sub-mariner – Page 6 – Coke ⊕ Comics

PRELUDE: Marvel Mystery Comics #8

The Marvel Universe starts to take shape as two of its greatest champions meet in battle.

The Human Torch and Sub-Mariner meet!!!
Featuring: Sub-Mariner
Release: April 24, 1940
Cover: June 1940
10 cents
Story and art: Bill Everett (uncredited)
10 pages

Hard to believe something as significant as Human Torch meeting Sub-Mariner didn’t even get top billing on the cover. I guess Angel battling some monster was more exciting.

Usually, Bill Everett’s signature appears on the first page of each Sub-Mariner story, but I’m not finding it here.

“…for having attempted to electrocute him after he had promised to lend his powers to his cause…” I guess you can see why he might be miffed.

It really all begins here. Eight months after the respective debuts of Human Torch and Sub-Mariner, the characters meet in conflict. The Marvel Comics series becomes more than independent stories in an anthology. The seeds of a universe sprout. So it is that 23 years later, Sub-Mariner can battle the Fantastic Four with a new Human Torch, while that same Fantastic Four battle Hulk and Spider-Man in other stories. So it is that 80 years later, a movie studio can throw dozens of superheroes up on the big screen in a epic big-budget battle.

I think this is one of the most significant pages in Marvel history.

The highlight of the story, the reason we’re here, is short. The final 2 pages of a 10-page story tell of the meeting between Human Torch and Namor. The Torch quickly gains the upper hand and Namor retreats.

PRELUDE: Marvel Mystery Comics #7, Story C

The surface world will feel Namor’s vengeful wrath.

Featuring: Sub-Mariner
Release: March 20, 1940
Cover: May 1940
10 cents
Credits: Bill Everett
10 pages

While The Human Torch stories have been very episodic, the Sub-Mariner stories have formed one continuing saga. Thus there’s no way to jump into them without feeling like we’re missing something. Nonetheless, I’m not looking to review every Golden Age Sub-Mariner story here. Just a couple to give us some context for the Marvel Age stories we are reading.

In this blog, we last saw Namor beginning a war against the surface world for crimes against his people. He’s cooled off and befriended Policewoman Betty Dean. He grew concerned about the war ravaging the surface world, and decided to take part. Sometimes, he seemed sympathetic to the Allied cause and sometimes merely to the cause of peace. He decided to try his hand at being a superhero, to convince the surface world of his good intentions.

He made a deal with the police commissioner to do some good works, but the commissioner still insisted he stand trial for his crimes. The jury found him guilty and sentenced him to death. Well, the electric chair did not kill him… it just made him angry. So his war against the surface will begin anew. That’s where this issue opens.

Namor informs his Emperor of his plans to destroy the entire continent after conquering New York. The Emperor offers the entire Sub-Mariner army, but Namor says he can handle it himself for now, as his vendetta is personal.

The relationship between Namor and the Emperor still isn’t clear. If Namor is a Prince, there must be some…

PRELUDE: Marvel Mystery Comics #7

Sets the stage for the first Marvel Universe crossover!

Featuring: Human Torch
Release: March 20, 1940
Cover: May 1940
10 cents
Credits: Carl Burgos
11 pages

After a pretty complex first adventure, Human Torch has settled into the routine of being a fairly standard superhero. Each issue has had its own adventure where the Torch foils some plot. He’s adopted the identity of Jim Hamond in civilian form, and made friends with a fellow named Johnson.

The one oddity comes from the beginning of Marvel Mystery Comics #2. A newspaper article tells us that the Torch burned down Horton’s home, killing him. We hadn’t seen anything like that in the previous issue. But the Torch defends–rather than denies–the killing.

A note to quell any confusion. Human Torch and Sub-Mariner were introduced in Marvel Comics #1. That series has continued, but it was renamed to “Marvel Mystery Comics” beginning with issue #2. Each issue has featured both a Human Torch and Sub-Mariner story, among others. Other regular features include Angel, Masked Raider, and Ka-Zar.

