Sgt. Fury #20

The Blitz Squad Strikes!

Featuring: Sgt. Fury and His Howling Commandos
Release: May 11, 1965
Cover: July 1965
12 cents
Smashing script: Stan Lee
Awesome art: Dick Ayers
Inspired inking: Frank Ray
Luscious lettering: Artie Simek
20 pages

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Sgt. Fury #19Sgt. FurySgt. Fury #21

Mister, when it comes to being tough, us Commandos invented the word!! And we don’t need a ravin’ Fuehrer to remind us how good we are!! All we gotta do is pick up a history book!! Mebbe we don’t push our weight around like you Nazis do! But, mebbe it’s because we know we don’t haveta! We got all the muscle we need– when we need it! And the dictator don’t live who can push us around!! Waddaya think of us “inferior races” now? Answer me, ya creep!! And then answer all the innocent people, all over the world, that ya been tramplin’ on–!!

We just saw an eye-patched Colonel Fury take over the international spy agency, SHIELD in the 1960s. Let’s head back to the 1940s to see the adventures of Sgt. Fury with two good eyes.

The credits on these Sgt. Fury books have usually emphasized the creators’ status as former military. “Ex-Sgt. Stan Lee”, “Ex-Corp. Dick Ayers”, “Ex-Corp. Frank Ray”. In fact, I think they’ve done that in every one of the first 19 issues of this series, but seem to be done with the practice now. I wonder why. They’re not phasing it out; they’ll just never mention the military service of the creators again.

We see the return of Baron Strucker’s Blitzkrieg Squad, introduced in issue 14, the Nazi counterparts to the Howling Commandos.

That truck seems to have a target on it.

Unless somebody has a better explanation, I’m going to suggest the logo is the RAF roundel, simply miscolored here, and not indicative of the Target corporation. The Turkish Air Force roundels look like the Target logo, but no British ones that I can find.

A bit of poking fun at themselves here. Fury’s rival Bull McGiveney claims all Fury knows how to do is rip up shirts.

A torn chest-revealing shirt is basically Fury’s uniform.

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Strange Tales #135

The Man for the Job!

Featuring: Nick Fury, Agent of SHIELD
Release: May 4, 1965
Cover: August 1965
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inked by: Dick Ayers
Lettered by: Artie Simek
12 pages

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Strange Tales #134, Story BStrange TalesStrange Tales #135, Story B

Your entire life qualifies you for this job!

It’s 1965. Thunderball will be hitting the cinemas in Decembr, the 4th consecutive year Sean Connery will go into action as 007.

In the second film, From Russia with Love, we were introduced to a global criminal organization that it takes a dedicated government to fight– SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge, and Extortion).

The head of SPECTRE wasn’t named and we didn’t see his face, only his kitten. The kitten plainly identifies him as evil.

These movies are popular, and the rest of the entertainment industry is taking notice.

Michael Caine just went into “action” in a more subdued and bureaucratic spy tale as Harry Palmer, definitely not the world’s best spy.

Television will soon be satirizing this secret agent genre with Get Smart, in which Maxwell Smart of CONTROL fights against KAOS, an international organization of evil.

The following year, secret agents on TV will be offered an impossible mission, if they choose to accept it.

Probably most relevantly, the previous year introduced The Man from UNCLE (United Network Command for Law and Enforcement), letting us know that these organizations should have acronyms for names.

(Picture chosen especially for my mother)

In the 1950s, Marvel had dabbled in every genre, including the occasional spy series like Spy Fighters or Kent Blake of the Secret Service.

Now they are bursting at the seams with the expanding superhero genre. They have one current war title, Sgt. Fury, which we’ve been reading with the superhero comics for some reason.

They haven’t abandoned their long successful romance/humor girl genre, and Millie and Patsy each carry two titles still. And three western heroes still carry titles: Two-Gun Kid, Rawhide Kid, and Kid Colt.

They’re ready to ride on the booming spy genre with their own 007 or Man from Uncle. They’ll need a secret spy organization with a cool title that’s really an acronym. And they’ll need an evil organization to pit them against. Preferably headed by a mysterious man with a kitten.

And a star to headline these adventures. New character? Or look to their already expansive cast of characters.

