Tales to Astonish #62

Giant-Man Versus the Wonderful Wasp!

Featuring: Giant-Man and Wasp
Release: September 1, 1964
Cover: December 1964
12 cents
Written–as if you couldn’t guess by now–by smilin’ Stan Lee!
Drawn–and here’s a little twist for you–by capricious Carlos Burgos!
Inked–as if he knew what he was doing–by devestatin’ Dickie Ayers
Lettered–as though each syllable is a gem–by amenable Artie Simek
12 pages

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The cover is vertically split between the two stories. This will be a common format for these shared titles. Hulk’s story comes first on the cover, but the issue opens with the Giant-Man and the Wasp tale.

Don’t think we’ve ever seen Dick Ayers referred to as Dickie before. Carlos Burgos is normally Carl Burgos, who we recall is the creator of the original Human Torch. He’s already shown up once in the Marvel Age to draw a story with the new Human Torch. Art sometimes does go by Artie.

Giant-Man has found a way to make plants grow, as well as humans. It’s a little confusing, as he was able to shrink a chair before he shrank himself. His original goal for the technology was to revolutionize shipping. Originally, it was a liquid he pored on something (an object or his skin) to make it shrink. Then he got it into pill form. Lately, he’s been able to use his cybernetic helmet to make both himself and the Wasp change size with his thoughts. His plant growth serum comes in the form of a spray. He thinks he can use it to help with agriculture and solve world hunger.

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Strange Tales #127

The Mystery Villain!

Featuring: Human Torch and Thing
Release: September 8, 1964
Cover: December 1964
12 cents
Written by the Overlord of Originality… Stan Lee
Illustrated by the Archduke of Action… Dick Ayers
Inked by the High Priest of Highlights… Paul Reinman
Lettered by the Lama of Lexicography… Art Simek
12 pages

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Strange Tales #126, Story BStrange TalesStrange Tales #127, Story B

Recall from Strange Tales #126 that Dr. Strange was about to battle the Dread Dormammu. And Human Torch and Thing had just defeated Puppet Master for the 7th time or so. Let’s follow up on Human Torch and Thing first. After all, they get most of the cover space, while one of Marvel’s single greatest stories ever is fit into a tiny little box on the cover.

This story is titled, “The Mystery Villain!” Mystery villains always give me a crisis of conscience. The format I use for these posts necessarily spoils such things. And I wouldn’t want to take away the joy of reading this “excellent” Human Torch adventure fresh.

Maybe this time, if I’m careful, I can avoid explicitly revealing the identity of the mystery villain. Mind you, I can’t actually avoid revealing the identity of the mystery villain (given that I want to stick to my standard format), but I can leave it a little bit subtle, make you have to think if you want the spoiler.

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Strange Tales #126, Story B

The Domain of the Dread Dormammu!

Featuring: Dr. Strange
Release: August 11, 1964
Cover: November 1964
12 cents
Written by: Stan Lee Prince of Prestidigitators!
Illustrated by: Steve Ditko Lord of Legerdemain!
Lettered by: Art Simek Nabob of Necromancy!
10 pages

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Strange Tales #126Strange TalesStrange Tales #127

The last few issues of Dr. Strange have essentially been filler. Forgettable stories, with Ditko not even supplying his own finishes on the art. I begged your indulgence, promising they had something good in the works. They did. This is it.

Lee and Ditko’s work on Dr. Strange is recognized as one of the best runs of comic books ever. For the next 20 issues, we’ll see why.

Generally speaking, Ditko does the heavy lifting on this series. But, assuming all the narration is attributable to Stan, he does his share here with some evocative prose.

There is a world half-hidden between the real and the imaginary!

A world in which the impossible is believable, and the incredible is commonplace…

Original

Dr. Strange enters the Realm of Darkness, ruled by the Dread Dormammu. Dormmamu is a powerful sorcerer the Ancient One himself had once fought and been unable to defeat. Now, Dormammu plans to expand his domain and conquer Earth. Only Dr. Strange can stop him.

