Amazing Spider-Man #25

Captured by J. Jonah Jameson!

Featuring: Spider-Man
Release: March 11, 1965
Cover: June 1965
12 cents
Swingin’ script by: Stan Lee
Dazzlin’ drawings by: Steve Ditko
Loquacious lettering by: S. Rosen
20 pages

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I appreciate that the splash page centers Spider-Man’s supporting cast. It really is what separates this comic from all the others we’re reading. And this issue is significant for an almost-addition to that cast!

In addition to the normal credits, there’s an extra note crediting Ditko with the plot. Ditko has been responsible for all the plots and most of the writing without credit for it. And his relationship with Stan is starting to deteriorate over this and other concerns. Pretty soon, we’ll be at the point where Ditko has made a condition of his continued employment that he never has to speak to Stan.

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Detective Comics #341

The Joker’s Comedy Capers!

Featuring: Batman and Robin
Release: May 27, 1965
Cover: July 1965
Price: 12 cents
15.33333… pages

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Detective Comics #340, Story BDetective ComicsDetective Comics #341, Story B

No credits are given. The story is by John Broome, Carmine Infantino, and Joe Giella.

The cover is another cover in sequential art panel format. We’ve seen very few of those. Amazing Spider-Man #4 a rare exception.

Joker’s plot is to pretend to be a movie producer making movies about fake crimes that are actually real crimes being filmed. Mr. Fear had a basically identical plan in Daredevil #6, released 5 months earlier. I pointed out then that filming your crimes is a bad idea.

Joker is writing, directing, producing, and starring in all these films. His first role is as the Tramp robbing a bank.

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Tales of Suspense #68, Story B

The Sentinel and the Spy!

Featuring: Captain America
Release: May 11, 1965
Cover August 1965
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inker: Frank Ray
Letterer: Sam Rosen
10 pages

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The story’s title, “The Sentinel and the Spy”, seems to refer to Captain America’s nickname, “The Sentinel of Liberty”. It’s not clear to me how established that nickname is at this point. It’s been associated with the character since his first appearance in 1941, as the Sentinels of Liberty was the name of his fan club.

At the end of last issue, Cap still seemed to be brainwashed, but he’s snapped out of it by the opening splash page.

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Tales of Suspense #68

If a Man Be Mad!

Featuring: Iron Man
Release: May 11, 1965
Cover August 1965
12 cents
Edited by: Stan Lee (who hasn’t slept since!)
Written by: Al Hartley (who could never sleep!)
Art by: Don Heck (who was under sedation!)
Inked by: Mickey Demeo (who couldn’t have visitors!)
Lettered by: Sam Rosen (who knows!)
12 pages

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This is the third Al Hartley story we’ve read. He wrote last month’s Giant-Man finale and drew a Thor story way back. He is a Marvel regular, just normally on the humor titles this blog hasn’t focused on.

We can still count on one hand the number of stories Stan hasn’t claimed writing credit on. But he gets his name at the top of the credits anyway.

From the title page, this almost seems like the same story as last issue. Last issue, Count Nefaria took over Iron Man’s dreams to make him fight visions of his enemies. Now it looks like Iron Man is seeing visions again. Turn the page, and we learn Count Nefaria is involved again.

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Tales of Suspense #67, Story B

Lest Tyranny Triumph!

Featuring: Captain America
Release: April 8, 1965
Cover: July 1965
12 cents
Story and art by: Stan Lee and Jack Kirby
Inking: Frank Ray
Lettering: Artie Simek
10 pages

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Part 2 of the Nazi Cap story where Captain America has been brainwashed by the Red Skull.

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Tales of Suspense #67

Where Walk the Villains!

Featuring: Iron Man
Release: April 8, 1965
Cover: July 1965
12 cents
Written by our roguish writer: Stan Lee
Pencilled by our prankish penciller: Don Heck
Inked by our impish inker: Mickey Demeo
Lettered by our other letter: S. Rosen
12 pages

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The drama from last issue continues. Happy has quit; Pepper is sad; she blames Iron Man.

Count Nefaria of the Maggia returns, but with a new gimmick and identity. He now calls himself the Master of Dreams. Perhaps also Dream-Maker or Dream-Master; Stan can’t decide from one page to the next. He controls Iron Man’s dreams and sends old foes against him; if Iron Man dies in the dream, he will die.

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Tales of Suspense #66, Story B

The Fantastic Origin of the Red Skull

Featuring: Captain America
Release: March 11, 1965
Cover: June 1965
12 cents
By: Stan Lee and Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
10 pages

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We’ve been very slowly saying goodbye to Chic Stone, as this represents his last month with Marvel. So we’ve seen his last work on many titles already. This is his final Captain America Story. He is Kirby’s best inker on these books so far, for my money. And he will be missed.

These Captain America stories have been set in his early days. The last three issues retold stories from Captain America Comics #1, with last issue retelling the introduction of the Red Skull (and making it really lame). This issue offers a new Red Skull story. At last we learn his origin.

In the original story, Red Skull was revealed to be American industrialist George Maxon. Last issue played out similarly, (though now he was John instead of George), but it added that Red Skull was not the real Maxon. He had killed Maxon and was impersonating him. That leaves room for his new origin here. As we’ve noted before, for my purposes we are treating the post-1961 stories as canonical for this Marvel Universe. The 1940s Marvel canon is separate. So the origin of the Red Skull is what gets told here. He is not Maxon.