We know from the pages of Fantastic Four that Sgt. Fury of World War II is now Colonel Fury of the CIA. Why invent a new top spy when you already have one?

Where to put them? Make a new title? No, you’re having crazy distribution problems at the moment and are artificially limited in the number of titles you can put out. Why Captain America and Iron Man need to share a book.

I’ve got it! Strange Tales. The Human Torch/Thing stories all sucked, so we cancelled them. Our new spy series can share this former horror title with Dr. Strange. Makes sense to me.

On that note, I then have to recall that we haven’t actually read any Dr. Strange stories since issue 129, 6 issues ago. We read the wonderful Human Torch stories from issues 130-134, but skipped the Dr. Strange stories.

But now that Nick Fury is taking over the first half of the book, I would like to… still not read the Dr. Strange stories. Not just yet. We’ll read this first half of this comic, then return to it later. Even though, with the new Dr. Strange movie out, a Dr. Strange post would be topical.

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Amazing Spider-Man #27

Bring Back My Goblin to Me!

Featuring: Spider-Man
Release: May 11, 1965
Cover: August 1965
12 cents
Edited and written by Smilin’ Stan Lee
Plotted and drawn by Scowlin’ Steve Ditko
Lettered and gift-wrapped by Swingin’ Artie Simek
20 pages

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Amazing Spider-Man #26Amazing Spider-ManAmazing Spider-Man #28

Spider-Man is still Green Goblin’s prisoner, as Green Goblin is trying to take over the gangs instead of Crime-Master.

Lots of mysteries left over from last issue. Who is Green Goblin? Who is Crime-Master? Who is Patch? What is Foswell’s secret connection to all this? We should answer all but one of those questions by issue’s end.

Spoilers likely follow.

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Fantastic Four #40

The Battle of the Baxter Building

Featuring: Fantastic Four
Release: April 8, 1965
Cover: July 1965
12 cents
Spellbinding script by: Stan (The Man) Lee
Astonishing artwork by: Jack (King) Kirby
Inked by: V. Colletta
Lettered by: Artie Simek
20 pages

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Fantastic Four #39Reading orderDaredevil #8
Fantastic Four #39Fantastic FourFantastic Four #41

Stan’s repeaing himself here. He used those same credits in Journey Into Mystery #107 the previous year. Stan (The Man) Lee. Jack (King) Kirby. Basically every comic has had a different nickname for the creators. These may be the first repeats. They are certainly the most famous and today recognized as the semi-official nicknames of the two creators.

Dr. Doom purloins Reed’s remote-control TV eye. Basically what we today would call a drone. Now readily available. Invented 60 years ago by Reed Richards. Reed refers to the drone as a “flying spotter”. Another invention Reed refers to is the “electronic stimulator”. I wonder if that resembles any modern devices?

We’ve seen Daredevil’s billy club has some neat tricks, like becoming a grappling hook. But now we see it’s a gun. That’s new.

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Fantastic Four #39

A Blind Man Shall Lead Them!

Featuring: Fantastic Four
Release: March 11, 1965
Cover: June 1965
12 cents
Splendiforious story by: Stan Lee
Delectable drawings by: Jack Kirby
Deliciious Delineation by: Frank Ray
Laconic lettering by: Artie Simek
20 pages

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Amazing Spider-Man #25Reading orderFantastic Four #40
Fantastic Four #38Fantastic FourFantastic Four #40

I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.

So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.

Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.


After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.

To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.

But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.

Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.

Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.

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Tales of Suspense #67, Story B

Lest Tyranny Triumph!

Featuring: Captain America
Release: April 8, 1965
Cover: July 1965
12 cents
Story and art by: Stan Lee and Jack Kirby
Inking: Frank Ray
Lettering: Artie Simek
10 pages

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Tales of Suspense #67Reading orderTales of Suspense #68
Tales of Suspense #67Tales of SuspenseTales of Suspense #68

Part 2 of the Nazi Cap story where Captain America has been brainwashed by the Red Skull.