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Sgt. Fury #11

The Crackdown of Capt. Flint!

Featuring: Sgt. Fury and his Howling Commandoes
Release: August 11, 1964
Cover: October 1964
12 cents
Two-fisted tale by: Ex-Sarge Stan Lee, U.S. Army
Power-packed pencilling by: Ex-Corp. Dick Ayers, U.S. Air Force
Inking by: Geo. Bell
Lettering by: Art Simek
21 pages

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This is a familiar story. Captain Sawyer is temporarily replaced by the uptight rules-obsessed Captain Flint.

He does things like insist on uniform regulations that end up giving their position away on a mission that required subterfuge.

By the end of the story, the Howlers have taught him to loosen up a bit. I don’t much care for rule sticklers myself, hate when I have to work with them. My experience is that they don’t come around quite so easily in real life.

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Avengers #9

The coming of the… Wonder Man!

Featuring: Avengers
Release: August 11, 1964
Cover: October 1964
12 cents
Sensationally written by: Stan Lee
Superbly illustrated by: Don Heck
Selectively inked by: Dick Ayers
Sufficienty lettered by: Art Simek
21 pages

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Tales of Suspense #59, Story BReading orderSgt. Fury #11
Avengers #8AvengersAvengers #10

To ring in the new year, we get the debut of a promising new character with a solid design aesthetic: Wonder Man.

I have questioned characters whose logos are just letters, but at least the “W” here is nicely stylized.

That title is probably the last time he is ever referred to as “the Wonder Man”.

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Tales of Suspense #59

The Black Knight!

Featuring: Iron Man
Release: August 11, 1964
Cover: November 1964
12 cents
Never has a Stan Lee script, or Don Heck artwork been greater!
13 pages

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As the cover indicates, it’s a moment of big change for this title. The science fiction tales are gone, and the horror stories (or tales of suspense) this title was founded on are long gone. But gone now also are the Watcher stories, which blurred the line between the older science fiction tales and our new superhero ones.

Henceforth, this title will contain two stories: an Iron Man adventure and a Captain America adventure.

Captain America’s return has been successful enough to give him his own title, but Marvel is still artificially limited in the number of titles it can publish, and seemingly reluctant to get rid of titles, preferring to repurpose them. Thus Captain America and Iron Man have to share a book. Just as Hulk has to share Tales to Astonish with Giant-Man and Wasp, and as Dr. Strange has been sharing Strange Tales with Human Torch and Thing.

Recall that Professor Nathan Garrett adopted the identity of Black Knight and fought Giant-Man and Wasp. He was not the first Black Knight, but the first of modern times. He genetically engineered a flying horse and built an arsenal of gadgets and weapons, primarily his multifunctional lance.

The fancy credits neglect the contributions of Chic Stone and Art Simek.

Having been defeated, he agreed to join the Masters of Evil to fight Giant-Man and the rest of the Avengers.

Having been defeated by the team of superheroes he attacked, he now wants revenge, and so is planning to attack the Avengers individually. He begins with Iron Man, starting with an attack on Stark’s factory.

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Tales of Suspense #58, Story B

The Watcher Must Die!

Featuring: The Watcher
Release: July 9, 1964
Cover: October 1964
12 cents
A tale of most compelling merit by: Stan Lee
Illustrations of singular excellence by: George Tuska
Lettering of breath-taking adequacy by: Art Simek
5 pages

If you caught an early draft of my write-up for the previous issue, you saw me accidentally claim that was the final Watcher story. Either way, it ends with so little fanfare, that it’s hard to tell.

It’s hard to make a story about a character who never does anything. You’re tempted to have him do something in every issue, which is exactly what they did for this series.

The editor enthusiastically welcomes returning artist George Tuska. Tuska’s been working in comics since 1939, and worked for Marvel in the 1950s. Let’s see a sampling of his work.

