Tales to Astonish #86, Story B

The Birth of… The Hulk-Killer!

Featuring: Hulk
Release: September 1, 1966
Cover: December 1966
12 cents
Superlative script: Smilin’ Stan Lee
Ameliorative art: Jovial John Buscema
Imaginative inks: Mirthful Mickey Demeo
Lucrative lettering: Adorable Artie Simek
10 pages

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Though I’ve lived as the monstrous Hulk– I’ll die as Bruce Banner– I’ll die as– a man!

John Buscema still on art.

The Secret Empire stands defeated, but their agent Boomerang remains at large. The Orion Missile is heading for New York. Hulk leaped at the missile, and somehow this calmed him down. So now Bruce Banner is riding a missile.

The transformation here is really badly storyboarded; just Bruce one panel and Hulk the next. Stan compensates with narration to make up for the artistic failings. Come on, Big John!

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Tales to Astonish #86

The Wrath of Warlord Krang!

Featuring: Prince Namor, the Sub-Mariner
Release: September 1, 1966
Cover: December 1966
12 cents
Story by Smilin’ Stan Lee
Pencilling by Merry Jerry Grandenetti
Inking by Wild Bill Everett
Lettering by Adorable Artie Simek
12 pages

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Tales to Astonish #85, Story BTales to AstonishTales to Astonish #86, Story B

But, not even a prince of the blood can possess patience without limit!

Grandenetti is a new name to us, and really to me as well. This is one of very few Marvel works; we’ll see him again on Sgt. Fury in the near future. He got his start assisting and ghosting for Will Eisner on The Spirit and has been working comics at DC since the early 1950s, focused on war comics, and has lately started to do some side work for Warren, Charlton, Tower, and apparently Marvel at least once, sometimes ghosting for Joe Orlando. Here’s a sampling of his art.

  • Boy Meets Girl #2, Lev-Gleason, 1950
  • Western Comics #27, DC, 1951
  • All-American Men of War #127, DC, 1952
  • House of Mystery #8, DC 1952
  • The Brave and the Bold #1, DC, 1955
  • Strange Adventures #63, DC, 1955
  • Our Fighting Forces #62, DC, 1961
  • Our Army at War #115, DC, 1962
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Tales to Astonish #85, Story B

The Missile and the Monster!

Featuring: Hulk
Release: August 2, 1966
Cover: November 1966
12 cents
Script: Stan Lee
Pencils: John Buscema
Inks: John Tartaglione
Lettering: Ray Holloway
Hulk’s pants-pressing: Irving Forbush
10 pages

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Tales to Astonish #85Tales to AstonishTales to Astonish #86

Banner! He’s a weakling! He’s helpless! The Hulk is strong– can do anything!

We reach the 600th story in our read-through of the Marvel Universe. It’s cool when that happens to be a significant story.

Which this, for the most part, isn’t.

But there is one very significant thing about it. And I’ll take that.

The fainting woman is my favorite character in the comic.

John Buscema is joining the Marvel artists with this issue. He’s also doing this month’s Nick Fury Agent of SHIELD story, which we’ll get to later.

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Tales to Astonish #85

–And One Shall Die

Featuring: Prince Namor, the Sub-Mariner
Release: August 2, 1966
Cover: November 1966
12 cents
Script written by: Stan Lee
Drawings pencilled by: Gene Colan
Inking rendered by: Bill Everett
Panels lettered by: Artie Simek
Confusion compounded by: Irving Forbush
12 pages

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“Who is it, Phil?”
“We’ll probably never know! From the looks of things, I’d say he was pretty much beyond recognition!”

Colan has been the regular penciller on Namor’s adventures of late. Bill Everett is the creator of Namor, and this is his second time working as Colan’s inker on the series.

Where were we? The head of the ruined Secret Empire had tricked an amnesiac Namor into being his pawn, until a blast from Krang’s ship sent Namor into the ocean, where he regained his memory. We pick up with Krang flying away, thinking he has killed Namor.

