Featuring: Wasp Release: January 3, 1964 Cover: April 1964 12 cents Dreamed up by: Stan Lee Scribbled + sketched by: Larry Lieber Finished in India ink by: Sol Brodsky Lettered + bordered by: At Simek 5 pages
Last issue, Porcupine seemed very interested in trying to learn Giant-Man’s secret identity. But Wasp’s mask has never covered her face and she doesn’t seem that concerned about her secret identity.
In fact, here we see her babysitting a friend’s child in costume. He refers to her as “Aunt Jan”. Maybe Porcupine wasn’t the genius he thought he was. It’s like thinking people somehow knew Sue was Invisible Girl but not that Johnny was Human Torch.
Featuring: Giant-Man and Wasp Release: January 3, 1964 Cover: April 1964 12 cents Daringly written by: Stan Lee Dramatically drawn by: Don Heck Deftly lettered by: Art Simek 13 pages
The placement of this story is tricky. Where we have it, Hulk and Namor are still on the loose, so this is no time for Wasp to be talking about a vacation. Doesn’t mean she wouldn’t be. Hank does note they don’t have time for a vacation. I choose to treat this as a veiled reference to the whole Hulk/Namor situation, whether intended or not.
On the subject of chronological concerns, notice Giant-Man is in his older outfit, last seen in issue 51. This indicates to me that he alternates between the outfits. In reality, the outfit seems to correspond to the artist. Ayers drew the issues with the thick suspenders. Kirby and Heck seem to be drawing Giant-Man with the lighter stripes. They will all eventually converge on thicker suspenders.
We see some pretty rough play between Giant-Man and Wasp. It seems to be all in good fun, but may be early warnings of an abusive relationship forming.
Featuring: Wasp Release: December 2, 1963 Cover: March 1964 12 cents Story plot: Stan Lee Script + Art: L.D. Lieber Inking: D. Heck Lettering: R. Holloway 5 pages
Once again, we get a Wasp story where she narrates another story. This time, she tells her story to Hank before heading to the Veterans hospital.
It concerns a warlord named Mingo (perhaps inspired by Ming from Flash Gordon). An atheistic conqueror, he takes advantage of his targets’ religious beliefs, easily defeating a people who don’t believe in fighting at night and another who can’t fight soldiers wearing sacred animal garb.
Featuring: Giant-Man and Wasp Release: December 2, 1963 Cover: March 1964 12 cents Story by: Daring Stan Lee Art by: Dazzling Dick Ayers Lettering by: Dynamic S. Rosen 18 pages
Porcupine is only Dr. Pym’s second recurring villain. Egghead was the first.
Giant-Man’s costume seems to be undergoing frequent slight alterations. I’m not sure what’s going on with the black suspenders. They may be adjustable. Whatever is going on, this issue they seem to form an “x” on his back.
Featuring: Wasp Release: November 6, 1963 Cover: February 1964 12 cents Story plot: Stan Lee Script and art: Larry Lieber Inking: G. Bell 5 pages
Wasp visits an orphanage to tell another sci/fi tale. The main plot about prisoners pursued by the Space Patrol doesn’t have too much going for it. But along the way, one convict lists some weird planets he was aware of. And those planets all represent some cool sci/fi ideas.
Featuring: Giant-Man and Wasp Release: November 6, 1963 Cover: February 1964 12 cents Written by: Stan Lee Illustrated by: Dick Ayers 18 pages
This story is 18 pages. They’d been seeming to have trouble filling 13, but 18 will be the new norm. The 5-page difference is made up for by the lack of a science fiction backup, save the tale the Wasp tells. An era is soon coming to an end.
While I mostly think of him and appreciate him as an inker, I’d like to note that Dick Ayers is a pretty solid draftsman in this issue. I complained recently about his Strange Tales work with George Roussos. But, inking himself, he gives a very clean take on these characters.
