Featuring: Prince Namor, the Sub-Mariner Release: June 30, 1966 Cover: October 1966 12 cents Fabulous script: Stan Lee Fascinating art: Gene Colan Fantastic inks: Dick Ayers Free-hand lettering: Sam Rosen Fancy haberdashery: Irving Forbush 12 pages
You are too conspicuous, walking around the city in that manner! Find the nearest clothing store…
In Avengers #17, the Avengers search for the Hulk, and end up vaguely near him, but not meeting him. But it’s sort of a crossover. Not really, but sort of.
In this issue, Namor is searching for Hulk, because he’s been brainwashed by Number One of the former Secret Empire, who wants revenge on Hulk for destroying the Secret Empire. Even though Hulk has never met the Secret Empire and had nothing whatsoever to do with their demise.
I would suggest the writer of the Namor stories hasn’t been reading the Hulk stories, but both series are allegedly written by Stan Lee.
Featuring: Captain America Release: September 8, 1966 Cover: December 1966 12 cents A Stan Lee * Jack Kirby powerhouse production Delineated by: Fearless Frankie Giacoia Lettered by: Swingin’ Sammy Rosen 10 pages
After all these years… all the countless battles… and the scars which will never fade… here I stand… still a loner– a human anachronism. All I’ve ever loved… all I’ve held dear… vanished with the past… while the memories remain to haunt me forever! But, I must be true to my trust! Every man has a purpose… a destiny to fulfill… and, whatever mine may be… I’ll never shirk it!
Captain America calls in the Avengers to deal with the Adaptoid. The Tumbler he just left to the police.
Hawkeye recalls the original Avengers foe the Space Phantom, and suspects a connection. But Cap notes the Adaptoid is a robot, while Space Phantom was an alien. Goliath and Wasp, the only ones present who actually fought the Space Phantom, do not weigh in.
Featuring: Iron Man Release: September 8, 1966 Cover: December 1966 12 cents Story: Stan Lee Art: Gene Colan Inking: Frank Giacoia Lettering: Sam Rosen 12 pages
SURVEY SHOWS THAT STARK AND IRON MAN NEVER SEEN AT THE SAME TIME TOGETHER
It’s been a year coming. Back in Tales of Suspense #72, Senator Harrington Byrd planned to summon Tony Stark to Washington to make him reveal Iron Man’s secrets, so the US military could use the technology. The following issue, he tried to confront Stark in his office with the summons, but found only Pepper. The next issue, he got Iron Man on the phone, and says he’ll come to New York with a subpoena unless Stark comes willingly to Washington. In the next issue, he made good on the threat and showed up with the subpoena at Stark offices, only to find Iron Man battling Happy, who had turned into the Freak. Once that resolved, he had police escort Stark to a car, to personally escort him to Washington. Only Tony Stark was transported from that car en route to DC, and found himself in Asia a prisoner of the Mandarin. Then Iron Man had to fight Mandarin and Ultimo. Only to return home and find all his factories shut down because he’d failed to answer the summons to Congress. He needed to recharge, rest, and deal with Namor. But finally he called Senator Byrd and agreed to come to Washington. And he did go to Washington. Only to be attacked by Titanium Man. With Titanium Man defeated, Stark should finally be able to appear before Congress a dozen issues after being summoned.
And here he is.
Ready to reveal the secrets of Iron Man.
Until he has a heart attack before the first question gets asked. How convenient.
Featuring: Captain America Release: August 9, 1966 Cover: November 1966 12 cents A Stan Lee Jack Kirby pandemonium-packed production! Delineated by: Richard Ayers Lettered by: Samuel Rosen (Or: How formal can ya be?) 10 pages
What can be wrong? I’ve adapted everything about Captain America… and yet… there is still a quality lacking!
AIM has fallen, but a dying Count Royale warned SHIELD that their creation the Adaptoid may yet finish their work.
The Adaptoid, a pantograph, infiltrated Avengers headquarters by assuming Jarvis’ form, then drugged Captain America, and assumed his form. He has also stolen Captain America’s shield.
Unfortunately for the Adaptoid, if you look like Captain America, his enemies become yours. The Tumbler has come to challenge Captain America and prove his superiority. So now he’s the Adaptoid’s problem.
Featuring: Iron Man Release: May 3, 1966 Cover: September 1966 12 cents Stan Lee… writer Gene Colan… artist Gary Michaels… inker Sam Rosen… letterer Irving Forbush… armor polisher 12 pages
This feeling of total freedom… of being air-borne under your own power… like some great metal bird… makes all the hardhip, all the danger of the past, utterly meaningless… as inconsequential as some dim, half-forgotten nightmare!
We already read the second half of this issue to finish off Captain America’s battle with Red Skull. We held off on this first half as it starts a new arc for Iron Man with Titanium Man.
Where were we? Senator Byrd has insisted for a while that Tony Stark appear before Congress to reveal Iron Man’s secrets. Stark has been conveniently avoiding this summons by doing things like get kidnapped by the Mandarin. Growing impatient, Byrd had Stark factories closed. But now, after a battle with Sub-Mariner, he’s called Senator Byrd to offer to testify.
At some point, perhaps around the time he made this phone call, Stark also took a call from Hank Pym, and recommended his employee Bill Foster to help Pym’s research.
Featuring: Dr. Strange Release: July 7, 1966 Cover: October 1966 12 cents Editing: Stan Lee Writing: Dennis O’Neil Art: Bill Everett Lettering: Sam Rosen Technical advice: The Forbush Family Ghost 10 pages
“I dunno if he’s breaking any laws, but it won’t hurt to question him!” “Yeah… chances are he’s not exactly a member of the Chamber of Commerce, dressed in those duds!”
