Featuring: Thor Release: February 4, 1965 Cover: April 1965 12 cents Story by: Stan Lee the sage of the Marvel Age! Penciling by: Jack Kirby the rage of the Marvel Age! Inking by: Frankie Ray for his wage in the Marvel Age! Lettering by: Artie Simek from his cage in the Marvel Age! 16 pages
Recall last issue Thor and Absorbing Man were locked in battle when Balder transported Thor away to Asgard because Loki had imprisoned Jane Foster.
I noted that starting just about last issue, the Thor title is finally getting good. In the old stories, Mr. Hyde or Cobra would kidnap Jane and Thor would fight them.
Admittedly the plot of this issue is that Loki kidnaps Jane and Thor fights him. But it’s good.
At least Loki imprisoning Jane makes sense, as Loki is well aware of Thor’s secret identity– which makes one question the value of the secret identity. Mr. Hyde would just pick the right victim by chance.
Admittedly the plot of next issue is that Enchantress and Executioner kidnap Jane, but I still maintain these stories are getting better.
Featuring: Thor Release: January 5, 1965 Cover: March 1965 12 cents Written at white heat by: Stan Lee Drawn with purple passion by: Jack Kirby Inked with golden serenity by: Chic Stone Lettered on a blue Monday by: Sam Rosen 16 pages
Well, damn. That’s maybe the most compelling title yet. It turns out to also make complete sense into the context of the story. I like it.
“souped up bucket racing car”
This is the issue Thor finally gets good.
Quality-wise, Thor’s been turning around since about a dozen issues back. It went from being the single worst title to a pretty decent one. The stories still haven’t been much to speak of, but the art and action have been excellent. There’s been great storytelling of late, even if not applied to many stories worth telling.
The great storytelling has been owed to the pairing of Kirby and Stone. We just bid farewell to Stone’s tenure on FF. Now we must bid farewell to him on Thor (recall we’ve jumped back in time, so this is a month before his final FF issue). Vince Colletta will graduate from the Tales of Asgard backups and start on the main strip. There are those who love Colletta’s work on Thor, and there are many others who… don’t. We’ll see what we think in the months to come.
We are jumping back in time a couple months. Thor is changing. It has so far mostly consisted of identifiable discrete stories, usually one or two issues long. No more. Stories will flow into each other; it will be hard to tell where one begins and ends. It will be hard to identify where Thor gets enough of a breather to go be an Avenger. (Though we know that soon won’t be an issue.) We’re already behind on our Dr. Strange and Hulk reading because they’ve started the “saga” approach to storytelling.
To that end, the plan is to read the next 6 issues of Thor basically together, pausing only to check in on Daredevil, because it’s relevant to the happenings in Thor.
Most of the issue is dedicated to Thor’s battle against the Absorbing Man, but it ends indecisively. It’s over for the moment, but Thor’s foe remains at large. Meanwhile, we get a second conflict in the final pages. Loki has kidnapped Jane and holds her in his stronghold. Thor must go battle Loki and rescue Jane. Next issue will pick up both of these plots, but the Absorbing Man story still won’t conclude, and it will bleed into the Trial of the Gods” arc, which has already been hinted at in our Avengers reading because we got 2 months ahead.
We’ll talk in more detail about chronology next issue, but my loose idea is that this story takes place between the pages of Avengers #15. After the first Thor scene but before the second. The MCP disagrees, placing this squarely after Avengers #16.
“Avengers Assemble!” shouts Captain America. With quite the assemblage of heroes and villains behind him. Check out our pretty full cast list near the end.
A little annoyed with myself as I make this post. I screwed up. In the middle of a move and all my comics are in transit. I have this issue, my second oldest Avengers comic after issue 8, and I thought I had scanned this before I packed and shipped it. I remembered doing so. Apparently I only scanned the single page I used in my Wandavision post.
I considered pausing our reading for a bit until I could scan my comic, but who knows when that will be. So we’ll press forward with scans, err, found on the internet. We’ll call them temporary. I’ll come back in a month or so and replace them with my own. You probably won’t even notice the difference. I just prefer to scan my own comics when I can.
And this issue means a lot to me.
Had it since early childhood somehow. My cousin had borrowed it for an extended period of time, but I eventually got it back.
This is a pretty historic issue. For whatever reason, Heck chose this issue of all issues to take a breather, leaving Ayers to do the artwork over Kirby’s layouts… or perhaps Kirby’s loose pencils, or maybe full pencils for some of the comic.
First, we need to wrap up the story from last issue. Captain America had just fatally defeated Zemo, and now needs to get back to New York with Rick. He’ll have some trouble with Zemo’s henchmen. Meanwhile, the battle with the Masters of Evil continues in New York.
Let’s just say the Avengers win, though Enchantress and Executioner escape. The battle’s anyway over by page 4, and we have more important things to discuss.
It turns out this was these heroes’ final battle together.
Featuring: Avengers Release: February 11, 1965 Cover: April 1965 12 cents Script: Stan Lee Layouts: Jack Kirby Pencilling: Don Heck Inking: Mickey Demeo Lettering: Artie Simek 20 pages
For several issues, Avengers had become a Lee/Heck production and was much the worse for it. Last issue had everybody working at Marvel pitch in. Now, Kirby is on hand with the layouts. Recall, we’re basically talking positioning of characters, but with that comes the storytelling, and this story is a cut above the last several issues. That’s likely Kirby’s hand. He’s been the missing ingredient. He’s back to do layouts for two issues, and they’ll be two of the best Avengers stories of the era.
