Featuring: Watcher Release: April 9, 1964 Cover: July 1964 12 cents Story plot: Stan Lee Script + Art: Larry Lieber Lettering: Art Simek 5 pages
The Watcher’s emotional state in the previous issue led me to conclude it was an ancient story of the Watcher’s youth. This story is clearly taking place closer to modern times, though still in the past. The Watcher has already set up shop on our moon, which he describes as his temporary domain; he will finally leave this home in Fantastic Four #13. The continents of Earth seem to be in their current position. He must already be an ancient being.
An alien plans to steal Earth’s sun to save his own world. The Watcher distracts him long enough to thwart his plans.
Featuring: Iron Man Release: April 9, 1964 Cover: July 1964 12 cents Written by: Friendly Stan Lee Illustrated by: Faithful Don Heck Lettered by: Fearless Art Simek 13 pages
For the second issue in a row, a comic I own in original form, because it was too hard to find the Watcher story in the back any other way.
The title is, “No one escapes the Mandarin!” Iron Man is currently a prisoner. Willing to bet money someone will escape the Mandarin by issue’s end. (In fact, someone will escape the Mandarin by page 3.)
I need everybody to agree on a couple points. Iron Man is a captive. He is tied up just like he was at the end of last issue. That’s the first point. The second is that he is wearing a different helmet than he was a moment ago. There is a clear lack of bolts down the face. Somebody explain.
Featuring: Watcher Release: March 10, 1964 Cover: June 1964 12 cents Story plot by: Stan Lee Script + Art by: Larry Lieber Inking: Chic Stone Lettering: Art Simek 5 pages
As I mentioned in the last post, this is the first comic in our reading I actually own an original copy of. This story is the reason I have it. I had the Iron Man story already in the Essential Iron Man and Iron Man Omnibus. But at the time, nearly 20 years ago, I couldn’t find the Watcher story anywhere else. So I tracked down the original comic, shelling out several dollars for it, maybe as much as 7 or 8. Definitely more than the 12 cents it should have cost.
The Watcher is unusually passionate at the moment. I think of him as more reserved. Here, he plans to stick to his oath, but it torments him.
That makes me think this tale is set in very ancient times. The modern Watcher is a little more accepting of his role, and this tale takes place in his youth, when he struggled a bit more with his oath.
As I’ve expressed before, the Watcher’s conclusions about morality are wrong. It’s better to act. That said, they fascinate me. Especially stories like this that attempt to explore the morality of his oath.
Featuring: Iron Man Release: March 10, 1964 Cover: June 1964 12 cents Written (in his magic Marvel manner) by: Stan lee Drawn (in his famous flashing fashion) by: Don Heck Lettered (in his smooth subtle style) by: Art Simek 13 pages
We reach a personal milestone for me in this reading. Up to this point, every story I’ve read, I’ve used some form of reprint, often a collection from one of their reprint lines like Marvel Masterworks, sometimes a later comic that happens to reprint the old story.
This comic I own. Cover barely hanging on, brown at the edges, but this is mine. That cover? That’s a scan of my copy. Most of the other covers have been taken from the GCD.
So that’s pretty exciting.
Now for the bad news. The Mandarin returns. Iron Man’s lamest villain yet (despite some stiff competition) is back for round 2.
Iron Man gets a new helmet. The face mask no longer protrudes out, making his head a smoother shape, and there are visible bolts along the mask. I get the bolts along where the facemask meets the helmet, but not sure what the ones down the middle are doing. They won’t be around long. In fact, they’ll disappear mid-story suddenly without any plausible explanation.
It’s a pretty weird look, frankly. It will be better when that middle line of bolts goes away.
Featuring: Dr. Strange Release: March 10, 1964 Cover: June 1964 12 cents Written by: Stan Lee, King of Suspense Drawn by: Steve Ditko, Master of the Macabre Lettered by: Art Simek, Prince of the Lettering Pen 9 pages
I’ll include the cover with this post, as this is the first time the Dr. Strange story is given a significant piece of cover real estate.
I confess to a little bit of Mordo-fatigue. A full half of the Dr. Strange stories have pitted him against Mordo. As I start the story, I do a bit of a “Mordo again” sigh/eye-roll. But it’s actually a pretty good comic, as they tend to be.
Featuring: Human Torch Release: March 10, 1964 Cover: June 1964 12 cents Written in the sensational style of: Stan Lee Drawn in the marvelous manner of: Dick Ayers Lettered by: Art Simek 14 pages
Twenty issues in and this remains the most worthless series Marvel is publishing. The contrast in quality between this and Fantastic Four is mind-boggling, especially given that both are purported to be written by the same person. Basically, I’m reading these Human Torch stories so you don’t have to.
The most notable occurrence in this issue is that Dr. Strange actually gets a chunk of the cover real estate devoted to his story. He’s coming up in the world.
Anyways, Plantman returns. New costume. We finally learn his last name.
Featuring: Spider-Man Release: March 10, 1964 Cover: June 1964 12 cents Author: Stan Lee Artist: Steve Ditko Lettered by: Art Simek 22 pages
I love the web dissolving on the cover.
Spider-Man has turned to crime. He commits a robbery and then gets away by crawling a wall and using webbing. He must be guilty. Jameson was right all along.
