Featuring: Spider-Man Release: July 9, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Steve Ditko 21 pages
The opening page tells us the names of many characters, two named for the first time. We learned last issue that Peter’s blonde classmate was named Liz. We now get the full name: Liz Allan. Last issue, we met Jameson’s secretary Miss Brant. We learn on that first page her name is Betty.
We’ve now seen plenty of crossover amongst the heroes of the titles; now they’re starting to share villains. One week earlier, Thor brought his archfoe Loki along with him for Avengers #1. Now, the Fantastic Four will lend their favorite villain to Spider-Man. Of course, they’ll also be showing up to lend a hand.
Because they’re borrowing a villain, this is the first issue of Amazing Spider-Man where Ditko doesn’t create a timeless villain. He’ll get back to that practice next issue.
Perhaps for that reason or others, this is one of the weaker Spider-Man stories yet. Of course, a weak Spider-Man story is still on par with the best of the other titles.
They summarize Doom’s most recent appearance in Fantastic Four, showing tight continuity. Also taken from Doom’s previous appearance is his use of robot doubles.
Featuring: Fantastic Four Release: July 2, 1963 Cover: 1963 25 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Steve Ditko 6 pages
This is a very odd story. Something of a remake. It takes pages 2-4 of the second story from Amazing Spider-Man #1 and redraws them, expanding the story to 6 pages. This time, drawn by Kirby and inked by Ditko.
I don’t know why. The opening editor’s note claims it’s because fans demanded it, but Stan Lee always claimed that fans demanded everything. In the original, each member takes one go at Spidey. This time, each gets two.
Sue has a different haircut and each artist renders her invisibility differently. Ditko makes her shape clearer. In contrast, it’s Kirby who more clearly renders Johnny’s outline when he’s aflame.
Rather than offer any commentary of possible general interest to a story we’ve already talked about, I’m going to focus on the academic, and just give a full comparison of the stories. Some dialogue is copied, some slightly changed, some original. Some panels are new, while others closely match original panels. All seem redrawn from scratch.
You teen-agers are all alike– You think the world owes you a living! Now go out and get me some shots of Spider-Man, and don’t come back till you do!
The covers so far have mostly been single images. Here, the cover is itself a comic. It’s not a common artistic choice, perhaps because it forces the images to be smaller. But it effectively shows off the range of Sandman’s powers.
Lee and Ditko share the credits for this issue with a simple “By”, rather than breaking up who did the story and who did the art.
In 4 issues, this series has introduced:
Chameleon
Vulture
Tinkerer
Dr. Octopus
Sandman
That’s 5 enduring villains, and at least 3 iconic ones.
See my initial post for the context. Suffice to say that I will be sharing my entries to the Classic Comics Forum tradition, “ Twelve Days of Classic Comics Christmas“. This is a cross-post of my eleventh entry, representing #2 on my list of favorite comic book Crossovers.
2. Spider-Man and Gargoyle “Time, run like a freight train…” from Marvel Team-Up #119 (Marvel, 1982)
by J.M. DeMatteis, Kerry Gammill, and Mike Esposito
The general consensus is that the high point of Marvel Team-Up is the work of Claremont and Byrne. A position I don’t disagree with. But it’s often overlooked that there is another great run, that of DeMatteis and Gammill.
They may not have the slickness of Byrne, but they make up for it with strong character work and stories that break out of the established Marvel Team-Up formula. Most of the series had allowed very little time for Spider-Man to be Peter Parker. As they have like 20 pages for him to meet up with some other hero, get up to speed on a threat and deal with that threat together. Throw in an initial misunderstanding or fight between the heroes and you see why you’re out of pages.
But DeMatteis wanted time to show Spidey out of uniform and to develop the supporting cast. Now, the “main” books were already developing most of the supporting cast, so DeMatteis took what he was allowed to play with: the people at Aunt May’s nursing home. He developed the character of Nathan Lubensky, Aunt May’s love interest and reflected on aging in our society.
The apex of this reflection came in two issues #119-120. Issue 120 teams Spider-Man with an aging Dominic Fortune. I wasn’t sure [the event moderator] would buy them together as a two-parter based on tenuous thematic links, so I decided to focus this entry on the best issue of the run.
This story spins out of Defenders #109 and focuses on the new friendship between Spider-Man and Gargoyle. Gargoyle is notable for being a rare old-man superhero, and Spider-Man is notable for being a particular young not-sidekick superhero. Now, Spider-Man has aged since his early teenage appearances, but he’s still only recently out of college, so probably about 23 or so.
