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Daredevil #23

DD Goes Wild!

Featuring: Daredevil
Release: October 11, 1966
Cover: December 1966
12 cents
Story: Stan (The Man) Lee
Art: Gentleman Gene Colan
Inks: Fearless Frank Giacoia
Lettering: Swingin’ Sam Rosen
20 pages

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	INTERLUDE	Captain Atom #83, Story B
Daredevil #22	Reading order	Sgt. Fury #36
Daredevil #22	Daredevil	Daredevil #24

Surrender, Daredevil… or suffer the fatal consequences!

We seem to have two very similar opening splash pages.

Stan explains that Gene had drawn both, and they liked both, so they used both. I think Gene just likes his splash pages because it’s less pictures to draw.

As part of a brilliant plan to protect his secret identity, Matt told Karen he was going to pretend to be Daredevil. And he put on a Daredevil costume in front of her. They then went to the arena, where the real Daredevil showed up. And then she couldn’t find Matt in his Daredevil costume.

Daredevil #22

The Tri-Man Lives!

Featuring: Daredevil
Release: September 1, 1966
Cover: November 1966
12 cents
Written with rapture by: Stan Lee
Drawn with drama by: Gene Colan
Delineated with delight by: Giacoia & Ayers
Lettered with the ball game on by: Sam Rosen
20 pages

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Avengers #35	Reading order	Daredevil #23
Daredevil #21	Daredevil	Daredevil #23

I know it’s utterly insane, but I can’t help thinking of Daredevil every time I look at Matt! I know a blind attorney can’t possibly be a costumed super-hero… and yet…!

We checked in with Daredevil at the start of the Secret Empire mess because his story was entangled with Spider-Man’s battle against the Rhino. We paused, but now need to look back and remind ourselves where we were some.

Matt Murdock was wanted for Rhino’s defense council, but he couldn’t be found, because he was a prisoner of the Owl. When the Rhino broke out of prison, we saw that Matt had returned safely from the Owl’s island, and considered going after the Rhino, but decided to let Spider-Man handle it.

We now go back in time a bit as this issue opens with Daredevil just escaping from Owl’s island.

But by page 3, we are back in the present, in a scene set after his appearance in Amazing Spider-Man #43. So, the first two pages took place a few days back. But it’s been quite the few days in the lives of the Marvel heroes. And starting on page 3, a longer saga begins.

I hope this is the last time I refer to the continuity of the Secret Empire saga.

X-Men #23

To Save a City

Featuring: X-Men
Release: June 2, 1966
Cover: August 1966
12 cents
Edited in ecstacy by Stan Lee
Written in rapture by Roy Thomas
Drawn in delight by Werner Roth
Delineated in depth by Dick Ayers
Lettered in a lawn-chair by Artie Simek
20 pages

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	POSTLUDE	Marvels #3
X-Men #22	Reading order	Daredevil #18
X-Men #22	X-Men	X-Men #24

It is only in this form, in which I have no solid substance, that I can know anything like the thrill of walking again!

Werner Roth had been referring to himself as “Jay Gavin” these last several issues. But now he’s ready to use his real name in the credits.

We pick up where last issue left off, with the X-Men prisoners of Count Nefaria and the new Maggia, with lieutenants picked from an assortment of titles.

Now Nefaria executes his plan, holding Washington DC hostage, blackmailing America, and framing the X-Men.

X-Men #22

Divided– We Fall!

Featuring: X-Men
Release: May 3, 1966
Cover: July 1966
12 cents
Editor emeritus: Stan Lee
Script by: Roy Thomas
Art by: Jay Gavin
Inking by: Dick Ayers
Lettering by: Artie Simek
Colosso by: Irving Forbush Robotics, Inc.
20 pages

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Sgt. Fury #31	Reading order	X-Men #23
X-Men #21	X-Men	X-Men #23

And, we did it as a team! No one of us could have done it alone!

The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.

As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.

The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.

Avengers #13

The Castle of Count Nefaria

Featuring: Avengers
Release: December 10, 1964
Cover: February 1965
12 cents
Rather exceptional story by: Stan Lee
Somewhat distinctive art by: Don Heck
Fairly compelling inking by: Dick Ayers
Moderately clear lettering by: Artie Simek
20 pages

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Tales of Suspense #63, Story B	Reading order	Avengers #14
Avengers #12	Avengers	Avengers #14

The cover is pretty off for a Kirby composition. I’m pretty sure Count Nefaria is supposed to be manipulating the controls, but he looks passed out to me.

Solid opening splash page of the Avengers looking furtive near the wanted ad.

The story opens with Iron Man and Thor stopping a fur robbery. Honestly, that seems somewhat beneath them; I’d be more comfortable with such crimes being left to conventional authorities or more down-to-earth vigilantes.

Up to this point, there was no evidence the Avengers were proactively seeking out any types of crimes to stop. They responded to two global threats–the Lava Men and Kang. They occasionally seek out the Hulk to fight, but usually just wait for a villain to attack them. Villains in these stories tend to be much more proactive. But now we learn the Avengers have been actively fighting crime for a while now.

This story introduces the Maggia, an organized criminal organization, perhaps inspired by real-life Mafia.