Daredevil #21

The Trap is Sprung

The Trap is Sprung
Featuring: Daredevil
Release: August 2, 1966
Cover: October 1966
12 cents
Spellbinding script: Stan Lee
Phenominal pencilling; Gene Colan
Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill
Laudatory lettering: Artie Simek
Bombastic bird-watching: Irving Forbush
20 pages

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“Daredevil!! B-but how–??”
“Would you believe– blind luck??”

The credited inkers are Frank, Dick, and Bill. I presume that means… Frank Giacoia, Dick Ayers, and Bill Everett.

Is Colan the regular artist now? It suggested last issue was a fill-in. But he’s now drawn 2 issues in a row and is set to draw the next 80 or so.

On a personal note, this is the earliest issue of Daredevil that I own.

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Daredevil #20

The Verdict is Death!

Featuring: Daredevil
Release: June 30, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Pencilling: Gentleman Gene Colan
Inking: Fearless Frank Giacoia/Melancholy Mickey Demeo
Lettering: Adorable Artie Simek
Bad-Guy Booer: Honest Irving Forbush
20 pages

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In this court– presided over by the Owl– I make my own laws!

I’m a little confused about who the inker is. GCD claims Esposito, who we see credited in the reprint below by his standard pen name, Mickey Demeo. The GCD also claims the original comic has this credit. UHBMCC claims that the original comic credits Giacoia. Earth’s Mightiest Blog has a scan of what looks like the original credits, and it’s Giacoia.

Looking at various collections on my shelves, the Epic Collection and Marvel Masterworks volumes credit Frank Giacoia; but the Essential Daredevil credits Esposito.

Here’s the original art for the issue, which has Giacoia, though you can see it appears to be a last minute change over a whited-out name.

Note about pencilling that John Romita is too busy polishing off the Amazing Spider-Man Annual. Though he only does the layouts for that comic.

In fact, Colan turns out to not just be filling in. As of this issue, he’ll be the regular penciler on Daredevil for the next several years, freeing Romita to focus on Spider-Man.

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Thor Annual 2

If Asgard Falls…

Featuring: Thor
Release: June 30, 1966
Cover: 1966
25 cents
Scripted in solemn splendor by: Stan Lee
Illustrated in idealistic imagery by: Jack Kirby
Delineated in delicious delicacy by: Vince Colletta
Lettered in living luminescence by: Sam Rosen
Unaffected by the unabashed utterances of Irving Forbush
30 pages

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Would that I, too, might share the coming glory of clashing combat! But alas, it may not be! Imperial Odin must only be judge! To the young belongs the glory! Yet, well do I remember those hallowed days of yore… when the bludgeoning blade of Odin did strike with the fury of a thousand storms! ‘Twas then the summer of my life… when tall and straight as oak stood Odin! And now, though minstrels still sing of Odin’s feats… while campfires flicker…thy father has reached the twilight of his years… ‘Tis for the young to seize the torch of gallantry, and hold it high! Thus has it ever been! Thus shall it ever be! Even the aging lion must one day allow the eager cub to lead the hunt!

The Tournament of Titans is declared. Warriors from every land are summoned.

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Thor #132, Story B

The Dark Horse of Death!

Featuring: Tales of Asgard
Release: June 30, 1966
Cover: September 1966
12 cents
Script writing: Stan Lee
Picture drawing: Jack Kirby
Panel inking: Vince Colletta
Word lettering: Sam Rosen
Armor polishing: Irving Forbush
5 page

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Well do I know that ominous drumbeat! It summons the Great Black Stallion of Doom! It means the death of a mighty warrior is near at hand!

The battle is won. Harokin defeated and Muspelheim liberated.

Thor and this three warrior friends take a bath.

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Thor #132

Where Gods May Fear to Tread!

Featuring: Thor
Release: June 30, 1966
Cover: September 1966
12 cents
Astonishing script: Stan Lee
Awesome artwork: Jack Kirby
Artful delineation: Vince Colletta
Amazing lettering: Sam Rosen
Alien translations: Irving Forbush
16 pages

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Already the Stygian darkness looming ahead… blotting out the comforting glow of a thousand stars…!

Where were we. While Thor was fighting Pluto in the Netherworld, Jane’s roommate Tana Nile sent her away with mind control. Tana Nile has since been revealed as a Rigellian and conquered earth via a Space Lock from Rigel. Thor has traveled to Rigel to destroy the Space Lock.

The Rigellians have some pretty advanced technology, and aren’t used to losing. But Thor is Thor.

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Thor #131

They Strike from Space!

