Featuring: Fantastic Four Release: June 8, 1965 Cover: September 1965 12 cents Produced by: Stan Lee and Jack Kirby Inking: V. Colletta Lettering: S. Rosen 20 pages
Featuring: Fantastic Four Release: May 11, 1965 Cover: August 1965 12 cents Story by: Stan Lee, who has never lost his touch! Art by: Jack Kirby, who has never lost his magic! Inking by: Vince Colletta, who has never lost his flair! Lettering by: Sam Rosen, who has never lost Artie Simek! 20 pages
You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!
I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.
Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.
Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.
Ben is justifiably angry and quitting the Fantastic Four.
Featuring: Fantastic Four Release: April 8, 1965 Cover: July 1965 12 cents Spellbinding script by: Stan (The Man) Lee Astonishing artwork by: Jack (King) Kirby Inked by: V. Colletta Lettered by: Artie Simek 20 pages
Stan’s repeaing himself here. He used those same credits in Journey Into Mystery #107 the previous year. Stan (The Man) Lee. Jack (King) Kirby. Basically every comic has had a different nickname for the creators. These may be the first repeats. They are certainly the most famous and today recognized as the semi-official nicknames of the two creators.
Dr. Doom purloins Reed’s remote-control TV eye. Basically what we today would call a drone. Now readily available. Invented 60 years ago by Reed Richards. Reed refers to the drone as a “flying spotter”. Another invention Reed refers to is the “electronic stimulator”. I wonder if that resembles any modern devices?
We’ve seen Daredevil’s billy club has some neat tricks, like becoming a grappling hook. But now we see it’s a gun. That’s new.
Featuring: Giant-Man and Wasp Release: March 4, 1965 Cover: June 1965 12 cents Stupefying script by: Stan Lee Stereophonic art by: Bob Powell Stultifying inking by: Vince Colletta Schizophrenic lettering by: S. Rosen 12 pages
Who is Giant-Man’s #1 archnemesis? I had previously suggested it was Egghead, and my friend Dan countered with the Human Top. His original run only featured three repeat super-villains, Porcupine being the other. He fought Egghead 4 times and now Human Top 3 times. But two Human Top stories are 3-parters so Human Top appears in 5 different issues. They’re both strong contenders. Maybe we’ll see which are in more significant stories in the decades to come. So far, neither has been in any story I would call particularly significant. The possible exceptions are issues 57 and 59. 57 is significant for guest-starring Spider-Man and happens to feature Egghead. 59 is significant for guest-starring Hulk and happens to feature Human Top.
Neither is a particularly good villain.
Honestly, I would argue Porcupine is the best of the 3 villains, which is why he will go one to find better nemeses than Giant-Man and Wasp.
The issue opens with Human Top crashing a plane into Giant-Man to knock him unconscious. He’s stumped as to what to do next. Even unconscious, Human Top can’t figure out how to harm a giant.
The last time Human Top had Giant-Man at his mercy, he didn’t want to harm him. He thought locking him in a closet would be enough satisfaction.
Featuring: Hulk Release: January 5, 1965 Cover: April 1965 12 cents Power-packed script by: Stan Lee Hard-hitting art by: Steve Ditko Two-fisted inking by: Vince Colletta Silken-soft lettering by: Art Simek 10 pages
We are almost up to date with our Hulk stories. This is the last issue where we’d read the Giant-Man/Wasp stories in the past.
We just had a discussion about how Colleta’s inking over Kirby.
How do we feel about Colletta over Ditko? The answer is that we dislike all inkers over Ditko. Ditko is best when inking himself. However, the final artwork here looks close enough to Ditko work. Ditko must have done tight pencils. So we don’t hate it. But we don’t prefer it.
Featuring: Tales of Asgard Release: June 1, 1965 Cover: August 1965 12 cents Written with gallantry by: Stan Lee Drawn with greatness by: Jack Kirby Inked with grandeur by: Vince Colletta Lettered with a straight face by: Artie Simek 5 pages
Featuring: Thor Release: June 1, 1965 Cover: August 1965 12 cents Who but Stan Lee could have written this tale? Who but Jack Kirby could have drawn it? Who but Vince Colletta could have inked it? Who but Artie Simek could be called Artie Simek? 16 pages
Interesting grid layout for the cover. Haven’t seen too many of those from Kirby. I’m guessing that’s because something went very wrong here. As all four cover panels are just taken from the interior art.
