Featuring: Hulk Release: June 2, 1966 Cover: September 1966 12 cents Script: Smilin’ Stan Lee Layouts: Jolly Jack Kirby Art: Wild Bill Everett Lettering: Whammy Sammy Rosen Applause: Honest Irving Forbush 10 pages
Featuring: Prince Namor, the Sub-Mariner! Release: June 2, 1966 Cover: September 1966 12 cents Script: Smilin’ Stan Lee Pencilling: Jolly Jack Kirby Inking: Darlin’ Dick Ayers Lettering: Adorable Artie Simek And, in the unlikely words of Irving Forbush: Imperius Rex! 12 pages
Jack Kirby takes on another issue of the Sub-Mariner. Perhaps Gene Colan remains out sick.
I had a choice here. I’ve got this comic, Tales to Astonish #83 in my hand. I could read it in order, as any normal person would. Starting at the first page, and then turning the pages in order until I reach the end.
Or I could realize that the story makes no sense if I do that, so instead turn to halfway through this comic to the Hulk story, read that, and then flip back to the beginning to read the Namor story.
The story makes slightly more sense to do it that way, but it doesn’t really make sense no matter how I read it. And certainly no kid picking this up in 1966 would have known to jump to the middle. Maybe some did anyway because they are big Hulk fans.
So I’m going to start this comic from the beginning, get very confused, then eventually get to the end of the comic, and resolve some, but not all, of that confusion.
Namor just had his big brawl with Iron Man, and then left to continue to pursue Krang and Dorma. As far as I know, the last thing Hulk did was rescue Betty Ross from Boomerang, who escaped with some goons from the Secret Empire, who as far as I know remain an active threat. As are Them/AIM.
Dorma is with Krang because he agreed to spare Namor’s life. But now he’s trying to kill Namor. So maybe that’s grounds for an annulment?
But Dorma hadn’t read the fine print. Krang agreed to spare Namor from the Behemoth, not to spare him generally. Again, I would just leave him now and find a lawyer to discuss the contract with.
The Trap is Sprung Featuring: Daredevil Release: August 2, 1966 Cover: October 1966 12 cents Spellbinding script: Stan Lee Phenominal pencilling; Gene Colan Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill Laudatory lettering: Artie Simek Bombastic bird-watching: Irving Forbush 20 pages
In this court– presided over by the Owl– I make my own laws!
I’m a little confused about who the inker is. GCD claims Esposito, who we see credited in the reprint below by his standard pen name, Mickey Demeo. The GCD also claims the original comic has this credit. UHBMCC claims that the original comic credits Giacoia. Earth’s Mightiest Blog has a scan of what looks like the original credits, and it’s Giacoia.
Looking at various collections on my shelves, the Epic Collection and Marvel Masterworks volumes credit Frank Giacoia; but the Essential Daredevil credits Esposito.
Here’s the original art for the issue, which has Giacoia, though you can see it appears to be a last minute change over a whited-out name.
Note about pencilling that John Romita is too busy polishing off the Amazing Spider-Man Annual. Though he only does the layouts for that comic.
In fact, Colan turns out to not just be filling in. As of this issue, he’ll be the regular penciler on Daredevil for the next several years, freeing Romita to focus on Spider-Man.
Featuring: Thor Release: June 30, 1966 Cover: 1966 25 cents Scripted in solemn splendor by: Stan Lee Illustrated in idealistic imagery by: Jack Kirby Delineated in delicious delicacy by: Vince Colletta Lettered in living luminescence by: Sam Rosen Unaffected by the unabashed utterances of Irving Forbush 30 pages
Would that I, too, might share the coming glory of clashing combat! But alas, it may not be! Imperial Odin must only be judge! To the young belongs the glory! Yet, well do I remember those hallowed days of yore… when the bludgeoning blade of Odin did strike with the fury of a thousand storms! ‘Twas then the summer of my life… when tall and straight as oak stood Odin! And now, though minstrels still sing of Odin’s feats… while campfires flicker…thy father has reached the twilight of his years… ‘Tis for the young to seize the torch of gallantry, and hold it high! Thus has it ever been! Thus shall it ever be! Even the aging lion must one day allow the eager cub to lead the hunt!
The Tournament of Titans is declared. Warriors from every land are summoned.
Featuring: Tales of Asgard Release: June 30, 1966 Cover: September 1966 12 cents Script writing: Stan Lee Picture drawing: Jack Kirby Panel inking: Vince Colletta Word lettering: Sam Rosen Armor polishing: Irving Forbush 5 page
Already the Stygian darkness looming ahead… blotting out the comforting glow of a thousand stars…!
Where were we. While Thor was fighting Pluto in the Netherworld, Jane’s roommate Tana Nile sent her away with mind control. Tana Nile has since been revealed as a Rigellian and conquered earth via a Space Lock from Rigel. Thor has traveled to Rigel to destroy the Space Lock.
The Rigellians have some pretty advanced technology, and aren’t used to losing. But Thor is Thor.
Ay! The gladness in his heart doth make mine own regal soul rejoice! Too long hath he been brother to sorrow! Too long hath grim duty o’ershadowed his days! Yet, a feeling of unease lies within my heart! I fear that happiness may still be denied to the so-richly-deserving, most noble Thor!
Thor’s comic has become one ongoing saga to the point where it’s hard to figure out where to cut. We obviously did cut after the last issue, which basically ended the Hercules/Pluto saga. But here we are picking up right where that left off, with Thor and Hercules returning from the Netherworld to Olympus.
We’re just going to plow through the next 6 issues of Thor, getting a bit ahead in time of the rest of the Marvel Universe. There are probably 3 distinct arcs among them, but they all just flow together. Really, the main plot of this issue has been building for a bit now. Jane has had a strange roommate named Tana Nile, who’s up to some stuff. It’s been in the background, but now comes to the foreground. And Jane’s encounter with Tana Nile will be the springboard for the next two arcs.
Of course the other springboard is Thor’s decision to marry Jane, even though a god and a mortal may not marry. Thor is ready to surrender his immortality for this.
Featuring: Fantastic Four Release: May 10, 1966 Cover: August 1966 12 cents Script: Stan Lee Art: Jack Kirby Inks: Joe Sinnott Lettering: Artie Simek Native Dances: The Ballet Forbush Terpsichorean Troupe 20 pages
From this moment forth– I live with but one thought– one aim– one goal!! This deed must be avenged! Klaw shall pay– in full measure! I shall be as strong– and as fearless– as the sacred Black Panther!! This do I swear to T’Chaka– my father who is no more!
I’m sure my highly literate readers don’t need me to tell that that terpsichorean means “referring to dancing”. It’s obviously not a new word to me either, as I’ve read this comic plenty of times before. But this was the first time I bothered to look it up.
Thing is perplexed by the contrast between the advanced scientific gizmos and the primitive customs. Perhaps he should reflect on what it means to be primitive. Maybe he is the primitive one?
Featuring: X-Men Release: May 3, 1966 Cover: July 1966 12 cents Editor emeritus: Stan Lee Script by: Roy Thomas Art by: Jay Gavin Inking by: Dick Ayers Lettering by: Artie Simek Colosso by: Irving Forbush Robotics, Inc. 20 pages
And, we did it as a team! No one of us could have done it alone!
The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.
As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.
The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.
