Daredevil #2

The Evil Menace of Electro!

Featuring: Daredevil
Release: April 2, 1964
Cover: June 1964
12 cents
Story: Stan Lee
Art: Joe Orlando
Inking: Vince Colletta
Lettering: S. Rosen
22 pages

The credits have two names that are new to us. Last issue was drawn by Bill Everett, who did an excellent job, but apparently also missed his deadline by a wide margin. Whatever happened, he was not invited back.

The artist is now Joe Orlando, who has been working in comics since the early ’50s, including occasional freelance work for Marvel. This is his first superhero work, previously drawing horror, western, and war comics, most notably for EC Comics. He worked in the comics field for many decades as artist, writer, and editor, most of that time with DC comics. As far as I can tell, this short stint on Daredevil is the last work he’ll ever do at Marvel.

Here’s a peek at some of the work he’d been doing in the previous 13 years.

Vince Colletta had been working as an artist for Marvel for about a decade, primarily on romance comics. He had recently moved toward inking. He will soon become a regular inker over Jack Kirby, and begin a very long run inking Thor. I believe this is also his first ever superhero work.

His work is not always loved by critics or his colleagues. He has a reputation for choosing professionalism over artistry. I see no evidence of this or any other flaw in this particular comic. I will caveat that I haven’t always the best eye for art, nor any particular talent for separating the contributions of the penciler from the inker when I look upon a page.

Here’s a sampling of his prior work.

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Tales of Suspense #55, Story B

All About Iron Man

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Presented by: Stan Lee and Don Heck
Lettered by S. Rosen
5 pages

This is pushing the line between what I’d call a story and what I’d call a special feature at the end of a story. It’s long enough and told in a comics format, so I decided to give it its own entry, but I could have included it at the end of the last one.

This feature fits in where the science fiction tale would normally have gone, but those are done now.

The first page shows some of Iron Man’s major villains:

  • Black Widow
  • Mysterious Melter
  • Mandarin
  • Scarecrow
  • Mr. Doll
  • Crimson Dynamo
  • Gargantus
  • Jack Frost

It’s not an exhaustive list. I don’t see:

  • Wong-Chu
  • Kala and the Netherworlders
  • Dr. Strange
  • Red Barbarian
  • The Actor
  • The Mad Pharaoh

One villain is unnamed, and I don’t recognize him.

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Avengers #6

Masters of Evil!

Featuring: Avengers
Release: May 5, 1964
Cover: July 1964
12 cents
Written by the inspired typewriter of: Stan Lee
Drawn by the enchanted pencil of: Jack Kirby
Inked by the gifted brush of: Chic Stone
Lettered by the scratch pen of: S. Rosen
23 pages

As if it wasn’t hard enough trying to figure out how to fit the Avengers’ solo adventures around this title, issue 5 ended with an urgent call from the Teen Brigade to go on a mission unrelated to the Lava Men adventure they just had, which itself was unrelated to the Hulk adventure that started that issue. Leaving almost no space for solo adventures.

Here, the narration informs us they are still on the way to New York to respond to the urgent call, but needed to refuel in Chicago.

Between New York and Chicago, Iron Man and Giant-Man have gotten new costumes, and Wasp has a new hairdo and headpiece.

Captain America meanwhile has new glove magnets and miniature transistors installed in his shield that allow him to control its motion.

Iron Man designed the shield transistors. He is apparently an engineering genius on par with Tony Stark, the man nobody has ever seen him with, despite being Stark’s bodyguard.

And then Thor gives Captain America his mail. Wait? What? I thought this was a refueling stop in Chicago. Where did they get the mail? Where are they?

Not many details in the scene. Some equipment makes it look like a lab. Cap is sitting on a chair, so they seem to not be on a plane or at a refueling station.

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Sgt. Fury #8

The Death Ray of Dr. Zemo!

Featuring: Sgt. Fury and his Howling Commandos
Release: May 5, 1964
Cover: July 1964
12 cents
Not a bad story by: Ex-Sgt. Stan Lee
Passable art by: Ex-Corp. Dick Ayers
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

I know what you’re thinking.
Didn’t we just read Sgt. Fury #7 pretty recently?
Yes.
But isn’t Sgt. Fury bimonthly?
Yes.
Wait. This comic is from May. You were just reading March comics.
Yes.
You haven’t even finished March yet. We haven’t read the March Iron Man story.
True.
I know you’re mostly going in publishing order, but sometimes move things around for story reasons.
I do.
But that doesn’t make any sense here, right? You only move things around when comics tie into each other, and Sgt. Fury is set in WWII. How can it tie in directly with any superhero comics?

Well, there’s the rub. For reasons we’ll go into later, we are reading Avengers #6 two months early. And, as noted on the first page, this issue does tie into Avengers #6! Sort of, at least. They were released the same day and star the same villain, Dr. Zemo.

It makes for a pretty uncommon occurrence in comics, where fans like to track what a character’s first appearance is. Dr. Zemo has two. He was introduced on the same day in two different titles, two stories set twenty years apart. We’ll meet him here in Sgt. Fury, then see what he’s up to twenty years later menacing the Avengers.