Strange Tales #107

Human Torch battles Sub-Mariner for no particular reason!

Face-to-Face with Prince Namor, the Mighty Sub-Mariner
Featuring: Human Torch
Release: January 10, 1963
Cover: April 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1.

Dick Ayers is again the main artist. Kirby will be back next issue, but they will trade art duties for the remainder of the series. This is the pattern we have been seeing. Kirby is still around and will sometimes provide the art for the series he pioneered, but will be rotating with other artists. Heck has Ant-Man and Ayers has Human Torch.

This fairly useless series continues. The Fantastic Four series hasn’t once yet acknowledged anything about this series’ existence, including Sue and Johnny’s home in Glenville. In contrast, this series references lots of things about the Fantastic Four. The whole team has a cameo in this issue and there are references to the FF battles against Namor. You can tell which series is the ugly stepchild.

As the story–such as it is–begins, we find the three adult FF members had a meeting while Johnny was in school. They were taking notes on next month’s adventure, while Sue typed them up. It’s a bit odd, as most FF adventures are their responses to crises. It’s not clear what they’d be planning a month in advance.

Nice to see that even Sue had a role in the meeting…

The current issue of Fantastic Four came out a week earlier. We haven’t read it yet, because issue 14 picks up where it leaves off, so I’m reading it last this month. That adventure is a trip to the moon. Which does take some planning; however, in the issue itself, the trip is a surprise to the rest of the team. Only Reed had been planning it and had been planning not to take the others. So they must be referring to something else.

Strange Tales #106

Johnny’s new costume has a beret!

The Threat of the Torrid Twosome
Featuring: Human Torch
Release: December 10, 1962
Cover: March 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1

This blog took a short hiatus while I traveled a bit. I did bring my Human Torch book along with me with the idea of getting this written while abroad, but I didn’t get it done. It doesn’t help that we’ve now read Amazing Spider-Man, so know how good a superhero comic can be. That doesn’t make it easy to return to these Human Torch comics.

This is the first Human Torch story not drawn by Kirby. Regular inker Dick Ayers is stepping up as the main artist. That’s a common theme for the month. After 18 months of Kirby drawing all the titles we’ve been reading, he’s dialing it back. We just saw Don Heck on Ant-Man and Iron Man.

This story finally addresses–albeit clumsily–the nagging flaw at the heart of this series: the secret identity of the Human Torch. We learn that he does not in fact have a secret identity, and that all his friends were pretending to not know his identity to be nice. That doesn’t explain a lot of things, like why the Torch so frequently risked lives to protect his identity, why he was so open and cavalier about his identity in the Fantastic Four comics, or why the Wizard’s plan depended so heavily on the Human Torch guarding his identity.

Fantastic Four #9

The End of the Fantastic Four!/Sub-Mariner Gives the Orders!/The Fury of Mr. Fantastic/The Flame of Battle/Vengeace is Ours!
Featuring: Fantastic Four
Release: September 4, 1962
Cover: December 1962
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

As with the Thor story which premiered the same day, this features full credits. In fact, the credits are more complete than the Thor story, as they spotlight the lettering of Artie Simek. The coloring of Stan Goldberg is still omitted, and anyways lost in the reproductions I am looking at.

This is a pretty famous story. For decades to come, when people refer to how Stan Lee changed superheroes, they’ll point to things like Spider-Man being unpopular or the Fantastic Four having money problems. But for 8 issues, the FF seemed pretty wealthy. Here, we learn Reed lost all his money in a stock market crash, and the FF are bankrupt and having to sell everything and disband. They even sell the pogo plane!

Fantastic Four #6

Captives of the Deadly Duo!/When Super-Menaces Unite/When Friends Fall Out!/Trapped!/The End… Or the Beginning?
Release: June 12, 1962
Cover: September 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
24 pages

I read this in Fantastic Four Omnibus vol. 1. The table of contents credits Dick Ayers as the inker. The original comic just credits Lee and Kirby.