Ordering is funny, as continuity is getting tight. Everybody is embroiled in multi-issue arcs, stories are flowing into each other; Avengers is always tricky continuity because it needs to be fit around the solo titles; and there’s a wedding any day now.
That’s why we already skipped ahead 5 months in our X-Men reading and are so far behind in our Dr. Strange and Hulk reading. Trying to fit it all together. This is the February issue of Avengers. We’re already mostly on to March, but about to read the January Thor. I think it all makes sense. This issue for significant reasons plainly takes place after the July issue of X-Men.
Featuring: Fantastic Four Release: December 10, 1964 Cover: March 1965 12 cents Proudly produced by: Smilin’ Stan Lee and Jolly Jack Kirby Inked by: Chic Stone Lettered by: Artie Simek 21 pages
The main credits are shared between Stan and Jack without specifying who did what.
Fantastic Four has been one of the best of these Marvel superhero titles since the start, but it’s regarded as one of the best comic series ever, which hasn’t yet been obvious. The series gets better at some point. It can be hard to pinpoint the exact point of transition. We noted issue 29 when Kirby started using photo collages as a step toward greatness. The introduction of the Frightful Four in this issue also suggests we are well down the path. Particularly the mysterious Madam Medusa.
Sue and Reed announced their engagement last issue. They’ve now made a public announcement, and the press is excited, underscoring their celebrity status. There will be a big engagement party this issue.
Also, I think Sue’s gotten a haircut. Her hair definitely seems shorter.
Featuring: Avengers Release: January 12, 1965 Cover: March 1965 12 cents Plot and editing by: Stan Lee Script by: Paul Laiken and Larry Lieber Layouts by: Jack Kirby Pencils by: Don Heck Inking by: Chic Stone Lettering by: S. Rosen 20 pages
That’s quite the credits listing. Sounds like they were running out of time to get this done and called in every hand they could to meet a deadline. That’s also how this story reads.
Larry Lieber had long since left superheroes behind to focus on comics like Rawhide Kid, but he pitches in.
Paul Laiken is a new name to us. This is the only superhero story he’ll ever be involved in writing. I literally think they recruited everybody in the building at the time to help get this one done. It seems like he’ll be best known for his work on the Marvel humor magazine which is totally not a Mad rip-off, Crazy.
Featuring: Avengers Release: December 10, 1964 Cover: February 1965 12 cents Rather exceptional story by: Stan Lee Somewhat distinctive art by: Don Heck Fairly compelling inking by: Dick Ayers Moderately clear lettering by: Artie Simek 20 pages
The cover is pretty off for a Kirby composition. I’m pretty sure Count Nefaria is supposed to be manipulating the controls, but he looks passed out to me.
Solid opening splash page of the Avengers looking furtive near the wanted ad.
The story opens with Iron Man and Thor stopping a fur robbery. Honestly, that seems somewhat beneath them; I’d be more comfortable with such crimes being left to conventional authorities or more down-to-earth vigilantes.
Up to this point, there was no evidence the Avengers were proactively seeking out any types of crimes to stop. They responded to two global threats–the Lava Men and Kang. They occasionally seek out the Hulk to fight, but usually just wait for a villain to attack them. Villains in these stories tend to be much more proactive. But now we learn the Avengers have been actively fighting crime for a while now.
This story introduces the Maggia, an organized criminal organization, perhaps inspired by real-life Mafia.
Featuring: Tales of Asgard Release: December 3, 1964 Cover: February 1965 12 cents A Stan Lee and Jack Kirby fabulous featurette! Inked by: Vince Colletta Lettered by: Artie Simek 5 pages
The story is credited to Stan and Jack without any breakdown of who did what.
Stan refers to this as the “biographies-in-depth” series. There’s not that much depth. This is the second chapter of Loki’s “biography” and the third character spotlighted after Heimdall and Balder.
Featuring: Thor Release: December 3, 1964 Cover: February 1965 12 cents A tale told with gusto by: Stan Lee A drama drawn with grandeur by: Jack Kirby An idyll inked with gallantry by: Chic Stone A legend lettered with glee by: Artie Simek 16 pages
Jack opens the story with Odin and Thor leading Asgardian soldiers aboard a giant sky ship into battle against the “demon men” of Jotunheim.
And Stan basically apologizes for that, assuring readers that Thor will soon be on Earth fighting a super-villain that’s no match for him and pining over Jane.
Stan and Jack are not on the same page with the direction Thor stories should take. I’m with Jack.
While it’s true that Stan is basically joking, he carries on with it for two pages while neglecting to actually script or provide real narration for the epic battle he seems somewhat embarrassed by. He offers us only, “For Asgard– and freedom!”
Nice sentiments, but I’m not convinced that “freedom” is a key value in Asgard, where an absolute monarch has ruled for millennia according fickle whims that must be obeyed without question, while seeming to exist in a state of perpetual war with all their neighboring realms.
Featuring: X-Men Release: November 3, 1964 Cover: January 1965 12 cents Savagely written by: Stan Lee Supremely drawn by: Jack Kirby Superbly inked by: Chic Stone Stoically lettered by: S. Rosen 20 pages
The cover promises the return of Professor X. He left the team in issue 7, leaving Cyclops in charge. We haven’t seen him since, except for a brief appearance in issue 8 where he and Cyclops have a telepathic chat. Anyway, now it’s issue 9 and we get the long-awaited return of Professor X.