It’s a pretty cool and unique quasi-crossover. In service of it, we’re reading Sgt. Fury #8 two months early.

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Fantastic Four #27

The Search for Sub-Mariner!

Featuring: Fantastic Four
Release: March 10, 1964
Cover: June 1964
12 cents
Author and illustrator extraordinary: Stan Lee and Jack Kirby
Inked by: Geo. Bell
Lettered by: S. Rosen
23 pages

The opening of this story is somewhat different from the norm. A little… sexier.

To make the opening image more amusing, we learn it’s not an actual projection of Sue, but rather a projection of what happens to be on Reed’s mind at the moment. Sexy Sue, apparently.

We then get the issue’s big news. Reed is planning to go buy a ring in order to ask Sue to marry him. Giant-Man recently bought a ring for the same reason, but chickened out. Let’s see if Reed can do any better.

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Strange Tales #120, Story B

The House of Shadows!

Featuring: Dr. Strange
Release: February 11, 1964
Cover: May 1964
12 cents
Written at midnight by: Stan Lee
Drawn by candlelight by: Steve Ditko
Lettered at twilight by: S. Rosen
9 pages

Dr. Strange gets a blurb on the issue’s cover, but no picture.

Dr. Strange has a new tagline. No longer the “Master of Black Magic”, he is now “Master of the Mystic Arts”. This one will stick around for quite some time until Dr. Strange earns a higher title. The stories themselves will still occasionally mention his mastery of black magic for a little while longer.

Ultimately, this seems a simple story. Dr. Strange and a haunted house. There is a twist that the house itself is an interdimensional being acting the part of the ghost. But that’s the type of twist we are used to from many comics of this era. There is some societal commentary about television and the news and audiences to be found. The fact that a news program is dedicating time to what seems to be a publicity stunt about a haunted house tells us something about the world. The fact that audiences don’t believe the reporter when he claims to be in danger speaks to something as well.

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Strange Tales #120

The Torch Meets the Iceman!

Featuring: Human Torch
Release: February 11, 1964
Cover: May 1964
12 cents
Deftly written by: Stan Lee
Dazzlingly drawn by: Jack Kirby
Dramatically inked by: Dick Ayers
Distinctively lettered by: S. Rosen
14 pages

Been a little while since Kirby has deigned to draw a Human Torch story. I assume we owe his presence to the guest appearance of Iceman, just like a Captain America crossover motivated his last visit.

Mr. Fantastic notes the X-Men are hard to contact because nobody knows their identities. Iron Man was able to contact them just fine, and they all have access to a government-provided superhero communications network.

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Avengers #5

The Invasion of the Lava Men!

Featuring: Avengers
Release: March 3, 1964
Cover: May 1964
12 cents
An epic tale told with high drama and heroic dignity by: Stan Lee
Illustrated with deep sincerity and dazzling beauty by: Jack Kirby
Inked by: Paul Reinman
Lettered by: S. Rosen
23 pages

Rick Jones gets his name on the cover and on the opening page alongside the book’s actual stars. He i fact is given billing over Giant-Man and Wasp in both places. His placement suggests he comes with Captain America, as though they are partners.

This tale is getting closer to what I feel like a traditional Avengers tale should be. There should be some menace to the world, a threat so great that no single hero can stand against it. Mostly so far, they’ve just fought Hulk over and over again. And he just wants to be left alone.

In this issue, the Lava Men invade Earth. When last we met them, they were referred to as Lava People; not sure how the unneeded gendering crept in.

Almost what I’m looking for. Only two problems. The first is that the Lava Men/People invaded before and Thor stopped them all by himself. So it’s not clear they’re an Avengers-worthy threat. The second is that in addition to fighting the Lava Men, the Avengers also all attack Hulk again. They really should just give the guy a break. This is now their fifth battle with the Hulk, and they all end in a stalemate.

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Tales to Astonish #57, Story B

A Voice in the Dark

Featuring: Wasp
Release: April 2, 1964
Cover: July 1964
12 cents
Ring-a-ding story plot by: Stan Lee
Jazzy script and art by: Larry Lieber
Like wow, man! inking by: Chic Stone
Far-out lettering by: S. Rosen
7 pages

Pretty significant issue here. As we’ve mentioned, Wasp is the only female superhero to have a solo series this entire decade. But the series wasn’t really about her. She was always the narrator for another story. Until now.

Starting with this issue, Wasp’s solo adventures actually star the Wasp, as she goes on her own adventures. I feel like this is the real beginning of Wasp’s solo series.

It will last 2 issues.

These comics treat Wasp as though she is not very powerful. And, well, she’s not. However, she’s more powerful than Ant-Man ever was. She’s got his abilities, plus she has a stinger and can fly. And the comics talked about him like he was some unbeatable warrior. Citizens and police praised his prowess while criminals cowered.

This story puts Wasp up against a single crook. Not a supervillain, just an ordinary jewelry thief. And the artists seem at a loss at to how she might fight this guy.

Continue reading “Tales to Astonish #57, Story B”