Tales to Astonish #70

The Start of the Quest!

Featuring: Prince Namor the Sub-Mariner
Release: May 4, 1965
Cover: August 1965
12 cents
Story by Stan Lee, unchallenged king of the spoken word!
Art by Adam Austin, Marvel’s newest prince of pageantry!
Inking by Vince Colletta, lordly emperor of embellishment!
Lettering by Artie Simek (someone’s gotta carry the spear!)
12 pages

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Strange Tales #136Reading orderTales to Astonish #70, Story B
Tales to Astonish #69, Story BTales to AstonishTales to Astonish #70, Story B

Imperius Rex!

And… we’re back. Happy Labor Day!

Namor has been flittering through the Marvel Universe as a villain or anti-hero, fighting enough different heroes to help serve as the glue binding the universe together. It has been a decade since his last ongoing series was cancelled. He now makes his triumphant return and will again star in his own title for the next decade before again facing the ignominy of cancellation.

Giant-Man and Wasp just had their regular adventures cancelled. Giant-Man in various guises had been the star of this title since issue 35, sharing it with the Hulk for the last 10 issues. Now the title will be shared by Hulk and Namor. A fitting combo. Neither a hero per se, both acting primarily as villains across different titles for the last couple years, even teaming up once against the Avengers.

A bit of a pattern is taking hold. Tales of Suspense features two of Marvel’s more traditional superheroes, Iron Man and Captain America, the former having long shed any initial horror roots. Journey Into Mystery is entirely Thor’s title now, with the backup features telling stories of Asgard’s past. This series will feature Marvel’s anti-hero characters, Namor and Hulk. Leaving Strange Tales for the not-quite-superhero characters, Marvel’s resident spy and sorcerer, respectively. The combined titles remain a necessity of longstanding distribution difficulties on Marvel’s part, but now there at least seems to be some thematic consistency amongst the titles.

Adam Austin is Gene Colan. He’s learning. Colletta’s inking perhaps doesn’t show Colan at his best. You have to squint or know what you’re looking for to see hints of someone who will soon become one of Marvel’s greatest artists.

The style of layouts will already be different, and reflects a move these comics are slowly making, away from very even grids of pages with 6-9 panels to larger panels of varying shapes and layouts.

Interesting to have a new artist without Kirby to assist. Who is plotting the story? Lee? Colan?

Here’s the plan. They’ve set up a pretty standard adventure here. Namor has lost his crown and needs to go on this quest. There will be various clues. The issue takes him to the first clue.

I guess that seems like a plot Lee could maybe have come up with without Kirby.

We’ll keep reading Namor’s story while this quest is going on. Meanwhile, Hulk is embroiled in the “Leader Saga”. So we’ll read both stories from the next several issues of this title. As will happen often, Hulk’s story will reach a natural breaking point sooner than Namor’s, so we’ll break the comics up and read a little ahead in Namor’s story, and then try to get them back in sync later.

The story opens with the phrase “Imperius Rex!”. What does that mean? Sounds almost Latin. Something like “Imperial King”. I don’t know. I don’t speak Latin. I suspect Stan doesn’t either. Whatever it means, it is now Namor’s official catchphrase and will be for decades to come.

Continue reading “Tales to Astonish #70”

Strange Tales #136

Find Fury or Die!

Featuring: Nick Fury, Agent of SHIELD
Release: June 8, 1965
Cover: September 1965
12 cents
Script by the unpredictable Stan Lee
Layouts by the unmatchable Jack Kirby
Art by the unbeatable Johnny Severin
Lettering by the unsinkable Art Simek
12 pages

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Sgt. Fury #21Reading orderTales to Astonish #70
Strange Tales #135, Story BStrange TalesStrange Tales #136, Story B

Hail Hydra! Immortal Hydra! We shall never be destroyed! Cut off a limb and two more shall take its place! We serve none but the Master– as the world shall soon serve us! Hail Hydra!

We get a new artist, described as another returnee from the Golden Age. John (Johnny) Severin. I’m a big fan and excited he’s joining us.

Kirby is on the layouts, but John will provide most of the details. This of course means Kirby is responsible for the storytelling.

He’s been with the industry almost 20 years by this point, working off and on for Marvel, but doing his most famous work for EC. Here’s a sampling.

