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Sgt. Fury #29

Armageddon!

Featuring: Sgt. Fury and his Howling Commandos
Release: February 10, 1966
Cover: April 1966
12 cents
Explosive editing by: Stan Lee
Seething script by: Roy Thomas
Pulsating pencils by: Dick Ayers
Invigorating inking by: John Tartaglione
Lacksadaisal lettering by Sam Rosen
20 pages

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Sgt. Fury #28	Reading order	Daredevil #15
Sgt. Fury #28	Sgt. Fury	Sgt. Fury #30

Armageddon… that the day when good and evil are supposed ta lock horns for the last time… with the good guys comin’ out on top! ‘Course, I know we went through that ‘war to end war’ jazz before! Still, a guy can’t help hopin’–! Yeah, every once in a while, I get ta thinkin’… mebbe this one will be the last war! Mebbe—

We met Roy Thomas in his first Marvel story featuring Millie the Model. He’s since done other work for Millie and for Kid Colt Outlaw. He has a couple other credits out there because he’d submitted some story ideas to other companies before landing the Marvel gig, and they’re now seeing print. We saw him a second time on a confusingly credited issue of Iron Man that seemed like they’d recruited everybody around.

This will be his first ongoing series. He’ll script the next 12 issues of Sgt. Fury. And the first time any of these Marvel titles have seen Stan Lee take a break of longer than a couple issues. Stan Lee has penned his last Sgt. Fury script. Without much fanfare.

Of course, Stan Lee still gets his name first in the credits. He is indeed the editor for this and all the titles.

It’s worth noting that right away Thomas will start referencing the continuity of earlier issues.

Thomas picks up where Lee left off with a tense face-off between Fury and his archnemesis, Baron Strucker. Strucker has a switch which will blow up the entire city; Fury a trigger to blow the building they are both in.

Except Fury is bluffing. His explosives aren’t wired yet.

Sgt. Fury #26

Dum Dum Does It the Hard Way!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 11, 1965
Cover: January 1966
12 cents
Written with block-buster force by Stan Lee!
Drawn with machine-gun power by Dick Ayers!
Inked with dive-bomber impact by Carl Hubbell!
Lettered with bloodshot eyes by Artie Simek!
20 pages

Previous	#457	Next
Tales of Suspense #76	Reading order	Daredevil #12
Sgt. Fury #25	Sgt. Fury	Sgt. Fury #27

Sweet dreams, Master Race!!

We last saw Dum Dum two issues back. He was wounded in America and sent to the hospital. The Howlers couldn’t wait for him because they were urgently recalled to base to battle (maybe) the Red Skull. Dum Dum was in for a worse fate, because his wife and mother-in-law were going to visit him in the hospital.

This will be Dum Dum’s chance to shine in a largely solo feature.

We see the rest of the team in the beginning for a mission brief that fills us in on what Dum Dum has been up to since his recovery.

Sgt. Fury Annual 1

Commission in Korea!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 1, 1965
Cover: 1965
25 cents
Story: Smilin’ Stan Lee
Art: Darlin’ Dick Ayers
Inking: Frisky Frankie Ray
Lettering: Artful Artie Simek
15 pages

Previous	#391	Next
Tales to Astonish #76	Reading order	Journey Into Mystery #120
	Sgt. Fury Annual	Sgt. Fury Annual 2

They have been shown, in the only way they understand, that free men can always strike back!

We check in with Sgt. Fury during the Korean War. The Commandos are sent on a secret mission across the 38th Parallel. Based on a cursory knowledge of the war, the massive American presence combined with a reticence to cross the 38th Parallel would place this story in July-August 1950.

The remaining Commandos all survived WWII and re-enlisted when the Korean War broke out. All of them have attained at least the rank of Sergeant, but they still seem to be in the same formation with the same personnel from 1943.

The narrator reminds us that the US are the good guys, who play by the agreed-upon rules of war. Unlike those Reds.

Sgt. Fury #14

The Blitzkrieg Squad of Baron Strucker!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1964
Cover: January 1965
12 cents
Written with the explosive power of a live grenade by: Ex-Sgt. Stan Lee
Drawn with the savage impact of a block-buster by: Ex-Corp. Dick Ayers
Inked with the smashing force of a Sherman tank by: Geo. Bell
Lettered with a brand new bottle of India ink by: Artie Simek
20 pages

Previous	#297	Next
Tales to Astonish #64	Reading order	Amazing Spider-Man #21
Sgt. Fury #13	Sgt. Fury	Sgt. Fury #15

We’ve met Baron Strucker twice before. Fury’s only recurring foe at this point. But now he’s got his own team of commandos backing him up, the Blitzkrieg Squad.

The idea of the Blitzkrieg Squad is that each is specifically chosen to be a match for a commando. The brawler matches Dugan; the charmer, Manelli; the musician, Gabe; the mechanic, Izzy; the horseman, Reb; the aristrocrat, Percy.

I was a bit confused by the word “Junker” in the context and had to look it up. It refers to a Prussian noble, not somebody who trades in scraps.

Sgt. Fury #10

On to Okinawa!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee (the ol’ three-striper himself)
Illustrated by: Dick Ayers ( the ol’ high-flyin’ corporal)
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

A feature of this comic has been a desire to send the Howlers to every theater of the war. They are based in England, but have already fought in Germany, Italy, Africa… now they’re off to Japan. Does it make any actual sense that a single squadron would have such geographically disparate missions? I don’t think we’re supposed to worry about it.

Captain Sawyer describes Okinawa as Japanese-occupied. An odd phrasing. Japan had conquered it over 60 years earlier. At some point, it’s just part of Japan. At the time the comic was published, Okinawa was occupied by America, but has since been returned to Japan. It remains part of Japan to this day.

Captain Sawyer and the other characters refer to the Japanese as “Japs”. Today, this is generally recognized as a racial slur that was prevalent among 1940s Americans. Having the characters use such language is likely historically accurate.