On the first page, we learn Kaluu has spent 500 years in a nameless dimension. Last issue, the dimension was named Raggador, sometimes spelled “Raggadorr”.
Meanwhile, we have some very confusing word balloons. Who is speaking in that middle balloon? It seems to connect to both Dr. Strange and Ancient One’s balloons. Are they speaking in unison?
What is up with the Ancient One and the flying carpet. He seems to be passing through it. It seems to be intentional. He’s drawn with only his torso sticking out of the carpet for the rest of the comic, but they don’t explain why.
Featuring: Nick Fury, Agent of SHIELD! Release: June 9, 1966 Cover: September 1966 12 cents Edited (in absentia) by… Stan Lee Layouts and script by… Jack Kirby Pencilling and inking by… Don Heck Lettering by… Sam Rosen 12 pages
Part of the month when Stan is on vacation. Kirby did the script. Stan still claims to have edited the comic while also claiming to not be in the office. His name still comes first in the credits.
The first script we’ve seen Kirby get credit for in our Marvel reading.
Certainly not the first script Kirby deserved credit for.
The battle against AIM/Them continues. I’d almost gotten in my head that AIM and Them were just different names for the same organization. But then last issue AIM was described as a branch of Them.
Now the narrator tells us AIM is in league with Them.
After a failed attempt to kill Nick Fury, Count Bornag Royale notes that AIM must improve its prestige with Them. That suggests there really is a distinction. My current thinking is that AIM is a branch of Them.
“Zowie! He’s the ever-lovin’ gearest! Far as I’m concerned, the mods have had it! That crazy cape really comes on strong!” “Man! Like there’s a boss bunch’a threads! That dad is gotta be what’s happenin’!”
The first issue of Dr. Strange without Steve Ditko. I think the first Spider-Man stories without Steve Ditko actually went pretty well. That John Romita guy is doing all right. But what even is Dr. Strange without Steve Ditko?
Stan Lee never cared about Dr. Strange. He never understood the character. He never understood the character’s appeal. He accepted the character had fans and was fine with that.
You can see this in his treatment of the character. The gap between the early issues, the character rarely being featured on the cover, the story always the back story of each issue, behind Human Torch and then Nick Fury.
He wrote the character for dozens of issues, but almost all the writing really came from Ditko.
On the other hand, Stan Lee loved Spider-Man. And you can tell. There are eternal disagreements over how much of the character and stories come from Lee and how much come from Ditko. But it was a much more collaborative process than Dr. Strange ever was, at least early on. And Stan Lee loved the character of Spider-Man like a son.
So when Ditko left Spider-Man, Lee put everything into making sure the next issue would keep the readership. He found the best artist for the job, told an extraordinarily eventful story, and plainly put his all into assuring readers that Spider-Man would continue to be great after Ditko.
For the first issue of Dr. Strange without Ditko… Lee writes half the script then hands the back pages to his new hire to write, a guy who’s scripted like 5 comics by this point. He just doesn’t care.
This is the second recent comic to refer to Stan Lee as being on vacation. Some reprints of this issue omit that, and change the credits to read “Smilin'” instead of “vacationing'”.
Bill Everett isn’t a bad choice for artist. He created Sub-Mariner and Daredevil. He’s been doing solid work illustrating the Hulk. But Ditko brought something wild and unique to these pages, while Everett is, well, less wild.
Though I’ll give him some credit for this image. He’s certainly taking his best shot at being Ditkoesque.
Featuring: Nick Fury, Agent of SHIELD Release: May 10, 1966 Cover: August 1966 12 cents Script: Stan Lee Layouts: Jack Kirby Pencils: Don Heck Inks: Mickey Demeo Lettering: Sam Rosen Weapons: Forbush Novelty Co. 12 pages
…we of AIM feel we simply cannot deal with such an unlettered oaf! We find his very appearance offensive! The idea of America’s highest-priority counter-espionage leader going around in his shirtsleeves… unshaven, unkempt, and making a mockery of your own language– shocking!
Shadowy organizations. These secret power-hungry cabals. Hydra had been the big one, but they fell to SHIELD in Strange Tales #141. The Secret Empire seemed to collapse from within in Tales to Astonish #83. An unnamed shadowy cabal was behind Batroc in Tales of Suspense #75. Not sure if they are connected to one of these others, or their own thing.
Most relevant is the organization called Them. We learned they had employed the Fixer in Strange Tales #145. In Tales of Suspense #78, Fury warns Captain America that Them is a group of scientists looking to overthrow the government. We see they have beekeeper-like uniforms and work for someone called the Imperator. They send a Chemical Android after Captain America.
AIM (Advanced Idea Mechanics) is a defense contractor looking to supply the US government weapons to make up for the shutdown of Stark Industries. Count Bornag Royale is their representative, and has claimed SHIELD needs someone more sophisticated than Nick Fury at its helm.
AIM and Them seem to be the same organization, with AIM the public-facing front. In Tales of Suspense #79, we see Them/AIM is responsible for the return of the Red Skull and the creation of the Cosmic Cube. Fortunately, Captain America dealt with both threats. Seemingly for good.
Featuring: Hulk Release: June 2, 1966 Cover: September 1966 12 cents Script: Smilin’ Stan Lee Layouts: Jolly Jack Kirby Art: Wild Bill Everett Lettering: Whammy Sammy Rosen Applause: Honest Irving Forbush 10 pages
