Tales to Astonish #73

By Force of Arms!

Featuring: Prince Namor, the Sub-Mariner
Release: August 3, 1965
Cover: November 1965
12 cents
Script: Smilin’ Stan Lee
Art: Amiable Adam Austin
Inks: Valiant Vince Colletta
Lettering: Angelic Artie Simek
12 pages

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I am the Sub-Mariner! I am Namor, the Avenging Son! In truth, I am strength!

Hey, finally Hulk gets his due with the main cover spot, relegating Namor’s story to the bottom bit.

Namor has another clue to get and another threat to face on the way. Luckily this threat will turn out to have a weakness.

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Tales to Astonish #72

A Prince There Was!

Featuring: Prince Namor, the Sub-Mariner
Release: July 1, 1965
Cover: October 1965
12 cents
Written in majesty by: Stan Lee
Drawn in grandeur by: Adam Austin
Inked in splendor by: Vince Colletta
Lettered in the suburbs by: S. Rosen
12 pages

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A Prince of the Blood must be true to his duty… though the sorrow in his breast be more than he can endure!

Once again, Namor gets to dominate the cover. Only the slightest mention that this is also Hulk’s comic.

To be completely honest, stories with a repetitive format get a bit dull to discuss. I can only make fun of how identical the plots are in so many different ways. Last issue, Namor defeated the creature guarding a clue on his quest, found the clue, went to the next spot, found a creature guarding the next clue. To be continued. Guess the plot of this issue?

Meanwhile, the Krang/Dorma drama continues. We get a new development there as he banishes her to the realm of the Faceless Ones for rejecting him.

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Tales to Astonish #71

Escape… To Nowhere!

Featuring: Prince Namor, the Sub-Mariner
Release: June 1, 1965
Cover: September 1965
12 cents
Superlative story by: Stan Lee!
Sensational art by: Adam Austin!
Spectacular inking by: Vince Colletta!
Sufficient lettering by: Artie Simek!
12 pages

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For, no matter how long the quest shall be–no matter how deadly the dangers I face–naught but victory can be mine! I was born to rule!! I was born Namor, the Sub-Mariner!

His second issue and Namor gets the entire cover. Take that, Hulk.

Expected structure continues. Last issue, Namor found the first clue, met a threat, and it was to be continued. This issue, he resolved that threat, found the second clue, met a new threat, and now it’s to be continued.

Let’s see where next issue goes.

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Tales to Astonish #70

The Start of the Quest!

Featuring: Prince Namor the Sub-Mariner
Release: May 4, 1965
Cover: August 1965
12 cents
Story by Stan Lee, unchallenged king of the spoken word!
Art by Adam Austin, Marvel’s newest prince of pageantry!
Inking by Vince Colletta, lordly emperor of embellishment!
Lettering by Artie Simek (someone’s gotta carry the spear!)
12 pages

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Imperius Rex!

And… we’re back. Happy Labor Day!

Namor has been flittering through the Marvel Universe as a villain or anti-hero, fighting enough different heroes to help serve as the glue binding the universe together. It has been a decade since his last ongoing series was cancelled. He now makes his triumphant return and will again star in his own title for the next decade before again facing the ignominy of cancellation.

Giant-Man and Wasp just had their regular adventures cancelled. Giant-Man in various guises had been the star of this title since issue 35, sharing it with the Hulk for the last 10 issues. Now the title will be shared by Hulk and Namor. A fitting combo. Neither a hero per se, both acting primarily as villains across different titles for the last couple years, even teaming up once against the Avengers.

A bit of a pattern is taking hold. Tales of Suspense features two of Marvel’s more traditional superheroes, Iron Man and Captain America, the former having long shed any initial horror roots. Journey Into Mystery is entirely Thor’s title now, with the backup features telling stories of Asgard’s past. This series will feature Marvel’s anti-hero characters, Namor and Hulk. Leaving Strange Tales for the not-quite-superhero characters, Marvel’s resident spy and sorcerer, respectively. The combined titles remain a necessity of longstanding distribution difficulties on Marvel’s part, but now there at least seems to be some thematic consistency amongst the titles.

Adam Austin is Gene Colan. He’s learning. Colletta’s inking perhaps doesn’t show Colan at his best. You have to squint or know what you’re looking for to see hints of someone who will soon become one of Marvel’s greatest artists.

The style of layouts will already be different, and reflects a move these comics are slowly making, away from very even grids of pages with 6-9 panels to larger panels of varying shapes and layouts.

Interesting to have a new artist without Kirby to assist. Who is plotting the story? Lee? Colan?