  • Prize Comics Western #72 (Prize, 1948)
  • Actual Romances #1 (Marvel, 1949)
  • Two-Fisted Tales #19 (EC, 1951)
  • Frontline Combat #1 (EC, 1951)
  • Mad #1 (EC, 1952)
  • Sergeant Barney Barker #1 (Marvel, 1956)

Notice that the colorist for the EC books, including Mad, was John’s sister Marie Severin. We’ll be hearing more from her soon.

Of those titles, Mad is the most famous, and would endure in some form for 65 years until finally shutting down in 2018. Perhaps the world had grown too farcical by then to satire.

What, me worry?

Continue reading “Strange Tales #136”

Sgt. Fury #21

To Free a Hostage!

Featuring: Sgt. Fury and his Howling Commandos
Release: June 8, 1965
Cover: August 1965
12 cents
Story by: Smilin’ Stan Lee
Pencilling by: Darlin’ Dick Ayers
Inking by: Cheerful Carl Hubbell
Lettering by: Adorable Artie Simek
20 pages

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Amazing Spider-Man Annual 2Reading orderStrange Tales #136
Sgt. Fury #20Sgt. FurySgt. Fury #22

I’m sorry kid. I know what it’s like– to lose someone!

The Howlers seem to have been betrayed by their Czechoslovakian bomb maker, Dr. Zenish.

They deduce that it’s because his family is being used as hostages against him.

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INTERLUDE: Two-Gun Kid #77

The Panther Will Get You If You Don’t Watch Out!

Featuring: Two-Gun Kid
Release: June 1, 1965
Cover: September 1965
12 cents
Edited by: Stan Lee
Written by: Al Hartley
Pencilling by: Dick Ayers
Inking by: Carl Hubbell
Lettering by: Artie Simek
17 pages

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PRELUDEMystic Comics #3, Story B
Daredevil #9Reading orderJourney Into Mystery Annual 1

He wore two guns and a mask?

We are reading Marvel’s superhero line, which they started back up in 1961. We’ve occasionally read stories older than 1961 that seem vaguely relevant, and refer to those as PRELUDE posts. We occasionally read stories long after 1961 and call those POSTLUDE posts. We will also be doing INTERLUDE posts, which we will read at the time they came out, but are disconnected from the normal superhero universe.

If you’ve been following along, this will be the first INTERLUDE post you’ve come across. But I’ve retroactively made a few other posts be INTERLUDE posts. Those stories featuring Medusa, Merlin, Odin, or Zeus that weren’t really properly connected to the superhero reading.

Superheroes are on the rise and starting to crowd out other genres, but Marvel is still publishing its romance and western comics. Marvel had a single western hero, the Masked Raider, way back in the beginning in Marvel Comics #1. But they’ve been regularly publishing westerns since 1948, starting with Annie Oakley and the Two-Gun Kid.

That’s the original Two-Gun Kid, mind you. Not to be confused with the character we are about to read about. The original Two-Gun Kid was Clay Harder.

In 1962, Lee and Kirby introduced a new hero with the same name, lawyer Matt Hawk.

Marvel’s other continuing western titles are Rawhide Kid, and Kid Colt: Outlaw.

Former western heroes include Wyatt Earp, Apache Kid, Outlaw Kid, Blaze Carson, Tex Morgan, and Tex Taylor.

One of Two-Gun Kid’s steadfast allies is Boom-Boom Brown, a former boxer turned blacksmith.

His most trusted ally of course is his horse Thunder.

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Fantastic Four #43

Lo! There Shall Be an Ending!

Featuring: Fantastic Four
Release: July 8, 1965
Cover: October 1965
12 cents
Daringly written by Stan lee
Dazzlingly drawn by Jack Kirby
Dramatically inked by Vince Colletta
Docily lettered by Artie Simek
20 pages

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Fantastic Four #42Reading orderDaredevil #9
Fantastic Four #42Fantastic FourFantastic Four #44

You thought you were the equal of the Fantastic Four– and nobody is!

Another great cover, and showing off Kirby’s versatility. Last issue had a cover beautiful in its simplicity, focused on two men locked in combat. Now we see a lot of complexity, that intricate machinery Kirby is so famous for drawing, but where the complexity frames the emotion of a defeated Fantastic Four.

When we left off, the Frightful Four had brainwashed Ben and Johnny into joining them. Now it’s up to Reed and Sue to fight off 6 enemies and restore their teammates’ minds. The startling conclusion of a 3-part battle.

