irving forbush – Coke ⊕ Comics

Amazing Spider-Man #44

Where Crawls the Lizard!

Featuring: Spider-Man
Release: October 11, 1966
Cover: January 1967
12 cents
Story: Smilin’ Stan Lee
Illustration: Jazzy John Romita
Lettering: Swingin’ Sam Rosen
Luggage: Honest Irving Forbush
20 pages

Previous	#638	Next
Sgt. Fury #37	Reading order	Amazing Spider-Man #45
Amazing Spider-Man #43	Amazing Spider-Man	Amazing Spider-Man #45

Ditko and Lee created a number of great villains for Spider-Man: Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard, Living Brain, Electro, Big Man and the Enforcers, Mysterio, Green Goblin, Kraven the Hunter, Scorpion, the Spider Slayer, Molten Man, the Cat, Looter, Robot Master, a Guy Named Joe…

A temptation when writing a Spider-Man story is to have the premise: “Spider-Man fights _ again.”

Which is the worst idea for a Spider-Man story. In fact, two of Ditko’s weakest issues, written after he had basically given up on the series, involve Spider-Man fighting Kraven or Molten Man again.

That’s not to say these villains shouldn’t return. They should. But their return needs to tell a different story with them or move their own story forward.

That’s the big question. Is this story advancing the saga of this villain or bringing it in circles?

Dr. Octopus fought Spider-Man. When they fought again, it led to the death of Betty Brant’s brother and Spider-Man being unmasked. The villain returned but it was a new story. When they fought again, Dr. Octopus assembled six of Spider-Man’s most sinister foes to battle him. Again, a different story. Finally, they had their greatest battle with Dr. Octopus in the guise of the Master Planner. I heaped plenty of praise on that saga at the time. But suffice it to say, I think there was more of a premise to that story than “Spider-Man fights Dr. Octopus again.”

Spider-Man fought the Lizard, but then learned he was a good man Dr. Connors transformed by his own science experiments.

We saw that man again, cured of his Lizard ways, now acting as a scientific advisor to Spider-Man. We saw him again last issue in a similar capacity, advising against the Rhino. That time he idly wondered if the powers of the Lizard could be used against the Rhino. Spider-Man convinced him that thinking is dangerous.

So as we read stories where Spider-Man fights a classic villain again, I have a couple thought questions. Is the story moving the villain’s story forward? Is it telling a new story with the villain? Is there more to the premise than “Spider-Man fights _ again”?

I’m not objecting per se to Spider-Man fighting the Lizard again. Romita is an artist with a distinctive style from Ditko, so it’s fun to see his take on Ditko’s villains.

And the story will be good because Romita’s art is good and because he’ll do a good job with the side characters and soap opera. But will the story be good?

Strange Tales #151

Overkil!

Featuring: Nick Fury, Agent of SHIELD
Release: September 8, 1966
Cover: December 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Illustrations: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
Hood laundering: Irate Irving Forbush
12 pages

Previous	#616	Next
Tales of Suspense #85, Story B	Reading order	Strange Tales #151, Story B
Strange Tales #150, Story B	Strange Tales	Strange Tales #151, Story B

So you’re the guys who’re gonna take over the world, huh?

A new name in the credits. Who is this Jim Steranko on the art over Kirby’s layouts?

He had apparently dabbled in comics briefly in 1957, but I have no examples of that. His first work came out for Harvey just three months earlier. He co-created several adventure heroes for them like Spyman. And perhaps contributed to varying degrees to the stories.

Per The Comics Journal, some of this work such as in Double Dare Adventures is illustrated by Steranko.

Either way, he’s new to comics. This is a pretty big assignment for a rookie. Let’s see if he makes anything of himself.

Strange Tales #150

Hydra Lives!

Featuring: Nick Fury, Agent of SHIELD
Release: August 9, 1966
Cover: November 1966
12 cents
Script… Stan Lee
Layouts… Jack Kirby
Pencils… John Buscema
Inks… Frank Giacoia
Letterings… Sam Rosen
Ear plugs… Irving Forbush
12 pages

Previous	#614	Next
X-Men #26	Reading order	Tales of Suspense #85, Story B
Strange Tales #149, Story B	Strange Tales	Strange Tales #150, Story B

‘Cut off a limb, and two more shall takes its place!’ We were right… Hydra still lives!

We read the second half of this issue already. Last issue really ended the AIM stuff, and this issue begins the return of Hydra arc, so I wanted that cutoff. But the Dr. Strange stories cut a bit differently, as this issue ends the Kaluu arc and next issue properly begins the Umar arc.

