art simek – Page 22 – Coke & Comics

X-Men #4

The Brotherhood of Evil Mutants!

Featuring: X-Men
Release: January 3, 1964
Cover: March 1964
12 cents
Sensational script by: Stan Lee
Dynamic drawings by: Jack Kirby
Imaginative inking by: Paul Reinman
Legible lettering by: Art Simek
23 pages

The Scarlet Witch seems to be wearing green on the cover.

Pedantic notice. The title of this comic is “The X-Men”. After 3 issues, I decided I was tired of typing that. It’s easier to just call it “X-Men”. I will be doing that from now on. Same for “The Avengers”. I’d already been doing that for “The Amazing Spider-Man” without really thinking it through.

I should be paying more attention to the taglines. They are dubbed “X-Men: The most unusual teen-agers of all time!” Last issue had the same subheading. In #2, it was “the strangest super-heroes of all time. The covers of the first two issues dubbed them the “strangest super-heroes of all”.

I feel it should be pointed out that we’ve already met some pretty darn unusual teenagers, notably Human Torch and Spider-Man. So the tagline may be somewhat hyperbolic.

This issue introduces the Brotherhood of Evil Mutants. Not what I would name my group of mutants. And it’s not clear who, if anybody, named them that. The cover of the comic and the title of the comic call the group that, but the group is not named within the story.

Professor X calls them “evil mutants”, but he has often referred to “evil mutants”. I could never tell if he was speaking generically, or specifically referring to Magneto’s group. I still can’t.

Designation issues aside, introducing a team of villains to battle the X-Men is a good idea, since they themselves are a team. It’s hard to show a team always fighting against a single individual, even though that’s mostly what the Fantastic Four have done. It’s a bit surprising they are yet to come up with a team of villains for them. They’ve come close. Red Ghost had his Super Apes, and that was now four, er, members who could each match one member of the FF. But I have trouble counting that as a team since they are apes. Dr. Doom recruited the Terrible Trio, so again we had 4 people, each meant to face off with one FF member; but that was not so much a team of super-villains as it was Doom and three henchmen.

Tales to Astonish #54, Story C

Conquest!

Featuring: Wasp
Release: January 3, 1964
Cover: April 1964
12 cents
Dreamed up by: Stan Lee
Scribbled + sketched by: Larry Lieber
Finished in India ink by: Sol Brodsky
Lettered + bordered by: At Simek
5 pages

Last issue, Porcupine seemed very interested in trying to learn Giant-Man’s secret identity. But Wasp’s mask has never covered her face and she doesn’t seem that concerned about her secret identity.

In fact, here we see her babysitting a friend’s child in costume. He refers to her as “Aunt Jan”. Maybe Porcupine wasn’t the genius he thought he was. It’s like thinking people somehow knew Sue was Invisible Girl but not that Johnny was Human Torch.

Tales to Astonish #54

No Place to Hide!

Featuring: Giant-Man and Wasp
Release: January 3, 1964
Cover: April 1964
12 cents
Daringly written by: Stan Lee
Dramatically drawn by: Don Heck
Deftly lettered by: Art Simek
13 pages

The placement of this story is tricky. Where we have it, Hulk and Namor are still on the loose, so this is no time for Wasp to be talking about a vacation. Doesn’t mean she wouldn’t be. Hank does note they don’t have time for a vacation. I choose to treat this as a veiled reference to the whole Hulk/Namor situation, whether intended or not.

On the subject of chronological concerns, notice Giant-Man is in his older outfit, last seen in issue 51. This indicates to me that he alternates between the outfits. In reality, the outfit seems to correspond to the artist. Ayers drew the issues with the thick suspenders. Kirby and Heck seem to be drawing Giant-Man with the lighter stripes. They will all eventually converge on thicker suspenders.

We see some pretty rough play between Giant-Man and Wasp. It seems to be all in good fun, but may be early warnings of an abusive relationship forming.

Sgt. Fury #6

The Fangs of the Desert Fox!

Featuring: Sgt. Fury and his Howling Commandos
Release: January 3, 1964
Cover: March 1964
12 cents
Written by: Ex-Sergeant Stan Lee, U.S. Army
Illustrated by: Ex-infantryman Jack Kirby, U.S. Army
Inked by: Geo. Bell
Lettering: Art Simek
23 pages

The cover claims this story is based on a little known incident of the North African campaign. There’s a lot going on in this comic, plenty rooted partially in history, so I can’t pinpoint what incident the cover is referring to.

Rommel was a celebrated Nazi general and field marshal of their army in World War II. He did lead Axis forces in the North African campaign. His nickname was “the Desert Fox”. And he was involved in a plot to assassinate Hitler.

