated in the Trial of the Gods. Thor must get the Norn Stones to Odin as proof. En route, he encountered the Destroyer, who destroyed his hammer. Loki has been punished and sentenced to serve Ularic for his role in awakening the Destroyer. Prior to the Trial of the Gods, Thor had defeated the Absorbing Man by turning him into helium and sending him drifting into space. Somewhere in all that, he also fought the Viet Cong and joined the Avengers against the Masters of Evil. He has not been in contact with the Avengers since that battle, and much has changed. He has not returned to Asgard since the Trial of the Gods.
We open with Thor at a Pittsburgh factory, repairing his hammer. I would have guessed more mystical means would be needed. With Dwarves or such. Maybe Pittsburgh is more mystical than I think. (I have at least one regular reader from Pittsburgh; perhaps he can tell me.)
Featuring: Sgt. Fury and his Howling Commandos Release: July 1, 1965 Cover: 1965 25 cents Story: Smilin’ Stan Lee Art: Darlin’ Dick Ayers Inking: Frisky Frankie Ray Lettering: Artful Artie Simek 15 pages
They have been shown, in the only way they understand, that free men can always strike back!
We check in with Sgt. Fury during the Korean War. The Commandos are sent on a secret mission across the 38th Parallel. Based on a cursory knowledge of the war, the massive American presence combined with a reticence to cross the 38th Parallel would place this story in July-August 1950.
The remaining Commandos all survived WWII and re-enlisted when the Korean War broke out. All of them have attained at least the rank of Sergeant, but they still seem to be in the same formation with the same personnel from 1943.
The narrator reminds us that the US are the good guys, who play by the agreed-upon rules of war. Unlike those Reds.
Featuring: Hulk Release: August 3, 1965 Cover: November 1965 12 cents You’ll never forget Stan Lee’s script! You’ll never forget Jack Kirby’s layouts! You’ll never forget Bob Powell’s art! You’ll never forget Artie Simek’s –eh– let’s see now, what did Artie do? 10 pages
I’m no good to anyone– including myself! The world hates me– fears me–
Mike Esposito has drawn the last few issues over Kirby’s layouts. This time the art goes to Bob Powell, a semi-regular name by this point. Powell brings a distinctive level of details to Hulk’s facial expressions. The failure to find a consistent creative team over this extended story arc is one of the things keeping Hulk from greatness. It would have been better if Ditko could have stayed on, but he clearly never had his heart in this title. Still, the work Ditko phoned in was enough to lay a foundation for the character that writers have spent decades building on.
Notice these need longer and longer exposition boxes at the beginning to explain the plot so far. Hulk is about to turn back into Banner, at which point the bullet in his brain will kill him. But he is also helpless against the Leader’s Humanoids.
