Featuring: Iron Man Release: November 10, 1966 Cover: February 1967 12 cents Story: Stan Lee Art: Gene Colan Inking: Frank Giacoia Lettering: Sam Rosen Nail-biting: Irv Forbush 12 pages
Featuring: Iron Man Release: October 11, 1966 Cover: January 1967 12 cents Story: Stan Lee Pencilling: Gene Colan Inking: Frankie Giacoia Lettering: Artie Simek 12 pages
From this moment on, Iron Man is more invincible than ever before!
In a plot greatly echoing a recent Daredevil story, Mandarin now believes Happy to be Iron Man, because Happy had been going around in the suit. In the Daredevil analog, Foggy had put on the Daredevil suit to impress Karen. Here, Happy was a bit more noble. He was trying to help preserve the secret identity, as the press was starting to suspect that Tony Stark was Iron Man. On the basis of the fact that it’s ridiculously obvious to anybody paying attention.
Flash Thompson has also gotten himself into similar trouble by wearing the Spider-Man outfit.
Unfortunately, Tony is still recovering from his recent heart attack. It’s not clear he’s in any shape to help Happy after the Mandarin captures him. And even wearing the armor, Happy is no match for Mandarin. He just doesn’t have the practice with it.
Featuring: Iron Man Release: September 8, 1966 Cover: December 1966 12 cents Story: Stan Lee Art: Gene Colan Inking: Frank Giacoia Lettering: Sam Rosen 12 pages
SURVEY SHOWS THAT STARK AND IRON MAN NEVER SEEN AT THE SAME TIME TOGETHER
It’s been a year coming. Back in Tales of Suspense #72, Senator Harrington Byrd planned to summon Tony Stark to Washington to make him reveal Iron Man’s secrets, so the US military could use the technology. The following issue, he tried to confront Stark in his office with the summons, but found only Pepper. The next issue, he got Iron Man on the phone, and says he’ll come to New York with a subpoena unless Stark comes willingly to Washington. In the next issue, he made good on the threat and showed up with the subpoena at Stark offices, only to find Iron Man battling Happy, who had turned into the Freak. Once that resolved, he had police escort Stark to a car, to personally escort him to Washington. Only Tony Stark was transported from that car en route to DC, and found himself in Asia a prisoner of the Mandarin. Then Iron Man had to fight Mandarin and Ultimo. Only to return home and find all his factories shut down because he’d failed to answer the summons to Congress. He needed to recharge, rest, and deal with Namor. But finally he called Senator Byrd and agreed to come to Washington. And he did go to Washington. Only to be attacked by Titanium Man. With Titanium Man defeated, Stark should finally be able to appear before Congress a dozen issues after being summoned.
And here he is.
Ready to reveal the secrets of Iron Man.
Until he has a heart attack before the first question gets asked. How convenient.
Featuring: Iron Man Release: August 9, 1966 Cover: November 1966 12 cents Smilin’ Stan Lee, author Genial Gene Colan, artist Gleeful Gary Michaels, inker Affable Artie Simek, letterer Ineffable Irving Forbush, referee 12 pages
If only the day would come when force is no longer necessary– when men would reason together instead! But, until such a time, we should be thankful that power such as Iron Man’s exists– and can be used in behalf of freedom!
Titanium Man holds Pepper hostage. The battle continues in DC, delaying Stark’s testimony to Congress.
“…for the sake of freedom everywhere, I dare not lose…” claims Iron Man. That sounds a little overly melodramatic and self-important to me.
Featuring: Iron Man Release: May 3, 1966 Cover: September 1966 12 cents Stan Lee… writer Gene Colan… artist Gary Michaels… inker Sam Rosen… letterer Irving Forbush… armor polisher 12 pages
This feeling of total freedom… of being air-borne under your own power… like some great metal bird… makes all the hardhip, all the danger of the past, utterly meaningless… as inconsequential as some dim, half-forgotten nightmare!
We already read the second half of this issue to finish off Captain America’s battle with Red Skull. We held off on this first half as it starts a new arc for Iron Man with Titanium Man.
