Featuring: Giant-Man and Wasp Release: February 4, 1964 Cover: May 1964 12 cents Story by: Happy Stan Lee Art by: Heroic Dick Ayers Lettering by: Honest Art Simek 18 pages
For the third comic in a row, I feel the need to point out that we are reading a February comic when not yet done with the January comics. I have reasons.
Please recall that Hulk and Namor remain at large.
How does Wasp feel about not getting her name on the jackets?
Actually, you often look foolish and clumsy. Do you have any footage of your recent battle against El Toro?
Human Top is Dr. Pym’s third repeat villain, after Egghead and Porcupine. Returning villains have become much more common across all the titles these last couple months, now that a staple has been built up.
Featuring: Tales of Asgard Release: February 4, 1964 Cover: April 1964 12 cents Masterfully written by: Stan Lee Magnificently illustrated by: Jack Kirby Majestically inked by: Chic Stone Meritoriously lettered by: Art Simek 5 pages
This is how it all begins. Quite literally.
The story of Thor’s early days continues. He is now an adult and wields the magic hammer. We see now the story of the dawn of humanity on Earth, and Thor’s role in the tale.
The tale begins in the mountains of Asgard, where the dwarfs dwell. We are told the dwarfs forge all the weapons of Asgard. However, not quite all. We learned in the main story of this issue that Odin himself forged Thor’s hammer. That fact is affirmed in this very story.
Sindri is the king of dwarfs and has built the magical ship, Skipbladnir. It’s a tiny ship that magically grows to full-size when needed. Skipbladnir will transport Thor to Mirmir.
Featuring: Spider-Man Release: February 11, 1964 Cover: May 1964 12 cents Written in the white heat of inspiration by: Stan Lee Drawn in a wild frenzy of enthusiasm by: Steve Ditko Lettered in a comfortable room by: Art Simek 22 pages
We’re reading this story an entire month early. A few reasons for this. One is that a lot of plot and thematic elements remain unresolved from issue 11. So these two issues read well together. The other is that I’ll be shuffling around a lot of Avengers-related comics due to chronological complications, including Spider-Man’s upcoming guest appearance in Tales to Astonish. I’ll be pulling that story forward, which also pulls this story forward.
Since the Dr. Octopus subplot remains unresolved from last issue, I think it’s best if Spider-Man’s guest appearances with Human Torch or Giant-Man don’t break up these issues.
Just keep in mind this comic was actually was published after a lot of the exciting events we are about to read, including the return of Captain America, the introduction of Black Widow, the epic Thing/Hulk showdown, and the introduction of Daredevil. But I think it reads better before all that. So here we are.
This is actually one of my very favorite Spider-Man comics. Let’s dive in.
We see a Daily Bugle article in an unusual level of detail. Spider-Man is blamed for letting Dr. Octopus escape by interfering in police business. Jameson’s articles are often over the top, but this seems a reasonable assessment to me. Spider-Man is a child who barged into a delicate hostage situation. One person was killed and the villain escaped. We know he did his best, but he is an amateur. Nonetheless, Spider-Man is outraged by the article. He should perhaps instead be remorseful about Bennet’s death. That’s what happens when you provoke a criminal into wildly firing shots.
Featuring: Dr. Strange Release: January 10, 1964 Cover: April 1964 12 cents Story conjured up by: Stan Lee Illustrated by the Strange Sorcery of: Steve Ditko Lettered at midnight by: Art Simek 8 pages
This issue is most notable for finally giving a name to Dr. Strange’s house servant. His name is Wong.
We had seen him twice before but without being named. Here he is in #110 and #116.
Here he is in the Dr. Strange film played by Benedict Wong. Is it coincidental that Wong is played by a Wong? A glimpse at Wikipedia tells me that over 7% of people in China have the surname Wong or a variant. So it’s not an astronomical coincidence.
Featuring: X-Men Release: January 3, 1964 Cover: March 1964 12 cents Sensational script by: Stan Lee Dynamic drawings by: Jack Kirby Imaginative inking by: Paul Reinman Legible lettering by: Art Simek 23 pages
The Scarlet Witch seems to be wearing green on the cover.
Pedantic notice. The title of this comic is “The X-Men”. After 3 issues, I decided I was tired of typing that. It’s easier to just call it “X-Men”. I will be doing that from now on. Same for “The Avengers”. I’d already been doing that for “The Amazing Spider-Man” without really thinking it through.
I should be paying more attention to the taglines. They are dubbed “X-Men: The most unusual teen-agers of all time!” Last issue had the same subheading. In #2, it was “the strangest super-heroes of all time. The covers of the first two issues dubbed them the “strangest super-heroes of all”.
