Reading the Marvel Universe – Page 54

PRELUDE: Captain America Comics #1

Meet Captain America

Featuring: Captain America
Release: December 20, 1940
Cover: March 1941
10 cents
By: Joe Simon and Jack Kirby
8 pages

Here he comes. (Here comes the Captain)
Ladies and Gentleman! (Here comes the Captain)
The moment you’ve been waiting for! (Here comes the Captain)
The pride of Camp Lehigh! (Here comes the Captain)
Steve Rogers!

The 1940s had more Marvel superheroes than I could name. We’ve looked at some of the miscellaneous ones like the Angel. Some would be brought back for small roles by later writers. Many would lend their name to later characters. Despite the vast numbers of them, there is a “big three”. We’ve discussed two of them at length.

Jim Hammond, the Human Torch, would lend his name, likeness, and powers to a new character, Johnny Storm of the Fantastic Four. Namor the Sub-Mariner would return in the pages of Fantastic Four, often as an adversary.

There is a third big one we have left out until now. But it’s time.

I’m not certain that what we are looking at up above isn’t the best comic book cover ever. To appreciate it, you must look at the date of release. December 20, 1940. It was completed prior to that date; thus, it was completed over a year before Japan attacked Pearl Harbor. America’s official position toward the wars of Europe and Asia at the time was neutrality, as codified in various neutrality acts based by Congress over the previous 5 years. And yet, here was a hero garbed in the American flag punching Adolf Hitler in the face.

Jack Kirby is obviously a name we’ve seen a lot in our reading, as he created the Fantastic Four, the X-Men, the Avengers, etcetera. Before that, he defined the romance genre within comics. And long before that, he created Captain America. Born Jacob Kurtzburg, the son of Austrian-Jewish immigrants, he was 23 when Captain America #1 reached the stands. Two and a half years later, he would join the US Army and go fight Hitler’s forces in Europe himself.

Joe Simon, born Hymie Simon, was a few years older than Kirby, also the son of immigrants, of Russian-Jewish heritage. He joined the Coast Guard for the war and spent the war years in America. Simon and Kirby would be partners for 15 years and together shape American comics as we know them.

Fantastic Four #20

The Mysterious Molecule Man!

Featuring: Fantastic Four
Release: August 8, 1963
Cover: November 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Dick Ayers
22 pages

“This proves that some form of life must exist in outer space!”

Reed.

You’ve fought the Skrulls twice. You’ve traveled to Planet X, and transported its population to another planet. You’ve met the Impossible Man and the Watcher. You’re about to meet the Watcher again this issue. You’ve seen the ruins of a lost civilization on the moon.

Plus, if you’ve been paying attention, you would have noted earth has been recently invaded by several other alien races, from the Toad Men to the Stone Men from Saturn.

Of course there’s some form of life in outer space!

Maybe I’m misinterpreting. Perhaps he’s not speaking of other worlds or moons or even spaceships, but within space itself.

Tales to Astonish #49

The Birth of Giant-Man!

Featuring: Ant-Man and the Wasp
Release: August 1, 1963
Cover: November 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Don Heck
18 pages

Ant-Man gets a new identity, and there’s a new little corner box to go with it.

The story is this. Ant-Man and Wasp joined a superhero team. Their teammates are Hulk, Iron Man, and Thor. All extremely powerful. Ant-Man is very small and controls ants. Perhaps this situation would have been tenable if Wasp didn’t keep commenting on how handsome Thor was. But she did. And Dr. Pym’s ego could not take this feeling of inferiority anymore. He needed to measure up.

So he thought and thought. He had a gas which shrunk him to ant-size. And a gas which allowed him to grow back to normal size. He had a routine. Reduce to ant-size. Grow to normal size. Now remember, he’s a genius. And it finally occurred to him: what if he skips a step in that cycle? What if he takes the growing gas when already normal-sized?

It worked! If he simply doesn’t take the reducing gas, he is no longer Ant-Man: he is now Giant-Man. And has strength that is at least closer to par with his Avengers teammates.

I have a science question about that, though. When he shrinks to ant-size, he retains human strength. They are very clear on that point. So he is the size of an ant but can punch as hard as an ordinary human. So why does his strength increase when he grows if it doesn’t decrease when it shrinks? Ah, never mind. I’m sure it would make sense if I knew science better.

Journey Into Mystery #97, Story C

Tales of… Asgard! Home of the Mighty Norse Gods

Featuring: Tales of Asgard
Release: August 1, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
5 pages

The inks are by George Roussos, who often used the pseudonym George Bell. This is the first work of his we’ve seen.

The Thor series has not been very good. But I know there are good Thor comics. I even know there are good Thor comics made by Lee and Kirby. We just haven’t seen them yet. There’s been no real consistent artistic voice on the series, with a variety of artists and scripters taking a hand.

Thor is at his best when the stories explore the mythological. He’s generally better in Asgard than on Earth. Indeed, the best Thor story so far introduced Loki, and told the story of how he freed himself from the tree where Odin had imprisoned him. That was the only glimmer of greatness we’ve yet seen.

Here is the next glimmer. After the main tale and a Larry Lieber-helmed sci/fi tale, we get the first installment of a new series: Tales of Asgard. These stories will give Kirby a chance to flex his mythological cred.

Journey Into Mystery #97

The Lava Man

Featuring: Thor
Release: August 1, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Don Heck
13 pages

Kirby gets main drawing credit, but the faces (excepting the Lava Man) look more like Heck’s work to my eye. The action is very Kirby though.