We learn in this issue that he had also not been impersonating Maxon. That was someone pretending to be the Red Skull pretending to be Maxon. Yeesh. And apparently Captain America is desperate to hunt down the real Red Skull based on the crimes of a fake Red Skull. Maybe?

Will the real Red Skull please stand up?

The story opens with Captain America a prisoner of the Skull. That is not where the last issue left off at all. Perhaps they will fill us in how we got here.

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Tales of Suspense #66

If I Fail, a World is Lost!

Featuring: Iron Man
Release: March 11, 1965
Cover: June 1965
12 cents
Written in the Marvel tradition of greatness by Stan Lee
Illustrated in the Marvel tradition of grandeur by Don Heck
Inked in the Marvel tradition of drama by Mickey Demeo
Lettered in the coziest corner of the room by Sam Rosen
12 pages

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Stark is never around when you want him!

Due to circumstance, I lost the write-up for this particular story I had completed. I’m not a big fan of the Iron Man stories, and I was just unenthusiastic about writing this entry again. Please excuse me if I do a poorer job than usual. I just kind of want to get through this one.

In particular, I feel like I’d previously worked out where Attuma ranks in a particular metric, and I’m not sure I care to recompute it; I’ll just go off the top of my head and let somebody correct me if I’m wrong. Iron Man is the third distinct hero Attuma has fought, after facing the Fantastic Four and Giant-Man and the Wasp. I think that might be a record?

We have to define ‘distinct’ a bit carefully. I think fighting a hero and the team that hero is on should only count as one: Sandman fought both the solo Human Torch and the Fantastic Four; Loki fought both Thor and the Avengers.

With that caveat, Attuma is only the second villain to fight three distinct heroes. The first being Chameleon, who has faced Spider-Man, Iron Man (along with the Avengers), and Hulk.

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I think… maybe… we’re back…

Maybe?

Thank you for your patience for these past two months while I dealt with personal difficulties I won’t bore you further with the details of.

I had to recreate some lost files. But the exercise was good, as I now have written some tools to programmatically extract data from my blog which may come in handy in the future.

This was also a good chance to clean up a couple things about the site.

I think I should be able to get back to a pace of at least one comic per week, then hopefully soon get back into my 2-3 per week rhythm. I expect to get two posts concerning Tales of Suspense #66 out this week. Then we’ll cover the stories from issues 67-68 in subsequent weeks.

As before, the focus of this blog is a read-through of the Marvel Universe starting with Fantastic Four #1. We got through about 3.5 years of stories over 400+ posts. The final post before a 2-month hiatus was the tragic Sgt. Fury #18.

I do occasional side posts, and now have an irregular side series I call “Reading great comics”. The idea is to pick up one of my favorite single issues ever and read through it in a format similar to what I do with the old Marvel stories.

I’m looking for stories that comprise a single issue, stand well enough alone, are great comics, are among my favorite comics, and aren’t comics I expect to get to in my ordinary Marvel reading. So either no Marvel superhero books or only Marvel superhero books decades ahead of my current reading.

I took two side posts I’d made before and retroactively considered them as part of this series, concerning Sandman and Astro City. During my hiatus, I did get out the official third entry in this series: Swamp Thing. There was also an unofficial third entry posted one April Fools Day you can try to dig up. Last week, we covered Usagi Yojimbo.

We got a Zot! entry out this morning.

The truth is, after that entry I’m straining to find comics that meet all my above criteria, despite the tens of thousands I’ve read. Not without repeating the series or creators already spotlighted. I’ve got my #6 entry planned, but it’s going to be part 1 or a 3 part story, so it’s already breaking my rules. But I think it can be appreciated well enough in isolation. You can tell me if I’m wrong.

And for my 7th entry, I’m thinking of just picking one issue out of a 6-part miniseries, which would throw that “standalone” rule right out the window. We’ll see what I decide.

While here, I’ll also note that my two most popular posts last year concerned Wandavision and Falcon & Winter Soldier. They made my blog numbers soar. People seem way more interested in current television shows than a 1963 Human Torch story for some reason. But they were also so much work. I reread like a hundred comics for each one. I just spent days on them. I think I had to take a day off work for each to finish up.

So I wasn’t able to do follow-ups for Loki or Hawkeye. I considered doing something similar with Eternals, but then didn’t. I’d like to make movie/series tie-in posts in the future, but I have to figure out a format that balances my time with the amount of thoroughness I would want to put in. I’m reflecting.

Zot! #30

Autumn
by Scott McCloud

We used to burn leaves by the side of the road.

Jenny and her brother Butch get trapped in another dimension where they meet a teenage superhero named Zot. They go on an adventure and face all these villains and Butch gets turned into a monkey. Fun all around. The series lasted 10 issues, published by Eclipse comics, 1984-85.

A couple years passed. Finally, Zot! #11 hit the stands. Now black and white. Jenny had been a point-of-view character, a way for the audience to see themselves in Zot’s story. But by now McCloud had decided she was really the star, and that this was the story of a girl who occasionally visited a fantasy world she was starting to find more real than her own world.

But as to the real protagonist of Zot!… the true character arc on display belongs to Scott McCloud himself. He was 23 when he started Zot! and 30 when he finished. He changed a lot in that time, in terms of figuring out what he wanted from life and from the comics medium. What stories he wanted to tell. How he wanted to tell them.

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