Kirby is on hand for the layouts, but the main art credit goes to John Buscema. We spoke of him at length with his return to Marvel in Tales to Astonish #85, published one week prior to this. And we’ll be seeing a lot more of him.

We begin with Nick in a strange contraption performing a dangerous test. So dangerous, he won’t let anyone else do it. It’s a prototype Overkill Horn. They are concerned an enemy has a real one.

Perhaps a Super-Overkill Horn. Adding the word Super in front of something already called the Overkill Horn seems like, well, overkill.

X-Men #26

Holocaust!

Featuring: X-Men
Release: September 1, 1966
Cover: November 1966
12 cents
Editing.. Stan Lee
Script.. Roy Thomas
Art… Werner Roth
Inks.. Dick Ayers
Lettering… Sam Rosen
Mayan headdresses… Irving Forbush
20 pages

Previous	#613	Next
X-Men #25	Reading order	Strange Tales #150
X-Men #25	X-Men	X-Men #27

I hate to sound like a poor man’s Hawkeye, but I can’t seem to stop myself! Why should Jean prefer Scott over me?

Last issue, the gem-hunter El Tigre found a pendant which transformed him into the Mayan feathered-serpent god Kukulcán. He now has the power of the sun. Which sounds pretty powerful.

This seems to be basically what happened to Don Blake. He found a mystic artifact and now finds himself the avatar for a god.

Fantastic Four Annual 4

The Torch that Was!

Featuring: Fantastic Four
Release: August 2, 1966
Cover: November, 1966
25 cents
Conceived and created by: Stan Lee (scenarist) & Jack Kirby (illustrator)
Inked and lettered by: Joe Sinnott (Delineator) & Sam Rosen (Calligrapher)
Recited and ignited by: Irving Forbush (part-time non-entity)
19 pages

Previous	#611	Next
Human Torch #38, Story D	PRELUDE
Fantastic Four #56	Reading order	X-Men #25
Fantastic Four Annual 3	Fantastic Four Annual	Fantastic Four Annual 5

The Original Human Torch! Reborn– only to die again!

We began our Marvel reading with Fantastic Four #1, released in August 1961. But Marvel had 22 years of history predating that comic. What is the relationship between those older comics and the modern 1960s ones? We’ve seen some impacts.

Fantastic Four #55

When Strikes the Silver Surfer!

Featuring: Fantastic Four
Release: July 7, 1966
Cover: October 1966
12 cents
Scripted with a smile by: Stan (The Man) Lee
Pencilled with a passion by: Jack (King) Kirby
Delineated with a dignity by: Jovial Joe Sinnott
Lettered with a lilt by: Swingin’ Sammy Rosen
Applauded with Aplomb by: Honest Irving Forbush
20 pages

Previous	#609	Next
Sgt. Fury #35	Reading order	Fantastic Four #56
Fantastic Four #54	Fantastic Four	Fantastic Four #56

I have seen men build… and destroy! I have seen this world, which could be paradise, reduced to a planet of greed, and fear, and hatred! I have seen humanity with its heritage betrayed!

When Galactus came to devour Earth, Silver Surfer was his herald. But Silver Surfer met Alicia Masters, and she convinced him that humanity was worth saving. So Silver Surfer betrayed his master. As punishment, Galactus took Silver Surfer’s space-time powers from him. This presumably means he cannot fly faster than light speed, so is practically confined to within a lightyear or so of Earth.

Thing hadn’t been happy that Alicia seemed so impressed by the Silver Surfer, and spent some time moping in the rain about it.

Johnny and Wyatt have been on their way to the Great Refuge of the Inhumans since they left Wakanda. Along the way, they came across Prester John and the Evil Eye, which Johnny thought might break the Negative Zone barrier around the Great Refuge. But that didn’t work out.

Shouldn’t Johnny and Wyatt be in school?

Reed still owes Sue a proper honeymoon. Though he has taken her to the Great Refuge and Wakanda. But I guess she wants somewhere just the two of them where they don’t battle evil. Women, eh.

Sgt. Fury #33

The Grandeur that was Greece..