We meet the new Black Knight, Professor Garrett. He’d been a spy busted by Giant-Man. He fled the country to his castle in the Balkans. (Yes, another super-villain with a castle; at least this one’s in a part of the world with lots of castles.) He used his science knowledge to genetically engineer a winged horse and build a lance that has all kinds of weapons attached.
In particular, his lance can melt metal. Since that’s the only power of the Melter, the Melter would feel pretty useless if the two ever teamed up.
Featuring: Wasp Release: October 1, 1963 Cover: January 1964 12 cents Story plot: Stan Lee Script and art: Larry Lieber Inking: G. Bell 5 pages
Wasp finally gets her own solo adventures… the first female character to do so. And she’ll spend the series… reading science fiction stories to sick children.
Huh. Not exactly where I thought her character arc was going.
So far, she has shown an interest in men, makeup, and fashion. At least her interest in science fiction is less stereotypical.
Really, this is the same type of story that has been appearing in this series after the Ant-Man tales all along. Weird little science fiction shorts. We’ve been skipping most of them. But now they’re part of our superhero reading because the Wasp is narrating them.
Featuring: Giant-Man and Wasp Release: October 1, 1963 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 13 pages
This continues the story of the previous issue. This is arguably the first real 2-part story we’ve seen. The Fantastic Four took two issues to defeat Dr. Doom in Fantastic Four #16–17. But as one encounter was in the Micro-World alongside Ant-Man, and the other was not, it could be argued those were two different stories, the main plot of issue 16 being resolved. Here, issue 50 clearly ended with a note the story was to be continued. Nothing was resolved. So that makes this something of a milestone within our reading.
Featuring: Giant-Man and Wasp Release: September 3, 1963 Cover: December 1963 12 cents Written by: Stan Lee Illustrated by: Jack Kirby Rendered by: Steve Ditko 23 pages
Kirby and Ditko is a rare and special combination. I think this is now the 4th time we’ve seen the combo.
Giant-Man gets a costume change, though less dramatic than the Iron Man one we just saw. Since he’s no longer Ant-Man, the ant logo is vestigial. He thus drops it in favor of some vertical stripes that resembles suspenders.
We get a major new villain, Human Top. For many characters, it’s obvious who their arch-nemesis is. Thor has Loki, the X-Men, Magneto. For Dr. Pym, it’s less clear. I had suggested it was Egghead, but a friend argued it was the Human Top. Both are contenders.
We learn Dave Cannon was born with super speed and the ability to whirl really fast like a top. This makes him a mutant as Professor X explained the term. Though this comic does not use that word.
Featuring: Ant-Man and the Wasp Release: August 1, 1963 Cover: November 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Don Heck 18 pages
Ant-Man gets a new identity, and there’s a new little corner box to go with it.
The story is this. Ant-Man and Wasp joined a superhero team. Their teammates are Hulk, Iron Man, and Thor. All extremely powerful. Ant-Man is very small and controls ants. Perhaps this situation would have been tenable if Wasp didn’t keep commenting on how handsome Thor was. But she did. And Dr. Pym’s ego could not take this feeling of inferiority anymore. He needed to measure up.
So he thought and thought. He had a gas which shrunk him to ant-size. And a gas which allowed him to grow back to normal size. He had a routine. Reduce to ant-size. Grow to normal size. Now remember, he’s a genius. And it finally occurred to him: what if he skips a step in that cycle? What if he takes the growing gas when already normal-sized?
It worked! If he simply doesn’t take the reducing gas, he is no longer Ant-Man: he is now Giant-Man. And has strength that is at least closer to par with his Avengers teammates.
I have a science question about that, though. When he shrinks to ant-size, he retains human strength. They are very clear on that point. So he is the size of an ant but can punch as hard as an ordinary human. So why does his strength increase when he grows if it doesn’t decrease when it shrinks? Ah, never mind. I’m sure it would make sense if I knew science better.