Beneath the surface of the Earth, Mole Man rules an army of monsters. The immortal Tyrannus rules a kingdom of underworld natives. The kingdom of Atlantis had once sunk beneath the sea, and continued sinking beneath the world; when Iron Man visited, Kala was the ruler of Atlantis. We’re about to meet our fourth kingdom beneath the surface. Fortunately, the world is big enough for all of them.

Fantastic Four #19

Prisoners of the Pharaoh!

Featuring: Fantastic Four
Release: July 9, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

This bears some resemblance to the Iron Man story where he traveled to Ancient Egypt to battle a time-traveling Pharaoh (Pharoah?). Of course, this is much better.

Mr. Fantastic deduces from some museum hieroglyphs that blindness had once been cured in Ancient Egypt. So the Fantastic Four return to the castle where they first met Dr. Doom, where we find his time machine has just been sitting there this whole time. They use the machine to travel to a time when Egypt was ruled by Rama-Tut, who came from the future. Similar to Zarrko, Rama-Tut has been bored with the peace of his time and craved adventure.

I feel like you should have gone back for this equipment before now…

Attempting to reflect on what future comics will do with this story hurts my brain. There will be contradictions and explanations. Rama-Tut will be connected to several other time-traveling characters. And they’ll further explore this moment in history to learn Apocalypse, Dr. Strange, and the Avengers are lurking around behind the scenes. We’ll spend no more time on such reflections until we need to.

Strange Tales #113

The Coming of the Plantman!

Featuring: Human Torch
Release: July 9, 1963
Cover: October 1963
12 cents
Story plot: Stan Lee
Script: Joe Carter
Art: Dick Ayers
13 pages

Once again, Superman creator Jerry Siegel takes on a Human Torch script under the pen name Joe Carter. His scripts seem a cut above what we are used to from Human Torch stories, but it’s a pretty low bar.

We have seen Johnny on many dates both in this title and the pages of Fantastic Four. It’s been a different girl each time. But this issue seems different. He has a date with Doris Evans, and he describes himself as her “flame”. Puns aside, this suggests something more serious than his usual dalliances. Perhaps it is because Dorrie plays a little hard to get. She is willing to go out with Johnny, but seems to dislike his Human Torch persona. She’s clearly dating him despite his celebrity. The fact that she is given a full name is another hint this one is special.

Amazing Spider-Man #5

Marked for Destruction by Dr. Doom!

Featuring: Spider-Man
Release: July 9, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Steve Ditko
21 pages

The opening page tells us the names of many characters, two named for the first time. We learned last issue that Peter’s blonde classmate was named Liz. We now get the full name: Liz Allan. Last issue, we met Jameson’s secretary Miss Brant. We learn on that first page her name is Betty.

We’ve now seen plenty of crossover amongst the heroes of the titles; now they’re starting to share villains. One week earlier, Thor brought his archfoe Loki along with him for Avengers #1. Now, the Fantastic Four will lend their favorite villain to Spider-Man. Of course, they’ll also be showing up to lend a hand.

Because they’re borrowing a villain, this is the first issue of Amazing Spider-Man where Ditko doesn’t create a timeless villain. He’ll get back to that practice next issue.

Perhaps for that reason or others, this is one of the weaker Spider-Man stories yet. Of course, a weak Spider-Man story is still on par with the best of the other titles.

They summarize Doom’s most recent appearance in Fantastic Four, showing tight continuity. Also taken from Doom’s previous appearance is his use of robot doubles.

Tales of Suspense #46

Iron Man Faces the Crimson Dynamo!

Featuring: Iron Man
Release: July 9, 1963
Cover: October 1963
12 cents
Story plot: Stan Lee
Script: R. Berns
Art: Don Heck
13 pages

The cover bears a resemblance to the Ant-Man cover we just examined. The hero and villain are not actually in the same picture, with one confined to a separate panel.

Professor Vanko is Russia’s top scientist. He has built a suit that makes him master of electricity, the Crimson Dynamo. By the end, Tony Stark tricks him into defecting to the West.

Tales to Astonish #48

Ant-Man and the Wasp Defy the Porcupine!

Featuring: Ant-Man and the Wasp
Release: July 2, 1963
Cover: October 1963
12 cents
Story plot: Stan Lee
Script: H.E. Huntley
Art: Don Heck
13 pages

Something of an odd cover. It makes no attempt to showcase the Porcupine’s powers. Instead, it just has Porcupine standing in his own panel while the main cover focuses on Ant-Man drowning in a bath tub. Drowning in a bathtub is indeed a scene from this issue. Were it not, I would wonder if they just took any old Ant-Man cover they had and inserted that image of the Porcupine. Either way, spectacularly unimpressive work by Jack Kirby.

This issue has two “weird tale” backups. Grayson’s Gorilla by Stan Lee and Larry Lieber. And “The Little Green Man” by Lee and Ditko. The era of these little sci/fi shorts is fast coming to an end.

In her very first issue, they tried to motivate Wasp’s character around her father’s death and a passion for justice. We’ve seen no real hints of that since. Her character has since been dominated entirely by swooning over random men, when not trying to convince Hank Pym to settle down with her.

I think she’s just trying to make him jealous. It doesn’t appear to be working.

As a side note, she does call Ant-Man “Hank” in both this issue and the last one. I think she’s the only one to call him that. He’d always been “Henry” before.