Featuring: Sgt. Fury and his Howling Commandos
Release: June 9, 1966
Cover: August 1966
12 cents
Stan Lee, editor
Roy Thomas, writer
Dick Ayers, artist
John Tartaglione, inker
Sam Rosen, letterer
Irving Forbush, camp mascot
20 pages

Previous	#606	Next
Tales to Astonish #88, Story B	Reading order	Sgt. Fury #34
Sgt. Fury #32	Sgt. Fury	Sgt. Fury #34

My countrymen, the much-vaunted invincibility of our so-called Aryan conquerors is but a myth! They can be stopped… but only by a united front! Do not let petty jealousies divide you in this time of crisis!

Greece. You get the sense these stories are written by looking at a map of where the Howlers haven’t been yet.

We open with a fight between the Howlers and Maulers. A typical Tuesday.

Besides Sgt. McGiveney, we’ve not learned the names of any of the Maulers; we first met the group in issue 7. We now learn that one of them is named “Rickets” Johnson. It’s not clearly identified which one. Izzy claims he started the fight by slugging Rickets.

Tales to Astonish #85, Story B

The Missile and the Monster!

Featuring: Hulk
Release: August 2, 1966
Cover: November 1966
12 cents
Script: Stan Lee
Pencils: John Buscema
Inks: John Tartaglione
Lettering: Ray Holloway
Hulk’s pants-pressing: Irving Forbush
10 pages

Previous	#600	Next
Tales to Astonish #85	Reading order	Tales to Astonish #86
Tales to Astonish #85	Tales to Astonish	Tales to Astonish #86

Banner! He’s a weakling! He’s helpless! The Hulk is strong– can do anything!

We reach the 600th story in our read-through of the Marvel Universe. It’s cool when that happens to be a significant story.

Which this, for the most part, isn’t.

But there is one very significant thing about it. And I’ll take that.

The fainting woman is my favorite character in the comic.

John Buscema is joining the Marvel artists with this issue. He’s also doing this month’s Nick Fury Agent of SHIELD story, which we’ll get to later.

Tales to Astonish #85

–And One Shall Die

Featuring: Prince Namor, the Sub-Mariner
Release: August 2, 1966
Cover: November 1966
12 cents
Script written by: Stan Lee
Drawings pencilled by: Gene Colan
Inking rendered by: Bill Everett
Panels lettered by: Artie Simek
Confusion compounded by: Irving Forbush
12 pages

Previous	#599	Next
Amazing Spider-Man Annual 3	Reading order	Tales to Astonish #85, Story B
Tales to Astonish #84, Story B	Tales to Astonish	Tales to Astonish #85, Story B

“Who is it, Phil?”
“We’ll probably never know! From the looks of things, I’d say he was pretty much beyond recognition!”

Colan has been the regular penciller on Namor’s adventures of late. Bill Everett is the creator of Namor, and this is his second time working as Colan’s inker on the series.

Where were we? The head of the ruined Secret Empire had tricked an amnesiac Namor into being his pawn, until a blast from Krang’s ship sent Namor into the ocean, where he regained his memory. We pick up with Krang flying away, thinking he has killed Namor.

Dorma has been with Krang for a while now. Originally she had agreed to marry him in exchange for saving Namor’s life. Namor doesn’t know this and is mad at Dorma for betraying him. Krang keeps trying to kill Namor anyway, and Dorma keeps staying with him, so it’s all a bit confusing.

Also confusing that Number One blames Hulk for the destruction of the Secret Empire, when the Hulk had nothing to do with it. It was a combination of internal strife and infiltration by Gabe Jones of SHIELD that took them down.

Tales to Astonish #84, Story B

Rampage in the City!

Featuring: Hulk
Release: June 30, 1966
Cover: October 1966
10 pages
Script… Stan (The Man) Lee
Art… Almost the whole blamed bullpen
Lettering… Artie (Smarty) Simek
Therapy… Honest Irving Forbush
10 pages

Previous	#593	Next
Tales to Astonish #84	Reading order	Tales of Suspense #85
Tales to Astonish #84	Tales to Astonish	Tales to Astonish #85

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

I leave it to your eagle eyes to determine who drew what in this issue. Some artwork may or may not be due to Bill Everett, Jerry Grandenetti, Gene Colan, Jack Kirby, Dick Ayers, John Tartaglione, Mike Esposito, Sol Brodsky, or others.

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

We’d seen a similar question posed at the beginning of Hulk’s current series in issue 60.

Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?

In this issue’s Namor story, we learned Hulk was in the city. And this story is conveniently titled “Rampage in the City”.

Hulk thinks saving Betty from Boomerang means people won’t hate him anymore. Good luck with that.

Hulk used to be an Avenger, so he goes to New York to ask them to help him find Betty.