An attempted mugging leads Spider-Man and Gargoyle down parallel tracks, which try to tackle the difficult question of when it’s time to fight to keep living and when to accept it’s time to go.
The title of the comic seems to reference an Eric Andersen song. I don’t really know Eric Andersen outside of looking up the title to this song.
“Time, run like a freight train, won’t you take me down the line; there’s so much I can never say of the ruins left behind.”
See my initial post for the context. Suffice to say that I will be sharing my entries to the Classic Comics Forum tradition, “ Twelve Days of Classic Comics Christmas“. This is a cross-post of my seventh entry, representing #6 on my list of favorite comic book Crossovers.
6. Spider-Man and Punisher and Daredevil from Ultimate Spider-Man #6-8
by Brian Michael Bendis and Bill Sienkiewicz
I could have made 12 choices just out of this series. Bendis brings great artists to draw Spider-Man teaming up with various heroes. Wagner for Wolverine. Allred for Iron Man. Mahfood for Fantastic Four. Totleben for Man-Thing (seems like a no-brainer).
I decided I would pick just one. This seemed to work. After all, it’s the great Bill Sienkiewicz. Sienkiewicz of course famously worked on Daredevil before, teaming with Frank Miller for the Love & War graphic novel. It’s good to see his return to the character.
Now, it stretches the rules of its own series. The Spider-Man part. The first issue bills itself as a Spider-Man/Punisher crossover, but it’s really a Punisher story. Spider-Man shows up on the last page, just kind of swinging around. The next part bills itself as Spider-Man/Punisher/Daredevil. But it’s really only got Daredevil in it. Spider-Man’s not even there, and Punisher finally meets Daredevil right at the end. They do all come together at the end, but Spider-Man provides only a twist by swinging blindly into a situation he doesn’t understand and messing things up. Spider-Man’s just a kid. He’s trying to do the right thing, but doesn’t know how. Daredevil has to be the adult in the room.
Mostly this is a Punisher story, introducing us to the Ultimate version of Punisher, which looks a lot like regular Punisher. This is his origin. He was a cop, the only incorruptible one on the force. So some corrupt cops murdered his family trying to kill him. Now he’s out for revenge.
Daredevil shows up to try to convince him that the best path for justice is through the legal system. And Spider-Man shows up to make a mess out of things.
Seventh entry. Seventh Spider-Man story. But they don’t HAVE to be Spider-Man crossovers…
7. Spider-Man and Red Sonja “Sword of the She-Devil” from Marvel Team-Up #79 (Marvel, 1979)
by Chris Claremont, John Byrne, and Terry Austin
The team is most famous for their work on Uncanny X-Men, but they delivered a perhaps even more impressive run on Marvel Team-Up. I could have picked a lot of stories from this era, but we only get 12 entries. So let’s focus on the best one. Prior to Claremont and Byrne taking over, Marvel Team-Up was a generally good book, but not necessarily of the highest quality storytelling. Claremont and Byrne brought a better sensibility to the series and told some great little tales.
Somehow, Spider-Man teams up with Conan’s sometimes ally to battle Conan’s arch-nemesis. Various mystic stuff brought Kulan Gath to the present, but had Red Sonja take over Mary Jane’s body to do battle with him. A whirlwind of a story that moves too fast for you to stop to wonder whether any of this makes sense. You just have to hang on.
Similar to Karl Kesel’s World’s Finest miniseries (which you bet would have been an entry if Superman/Batman team-ups weren’t ruled ineligible because of their ongoing team-up series), this is a through-the-years look at the friendship between Human Torch and Spider-Man. It tells 5 new team-up stories at different stages of their history, from their earliest days to the present, with each issue reflecting on their friendship to that point.
It ends in the modern day, when Human Torch finally learns Spider-Man’s secret identity, and Johnny has Peter’s family over for dinner to meet his family.
It’s darn touching, and occasionally insightful. Like, why is their regular meeting place the Statue of Liberty? How does Spider-Man get there?
(SIDE NOTE: The flashback below refers to Strange Tales Annual 2. We’ll be getting there soon in our regular reading of the Marvel Universe.
9. Daredevil and Spider-Man “Devil’s Deliverance” from Daredevil #8 (Marvel, 1998)
by Kevin Smith, Joe Quesada and Jimmy Palmiotti
This was how I got into Daredevil. I hadn’t liked the first couple Daredevil issues I’d picked up as a young child and thus never really collected them. But in 1998, I was interested in Marvel’s “Marvel Knights” line, and brought all 4 new titles. Inhumans remains one of the best comics I’ve ever read. Black Panther was great. And the Punisher series is infamous for turning him into an angel, but I enjoyed it well enough at the time. Probably haven’t gone back to it in 20 years, though.
