The Challenge of Comrade X! Featuring: Ant-Man Release: July 10, 1962 Cover: October 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
Some time has passed since the previous issue, which ended with Henry Pym pondering: “Will I ever be forced to become Ant-Man again?”
Turns out, it didn’t take much forcing. He immediately began positioning himself to find and stop crime, and has made a name for himself, trusted by the police and public.
The FF stories used a similar gap. Had their first tale tell of their first adventure, but jumped forward for their second tale, to where their heroism had already become routine and they had gained public acceptance.
The Return of the Ant-Man/An Army of Ants!/The Ant-Man’s Revenge! Featuring: Ant-Man Release: June 5, 1962 Cover: September 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
So great a discovery must not melt into nothingness! I must concoct the serums again!
The credits are taken from the table of contents for Marvel Masterworks Ant-Man/Giant-Man vol. 1. The book’s table of contents gives the credits I put above. I don’t see any credits in the actual issue.
June 5, 1962. Marvel introduces Spider-Man. And their take on the mythological Thor. Also: their scientist Henry Pym gets a costume and superhero identity and becomes Ant-Man. A decent chunk of the cast of Avengers: Endgame was introduced on that day. Stan Lee was involved in all three. Jack Kirby designed Thor and Ant-Man and was involved in initial designs for Spider-Man, before Steve Ditko came on board. Larry Lieber was involved in scripting for both the Thor and Ant-Man stories. That’s a lot of simultaneous creativity going on for a small group of people.
To recap, in Tales to Astonish #27, we met Dr. Henry Pym. He was a mad scientist type, in a story that seemed similar to many others of the time, likely intended as a one-off. We get a recap in this issue, which describes it as a “nightmarish story”. I mean, I guess if you hate ants.
But 8 issues later, Henry Pym returns. At the end of the last story, he decided his shrinking serum was too dangerous and destroyed it. Here, we learn he had a change of heart a few weeks later. He decided to concoct a new serum and hide it away until the world was ready. Wait… if he still thinks the world isn’t ready for the serum, why make a new one only to hide it? Why not just wait to make the new batch? Unless you expect an urgent need for it?
The Return of the Gorilla-Man Release: January 9, 1962 Cover: April, 1962 12 cents Credits: Jack Kirby and Dick Ayers 7 pages
The issue has no credits. The Grand Comics Database identifies the artists as Jack Kirby and Dick Ayers, and guesses the writing credits are due to Stan Lee and Larry Lieber. I think Marvel only had two writers at the time, so this is a reasonable guess.
Featuring: Gorilla-Man Release: November 9, 1961 Cover: February, 1961 12 cents Credits: Stan Lee, Larry Lieber, Jack Kirby and Dick Ayers 7 pages
This is a tangential story, but it seemed worth including. Unlike Henry Pym last issue, Herr Radzik is a mad scientist bent on evil. He’ll also become less prominent of a character.
He is an evil scientist who invents a ray to switch bodies. He first changes places with a cat (I perhaps would have stayed there) and then decides a gorilla will be the ultimate form. His ambitions involve stealing money as a gorilla, and such. But, once he puts the gorilla into his body, the gorilla is able to use its new human brain to outsmart him and lock him in a zoo.
The Man in the Ant Hill Release: September 28, 1961 Cover: January, 1962 10 cents Story: Stan Lee and Larry Lieber Pencils: Jack Kirby Inks: Dick Ayers 7 pages
I read this in Marvel Masterworks: Ant-Man/Giant-Man vol. 1. The story gives no credits, but the collection does. Some online sources break that down as crediting Stan with the plot and Larry with the scripting.
The opening splash pages serves as a title page and cover for the story.
Marvel stands on the precipice between its era of short sci/fi tales and its era of superheroes. This comic comes out the same day as Fantastic Four #2 and fits squarely in the former category, a short cautionary sci/fi tale about a mad scientist. Not clear what the theme is. Be careful of inventing stuff, I guess.
