Tales of Suspense #76

Here Lies Hidden… The Unspeakable Ultimo!

Featuring: Iron Man
Release: January 1, 1966
Cover: April 1966
12 cents
Tenderly written by: Stan Lee
Lovingly pencilled by: Adam Austin
Gently delineated by: Gary Michaels
Finally lettered by: Sam Rosen
12 pages

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Look at you! Bedraggled and red-eyed! Too much celebrating last night, eh? I always said you were nothing but a playboy!

Marvel has given up on the idea of clean story breaks, which makes reading tricky when I’d like to put the stories together. This is part 3 of the Happy-as-The-Freak arc, but also part 1 of the Ultimo arc. Essentially they seem to want to end every issue on a cliffhanger, so they begin the next story now. I can’t just keep reading Iron Man. We already are getting ahead of the Captain America stories he shares the title with, because I need to align those with the SHIELD arc. And there’s a whole Marvel Universe to check in with. Which means I need to either break last issue with the Freak saga unresolved, or break after this issue with the Ultimo saga unresolved. The Freak saga resolves in about 2 pages, but the Ultimo saga really only takes up the last 2 pages. The ongoing Senator Byrd subplot dominates the middle bit. I don’t know. We’re reading this now, then we’ll take a break. And see what happens with Ultimo at a later date.

Where were we. The experimental treatment on Happy turned him into a Freak. Iron Man had a thing that might save Happy, at risk to himself.

Well, it worked.

This was all a fallout from the Titanium Man battle. That’s when Happy was injured saving Iron Man, and revealed he knew (or suspected) Tony’s secret. This is their first chance to talk since then.

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Tales of Suspense #75

The Fury of… The Freak!

Featuring: Iron Man
Release: December 9, 1965
Cover: March 1966
12 cents
Titanically written by: Stan Lee
Tremendously drawn by: Adam Austin
Tumultuously inked by: Gary Michaels
Timorously lettered by: Sam Rosen
12 pages

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He’s got to learn that Iron Man cannot work only for him, when the entire nation might benefit by his powers!

Happy Hogan has been turned into a Freak. A depowered Iron Man is in pursuit.

The Freak takes an interest in Pepper.

Senator Byrd has been a thorn in Iron Man’s side. Not a villain, but a nuisance. Does he have a point though? Should the powers of Iron Man benefit the entire nation, and not be controlled by a single corporation?

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Tales of Suspense #74, Story B

The Final Sleep!

Featuring: Captain America
Release: November 11, 1965
Cover: February 1966
12 cents
Blazing story: Stan Lee
Burning layouts: Jack Kirby
Blistering artwork: George Tuska
Burnt-out lettering: Artie Simek
10 pages

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Nazism, and all the evil it stood for, are dead! They must never live again!

Solid cover design.

This arc opened pretty strong. Red Skull vowed that his revenge would come 20 years after the day of his death on “Der Tag” when the Sleepers awakened. And the Sleepers turned out to be giant robots that combined together to make an even bigger robot. Solid premise. But hasn’t done much with it. We met one robot, then another. In the finale, we meet the third.

This is the brain, shaped like Red Skull’s head.

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Tales of Suspense #74

If This Guilt Be Mine–!

Featuring: Iron Man
Release: November 11, 1965
Cover: February 1966
12 cents
Story: As only the fabulous Stan Lee can tell it!
Art: As only the fantastic Adam Austin can draw it!
Inking: As only the flamboyant Gary Michaels can delineate it!
Lettering: As only the frantic Artie Simek can scribble it!
12 pages

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Somehow– I feel as though my whole world is crashing down around me–!

Jack Abel returns under the Gary Michaels pseudonym. He’ll be the regular inker for a period of time.

Recall Happy had been badly injured during the battle with Titanium Man in issue 71, and last issue he was kidnapped from his hospital by the Black Knight. Iron Man rescued Happy and the Black Knight fell to his death, but now Iron Man is out of power.

To add a bizarre but strangely common wrinkle to the relationships, Pepper now decides she loves Iron Man and hates Tony. It used to be the other way around. Tony loves Pepper but can’t be with her because he has a bad heart, so he’s been intentionally cruel. Happy loves Pepper, but Pepper couldn’t love him back because of Tony, but now she’s over Tony and in love with Iron Man.

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Tales of Suspense #73, Story B

Where Walks the Sleeper!