The samples of Tuska’s work are from (in order, left to right, top to bottom):

  • Mystery Men Comics #1 (1939)
  • 64 Pages of New Captain Marvel Adventures #2 (1941)
  • Crime Does Not Pay #22 (1942)
  • Casey – Crime Photographer #1 (1949)
  • Strange Tales #1 (1951)
  • Adventures Into Terror #7 (1951)

If Lee was that excited to have Tuska back, you’d think he could have found a more interesting assignment than filling in on the final Watcher story.

Tuska will continue to do occasional fill-in work for Marvel over the next few years, before eventually settling into a longterm stint on Iron Man.

The rest of the series had been drawn by Stan’s brother, Larry Lieber. Sad he’s not the one to bring it to a close. He’s already started what will be a very long run on Rawhide Kid. We’re not generally reading the western titles, so this is the last we’ll see of Larry for a while. He will pop up again here and there for the occasional fill-in issue or special, so this isn’t good-bye forever.

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Strange Tales #125, Story B

Mordo Must Not Catch Me!

Featuring: Dr. Strange
Release: July 9, 1964
Cover: October 1964
12 cents
How proud we are that Stan Lee wrote this sensational thriller!
How fortunate we are that Steve Ditko drew these magical masterpieces!
How triumphant we are that Geo. Bell inked these priceless panels!
How ecstatic we are that Artie Simek lettered these deathless phrases!
10 pages

This is the actual first page for the comic, found online. The Masterworks version colors the characters white, as though both in their astral form. Marvel Collectors’ Item Classics #16, where most of the scans below come from, colors all the astral forms a weird bluish color, and the front page from that issue follows suit.

The Masterworks also colors Mordo’s disciples white. They are garbed in green in the original and light blue in the scan below.

This is the last of the “filler” issues of the Dr. Strange stories. One more issue until Ditko returns to full art duties and the series kicks into high gear. As these go, this issue’s actually pretty good. Despite the story where Dr. Strange and Mordo battle for the 77th time.

The most egregious coloring error in my reprint is the coloring of Dr. Strange’s cloak. It is quite possibly an intentional error, aimed at consistent marketing to match Dr. Strange’s cloak at the time of the reprint. But, quite obviously, Dr. Strange’s cloak should be blue, as it is in any other reprint of this story.

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X-Men #7

The Return of the Blob

Featuring: X-Men
Release: July 2, 1964
Cover: September 1964
12 cents
Written with all the spell-binding skill of: Stan Lee
Drawn with all the titanic talent of: Jack Kirby
Inked with all the vibrant verve of: Chic Stone
Lettered with all the words spelled right by: Art Simek
22 pages

The time has come for the next chapter in the history of the X-Men. The series began with the premise that the X-Men were students of an unusual school. We saw two issues back that they passed their final exam. Now, it’s graduation day.

We just saw Johnny celebrate his spring break. And we are almost a year (in publication time) away from Peter’s graduation. It’s possible the publication dates poorly reflect when this story is set within the Marvel Universe, but it’s also possible this unique private school does things its own way, and has a much earlier graduation date than the regular schools attended by Peter Parker and Johnny Storm.

It’s odd that Iceman is graduating with the rest given that he’s a couple years younger than them. Maybe he’s gifted. Or maybe it’s just a really weird school.

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Tales to Astonish #60

The Beasts of Berlin!

Featuring: Giant-Man and Wasp
Release: July 2, 1964
Cover: October 1964
12 cents
Excitingly written by: Stan Lee
Exquisitely drawn by: Dick Ayers
Extravagantly inked by: Paul Reinman
Emotionally lettered by: Art Simek
14 pages

The cover hints at a significant change to the title, but we’ll save discussion of that for the next post.

We begin with Giant-Man throwing a temper tantrum and kicking out his fan club. Wasp complains he’s scaring way their fans. She uses the phrase, “our fans”, but all the signs say “Giant-Man”, never “Wasp”.

This series is weird about secret identities in multiple ways. They sometimes act like they have secret identities that are important to protect. Other times, they seem pretty nonchalant about it. For example, Wasp calls him “Hank” in front of the fan club.

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