Here’s the plan. They’ve set up a pretty standard adventure here. Namor has lost his crown and needs to go on this quest. There will be various clues. The issue takes him to the first clue.

I guess that seems like a plot Lee could maybe have come up with without Kirby.

We’ll keep reading Namor’s story while this quest is going on. Meanwhile, Hulk is embroiled in the “Leader Saga”. So we’ll read both stories from the next several issues of this title. As will happen often, Hulk’s story will reach a natural breaking point sooner than Namor’s, so we’ll break the comics up and read a little ahead in Namor’s story, and then try to get them back in sync later.

The story opens with the phrase “Imperius Rex!”. What does that mean? Sounds almost Latin. Something like “Imperial King”. I don’t know. I don’t speak Latin. I suspect Stan doesn’t either. Whatever it means, it is now Namor’s official catchphrase and will be for decades to come.

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Daredevil #7

In Mortal Combat with… Sub-Mariner!

Featuring: Daredevil
Release: February 4, 1965
Cover: April 1965
12 cents
Written by the master of the spoken word: Stan Lee
Drawn by the master of the printed picture: Wally Wood
Lettered by the monster of the blurb balloon: Artie Simek
20 pages

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Interviewed in London about 7 years back, Stan Lee was asked what his favorite story he ever wrote was. At first he claimed they were all his favorites. But after a moment’s reflection, he began to describe a comic he wrote where Daredevil and Sub-Mariner fought. His description contained some inaccuracies; he was 92 at the time and never renowned for his memory. Yet his description of the ending was pretty much spot on.

And in the end the Sub-Mariner went… back to the ocean and he left Daredevil kind of lying exhausted on the sand, and he said something like, “You were a noble competitor…” I enjoyed the way I think I made them both seem heroic, even though they were fighting each other.

Stan Lee, London Film and Comic Con, 2014

Stan Lee wrote hundreds of superhero comics and in many interviews could barely keep any two characters straight. Yet somehow he spoke with a nostalgic fondness about a single moment at the end of this particular story 50 years later, a single page that he did seem to remember rather clearly.

This is Wally Wood’s third issue of Daredevil. Wood is an artist and storyteller on par with Kirby and Ditko, but won’t be at Marvel long enough to leave the same mark on the characters they did. His greatest contribution to the nascent Marvel Universe will be this issue.

Let’s start with the obvious. Right from the cover, we see Daredevil has a new costume. It’s not really that different from a penciler’s perspective than the one he wore last issue. It’s mostly the color scheme that’s changed. The costume is all red now. Fitting for a devil.

And somehow it makes all the difference in the world. From the worst Marvel costume to an iconic look that will be forever associated with the character. This is the look of Daredevil that endures.

Wood puts more detail into the world than either Kirby or Ditko. We’ve never seen Atlantis quite like this in Kirby’s rendering. Kirby drew beautiful and bold and bizarre shapes in Atlantis, but Wood makes it feel full, like there’s a real city there fading into the background. His cityscapes of New York will be equally impressive.

Namor gets an impressive array of titles.

In next month’s Avengers, which we have already read, Namor turns down a request to join the Avengers because he has vowed to conquer the surface world. This story must take place shortly after that encounter, despite being published earlier.

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Fantastic Four #33

Side-by-side with Sub-Mariner!

Featuring: Fantastic Four
Release: September 8, 1964
Cover: December 1964
12 cents
Script: Smilin’ S. Lee
Art: Jolly Jack Kirby
Inks: Chucklin’ Chic Stone
Lettering: Amiable Art Simek
20 pages

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Kirby has used these photo collages a few times now, but this is the first cover that combines art with photographs in a cool collage.

This is the first time Stan’s name has ever been abbreviated in the credits: “S. Lee”. I’m guessing the letterer just ran out of room.

Namor is again the king of Atlantis (the exact same month Aquaman is first named king of Atlantis at the Distinguished Competition). Namor has the most fickle people. They moved the entire kingdom once so he couldn’t find them because of his affection for Sue. But I guess that’s all forgotten now.

Meet Attuma. We’ll be seeing him again.

The story is that Dorma betrayed Namor because he scorned her love, so she helped Attuma’s armies gain entry to Atlantis so Attuma could seize the throne. Women, eh?

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Strange Tales #125

The Sub-Mariner Must Be Stopped!

Featuring: Human Torch and Thing
Release: July 9, 1964
Cover: October 1964
12 cents
Written by: Word-slingin’ Stan Lee
Drawn by: Picture-sketchin’ Dick Ayers
Inked by: Ink-splatterin’ Paul Reinman
Lettered by: Pen-pushin’ S. Rosen
13 pages

Dr. Strange gets a mention, but the cover real estate is again mostly devoted to Human Torch and Thing.

