scarlet witch – Page 3 – Coke ⊕ Comics

Avengers #18

When the Commissar Commands!

Featuring: Avengers
Release: May 11, 1965
Cover: July 1965
12 cents
Slyly written by: Stan Lee
Smoothly drawn by: Don Heck
Suavely inked by: Dick Ayers
Superbly lettered by: Artie Simek
Stoically read by: You (if you’ll ever turn the page…!)
20 pages

Previous	#371	Next
Sgt. Fury #20	Reading order	Fantastic Four #41
Avengers #17	Avengers	Avengers #19

I thought our purpose was to battle crime! Why need we concern ourselves with international affairs?

Of all the stories in the early Marvel Universe, these Cold War stories are the worst across the board. The very worst are the Cold War stories set in Asia, as they tend to mix in racism with the blatant US government pro-war propaganda.

It’s awful because they are aimed at children, with the seeming intent to indoctrinate them into supporting the war in Vietnam or whatever else.

If you remove all the ways they are plainly awful jingoistic racist propaganda, they still tend to be pretty awful narratively. The closest thing to an exception is the recent Thor story, which did have an actual narrative about a conflict between brothers and a family divided because one brother joined the Viet Cong.

But maybe this story where the Avengers invade an Asian nation at random to battle their Communist leader and overthrow the government will be the exception.

Spoiler. It won’t be.

This story is interesting because it’s both forgettable and forgotten… at least mostly forgotten for about 55 years… until 2019 when someone decided it should be one of the foundational cornerstones of the entire history of the Marvel Universe.

Avengers #17

Four Against the Minotaur!

Featuring: Avengers
Release: April 8, 1965
Cover: June 1965
12 cents
Story by: Stan Lee (Who else?)
Art by: Don Heck (Why not?)
Inked by: Dick Ayers
Lettered by: S. Rosen
20 pages

Previous	#358	Next
Tales to Astonish #69, Story B	Reading order	Sgt. Fury #18
Avengers #16	Avengers	Avengers #18

Here it is, the first outing of the New Avengers. How will they measure up to the old team? Lots of differences. In terms of power level, we’ve traded in a god and a man in a powerful suit of iron armor for a guy with a bow and arrows and a guy who runs fast. In terms of character strength, we’ve traded in four people who sustained their own features for 3 years now for three who have only been side characters. In terms of ethics, we’ve traded in four superheroes for three characters who were super-villains a month ago. Two members of the Brotherhood of Evil Mutants and one lovesick Soviet stooge.

The opening tag refers to the team as the New Avengers, which is what I have always called them. Similarly if you hear me refer to the New X-Men, I probably mean the 1975 team.

It also lets us know the Avengers have begun the search for the Hulk. I’m not convinced they look very hard at all.

Avengers #16

The Old Order Changeth!

Featuring: Avengers
Release: March 11, 1965
Cover: May 1965
12 cents
Dazzling script by: Stan Lee
Dashing layouts by: Jack Kirby
Darlin’ artwork by: Dick Ayers
Delicate lettering by: Artie Simek
20 pages

Previous	#334	Next
Avengers #15	Reading order	Journey Into Mystery #114
Avengers #15	Avengers	Avengers #17

“Avengers Assemble!” shouts Captain America. With quite the assemblage of heroes and villains behind him. Check out our pretty full cast list near the end.

A little annoyed with myself as I make this post. I screwed up. In the middle of a move and all my comics are in transit. I have this issue, my second oldest Avengers comic after issue 8, and I thought I had scanned this before I packed and shipped it. I remembered doing so. Apparently I only scanned the single page I used in my Wandavision post.

I considered pausing our reading for a bit until I could scan my comic, but who knows when that will be. So we’ll press forward with scans, err, found on the internet. We’ll call them temporary. I’ll come back in a month or so and replace them with my own. You probably won’t even notice the difference. I just prefer to scan my own comics when I can.

And this issue means a lot to me.

Had it since early childhood somehow. My cousin had borrowed it for an extended period of time, but I eventually got it back.