Where were we? Senator Byrd has insisted for a while that Tony Stark appear before Congress to reveal Iron Man’s secrets. Stark has been conveniently avoiding this summons by doing things like get kidnapped by the Mandarin. Growing impatient, Byrd had Stark factories closed. But now, after a battle with Sub-Mariner, he’s called Senator Byrd to offer to testify.
At some point, perhaps around the time he made this phone call, Stark also took a call from Hank Pym, and recommended his employee Bill Foster to help Pym’s research.
Featuring: Avengers Release: July 7, 1966 Cover: September 1966 12 cents Stan Lee, writer and raconteur Don Heck, artist and bon vivant Artie Simek, letterer and patron des artes Irv Forbush, scapegoat, junior grade 20 pages
Featuring: Iron Man Release: April 12, 1966 Cover: July 1966 12 cents Drama-drenched script by: Stan Lee Power-packed pencilling by: Gene Colan Fantasy-filled inking by: Jack Abel Twelve pages of lettering by: Artie Simek 12 pages
Sometimes I feel as though this iron head shield actually has a life of its own! I find myself thinking of Iron Man as someone else– almost as if it’s a separate entity– as though we’re really two men!
This is all getting confusing (to me, at least). Hulk has just escaped from the subterranean realm where Mole Man and Tyrannus were at war. The Secret Empire have employed Boomerang to steal the Orion Missile. Phase 1 of his plan was to kidnap Betty Ross. To save Namor, Dorma agreed to marry Krang. Namor only knows half this story, and ruthlessly pursues Dorma and Krang to the surface. Nick Fury recently teamed up with Captain America against Them. Fury suspects Them is connected to the supposedly benign scientific organization called AIM. Iron Man was kidnapped by Mandarin and brought to the Orient to fight Ultimo. He thus missed his summons to Congress, and has had his contracts revoked, factories closed, finances impounded, while a warrant has been placed for his arrest. This is all thanks to the zealous Senator Byrd. Before his factories were closed, Stark Industries was able to create a special suit for Colonel John Jameson, infected by space spores.
Of course, lots of other stuff is happening around the Marvel Universe, but that’s the most relevant for the next several issues.
We find Tony on the edge of collapse, recent events being a strain on his heart.
He’s in need of a charge.
Pepper and Happy are both not home. Are they out together? Tony is jealous.
Featuring: Iron Man Release: February 10, 1966 Cover: May 1966 12 cents Homerically written by: Stan Lee Heroically pencilled by: Adam Austin Historically inked by: Gary Michaels Hysterically lettered by: Sam Rosen 12 pages
This is a grave moment in hour nation’s history! A time for patriotism… for dedication to the cause of freedom! There must be no special privileges for self-seeking opportunists like Stark, who flout their country’s laws!
Adam Austin has long since been unmasked as Gene Colan, but he is going back and forth between the two aliases. It’s worth noting that his art seems to improve each month.
Gary Michaels is a pseudonym for Jack Abel. He’s been working with Colan on this series off and on for a few issues now.
When we left off, Tony Stark was a prisoner of the Mandarin and Ultimo is rising. Confusingly, we’ve also seen Tony Stark filling in as the head of SHIELD since then. It’s hard to balance all the things one might want to in a reading order, and sometimes the chronology has to give. Stark’s appearances with SHIELD must take place either before or after this adventure. It’s hard because Tony’s just been pretty busy, and I like to keep the reading order relatively close to publication date.
Mandarin had thrown Stark’s attache case out the window, not realizing it contained the Iron Man armor. What can Stark do without his armor?
Mandarin kidnapped Stark from America to Asia via teleportation. Stark at the time had been in Senator Byrd’s car on the way to Congress to testify about the identity of Iron Man.
Featuring: Marvels Release: December 14, 1993 Cover: February 1994 $5.95 Writer: Kurt Busiek Artist: Alex Ross Letterers: Starkings w/ John Gaushell Editor: Marcus McLaurin Assitant editor: Spencer Lamm Editor in Chief: Tom DeFalco Cover design & logo: Joe Kaufman Interior design: Comicraft 45 pages
The real story was the people who’d been scared too long. Who’d been wound tight by talk of mutant menaces and hidden conspiracies and shadows under the bed.