Dorma has been with Krang for a while now. Originally she had agreed to marry him in exchange for saving Namor’s life. Namor doesn’t know this and is mad at Dorma for betraying him. Krang keeps trying to kill Namor anyway, and Dorma keeps staying with him, so it’s all a bit confusing.

Also confusing that Number One blames Hulk for the destruction of the Secret Empire, when the Hulk had nothing to do with it. It was a combination of internal strife and infiltration by Gabe Jones of SHIELD that took them down.

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Tales to Astonish #84, Story B

Rampage in the City!

Featuring: Hulk
Release: June 30, 1966
Cover: October 1966
10 pages
Script… Stan (The Man) Lee
Art… Almost the whole blamed bullpen
Lettering… Artie (Smarty) Simek
Therapy… Honest Irving Forbush
10 pages

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Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

I leave it to your eagle eyes to determine who drew what in this issue. Some artwork may or may not be due to Bill Everett, Jerry Grandenetti, Gene Colan, Jack Kirby, Dick Ayers, John Tartaglione, Mike Esposito, Sol Brodsky, or others.

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

We’d seen a similar question posed at the beginning of Hulk’s current series in issue 60.

Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?

In this issue’s Namor story, we learned Hulk was in the city. And this story is conveniently titled “Rampage in the City”.

Hulk thinks saving Betty from Boomerang means people won’t hate him anymore. Good luck with that.

Hulk used to be an Avenger, so he goes to New York to ask them to help him find Betty.

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Tales to Astonish #84

Like a Beast at Bay!

Featuring: Prince Namor, the Sub-Mariner
Release: June 30, 1966
Cover: October 1966
12 cents
Fabulous script: Stan Lee
Fascinating art: Gene Colan
Fantastic inks: Dick Ayers
Free-hand lettering: Sam Rosen
Fancy haberdashery: Irving Forbush
12 pages

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You are too conspicuous, walking around the city in that manner! Find the nearest clothing store…

In Avengers #17, the Avengers search for the Hulk, and end up vaguely near him, but not meeting him. But it’s sort of a crossover. Not really, but sort of.

In this issue, Namor is searching for Hulk, because he’s been brainwashed by Number One of the former Secret Empire, who wants revenge on Hulk for destroying the Secret Empire. Even though Hulk has never met the Secret Empire and had nothing whatsoever to do with their demise.

I would suggest the writer of the Namor stories hasn’t been reading the Hulk stories, but both series are allegedly written by Stan Lee.

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Tales to Astonish #83, Story B

Less than Monster, More than Man!

Featuring: Hulk
Release: June 2, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Art: Wild Bill Everett
Lettering: Whammy Sammy Rosen
Applause: Honest Irving Forbush
10 pages

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Tales to Astonish #83Tales to AstonishTales to Astonish #84

If the man I love really is behind that grotesque face… does this mean I’ve lost him… forever?

“Less than Monster, More than Man!” A good title. Very Hulk.

These interactions between Betty and the Hulk give very significant insights into his character and their relationship.

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Tales to Astonish #83

The Sub-Mariner Strikes!

Featuring: Prince Namor, the Sub-Mariner!
Release: June 2, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Pencilling: Jolly Jack Kirby
Inking: Darlin’ Dick Ayers
Lettering: Adorable Artie Simek
And, in the unlikely words of Irving Forbush: Imperius Rex!
12 pages

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Tales to Astonish #82, Story BTales to AstonishTales to Astonish #83, Story B

…My Secret Empire may yet rise again!

Jack Kirby takes on another issue of the Sub-Mariner. Perhaps Gene Colan remains out sick.

I had a choice here. I’ve got this comic, Tales to Astonish #83 in my hand. I could read it in order, as any normal person would. Starting at the first page, and then turning the pages in order until I reach the end.

Or I could realize that the story makes no sense if I do that, so instead turn to halfway through this comic to the Hulk story, read that, and then flip back to the beginning to read the Namor story.

The story makes slightly more sense to do it that way, but it doesn’t really make sense no matter how I read it. And certainly no kid picking this up in 1966 would have known to jump to the middle. Maybe some did anyway because they are big Hulk fans.