I feel it should be pointed out that we’ve already met some pretty darn unusual teenagers, notably Human Torch and Spider-Man. So the tagline may be somewhat hyperbolic.
This issue introduces the Brotherhood of Evil Mutants. Not what I would name my group of mutants. And it’s not clear who, if anybody, named them that. The cover of the comic and the title of the comic call the group that, but the group is not named within the story.
Professor X calls them “evil mutants”, but he has often referred to “evil mutants”. I could never tell if he was speaking generically, or specifically referring to Magneto’s group. I still can’t.
Designation issues aside, introducing a team of villains to battle the X-Men is a good idea, since they themselves are a team. It’s hard to show a team always fighting against a single individual, even though that’s mostly what the Fantastic Four have done. It’s a bit surprising they are yet to come up with a team of villains for them. They’ve come close. Red Ghost had his Super Apes, and that was now four, er, members who could each match one member of the FF. But I have trouble counting that as a team since they are apes. Dr. Doom recruited the Terrible Trio, so again we had 4 people, each meant to face off with one FF member; but that was not so much a team of super-villains as it was Doom and three henchmen.
Featuring: Wasp Release: January 3, 1964 Cover: April 1964 12 cents Dreamed up by: Stan Lee Scribbled + sketched by: Larry Lieber Finished in India ink by: Sol Brodsky Lettered + bordered by: At Simek 5 pages
Last issue, Porcupine seemed very interested in trying to learn Giant-Man’s secret identity. But Wasp’s mask has never covered her face and she doesn’t seem that concerned about her secret identity.
In fact, here we see her babysitting a friend’s child in costume. He refers to her as “Aunt Jan”. Maybe Porcupine wasn’t the genius he thought he was. It’s like thinking people somehow knew Sue was Invisible Girl but not that Johnny was Human Torch.
Featuring: Giant-Man and Wasp Release: January 3, 1964 Cover: April 1964 12 cents Daringly written by: Stan Lee Dramatically drawn by: Don Heck Deftly lettered by: Art Simek 13 pages
The placement of this story is tricky. Where we have it, Hulk and Namor are still on the loose, so this is no time for Wasp to be talking about a vacation. Doesn’t mean she wouldn’t be. Hank does note they don’t have time for a vacation. I choose to treat this as a veiled reference to the whole Hulk/Namor situation, whether intended or not.
On the subject of chronological concerns, notice Giant-Man is in his older outfit, last seen in issue 51. This indicates to me that he alternates between the outfits. In reality, the outfit seems to correspond to the artist. Ayers drew the issues with the thick suspenders. Kirby and Heck seem to be drawing Giant-Man with the lighter stripes. They will all eventually converge on thicker suspenders.
We see some pretty rough play between Giant-Man and Wasp. It seems to be all in good fun, but may be early warnings of an abusive relationship forming.
Featuring: Sgt. Fury and his Howling Commandos Release: January 3, 1964 Cover: March 1964 12 cents Written by: Ex-Sergeant Stan Lee, U.S. Army Illustrated by: Ex-infantryman Jack Kirby, U.S. Army Inked by: Geo. Bell Lettering: Art Simek 23 pages
The cover claims this story is based on a little known incident of the North African campaign. There’s a lot going on in this comic, plenty rooted partially in history, so I can’t pinpoint what incident the cover is referring to.
Rommel was a celebrated Nazi general and field marshal of their army in World War II. He did lead Axis forces in the North African campaign. His nickname was “the Desert Fox”. And he was involved in a plot to assassinate Hitler.
Featuring: Tales of Asgard Release: January 3, 1964 Cover: March 1964 12 cents Written by: Stan Lee Illustrated by: Jack Kirby Inked by: Paul Reinman Lettered by: Art Simek 5 pages
Anybody else feel like this title would be more dramatic without the quotation marks, which seem to imply that death is not actually coming for Thor.
This completes a trilogy of stories of the Boyhood of Thor. The focus has been on his attempts to earn the right to wield Odin’s magic hammer. We learn from the title that Thor is now 18, a little older than in the last adventures. This is the tale of how Thor finally lifts his magic uru hammer.
Featuring: Thor Release: January 3, 1964 Cover: March 1964 12 cents Cunningly conceived by: Stan Lee Daringly drawn by: Jack Kirby Ingeniously inked by: Chic Stone Lovingly lettered by: Art Simek 13 pages
Well. It’s 1964. Welcome.
But not for Thor. He’s trapped in the 23rd century.
This is our first exposure to Chic Stone. He’s been working in comics since the 1930s, including on Marvel’s own Blonde Phantom, but has spent the last several years doing art direction for assorted magazines. He recently returned to doing occasional jobs in comics, and now has found his way to back Marvel. I think he and Kirby make a good team.