I’ve mentioned before I want to frame our reading around the Marvels miniseries from the 1990s. That hasn’t really been obvious yet. We read Marvels #0, which retold a few pages from Marvel Comics #1. And we read Marvels #1, which paralleled 1940s Marvel comics. But our reading is concentrated in the 1960s. Finally, we get to Marvels #2, which parallels the 1960s Marvel stories, ranging from Avengers #6 (May 1964), the 191st entry in our reading, through Tales of Suspense #69 (June 1965), the 404th entry in our reading. Quite the range. We are reading it after completing the Iron Man story from Tales of Suspense #72, because we’d first needed to tie up some continuity ends.
We’ve hinted before at the theme of this comic, and I’d like to just discuss it up front. The two centerpiece stories are the wedding of Reed and Sue in Fantastic Four Annual 3, and the attack on the X-Men by the Sentinels in X-Men #14. The writer Kurt Busiek had noted in his own Marvel Universe research what we also found in our reading here, that these events must occur on nearly consecutive days. That’s not obvious from any comic, but does follow from a close reading of the many interconnected comics. And the two stories make for quite the juxtaposition.
The contrast between these two arcs becomes the central tension of this issue. The Fantastic Four wedding is the celebrity event of the century. The press covered it, crowds of fans gathered, famous people like Tony Stark and Millie the Model attended. The Fantastic Four are super-powered heroes and beloved by the public.
The X-Men are also super-powered heroes. But where the Fantastic Four gained their powers from cosmic radiation, the powers of the X-Men are innate, based on an accident of birth, perhaps from radiation their parents had been exposed to. The “Children of the Atom”. And that difference is big enough that the same public who cheered on the wedding of the FF members would listen with interest and nods of approval as Bolivar Trask went on the airwaves to declare mutants a menace and announce he’d created robot-hunting Sentinels to hunt and kill the X-Men.
We read the Heroes & Legends retelling of the wedding, which focused on this very tension in the form of a child, who was a huge fan of the Fantastic Four, but afraid of the X-Men. He learned better by issue’s end.
Here, the arc will play out within Phil Sheldon, the photojournalist who specialises in shots of the people he’s dubbed the Marvels. A person who idolizes heroes like the Fantastic Four and Avengers, but fears mutants like the X-Men.
It’s entirely irrational, just like all forms of bigotry.
That’s enough belaboring of themes. Let’s dive into the story. As we do, we’ll try to draw the parallels between what’s happening on the page and our reading.
I’ll note that the title is called “Monsters”, which brings to my mind Thing and Hulk. The latter doesn’t appear, and the former is a minor player at best.
It’s 20 years after the events of Marvels #1. Phil Sheldon is now an established freelance photojournalist happily married with two kids. We see hm doing freelance work for Barney Bushkin at the Daily Globe. The shadows on the page somewhat obscure Phil’s eyepatch, a lifelong injury sustained last issue by getting too close to a superhero battle.
We remember meeting Barney in Amazing Spider-Man #27. He’s nicer than Jonah, but asked too many questions for Peter’s tastes.
Featuring: Nick Fury, Agent of SHIELD Release: September 9, 1965 Cover: December 1965 12 cents Sensationally written by: Stan Lee Spectacularly laid-out by: Jack Kirby Superbly illustrated by: Joe Sinnott Silently lettered by: Artie Simek 12 pages
You know that no insurance company would give a policy to a SHIELD man! There’s only one thing we won’t die of– and that’s old age!
I think you can tell at a glance my copy of this comic has seen better days.
The cover’s an interesting gimmick. It’s mostly just the first page of the issue, but then it has Dr. Strange holding the page. The caption tells us, “Amost everybody reads SHIELD!”
The Dr. Strange figure is drawn by Marie Severin, sister of John Severin, who drew the last couple issues of SHIELD. She’s been doing staff work at Marvel, but will soon enough be chosen to draw Dr. Strange herself.
You kind of get the sense that they didn’t have a cover at all, and this got thrown together by staff. But they get a nice test run for Ms. Severin on the Doctor.
The story opens with Nick Fury in outer space being pursued by…err… that… thing.
Ah, he’s being subjected to some virtual reality thing designed to pry from his mind the secrets of Stark’s new weapon, the, err, braino-saur.
