Tales of Suspense #77

Ultimo Lives!

Featuring: Iron Man
Release: February 10, 1966
Cover: May 1966
12 cents
Homerically written by: Stan Lee
Heroically pencilled by: Adam Austin
Historically inked by: Gary Michaels
Hysterically lettered by: Sam Rosen
12 pages

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This is a grave moment in hour nation’s history! A time for patriotism… for dedication to the cause of freedom! There must be no special privileges for self-seeking opportunists like Stark, who flout their country’s laws!

Adam Austin has long since been unmasked as Gene Colan, but he is going back and forth between the two aliases. It’s worth noting that his art seems to improve each month.

Gary Michaels is a pseudonym for Jack Abel. He’s been working with Colan on this series off and on for a few issues now.

When we left off, Tony Stark was a prisoner of the Mandarin and Ultimo is rising. Confusingly, we’ve also seen Tony Stark filling in as the head of SHIELD since then. It’s hard to balance all the things one might want to in a reading order, and sometimes the chronology has to give. Stark’s appearances with SHIELD must take place either before or after this adventure. It’s hard because Tony’s just been pretty busy, and I like to keep the reading order relatively close to publication date.

Mandarin had thrown Stark’s attache case out the window, not realizing it contained the Iron Man armor. What can Stark do without his armor?

Mandarin kidnapped Stark from America to Asia via teleportation. Stark at the time had been in Senator Byrd’s car on the way to Congress to testify about the identity of Iron Man.

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Tales of Suspense #76

Here Lies Hidden… The Unspeakable Ultimo!

Featuring: Iron Man
Release: January 1, 1966
Cover: April 1966
12 cents
Tenderly written by: Stan Lee
Lovingly pencilled by: Adam Austin
Gently delineated by: Gary Michaels
Finally lettered by: Sam Rosen
12 pages

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Tales of Suspense #75Reading orderSgt. Fury #26
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Look at you! Bedraggled and red-eyed! Too much celebrating last night, eh? I always said you were nothing but a playboy!

Marvel has given up on the idea of clean story breaks, which makes reading tricky when I’d like to put the stories together. This is part 3 of the Happy-as-The-Freak arc, but also part 1 of the Ultimo arc. Essentially they seem to want to end every issue on a cliffhanger, so they begin the next story now. I can’t just keep reading Iron Man. We already are getting ahead of the Captain America stories he shares the title with, because I need to align those with the SHIELD arc. And there’s a whole Marvel Universe to check in with. Which means I need to either break last issue with the Freak saga unresolved, or break after this issue with the Ultimo saga unresolved. The Freak saga resolves in about 2 pages, but the Ultimo saga really only takes up the last 2 pages. The ongoing Senator Byrd subplot dominates the middle bit. I don’t know. We’re reading this now, then we’ll take a break. And see what happens with Ultimo at a later date.

Where were we. The experimental treatment on Happy turned him into a Freak. Iron Man had a thing that might save Happy, at risk to himself.

Well, it worked.

This was all a fallout from the Titanium Man battle. That’s when Happy was injured saving Iron Man, and revealed he knew (or suspected) Tony’s secret. This is their first chance to talk since then.

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Tales of Suspense #75

The Fury of… The Freak!

Featuring: Iron Man
Release: December 9, 1965
Cover: March 1966
12 cents
Titanically written by: Stan Lee
Tremendously drawn by: Adam Austin
Tumultuously inked by: Gary Michaels
Timorously lettered by: Sam Rosen
12 pages

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He’s got to learn that Iron Man cannot work only for him, when the entire nation might benefit by his powers!

Happy Hogan has been turned into a Freak. A depowered Iron Man is in pursuit.

The Freak takes an interest in Pepper.

Senator Byrd has been a thorn in Iron Man’s side. Not a villain, but a nuisance. Does he have a point though? Should the powers of Iron Man benefit the entire nation, and not be controlled by a single corporation?

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Tales of Suspense #74

If This Guilt Be Mine–!

Featuring: Iron Man
Release: November 11, 1965
Cover: February 1966
12 cents
Story: As only the fabulous Stan Lee can tell it!
Art: As only the fantastic Adam Austin can draw it!
Inking: As only the flamboyant Gary Michaels can delineate it!
Lettering: As only the frantic Artie Simek can scribble it!
12 pages

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Somehow– I feel as though my whole world is crashing down around me–!

Jack Abel returns under the Gary Michaels pseudonym. He’ll be the regular inker for a period of time.

Recall Happy had been badly injured during the battle with Titanium Man in issue 71, and last issue he was kidnapped from his hospital by the Black Knight. Iron Man rescued Happy and the Black Knight fell to his death, but now Iron Man is out of power.

To add a bizarre but strangely common wrinkle to the relationships, Pepper now decides she loves Iron Man and hates Tony. It used to be the other way around. Tony loves Pepper but can’t be with her because he has a bad heart, so he’s been intentionally cruel. Happy loves Pepper, but Pepper couldn’t love him back because of Tony, but now she’s over Tony and in love with Iron Man.