Either Kirby didn’t finish a cover or his cover was rejected. This looks like somebody scrambling at the last minute to get something, anything on the cover before the book got printed.
This is the June issue of Thor. We’ve read almost consecutively since January and are now 3 months ahead of the rest of our reading. We’re going to pause after this issue, despite the inconclusiveness of the ending. We need to check in on our other heroes. Because we’re mostly in March with our reading, I don’t want to worry too much about June things right now. Like, let’s not focus on the fact that “Marvel Comics Group” has apparently become “Marvel Pop Art Productions”. We’ll reflect on that when we reach June properly.
For now, a recap. Loki has helped an evil and unnamed hunter locate the Temple of Darkness, which housed the Destroyer, a mindless being imbued with the power of Odin who would one day defend Earth in its hour of need. The Destroyer took the hunter’s mind, and has awakened too early, and thinks Thor is who it’s meant to destroy.
It’s already destroyed his hammer.
But Thor really just wants to bring his bag of Norn Stones to Odin to prove Loki cheated in the Trial of the Gods. All-wise, all-seeing Odin is not aware of these Stones because he’s currently taking a nap.
Loki likes to torment Thor, but is afraid his latest scheme will result in Thor’s death. He doesn’t mind Thor being dead, but fears the punishment of Odin if he is blamed. He has thus attempted to wake Odin and save Thor, but was thrown in prison for it.
Whew. That’s where we left off.
Oh, and the Destroyer was moments away from killing Thor, and still is.
Featuring: Tales of Asgard Release: May 4, 1965 Cover: July 1965 12 cents Story by: Stan Lee the legend teller! Art by: Jack Kirby the legend maker! Inking by: Vince Colletta the legend portrayer! Lettering by: Sam Rosen the letterer! 5 pages
This is the second part of what I’ll dub the “Odinsword Saga”. Unlike most sagas which we’ll try to read all together, I’ve deemed this one reads best one chapter at a time, as the backups to the main Thor feature.
To recap, warriors of Asgard were getting restless, when Odin revealed the Oversword was broken, and directed Thor and Loki to go on a quest to learn who was responsible.
Now Thor is visiting Morduk the map maker.
Is that candle holder a monstrous hand? That’s cool.
Morduk warns Thor’s course will take him… into the unknown.
We are now 2 months ahead of everything else in our Thor reading because it’s all just flowing together. Thor still hasn’t returned to Asgard with the Norn Stones that will prove Loki cheated in the Trial of the Gods.
He is still flying with Kim, whose entire family was recently killed by her Communist brother.
In the early (generally awful) Thor stories (#83-100), the villains were pretty lame. Loki was the only real stand-out. A couple others, like Radioactive Man, had potential. When Kirby became the primary artist and the stories started to improve, we got some better villains: Executioner, Enchantress, and Grey Gargoyle.
Now that the series is kicking into high gear, we are getting great villains. We recently met Absorbing Man and now get introduced to the Destroyer.
Featuring: Tales of Asgard Release: April 1, 1965 Cover: June 1965 12 cents By: Stan Lee + Jack Kirby Inking: Vince Colletta Lettering: Artie Simek 5 pages
For 20 issues, these Tales of Asgard stories have been short stories that resolved in 5 pages. Now, a large saga begins. At least 11 parts, and even then it just rolls into the next saga.
For reading order, I like to keep story-arcs together. Based on that, I could read all 11 parts at once. This is what the CMRO recommends. It actually recommends reading the next 17 back up stories together.
But I also like to keep issues together. It seems weird to get out a comic, read half of it, put it away, then get it out again later to read the other half. Though we have done that sometimes in the name of keeping arcs together. For example, we read the last 5 Human Torch stories from Strange Tales without reading the corresponding Dr. Strange stories. We’ll have to get the comics back out of the box.
How to balance these two goals (keep a story together vice keep a physical comic together) is subjective, and I’m making a subjective call here: reading these Tales of Asgard stories together doesn’t improve the story in any way. I think they read best as they were published, as episodes in the back of the main Thor comic, to be read after that month’s Thor story. And that’s how we’ll read them. We’ll keep Thor story arcs together as best we can and let the main stories set the reading rhythm. That means it may take us a while to finish the Odinsword Saga. I think that will be okay.