All posts regarding Fantastic Four comics featuring Namor are henceforth dedicated to my mother.

The plot of the story concerns Dr. Doom and Prince Namor the Submariner joining forces. It’s not clear if their duo has a name, and anyway the alliance won’t last long. Dr. Doom refers to them as the Diabolical Duo, which is what the cover calls them. So perhaps that’s official. But the story title calls them the Deadly Duo.

Notably, these are the first recurring nemeses for the FF, uniting the villains of the two previous issues.

Fantastic Four #5

Prisoners of Doctor Doom!/Back to the Past!/On the Trail of Blackbeard/Battle!/The Vengeance of Doctor Doom!
Release: April 10, 1962
Cover: July 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Joe Sinnot (uncredited)
23 pages

I read this comic in Fantastic Four Omnibus vol. 1. Stan Lee and Jack Kirby signed the issue. The omnibus credits Joe Sinnot as the inker in the table of contents.

I am of two minds about this comic. Let me tell you of both of them.

One the one hand, the premise of the series is that this team gets into fantastic adventures. Travelling back in time to battle pirates qualifies as such an adventure. And as stories about the FF travelling back in time to battle pirates go, this one is pretty solid.

On the other hand, this issue introduces Dr. Doom. Dr. Doom is perhaps my favorite super-villain ever, and this issue just doesn’t quite capture the Dr. Doom that I first met. Whatever I envisioned about the first encounter between our heroes and their arch-nemesis, it wasn’t this.

Fantastic Four #4

The Coming of… Sub-Mariner
On the Trail of the Torch/Enter the Sub-Mariner/Let the World Beware!/Sub-Mariner’s Revenge!
Release: February 8, 1962
Cover: May 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Sol Brodsky (uncredited)
23 pages

Famously, Human Torch meets a random amnesiac hobo and decides without permission to burn the hobo’s beard off his face. The hobo looks like a character Torch read about in a comic, which convinces him to toss the hobo into the ocean. I would argue this behavior on the part of the Torch is inappropriate. But nobody on the team is setting a better example.

PRELUDE: Marvel Comics #1, Story C

The Sub-Mariner
Credits: Bill Everett
12 pages

I read this comic in Marvel Masterpieces Golden Age Marvel Comics vol. 1. My copy of the book is filled with printing errors: pages missing or repeated; and, the copy seems off. The colors and inks seem pretty blurred, compared to scans I’m finding online. The coloring wasn’t great in those days to begin with, so it’s hard to tell without seeing the comic what it actually looks like, as reproductions vary widely. It’s particularly tricky as Everett wanted to make the undersea scenes murky.

This story is the beginning of a serial and doesn’t reach a satisfying conclusion in and of itself. It concerns Namor of the race of Sub-Mariners, recently come of age. He learns from his mother Fen of the ravages done to their people by the experiments of the surface dwellers, (who the comic refers to as the “white men”) and leads a crusade against the surface. His first step is to destroy a lighthouse. We’ll have to tune in next issue to see more.

The surface world will never recover from the destruction of the lighthouse; they may as well surrender now.

It begins in a familiar fashion, from the viewpoints of ordinary sailors, leaving the Sub-Mariner as a mystery in the background. Namor will become the point-of-view character soon, but first we learn who he is in snatches, as the humans do. An undersea diver notices oddities, like evidence that somebody had recently been there, even though they are the only ship in the area. It’s a mystery to investigate, a deadly one as it will turn out. It’s a technique we’ve seen frequently in superhero films (plus many a movie before them). Famously, when Batman first dons the suit in Batman Begins, the movie shifts its point-of-view to that of criminals. They only know something strange is happening, that they see out of the corner of their eye and hear above them– and that their numbers are thinning. This comic gives us a similar scene with divers.