Thing and Human Torch battle Namor at sea, where they really are completely outmatched.

This turns out to be an issue of misunderstandings.

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X-Men #6

Sub-Mariner!

Featuring: X-Men
Release: May 5, 1964
Cover: July 1964
12 cents
Written: With the flair of Stan Lee
Drawn: With the air of Jack Kirby
Inked: With the care of Chic Stone
Lettered: On a dare by S. Rosen
22 pages

Once again, we see that Namor and Hulk are the binding that holds this nascent Marvel Universe together. Most of the heroes haven’t met each other, but they’ve almost all met Hulk or Namor. (Daredevil hasn’t met either yet, but we’ve only read two issues; he’ll meet Namor soon.)

My confusion about what to call Magneto’s group remains. It’s becoming clearer that “Evil Mutants” is how Xavier and the narrator refer to them. It’s less clear what they would call themselves. They were called the “Brotherhood of Evil Mutants” on the cover, and in the title, of their first appearance; however, that name has never shown up in-story.

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POSTLUDE: Marvels #1

A Time of Marvels

Featuring: Marvels
Release: November 9, 1993
Cover: January 1994
$5.95
Writer: Kurt Busiek
Artist: Alex Ross
Letters: Starkings w\ John Gauhsell
Editor: Marcus McLaurin
Assistant editor: Spencer Lamm
Editor in Chief: Tom DeFalco
Cover design & logo: Joe Kaufman
Interior Design: Comicraft
45 pages

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When this is over, I’d said. When would that be? It would blow over. The world wouldn’t stay like this. It couldn’t. Could it?

The 4 (or so) issues comprising this series are pretty close to being the best comics I have ever read. They inspire the journey we are taking here, where we read through the entire Marvel Universe starting in 1961, and I want them to frame the journey we are taking.

Through a man named Phil Sheldon, an “ordinary” photojournalist, we see a holistic view of all these many interconnected stories of Marvels, cohesing into a single narrative, leading us to understand that this world is not our own, and helping us imagine what it might be like to live in that world.

The tagline reads: “Experience the Marvel Universe from a whole new perspective– yours.”

We read Marvels #0 pretty early in the project, right after meeting the original Human Torch, who we introduced after meeting the new Human Torch.

Marvels #1 deals with Marvel’s Golden Age, stories from the 1930s and 1940s. We are reading it now in our reading order because we have met enough Golden Age heroes to justify it. Really, it comes down to the big three: Human Torch, Sub-Mariner, and Captain America. But our reading about characters like Angel, Electro and Black Widow will also help us appreciate the details.

And if there’s one word that can describe this comic, it’s “detailed”. Sitting in a hotel room in Dresden with the intent of doing a deep dive into this issue, I have the original comic in my hand, but also the recent annotated edition which can serve as a guide. Plus some Golden Age and other reference material.

With all that in front of me, I would like to look very closely at this comic; consider those details, and try to do so without losing sight of the powerful emotional journey in front of us, one that will seem very familiar in the year 2020.

I think I’ve already gushed at sufficient length over the creators Kurt Busiek and Alex Ross in our recent Astro City discussion, so we’ll jump right into the story.

A Time of Marvels

The bystanders had seen the stories in the paper– seen them, chuckled and dismissed them. But it’s one thing to read about the impossible– and another to look it in the face.

The story opens in 1939 with reporters talking about the tensions in Europe. Phil Sheldon is an ambitious photojournalist looking for an assignment overseas. His fellow reporter–resembling a young J. Jonah Jameson down to a well-placed shadow beneath the nose where Jameson’s mustache will eventually be–muses that one day he will be the one running the Bugle. Phil is off to cover a press conference with a scientist who he expects to be a crackpot, one Phineas T. Horton.

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PRELUDE: Human Torch #5

The Human Torch Battles the Sub-Mariner as the World Faces Destruction!

Featuring: Human Torch
Release: October 8, 1941
Cover: Fall 1941
10 cents
60 pages (!)

The comic gives no credits. I’ll point you to the GCD, which notes work from Carl Burgos, Bill Everett, Jack D’Arcy, Hank Chapman, Mike Roy, Harry Sahle and George Kapitan. That’s… a lot of names. I will make no attempt to untangle who did what.

Counting to 5

Let’s get the confusing part out of the way. We are looking at Human Torch #5, with a cover date of Fall 1941.

The previous issue of Human Torch was… Human Torch #5, with a cover date of Summer 1941. Why? I have no idea. I think somebody counted wrong.

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