Featuring: Thor
Release: June 2, 1966
Cover: August 1966
12 cents
Script: Smilin’ Stan Lee
Art: Jolly Jack Kirby
Inks: Vivacious V. Colletta
Lettering: Affable Artie Simek
Celestial guided tours: Honest Irving Forbush
16 pages

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Thor #130, Story BThorThor #131, Story B

Ay! The gladness in his heart doth make mine own regal soul rejoice! Too long hath he been brother to sorrow! Too long hath grim duty o’ershadowed his days! Yet, a feeling of unease lies within my heart! I fear that happiness may still be denied to the so-richly-deserving, most noble Thor!

Thor’s comic has become one ongoing saga to the point where it’s hard to figure out where to cut. We obviously did cut after the last issue, which basically ended the Hercules/Pluto saga. But here we are picking up right where that left off, with Thor and Hercules returning from the Netherworld to Olympus.

We’re just going to plow through the next 6 issues of Thor, getting a bit ahead in time of the rest of the Marvel Universe. There are probably 3 distinct arcs among them, but they all just flow together. Really, the main plot of this issue has been building for a bit now. Jane has had a strange roommate named Tana Nile, who’s up to some stuff. It’s been in the background, but now comes to the foreground. And Jane’s encounter with Tana Nile will be the springboard for the next two arcs.

Of course the other springboard is Thor’s decision to marry Jane, even though a god and a mortal may not marry. Thor is ready to surrender his immortality for this.

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Fantastic Four #53

The Way It Began..!

Featuring: Fantastic Four
Release: May 10, 1966
Cover: August 1966
12 cents
Script: Stan Lee
Art: Jack Kirby
Inks: Joe Sinnott
Lettering: Artie Simek
Native Dances: The Ballet Forbush Terpsichorean Troupe
20 pages

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From this moment forth– I live with but one thought– one aim– one goal!! This deed must be avenged! Klaw shall pay– in full measure! I shall be as strong– and as fearless– as the sacred Black Panther!! This do I swear to T’Chaka– my father who is no more!

I’m sure my highly literate readers don’t need me to tell that that terpsichorean means “referring to dancing”. It’s obviously not a new word to me either, as I’ve read this comic plenty of times before. But this was the first time I bothered to look it up.

Thing is perplexed by the contrast between the advanced scientific gizmos and the primitive customs. Perhaps he should reflect on what it means to be primitive. Maybe he is the primitive one?

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X-Men #22

Divided– We Fall!

Featuring: X-Men
Release: May 3, 1966
Cover: July 1966
12 cents
Editor emeritus: Stan Lee
Script by: Roy Thomas
Art by: Jay Gavin
Inking by: Dick Ayers
Lettering by: Artie Simek
Colosso by: Irving Forbush Robotics, Inc.
20 pages

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X-Men #21X-MenX-Men #23

And, we did it as a team! No one of us could have done it alone!

The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.

As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.

The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.

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Avengers #31

Never Bug a Giant!

Featuring: Avengers
Release: June 9, 1966
Cover: August 1966
12 cents
Story: Smilin’ Stan Lee
Art: Dazzlin’ Don Heck
Lettering: Adorable Artie Simek
Bugle calls: Honest Irving Forbush
20 pages

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Soon, my limbs shall be swifter than ever before– while your hex power once again shall dazzle and defeat your enemies! All we need is patience, my sister– and an unaltering faith!

The Avengers are off to South America to save Goliath. And presumably will be here when Galactus attacks.

Hawkeye now likes Captain America, but still dislikes orders. As do I, Hawkeye. As do I.

Wasp recalls how they all used to share the command. It’s the first time they’ve really addressed this change. The original team had rotating chairs. The new team had Captain America as permanent leader. Given this, Hawkeye’s annoyance was understandable.

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Avengers #30

Frenzy in a Far-Off Land!

Featuring: Avengers
Release: May 10, 1966
Cover: July 1966
12 cents
Stan Lee: Writer
Don Heck: Artist
Frank Giacoia: Inker
Sam Rosen: Letterer
Irving Forbush: Arbitrator
20 pages

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But, the past is over now! The past is dead! You are the master no longer! I’m free of you… at last!

We just saw Galactus appear in the middle of New York. There to devour the Earth. The Avengers have a mansion in the middle of New York. Why didn’t they help out?

Well, maybe they were away. Where? Surely not just elsewhere in New York fighting Black Widow. Maybe off wherever the Collector’s castle is? Or in the middle of the Atlantic fighting Attuma? Or perhaps they were in the “Far-Off Land”, as the title suggests. It seems likely they were quite far away.

Now, the Avengers won’t make it to the titular Far-Off Land this issue, but next issue.

And Marvels will claim this is where the Avengers were when Galactus attacked. Which is good enough for me.

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