Journey Into Mystery #102, Story C

“Death” Comes to Thor!

Featuring: Tales of Asgard
Release: January 3, 1964
Cover: March 1964
12 cents
Written by: Stan Lee
Illustrated by: Jack Kirby
Inked by: Paul Reinman
Lettered by: Art Simek
5 pages

Anybody else feel like this title would be more dramatic without the quotation marks, which seem to imply that death is not actually coming for Thor.

This completes a trilogy of stories of the Boyhood of Thor. The focus has been on his attempts to earn the right to wield Odin’s magic hammer. We learn from the title that Thor is now 18, a little older than in the last adventures. This is the tale of how Thor finally lifts his magic uru hammer.

Journey Into Mystery #102

Slave of Zarrko, the Tomorrow Man!

Featuring: Thor
Release: January 3, 1964
Cover: March 1964
12 cents
Cunningly conceived by: Stan Lee
Daringly drawn by: Jack Kirby
Ingeniously inked by: Chic Stone
Lovingly lettered by: Art Simek
13 pages

Well. It’s 1964. Welcome.

But not for Thor. He’s trapped in the 23rd century.

This is our first exposure to Chic Stone. He’s been working in comics since the 1930s, including on Marvel’s own Blonde Phantom, but has spent the last several years doing art direction for assorted magazines. He recently returned to doing occasional jobs in comics, and now has found his way to back Marvel. I think he and Kirby make a good team.

Journey Into Mystery #101, Story C

The Invasion of Asgard!

Featuring: Tales of Asgard
Release: December 2, 1963
Cover: February 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
Lettered by: Art Simek
5 pages

Forces of Evil are set to attack Asgard, but Heimdall stands vigilant. However, Loki has created a hole in Asgard’s defenses and somehow kept it secret from even Heimdall. He tricks Thor into thinking he discovered this gap, and suggests that Thor guard it. This leads to the young Thor having to battle the Forces of Evil alone.

Tales of Suspense #51

The Sinister Scarecrow

Featuring: Iron Man
Release: December 9, 1963
Cover: March 1964
12 cents
Written by: Stan (When does he sleep?) Lee
Illustrated by: Don (When does he eat?) Heck
Lettered by: Art (When will he learn to spell?) Simek
13 pages

Stan notes we are probably wondering how a Scarecrow can cause Iron Man any trouble. I was wondering exactly that, Stan. In fact, I often wonder why most of Iron Man’s villains cause him any trouble. This issue will not answer the question. Iron Man strikes me as far more powerful than you make him out to be.

We get a somewhat interesting origin for a super-villain. It begins with Iron Man making a joke that he’s glad the performer is not a criminal, which inspires the performer to be a criminal. All he needs now is to steal a Scarecrow costume from a costume shop and some trained crows from a colleague.

Those who engage in humor know it to be an art form not free from consequence; we maintain that the rewards, though subtle, are worth the risk.

Tales of Suspense #50, Story C

Journey’s End!

Featuring: Watcher
Release: November 12, 1963
Cover: February 1964
12 cents
Story plot: Stan Lee
Script + art: Larry Lieber
Inking: S. Brodsky
Lettering: Art Simek
5 pages

The Watcher tells a tale of the distant future, the 21st century.

Wilbur Weems is a shy space pilot, teased by everybody for his general wimpiness. Having no friends or family or much of anything, he volunteers for an apparent suicide mission to investigate a cosmic dust cloud.

Amazing Spider-Man #9

The Man Called Electro!

Featuring: Spider-Man
Release: November 12, 1963
Cover: February 1964
12 cents
Written by: Stan Lee
Illustrated by: Steve Ditko
Lettered by: Art Simek
22 pages

We’ve had some great superhero battles in these pages. Put Spider-Man’s wits and abilities to the test against great foes. We get a new foe this issue.

But this issue also gets to the core of what Spider-Man is really about: balance.

His first appearance ended with the famous phrase about responsibility. That suggested he had a responsibility to use his powers to stop criminals and such. But this comic underscores other responsibilities. His aunt is sick and he has a responsibility to her. He also has financial responsibilities. He’s also a student, responsible for his studies. But what of his social responsibilities? What does he owe the kids in his class toward attempting to be friends with them? What about responsibilities to his romantic life? He’s also a photojournalist, and has a responsibility to journalistic integrity. He has a lot of responsibilities. How to balance them all? That’s the main theme of this series, and this issue is the best microcosm yet.

In fact, Stan’s opening hype seems pretty accurate to me for once. I’ll go ahead and call that my review.

There’s a lot going on in this issue, as my preamble may have implied. Let’s dive in.