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Avengers #18

When the Commissar Commands!

Featuring: Avengers
Release: May 11, 1965
Cover: July 1965
12 cents
Slyly written by: Stan Lee
Smoothly drawn by: Don Heck
Suavely inked by: Dick Ayers
Superbly lettered by: Artie Simek
Stoically read by: You (if you’ll ever turn the page…!)
20 pages

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Sgt. Fury #20Reading orderFantastic Four #41
Avengers #17AvengersAvengers #19

I thought our purpose was to battle crime! Why need we concern ourselves with international affairs?

Of all the stories in the early Marvel Universe, these Cold War stories are the worst across the board. The very worst are the Cold War stories set in Asia, as they tend to mix in racism with the blatant US government pro-war propaganda.

It’s awful because they are aimed at children, with the seeming intent to indoctrinate them into supporting the war in Vietnam or whatever else.

If you remove all the ways they are plainly awful jingoistic racist propaganda, they still tend to be pretty awful narratively. The closest thing to an exception is the recent Thor story, which did have an actual narrative about a conflict between brothers and a family divided because one brother joined the Viet Cong.

But maybe this story where the Avengers invade an Asian nation at random to battle their Communist leader and overthrow the government will be the exception.

Spoiler. It won’t be.

This story is interesting because it’s both forgettable and forgotten… at least mostly forgotten for about 55 years… until 2019 when someone decided it should be one of the foundational cornerstones of the entire history of the Marvel Universe.

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Sgt. Fury #20

The Blitz Squad Strikes!

Featuring: Sgt. Fury and His Howling Commandos
Release: May 11, 1965
Cover: July 1965
12 cents
Smashing script: Stan Lee
Awesome art: Dick Ayers
Inspired inking: Frank Ray
Luscious lettering: Artie Simek
20 pages

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Strange Tales #135Reading orderAvengers #18
Sgt. Fury #19Sgt. FurySgt. Fury #21

Mister, when it comes to being tough, us Commandos invented the word!! And we don’t need a ravin’ Fuehrer to remind us how good we are!! All we gotta do is pick up a history book!! Mebbe we don’t push our weight around like you Nazis do! But, mebbe it’s because we know we don’t haveta! We got all the muscle we need– when we need it! And the dictator don’t live who can push us around!! Waddaya think of us “inferior races” now? Answer me, ya creep!! And then answer all the innocent people, all over the world, that ya been tramplin’ on–!!

We just saw an eye-patched Colonel Fury take over the international spy agency, SHIELD in the 1960s. Let’s head back to the 1940s to see the adventures of Sgt. Fury with two good eyes.

The credits on these Sgt. Fury books have usually emphasized the creators’ status as former military. “Ex-Sgt. Stan Lee”, “Ex-Corp. Dick Ayers”, “Ex-Corp. Frank Ray”. In fact, I think they’ve done that in every one of the first 19 issues of this series, but seem to be done with the practice now. I wonder why. They’re not phasing it out; they’ll just never mention the military service of the creators again.

We see the return of Baron Strucker’s Blitzkrieg Squad, introduced in issue 14, the Nazi counterparts to the Howling Commandos.

That truck seems to have a target on it.

Unless somebody has a better explanation, I’m going to suggest the logo is the RAF roundel, simply miscolored here, and not indicative of the Target corporation. The Turkish Air Force roundels look like the Target logo, but no British ones that I can find.

A bit of poking fun at themselves here. Fury’s rival Bull McGiveney claims all Fury knows how to do is rip up shirts.

A torn chest-revealing shirt is basically Fury’s uniform.

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Strange Tales #135

The Man for the Job!

Featuring: Nick Fury, Agent of SHIELD
Release: May 4, 1965
Cover: August 1965
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inked by: Dick Ayers
Lettered by: Artie Simek
12 pages

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Amazing Spider-Man #27Reading orderSgt. Fury #20
Strange Tales #134, Story BStrange TalesStrange Tales #135, Story B

Your entire life qualifies you for this job!

It’s 1965. Thunderball will be hitting the cinemas in Decembr, the 4th consecutive year Sean Connery will go into action as 007.

In the second film, From Russia with Love, we were introduced to a global criminal organization that it takes a dedicated government to fight– SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge, and Extortion).

The head of SPECTRE wasn’t named and we didn’t see his face, only his kitten. The kitten plainly identifies him as evil.