So I’m going to start this comic from the beginning, get very confused, then eventually get to the end of the comic, and resolve some, but not all, of that confusion.


Namor just had his big brawl with Iron Man, and then left to continue to pursue Krang and Dorma. As far as I know, the last thing Hulk did was rescue Betty Ross from Boomerang, who escaped with some goons from the Secret Empire, who as far as I know remain an active threat. As are Them/AIM.

Dorma is with Krang because he agreed to spare Namor’s life. But now he’s trying to kill Namor. So maybe that’s grounds for an annulment?

But Dorma hadn’t read the fine print. Krang agreed to spare Namor from the Behemoth, not to spare him generally. Again, I would just leave him now and find a lawyer to discuss the contract with.

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Tales to Astonish #82, Story B

The Battle Cry of Boomerang!

Featuring: Hulk
Release: May 5, 1966
Cover: August 1966
12 cents
Stan Lee, writer
Jack Kirby, designer
Bill Everett, illustrator
Artie Simek, letterer
A touch of the muse, inspirer
10 pages

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Simple boomerang! That can’t hurt Hulk!

Where were we? Namor tired of fighting Iron Man and continues his pursuit of Krang and Dorma. Tony Stark has made the decision to give in to Senator Byrd and turn over the secrets of Iron Man to the US Government.

Hulk has just made his way back to the surface from the subterranean realm where Mole Man and Tyrannus are at war. Tyrannus’ prisoners Talbot, Betty, and Rick, had also recently returned to the surface. They weren’t back long before Betty was captured by Boomerang, who was hired by the Secret Empire to steal some type of weapon.

“No one shoots Hulk! No one!” exclaims Hulk.

Actually, people shoot at Hulk all the time. They just never hurt him.

Ross blames Hulk for his daughter’s abduction. He blames the Hulk for most everything. Note he is talking about Betty’s previous abduction by Tyrannus. He doesn’t know she’s been abducted again since then.

Anybody else notice Betty gets abducted a lot?

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Tales to Astonish #82

The Power of Iron Man!

Featuring: Prince Namor, the Sub-Mariner
Release: May 3, 1966
Cover: August 1966
12 cents
Plotted by Smilin’ Stan (who then went on vacation!)
Scripted by Rascally Roy (who wishes he had!)
Begun by Gallant Gene (who caught the flu after finishing the first two pages!)
Finished by King Kirby (who drew the last ten pages, then asked who Sub-Mariner was!)
Inked by Darlin’ Dick (who else?)
12 pages

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Never will Prince Namor surrender! Never shall your eyes view the true Sovereign of Atlantis humbled! Not all your vaunted power will give you the final triumph!

Yesterday was Mother’s Day, and my mother, this blog’s most loyal reader, always liked Namor in her youth. So this is for her.


The digital reprints leave off the letterer credit, and I don’t own the original of this comic. And my reprint in Marvel Masterworks has the same misprint as the digital version. But the GCD tells me there should be one more line in the credits, which reads:

Adorable Arthur (Who??)

Where were we? Red Skull is alive and has been working with Them, and AIM and Them may be the same organization. AIM/Them had created the Cosmic Cube, which Red Skull used to make himself a god, but was still defeated by Captain America. AIM is a defense contractor trying to worm its way into SHIELD and convince the government to remove Col. Fury. But Fury suspects what they are up to.

The Secret Empire is after the Orion Missile, and has hired Boomerang to the task. He has kidnapped the General’s daughter, Betty Ross, as the first step in his plan.

To save Namor from the Behemoth, Dorma agreed to marry Krang, and they ran off together. Unaware of her noble intentions, a furious Namor pursued them to the surface.

Returning to America from a battle with Ultimo, Iron Man found that his factories had been closed, and that he was running low on power and friends. Happy, Pepper, the Avengers… none were home when he desperately needed them. Happy and Pepper may have been on a date. The Avengers may have been in a hidden kingdom in South America.

Krang attacked Iron Man, then escaped. Namor blamed Iron Man for the escape, and decided to stop pursuing Krang and battle Iron Man instead.

This is the direct continuation of the story from Tales of Suspense #80.

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