Featuring: Captain America
Release: October 12, 1965
Cover: January 1966
12 cents
Spellbinding script by Stan Lee!
Spectacular layouts by Jack Kirby!
Sensational pencilling and scintillating delineation by George Tuska!
Stereophonic lettering by A. Simek!
10 pages

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I’ve seen the First Sleeper– and this is the Second! What can the Third be like??

Part 2 of a 3-part saga. 20 years to the day since the death of the Red Skull amidst the fall of Berlin in World War II. Red Skull’s revenge is 3 giant robots that will awaken and destroy the world. Last issue, the first one awoke. This issue… the second.

This one flies! Even though the story’s title is ironically, “Where Walks the Sleeper”.

And the two Sleepers join up to form an even bigger robot!

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Tales of Suspense #73

My Life for Yours!

Featuring: Iron Man
Release: October 12, 1965
Cover: January 1966
12 cents
Stan Lee, Roy Thomas, Adam Austin, Gary Michaels, Sol Brodsky, Flo Steinberg, and Merrie Ol’ Marie Severin!
12 pages

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Now look, Avenger– No one takes the law into his own hands– not even you!

Stan seems to be crediting an unusual amount of people, but it’s really people who are always involved. Lee always credits himself, this time presumably in an editing role. Roy Thomas is the scripter, Adam Austin (aka Gene Colan) the penciller, Gary Michaels (aka Jack Abel) the inker. The other names show up less commonly in credits. Sol Brodsky is the production manager, and usually is, though uncredited. Marie Severin is the colorist, and frequently is, though uncredited. (Unfortunately we won’t see any of Severin’s coloring in my images, as I’ve only found the digital version online, which is entirely recolored, and that’s likely Stan Goldberg coloring the cover above.) What’s interesting here is Flo Steinberg, who’s been behind the scenes since the beginning, handling the office work for Marvel. She gets her name here apparently because she assisted Roy with the plot.

Weirdly, for all that crediting, they forgot to mention the letterer. Apparently this time normal letter Artie Simek is joined by Ben Oda.

Speaking of Roy Thomas, that’s the new guy we first met on Modeling with Millie, which was released one week earlier. This is his first superhero work. Wonder if he’ll do any more.

Jack Abel is also new to us in our modern reading, though we read an old Captain America story he’d likely contributed to. He’d worked for Marvel back in the 1950s, often inking Bill Benulis or Bob Forgione, but lately has been focused on DC’s war comics. It’s probably why he uses a pseudonym here, so DC won’t know he’s doing side-work. He’ll eventually move on to DC’s superhero line and become the main inker on Superman stories. Here’s a sampling of his artwork.

  • Journey Into Mystery #20, Marvel, 1954
  • Our Fighting Forces #50, DC, 1959
  • Sea-Devils #14, DC, 1963

And a sampling of his finishing work.

  • Western Outlaws and Sheriffs #72, Marvel, 1952, pencils by Warren Broderick
  • Adventures into Terror #11, Marvel, 1952, pencils by Bill Benulis
  • Combat Casey #11, Marvel, 1953, pencils by Bill Benulis
  • All-American Men of War #25, DC, 1955, pencils by Bob Forgione
  • Wyatt Earp #1, Marvel, 1955, pencils by Bob Forgione
  • Turok, Son of Stone #3, Dell, 1956, pencils by Bob Correa

As a complete aside, the plot of that Adventures into Terror story amused me to no end. Lots of these stories about somebody murdering a partner for ambition. But in this case, they were a two-man horse act, and the guy who played the end of the horse wanted to play the horse’s head. Talk about ambition!

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Tales of Suspense #72, Story B

The Sleeper Shall Awake!

Featuring: Captain America
Release: September 9, 1965
Cover: December 1966
12 cents
Stan Lee, sultan of script!
Jack Kirby, lord of layout!
George Tuska, archduke of art!
Sam Rosen, tired of lettering!
10 pages

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You’re too late! You can’t… threaten me… now! There are three sleepers… and… when they awake… the Third Reich will rise again!

The story’s title is, “The Sleeper Shall Awake!”

Coincidentally the exact thing my cat says to me every morning when she wants breakfast.

While I would prefer to read whole comics at once, we read the first half of the issue a little bit earlier, because the Captain America and Iron Man stories of this issue align differently with the Avengers series.

This marks a turning point in Captain America’s adventures, as we’d spent the last several issues focused on Captain America’s adventures in World War II, which don’t create any editorial headaches regarding continuity with Cap’s appearances in Avengers. But now Stan claims readers have demanded modern Cap stories.