Of course, there was the time the Skrulls convinced everybody the Fantastic Four had turned to crime. Or the time Thor was framed by Mr. Hyde. Or the twotimes Wizard impersonated Human Torch to frame him for crimes. Spider-Man himself has been framed for crimes now by Chameleon and the Fox. And Jameson accused Spidey of being Electro and of being in cahoots with almost every other villain. So maybe the public shouldn’t jump to any conclusions.
Featuring: Sgt. Fury and his Howling Commandos Release: March 3, 1964 Cover: May 1964 12 cents Powerfully written by: Ex-Sergeant Stan Lee Brilliantly drawn by: Ex-Infantryman Jack Kirby Inked by: Geo. Bell Lettered by: Art Simek 22 pages
We’re losing track of time a little because we’ve already read four comics from March and even one from April, but we are now actually finished with February and officially starting our March reading with this issue. So let’s take a moment to see what else is going on in the comics world in March 1964.
Our reading began in 1961 with Fantastic Four #1. We haven’t been covering every Marvel title; we’ve skipped all the western and humor comics that predate FF#1. We’ve been reading parts of all the horror titles as they have slowly transitioned to being superhero titles. We’ve read every new series Marvel has put out since, all superhero comics except for this title, Sgt. Fury. A new Marvel title premieres this month, the first new title that will be outside our scope: Monsters to Laugh With. It’s a comic I’ve never read and don’t have easy access to. The comic uses actual stills from monster movies and adds humorous word balloons to them, for some definition of “humorous”. Taint the Meat has a good description of the series.
This month also sees a significant comic show up at the Distinguished Competition. Detective Comics #327 debuts the “new look” Batman with the now-famous yellow oval around the logo and a new style of storytelling to go with it. Upping their game a bit, perhaps to compete with Marvel.
But this is also a significant issue in the history of Sgt. Fury. As Jack Kirby bids the series goodbye. Now that he’s the regular artist on Thor, it makes sense that something had to give. But it’s too bad it’s this. I think this series has so far been Lee and Kirby’s best work, and Kirby seemed to have a real passion and enthusiasm for these characters and stories. I am sad to see him go.
Featuring: Tales of Asgard Release: March 3, 1964 Cover: May 1964 12 cents A tale told in splendor by: Stan Lee A drama drawn in glory by: Jack Kirby Inked by: Don Heck Lettering: Art Simek 5 pages
I appreciate that the Tales of Asgard stories are willing to try different things. The initial offerings concerned Odin and the early days of creation. Then we got a series of stories about Thor as a youth. Now we will get a series focused on Heimdall. Stories about Balder will follow. The series feels it has the freedom to explore a variety of characters and eras of Asgard.
Heimdall was briefly introduced to us in Journey Into Mystery #85, where we learned he was the Warder of the Bifrost. We are given the general sense that he is very good at his job and that almost nothing slips past him. However, we haven’t seen much evidence of that. Indeed, we’ve seen Loki fool him twice. In issue 88, Loki disguised himself as a snake to escape Asgard. In an ancient tale told in issue 101, young Loki created a hole in Asgard’s defenses without Heimdall realizing it.
We now learn the story of how Heimdall was awarded his post. The right to stand eternal watch at a station is not something I would have competed for, but Heimdall did. Agnar the Fierce and Gotron the Agile both presented their cases to Odin. But they could not compete with Heimdall’s heightened senses. He could hear a plant growing far away in hills thought to be barren, and his eyes that can scan time and space could see an approaching army of Storm Giants still two days away.
Featuring: Watcher Release: February 11, 1964 Cover: May 1964 12 cents Story plot by: Stan Lee Script + art by: Larry Lieber Inking by: Paul Reinman Lettering by: Art Simek 5 pages
I learned this series existed relatively late in my Marvel reading. I’d gotten it into my head that I wanted every Marvel comic some 20 years ago and got to work. But it took time to even develop a good catalogue of what that meant. I had read the old Iron Man and Silver stories in the Essentialvolumes Marvel put out, but didn’t realize at the time about the Watcher backups not reprinted in those volumes.
As the internet took shape, and comic experts put forth their knowledge, I could borrow from that work to get a sense of the complete list. I meticulously studied the UHBMCC and MCP to find every Marvel Universe comic there was, including the oddities, like this short-lived series of Watcher tales.
My enthusiasm went through a bit of a roller coaster ride. I’d always loved the Watcher from his appearances in What If…? and was excited to learn he had solo adventures. Enthusiasm high. Then I learned the solo adventures were just a light wrapper around other stories he would narrate. Enthusiasm waned. Then I learned some of these stories were reprints of older stories with the Watcher parts added in. Further waning. But then I learned there were a few stories (like this one) which did feature the Watcher in his own adventures. Enthusiasm rising. And then I learned that we would learn the origin of the Watchers. Enthusiasm at its height.
What tragedy at the dawn of time caused this ancient race of immortals to take such a dark vow, to spend eternity observing the events of the cosmos without interference? I was excited to find out.
Then I read it. Enthusiasm has reached equilibrium. It doesn’t help to read so many of these Watcher stories and similar sci/fi tales in close proximity. A very large number of them have the moral that we should end the threat of nuclear war. While I agree, and appreciate that it was on people’s minds a lot back then, it really is overdone in these pages. And then to learn that’s the origin of the Watchers…
We begin with the Watcher making the choice he always makes, to watch a dying patient die and choose not to help, even though he could save the man’s life. He proceeds to explain why.
The Watcher refers to us as “lesser beings”. No offense taken.
His people once shared nuclear secrets with another race, who did with the knowledge what humanity has done and set on a path toward self-destruction.