This is a pretty historic issue. For whatever reason, Heck chose this issue of all issues to take a breather, leaving Ayers to do the artwork over Kirby’s layouts… or perhaps Kirby’s loose pencils, or maybe full pencils for some of the comic.

Here’s an interesting post on the breakdown of artistic labor in this issue, including speculation that Carl Hubbell was involved: https://nick-caputo.blogspot.com/2014/06/the-unknown-art-of-carl-hubbell.html

First, we need to wrap up the story from last issue. Captain America had just fatally defeated Zemo, and now needs to get back to New York with Rick. He’ll have some trouble with Zemo’s henchmen. Meanwhile, the battle with the Masters of Evil continues in New York.

Let’s just say the Avengers win, though Enchantress and Executioner escape. The battle’s anyway over by page 4, and we have more important things to discuss.

It turns out this was these heroes’ final battle together.

X-Men #11

The Triumph of Magneto!

Featuring: X-Men
Release: March 4, 1965
Cover: May 1965
12 cents
X-traordinary script by: Stan lee
X-travagant art by: Jack Kirby
X-ceptional inking by: Chic Stone
X-emplory lettering by: Artie Simek
20 pages

Previous		Next
Strange Tales #134	Reading order	X-Men #12
X-Men #10	X-Men	X-Men #12

The basic tension of the series is that every mutant that comes along, Magneto wants to recruit them to be evil. And Professor X wants to recruit them to be not evil. General agreement that no third option is acceptable; every mutant must join either the X-Men or Evil Mutants. When Blob tried to do neither, the X-Men attacked him and tried to mindwipe him. The only fine print there is the word “mutant”. Occasionally, someone such as Ka-Zar turns out to not be a mutant, in which case they are not obligated to join either team.

Now we meet a man who describes himself as a Stranger. He is very powerful. Is he a mutant? If so, they must recruit.

Missing Wandavision? Read some comics

The stories that inspired the show

Sigh. This time last week I would have been tuning in to the latest episode of Wandavision. Alas, it has come to an end. Where to get my fill of Wanda and Vision now? Well, the answer is obvious. Comics!

I loved Wandavision very much. I spent the past several weeks pulling out comics from my boxes that Wandavision brought to mind. My nightstand has been a stack of Vision and Scarlet Witch comics constantly on the verge of tipping over. I thought it would be fun to share what I’ve been reading and more.

I’d like to give you an overview of the history of Vision and Scarlet Witch in the comics, point out some of the stories which seemed like direct influences on Wandavision, and make some recommendations of what you can read if you are craving more of Wanda and Vision.

The history of these characters can actually be quite convoluted. I’m not inclined to spare you any details.

HOWEVER, we will not be attempting to understand Wanda’s powers today. That… will have to wait for another day.

Due to its length, this post is broken into 5 pages:

Origins: The introduction of Wanda and Vision. (1939-70)
Love story: Wanda and Vision meet, fall in love, and get married. (1970-75)
Family: Wanda and Vision deal with their extended family, buy a house in the suburbs, and grow their family. (1976-86)
Things fall apart: Wanda and Vision find there is no happily ever after. Plus: Jimmy Woo, Monica Rambeau, and SWORD. (1989-2017)
Reading recommendations: Comics suggested for fans of Wandavision.

Pages: 12345

Strange Tales #128

Quicksilver and the Scarlet Witch

Featuring: Human Torch and Thing
Release: October 8, 1964
Cover: January 1965
12 cents
Monumental story by: Stan Lee
Magnificent pencilling by: Dick Ayers
Masterful inking by: Frank Ray
Melancholy lettering by: Artie Simek
12 pages

Previous	#285	Next
Fantastic Four #34	Reading order	Strange Tales #128, Story B
Strange Tales #127, Story B	Strange Tales	Strange Tales #128, Story B

I appreciate that Simek has come up with logos for Quicksilver and Scarlet Witch. Some wooshes over Quicksilver’s name. Some frayed edges for the Scarlet Witch.