So we jump back to the present and see Cap relating the Greymoor Castle saga of last issue to the Avengers. They even answer some plot questions about the story.

Bewilderingly, Hawkeye did not know Bucky was dead.

And then is quite insensitive about it. “It happened more than 20 years ago!” Two notes. It was less than 20 years. Captain America slept for most of those.

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Turning 60: Marvel’s Doctors

Two of Marvel’s best doctors celebrate their 60th anniversary today, having been introduced on April 9, 1963.

Happy birthday to Dr. Octopus and Dr. Strange! Both creations/co-creations (to varying degrees) of Steve Ditko with Stan Lee.

(The other most famous Doctor was expelled from University for occult experiments, which makes me question whether he even is a Doctor.)

In a nice bit of timing, we just this week read the best Dr. Octopus story.

A Fantastic Four Years!

Today Yesterday Two days ago marks 4 years since I started this silly blog. Thanks to everybody for reading along! And we’ve covered an even 4 years of Marvel history in that time.

If I could keep up reading a year each year, I’d be really happy. But Marvel’s publishing rate will be increasing faster than my blogging rate.

What kind of year has it been?

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Amazing Spider-Man #33

The Final Chapter!

Featuring: Spider-Man
Release: November 11, 1965
Cover: February 1966
12 cents
Script and editing: Stan Lee
Plot and illustration: Steve Ditko
Bordering and lettering: Artie Simek
Reading and enjoying that ol’ web-spinner: you!
20 pages

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I’ve failed! Just now– when it counted the most– I’ve failed! But, I can’t give up! I must keep trying! I must!! I’ve got to free myself– no matter how impossible it seems! And lifting is the only way! The– only– way–! Uhhhhh I can’t! — So exhausted– after all that fighting– I- I feel so weak–! It’s lying there– just beyond reach– as though mocking me– taunting me– It’s the one thing– the only thing– that can save Aunt May! And I can’t bring it to her–! If she– doesn’t make it– it’ll be my fault! Just the way I’ll always blame myself for what happened to Uncle Ben…! The two people in all the world who have been kindest to me! I can’t fail again! It can’t happen a second time! I won’t let it– I won’t! No matter what the odds– no matter what the cost– I’ll get that serum to Aunt May! And maybe then I’ll no longer be haunted by the memory of– Uncle Ben! Within my body is the strength of many men…! And now, I’ve got to call on all that strength– all the power– that I possess! I must prove equal to the task– I must be worthy of that strength– or else I don’t deserve it! The weight– is unbearable! Every muschle– aches–! My head– it’s spinning– everything’s beginning to whirl around–! The strain! It– it’s unbearable! The crack in the ceiling– it’s growing wider– getting bigger every second! I’ll never make it– I can’t–! No! I dare not give up now! If I close my eyes– I’ll go under! Must stay awake– must clear my head! Keep trying– trying–! I’ll do it, Aunt May! I won’t fail you! No matter what– I won’t fail–! Anyone can fight– when the odds– are easy! It’s when the going’s tough– when there seems to be no chance– that’s when it counts! Everything going black– my head– aching! Hold on– I must hold on–! It’s moving! Can’t stop now! Last chance! Must keep the momentum–more! Just a little more–!

One of my all-time favorite comic covers.

The Final Chapter. Perhaps the most aptly named comic ever. That’s certainly how I’ve come to view this comic.

Most Ditko stories begin with a splash page opening that serves almost as a second cover. This leaves that out in favor of panels to recap the story so far. Aunt May dying because of a transfusion from Peter’s radioactive blood. Dr. Connors unable to help unless Spider-Man can retrieve this canister. Dr. Octopus and his henchmen in the underwater layer. Spider-Man trapped beneath tons of steel in the base, which seems on the verge of flooding.

How strong is Spider-Man? We don’t really know. “Proportional strength of a spider”. He’s not as strong as Thor, Hulk, or Thing, all of whom could probably lift the equipment with ease. But he’s stronger than Captain America, who couldn’t possibly do it. He’s strong enough to lift several tons, but not strong enough to do that easily, and not strong enough to be confident he can do it at all. This is him at his physical limit.

He does lift the machinery off, but it takes 5 pages, a full quarter of the comic spent on Spider-Man lying on the floor, trapped. It’s a famous sequence.

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