These movies are popular, and the rest of the entertainment industry is taking notice.

Michael Caine just went into “action” in a more subdued and bureaucratic spy tale as Harry Palmer, definitely not the world’s best spy.

Television will soon be satirizing this secret agent genre with Get Smart, in which Maxwell Smart of CONTROL fights against KAOS, an international organization of evil.

The following year, secret agents on TV will be offered an impossible mission, if they choose to accept it.

Probably most relevantly, the previous year introduced The Man from UNCLE (United Network Command for Law and Enforcement), letting us know that these organizations should have acronyms for names.

(Picture chosen especially for my mother)

In the 1950s, Marvel had dabbled in every genre, including the occasional spy series like Spy Fighters or Kent Blake of the Secret Service.

Now they are bursting at the seams with the expanding superhero genre. They have one current war title, Sgt. Fury, which we’ve been reading with the superhero comics for some reason.

They haven’t abandoned their long successful romance/humor girl genre, and Millie and Patsy each carry two titles still. And three western heroes still carry titles: Two-Gun Kid, Rawhide Kid, and Kid Colt.

They’re ready to ride on the booming spy genre with their own 007 or Man from Uncle. They’ll need a secret spy organization with a cool title that’s really an acronym. And they’ll need an evil organization to pit them against. Preferably headed by a mysterious man with a kitten.

And a star to headline these adventures. New character? Or look to their already expansive cast of characters.

We know from the pages of Fantastic Four that Sgt. Fury of World War II is now Colonel Fury of the CIA. Why invent a new top spy when you already have one?

Where to put them? Make a new title? No, you’re having crazy distribution problems at the moment and are artificially limited in the number of titles you can put out. Why Captain America and Iron Man need to share a book.

I’ve got it! Strange Tales. The Human Torch/Thing stories all sucked, so we cancelled them. Our new spy series can share this former horror title with Dr. Strange. Makes sense to me.

On that note, I then have to recall that we haven’t actually read any Dr. Strange stories since issue 129, 6 issues ago. We read the wonderful Human Torch stories from issues 130-134, but skipped the Dr. Strange stories.

But now that Nick Fury is taking over the first half of the book, I would like to… still not read the Dr. Strange stories. Not just yet. We’ll read this first half of this comic, then return to it later. Even though, with the new Dr. Strange movie out, a Dr. Strange post would be topical.

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Amazing Spider-Man #27

Bring Back My Goblin to Me!

Featuring: Spider-Man
Release: May 11, 1965
Cover: August 1965
12 cents
Edited and written by Smilin’ Stan Lee
Plotted and drawn by Scowlin’ Steve Ditko
Lettered and gift-wrapped by Swingin’ Artie Simek
20 pages

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Amazing Spider-Man #26Reading orderStrange Tales #135
Amazing Spider-Man #26Amazing Spider-ManAmazing Spider-Man #28

Spider-Man is still Green Goblin’s prisoner, as Green Goblin is trying to take over the gangs instead of Crime-Master.

Lots of mysteries left over from last issue. Who is Green Goblin? Who is Crime-Master? Who is Patch? What is Foswell’s secret connection to all this? We should answer all but one of those questions by issue’s end.

Spoilers likely follow.

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Fantastic Four #40

The Battle of the Baxter Building

Featuring: Fantastic Four
Release: April 8, 1965
Cover: July 1965
12 cents
Spellbinding script by: Stan (The Man) Lee
Astonishing artwork by: Jack (King) Kirby
Inked by: V. Colletta
Lettered by: Artie Simek
20 pages

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Fantastic Four #39Reading orderDaredevil #8
Fantastic Four #39Fantastic FourFantastic Four #41

Stan’s repeaing himself here. He used those same credits in Journey Into Mystery #107 the previous year. Stan (The Man) Lee. Jack (King) Kirby. Basically every comic has had a different nickname for the creators. These may be the first repeats. They are certainly the most famous and today recognized as the semi-official nicknames of the two creators.

Dr. Doom purloins Reed’s remote-control TV eye. Basically what we today would call a drone. Now readily available. Invented 60 years ago by Reed Richards. Reed refers to the drone as a “flying spotter”. Another invention Reed refers to is the “electronic stimulator”. I wonder if that resembles any modern devices?

We’ve seen Daredevil’s billy club has some neat tricks, like becoming a grappling hook. But now we see it’s a gun. That’s new.

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