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Tales of Suspense #73

My Life for Yours!

Featuring: Iron Man
Release: October 12, 1965
Cover: January 1966
12 cents
Stan Lee, Roy Thomas, Adam Austin, Gary Michaels, Sol Brodsky, Flo Steinberg, and Merrie Ol’ Marie Severin!
12 pages

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Tales of Suspense #72, Story BReading orderTales of Suspense #73, Story B
Tales of Suspense #72, Story BTales of SuspenseTales of Suspense #73, Story B

Now look, Avenger– No one takes the law into his own hands– not even you!

Stan seems to be crediting an unusual amount of people, but it’s really people who are always involved. Lee always credits himself, this time presumably in an editing role. Roy Thomas is the scripter, Adam Austin (aka Gene Colan) the penciller, Gary Michaels (aka Jack Abel) the inker. The other names show up less commonly in credits. Sol Brodsky is the production manager, and usually is, though uncredited. Marie Severin is the colorist, and frequently is, though uncredited. (Unfortunately we won’t see any of Severin’s coloring in my images, as I’ve only found the digital version online, which is entirely recolored, and that’s likely Stan Goldberg coloring the cover above.) What’s interesting here is Flo Steinberg, who’s been behind the scenes since the beginning, handling the office work for Marvel. She gets her name here apparently because she assisted Roy with the plot.

Weirdly, for all that crediting, they forgot to mention the letterer. Apparently this time normal letter Artie Simek is joined by Ben Oda.

Speaking of Roy Thomas, that’s the new guy we first met on Modeling with Millie, which was released one week earlier. This is his first superhero work. Wonder if he’ll do any more.

Jack Abel is also new to us in our modern reading, though we read an old Captain America story he’d likely contributed to. He’d worked for Marvel back in the 1950s, often inking Bill Benulis or Bob Forgione, but lately has been focused on DC’s war comics. It’s probably why he uses a pseudonym here, so DC won’t know he’s doing side-work. He’ll eventually move on to DC’s superhero line and become the main inker on Superman stories. Here’s a sampling of his artwork.

  • Journey Into Mystery #20, Marvel, 1954
  • Our Fighting Forces #50, DC, 1959
  • Sea-Devils #14, DC, 1963

And a sampling of his finishing work.

  • Western Outlaws and Sheriffs #72, Marvel, 1952, pencils by Warren Broderick
  • Adventures into Terror #11, Marvel, 1952, pencils by Bill Benulis
  • Combat Casey #11, Marvel, 1953, pencils by Bill Benulis
  • All-American Men of War #25, DC, 1955, pencils by Bob Forgione
  • Wyatt Earp #1, Marvel, 1955, pencils by Bob Forgione
  • Turok, Son of Stone #3, Dell, 1956, pencils by Bob Correa

As a complete aside, the plot of that Adventures into Terror story amused me to no end. Lots of these stories about somebody murdering a partner for ambition. But in this case, they were a two-man horse act, and the guy who played the end of the horse wanted to play the horse’s head. Talk about ambition!

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Tales of Suspense #72

Hoorah for the Conquering Hero!

Featuring: Iron Man
Release: September 9, 1965
Cover: December 1965
12 cents
Writer: Stan Lee
Penciller: Don Heck
Inker: Mickey Demeo
Letterer: Artie Simek
12 pages

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The nation asks– no, it demands to know the true identity of one of its greatest heroes! We must learn– Who is Iron Man?

Let’s start with a bit of an apology to Iron Man. His character was introduced in Tales of Suspense #39, released December 10, 1962. So we just passed his 60th birthday and failed to mark the occasion with appropriate fanfare. Happy belated 60th, Iron Man.

Iron Man returns to America and cheering crowds, having triumphed over Titanium Man. But the victory was costly, as Happy now hovers on the edge of death.

Reporters seem eager to get the scoop on Iron Man’s true identity. I don’t really think it’s that hard if you want to do any amount of investigating.

Nobody ever seems concerned how casually Iron Man walks into Stark’s office and makes himself at home.

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Tales of Suspense #70

Fight On! For a World is Watching!

Featuring: Iron Man
Release: July 8, 1965
Cover: October 1965
12 cents
Story: Scribbled and scrawled by: Stan Lee
Illustration: Doodled and dawdled by: Don Heck
Delineation: Battered and blotted by: Mickey Demeo
Lettering: Mumbled and jumbled by: Sam Rosen
12 pages

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That tone in her voice… I never heard it before!! It’s like she really cares! No matter what happens to me now… that makes it all worth it!

Here we go. Forget the space race. The real question is who can build the better fighting suit of armor. America of the Soviet Union. It’s on!

We get a recap that just samples panels from last issue.