Frank Giacoia

We see a new name in the credits. Frank Ray is the inker. Frank Ray is a pen name for Frank Giacoia. He wil become a frequent Marvel inker, initially under the name Frank Ray or Frankie Ray.

Journey Into Mystery #109

When Magneto Strikes!

Featuring: Thor
Release: August 4, 1964
Cover: October 1964
12 cents
Written by: Stan Lee, the monarch of the Marvel Age, at the pinnacle of his power!
Illustrated by: Jack Kirby, the prince of pageantry, at the height of his titanic talent!
Inked by: Chic Stone, the dean of line design, at the peak of his prowess!
Lettered by: S. Rosen, the sultan of spelling, at the little table in his studio!
18 pages

I don’t know what to make of these Thor stories since Kirby returned to the title. The art is certainly improved. This is very iconic Kirby, especially with Stone on inks. Everything very melodramatic, especially the posing.

And it’s cool that Thor meets Magneto. The battle between them starts off pretty well. Again, Kirby on that dramatic action depiction.

But the weaknesses of the story increasingly detract as the issue goes on. That battle which had been going well then moves to the now familiar trope where Thor loses his hammer and becomes Dr. Blake mid-battle, luckily just out of view of the villain. How did he lose it? He dropped it, then forgot about it.

After 60 seconds, the hammer turns into a walking stick. Sometimes that is what happens, and sometimes it is not.

X-Men #7

The Return of the Blob

Featuring: X-Men
Release: July 2, 1964
Cover: September 1964
12 cents
Written with all the spell-binding skill of: Stan Lee
Drawn with all the titanic talent of: Jack Kirby
Inked with all the vibrant verve of: Chic Stone
Lettered with all the words spelled right by: Art Simek
22 pages

The time has come for the next chapter in the history of the X-Men. The series began with the premise that the X-Men were students of an unusual school. We saw two issues back that they passed their final exam. Now, it’s graduation day.

We just saw Johnny celebrate his spring break. And we are almost a year (in publication time) away from Peter’s graduation. It’s possible the publication dates poorly reflect when this story is set within the Marvel Universe, but it’s also possible this unique private school does things its own way, and has a much earlier graduation date than the regular schools attended by Peter Parker and Johnny Storm.

It’s odd that Iceman is graduating with the rest given that he’s a couple years younger than them. Maybe he’s gifted. Or maybe it’s just a really weird school.

X-Men #6

Sub-Mariner!

Featuring: X-Men
Release: May 5, 1964
Cover: July 1964
12 cents
Written: With the flair of Stan Lee
Drawn: With the air of Jack Kirby
Inked: With the care of Chic Stone
Lettered: On a dare by S. Rosen
22 pages

Once again, we see that Namor and Hulk are the binding that holds this nascent Marvel Universe together. Most of the heroes haven’t met each other, but they’ve almost all met Hulk or Namor. (Daredevil hasn’t met either yet, but we’ve only read two issues; he’ll meet Namor soon.)

My confusion about what to call Magneto’s group remains. It’s becoming clearer that “Evil Mutants” is how Xavier and the narrator refer to them. It’s less clear what they would call themselves. They were called the “Brotherhood of Evil Mutants” on the cover, and in the title, of their first appearance; however, that name has never shown up in-story.

X-Men #5

Trapped: One X-Man!

Featuring: X-Men
Release: March 3, 1964
Cover: May 1964
12 cents
Spell-binding story by: Stan Lee
Dazzling drawing by: Jack Kirby
Inking: Paul Reinman
Lettering: S. Rosen
24 pages

They’ve redesigned the cover box to make room for Beast.

The story begins right where the last issue left off, but then has a bit of time jump mid-story. It opens with a strange piece of narration. The narrator tells us Professor X “seemed” to lose his powers. Interesting phrasing. Why not just say Professor X lost his powers? Unless you know something about this issue’s twist ending I don’t.

I would warn you that spoilers follow, but I would argue the opening page narration has already spoiled the whole story.