This is also how I got into Kevin Smith. Not long after reading this I’d see Chasing Amy and Mallrats and finally Clerks, which remains one of my favorite comedy films ever. I’ve since taken every opportunity to see Kevin Smith talk live, probably a couple dozen times by now.
This story is a loving homage to Frank Miller’s work on Daredevil, specifically the “Born Again” series, which I had not read at the time, so did not appreciate. I’ve come to love that series (hint hint) and it’s complicated the question of how to appreciate this homage series in my mind. In “Born Again”, Kingpin tore at Daredevil’s life, trying to take away hope. In this, a MYSTERIOus villain tears at Daredevil’s faith.
The story is mostly wrapped up in 7 issues. The villain stands revealed and dead. But Daredevil is left to deal with the insanity of just how many people, including Karen Page, died for seemingly no reason.
In need of a friend, Spider-Man is there. As Daredevil struggles to make sense of it all, blaming himself and all superheroes for their failings and these mad vendettas they end up entangled with, Spider-Man provides him the needed perspective to restore balance: “You saved that baby girl’s life.”
10. Superman vs. The Amazing Spider-Man “The Battle of the Century!” (DC/Marvel, 1976)
by Gerry Conway, Ross Andru, and Dick Giordano
When the word “crossover” was said, crossovers between DC and Marvel immediately sprung to mind. I do love so many of them. And I know exactly what my favorite is, which was set to be #1 on my list, until I read the fine print of this year’s rules and realized I couldn’t have a meeting of their two flagship teams.
So I settled with the classic. The first time Superman meets Spider-Man.
You could tell it was an event. A gigantic comic. So big, that it’s hard to hold. I feel like I need to lay it across my desk to sit on it. But if I do that, the cats try to sit on it. I could shut the door, but then they get angry. Maybe I can sit on the couch with my knee bent to rest it on my leg… look, you try to read this massive comic with two cats who want to sit on your lap and swat at it.
Andru recognizes it’s time for iconic characters to look iconic and draws them as such.
And it’s time for iconic villains. Superman’s archnemesis is pretty universally recognized as Lex Luthor. There is a little more confusion about who Spider-Man’s most iconic villain is. But this comic gets it right: it’s Dr. Octopus.
One less-than-iconic detail that sticks out is the line that Superman fights for “truth, justice, and the Terran way”. It’s an odd phrase. Born out of controversy. The old Superman cartoons had it that Superman fought for “truth and justice”. A good phrase they should have stuck with. But then came the 1950s and McCarthy’s attempts at fascism that led to an epidemic of public displays of patriotism, and the phrase was altered to “truth, justice and the American way”. Out of place for a superhero who should defend all humanity. They seem to be attempting some course-correction here, but they should have just gone back to the original. “Truth and justice” was a good phrase.
It’s also a bit unfortunate that Morgan Edge was Clark’s boss at the time. It would have stood the test of time better if it were Perry White at the bar complaining about his reporters to J. Jonah Jameson. I also wish Peter had met Jimmy, since they’re both photographers. Ah well, can’t win ’em all.
11. Spider-Man and The Man-Thing from Giant-Size Spider-Man #5 (1975)
by Gerry Conway, Ross Andru, and Mike Esposito
Second Spidey entry. I really could have filled my list with Spider-Man. And a decent chunk of it with this stellar series. But I decided one from this series would have to do. Apologies to the excellent earlier issues where Spider-Man meets Shang-Chi, Doc Savage and Punisher. All contenders.
What do we have here. A lot of focus on character work. Conway uses his page count to shine a spotlight on everybody. It’s during the Clone Saga, so Gwen has mysteriously returned, and everybody is dealing with that. Gwen, Peter, Betty, MJ… we get the first hint of a characterization they will later go all in on for Mary Jane, for better or for worse. We see her on the edge of tears, but then quickly correcting when her Aunt comes in, and putting on a smile and talking about wanting to party. Defalco will later reveal that that’s all she was ever doing, and it will ring untrue.
Conway was more subtle in his treatment of MJ. Maturing her and bringing her and Peter together, while preserving her character.
We also get Curt Connors again turned into the Lizard and see this struggle through the eyes of his wife better than we have before.
We even get solid character work on one random character, a bankrupt chemist on the verge of suicide, whose fate is changed by an encounter with Man-Thing, and who emerges as the hero in the battle against the Lizard.
Not sure if we get good character work on the Man-Thing. You’d have to look closely into his eyes to see what he thinks of these events. All we know is he hears the Lizard’s call with other swamp creatures, and that he seems to respond to intense emotion.