Iron Man’s armor is more than capable of standing against Titanium Man’s onslaught. It’s Tony Stark’s heart that may be unable to take the strain.

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Tales of Suspense #69

If I Must Die, Let It Be With Honor!

Featuring: Iron Man
Release: June 8, 1965
Cover: September 1965
12 cents
Story by: Stan Lee, the idol of Millions!
Art by: Don Heck, the toast of two continents!
Inking by: V. Colletta, the pride of the bullpen!
Lettering by: Sam Rosen, the last angry letterer!
12 pages

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But, Iron Man must accept the challenge! It’s a matter of national pride… of prestige!

There are many stories I consider iconic. And, usually, who knows how this impression forms. Decades of reading comics and talking about comics has given me a sense of some stories that stand out.

I think of this as an iconic story and I know exactly why I think that. Very early in my Marvel reading, I also collected Marvel cards. The 1990 set had a set of famous battles. This was one of the chosen battles.

We’ve seen one famous battle (per that card deck) before, the Hulk/Thing fight from Fantastic Four #2526. And are currently in the middle of another, the “Nick Fury vs. Hydra” battle begun in Strange Tales #135.

Of course, Titanium Man has one other claim to fame. Paul McCartney selected him alongside Magneto as villains to write a song about. (He also references Crimson Dynamo.)

The MCP wants Iron Man to attend the wedding in the middle of the events of this issue. I don’t see why it can’t just be before this issue. Maybe I’m missing some subtlety. As the issue opens, he’s spent weeks working on this sub-miniature reverser. He could have taken a brief break to attend a wedding.

Continuity does get complicated here though. Avengers #20 is concurrent to Tales of Suspense #70. Avengers #19 takes place in the middle of the Hydra Saga, yet Tony Stark’s life gets complicated starting now, so issue 69 or before is the best chance for his appearances in Strange Tales, including his appearances after the Hydra saga. And of course Iron Man shares a comic with Cap. As Nick Fury does with Dr. Strange, the latter of which we are months behind on reading.

For a reading order, we’ll read the Iron Man/Cap stories, then the Avengers stories, then the Dr. Strange/Nick Fury stories. But we’ll talk about what must be concurrent and what must fit where as we go.

Titanium Man is the Soviet answer to Iron Man. He issues a public challenge to prove Soviet superiority. Titanium is more powerful than Iron, so his armor is more powerful, but also slower and bulkier.

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Tales of Suspense #68

If a Man Be Mad!

Featuring: Iron Man
Release: May 11, 1965
Cover August 1965
12 cents
Edited by: Stan Lee (who hasn’t slept since!)
Written by: Al Hartley (who could never sleep!)
Art by: Don Heck (who was under sedation!)
Inked by: Mickey Demeo (who couldn’t have visitors!)
Lettered by: Sam Rosen (who knows!)
12 pages

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Tales of Suspense #67, Story BReading orderTales of Suspense #68, Story B
Tales of Suspense #67, Story BTales of SuspenseTales of Suspense #68, Story B

This is the third Al Hartley story we’ve read. He wrote last month’s Giant-Man finale and drew a Thor story way back. He is a Marvel regular, just normally on the humor titles this blog hasn’t focused on.

We can still count on one hand the number of stories Stan hasn’t claimed writing credit on. But he gets his name at the top of the credits anyway.

From the title page, this almost seems like the same story as last issue. Last issue, Count Nefaria took over Iron Man’s dreams to make him fight visions of his enemies. Now it looks like Iron Man is seeing visions again. Turn the page, and we learn Count Nefaria is involved again.

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Tales of Suspense #66

If I Fail, a World is Lost!

Featuring: Iron Man
Release: March 11, 1965
Cover: June 1965
12 cents
Written in the Marvel tradition of greatness by Stan Lee
Illustrated in the Marvel tradition of grandeur by Don Heck
Inked in the Marvel tradition of drama by Mickey Demeo
Lettered in the coziest corner of the room by Sam Rosen
12 pages

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Stark is never around when you want him!

Due to circumstance, I lost the write-up for this particular story I had completed. I’m not a big fan of the Iron Man stories, and I was just unenthusiastic about writing this entry again. Please excuse me if I do a poorer job than usual. I just kind of want to get through this one.

In particular, I feel like I’d previously worked out where Attuma ranks in a particular metric, and I’m not sure I care to recompute it; I’ll just go off the top of my head and let somebody correct me if I’m wrong. Iron Man is the third distinct hero Attuma has fought, after facing the Fantastic Four and Giant-Man and the Wasp. I think that might be a record?

We have to define ‘distinct’ a bit carefully. I think fighting a hero and the team that hero is on should only count as one: Sandman fought both the solo Human Torch and the Fantastic Four; Loki fought both Thor and the Avengers.

With that caveat, Attuma is only the second villain to fight three distinct heroes. The first being Chameleon, who has faced Spider-Man, Iron Man (along with the Avengers), and Hulk.

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