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Tales of Suspense #66, Story B

The Fantastic Origin of the Red Skull

Featuring: Captain America
Release: March 11, 1965
Cover: June 1965
12 cents
By: Stan Lee and Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
10 pages

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Tales of Suspense #66Reading orderTales of Suspense #67
Tales of Suspense #66Tales of SuspenseTales of Suspense #66, Story B

We’ve been very slowly saying goodbye to Chic Stone, as this represents his last month with Marvel. So we’ve seen his last work on many titles already. This is his final Captain America Story. He is Kirby’s best inker on these books so far, for my money. And he will be missed.

These Captain America stories have been set in his early days. The last three issues retold stories from Captain America Comics #1, with last issue retelling the introduction of the Red Skull (and making it really lame). This issue offers a new Red Skull story. At last we learn his origin.

In the original story, Red Skull was revealed to be American industrialist George Maxon. Last issue played out similarly, (though now he was John instead of George), but it added that Red Skull was not the real Maxon. He had killed Maxon and was impersonating him. That leaves room for his new origin here. As we’ve noted before, for my purposes we are treating the post-1961 stories as canonical for this Marvel Universe. The 1940s Marvel canon is separate. So the origin of the Red Skull is what gets told here. He is not Maxon.

We learn in this issue that he had also not been impersonating Maxon. That was someone pretending to be the Red Skull pretending to be Maxon. Yeesh. And apparently Captain America is desperate to hunt down the real Red Skull based on the crimes of a fake Red Skull. Maybe?

Will the real Red Skull please stand up?

The story opens with Captain America a prisoner of the Skull. That is not where the last issue left off at all. Perhaps they will fill us in how we got here.

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Sgt. Fury #18

Killed in Action!

Featuring: Sgt. Fury and his Howling Commandos
Release: March 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Penciller: Dick Ayers
Inker: Chic Stone
Letterer: Artie Simek
20 pages

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Sgt. Fury #17Sgt. FurySgt. Fury #19

The title of this story is “Killed in Action!”

“Once again, sudden death claims another victim!” reads the cover.

The “once again” refers to Junior Juniper, the first Commando to fall in battle, all the way back in issue 4. Letting us know that this was a series with consquence. It wasn’t a sure thing our heroes would make it back after each mission.

Since then, they all have turned out okay. But let’s read on.

The art is credited to Ayers and Stone, but Jack Kirby was brought in to redraw most of the famous final sequence.

The issue begins in the middle of intense action. Sgt. Fury is in his fancy duds, clearly having been on a date that’s been interrupted by an air raid.

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Tales to Astonish #69, Story B

Trapped in the Lair of the Leader!

Featuring: Hulk
Release: April 1, 1965
Cover: July 1965
12 cents
Hulking story by: Stan Lee
Hulksome art by: Jack Kirby
Hulkish inking by: Mickey Demeo
Hulkable lettering by: Art Simek
10 pages

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Tales to Astonish #69Reading orderAvengers #17
Tales to Astonish #69Tales to AstonishTales to Astonish #70

This is the 10th chapter of the Leader Saga. For 9 issues, Leader has been lurking in the background, secretly behind various threats Hulk has faced. Now they finally meet.

This weird scene weird Hulk is being transported by magnetic waves is notable as it directly ties into Avengers #17, which we will read next.

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Tales to Astonish #68, Story B

Back from the Dead!

Featuring: Hulk
Release: March 4, 1965
Cover: June 1965
12 cents
Story and art by Marvel’s modern masters: Stan Lee and Jack Kirby
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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Tales to Astonish #68Reading orderTales to Astonish #69
Tales to Astonish #68Tales to AstonishTales to Astonish #69

With Ditko off the title, Kirby is back to take another shot at his co-creation. Stan shares the top billing with Jack for this triumphant return. The original Lee/Kirby run on Hulk lasted 5 issues. This one will make it around 15 or so. I’m expecting it to be largely immemorable.

We open with a trick out of the Ditko run. The last issue ended with Banner facing impending death and transforms to the Hulk just in time to be saved. Banner and Talbot are falling to their death when Banner transforms.

Hulk crosses the Pacific with leaps. Isle to isle, plane to plane.

That’s… a very long distance, even if you can jump very far. Maybe there are enough islands between Japan and Hawaii to hopscotch it, but it’s 2500 miles from Hawaii to California with nothing in between.

We check in with the Leader, still scheming.

Continue reading “Tales to Astonish #68, Story B”