Daredevil #18

There Shall Come a Gladiator!

Featuring: Daredevil
Release: May 5, 1966
Cover: July 1966
12 cents
Story by: Smilin’ Stan Lee
Art by: Jazzy Johnny Romita
Inks by: Fearless Frank Giacoia
Lettering by: Swingin’ Sammy Rosen
20 pages

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Karen is about 99% convinced that I’m really Daredevil! But, she still hasn’t said she’ll marry me!

Next to the credits, we learn Stan had scripted 7 pages before taking a vacation, and that Denny O’Neil finished the script.

We met Dennis O’Neil on the final two issues Ditko’s Dr. Strange, his first comics work. He won’t be at Marvel long. He’ll go on to pretty good things at the Distinguished Competition.

Foggy enters a costume shop featuring various superheroes and villains. Recall how we saw a lot of superhero sculptures from Wally Wood to show off his takes on the characters; this is Romita’s chance to show he’s qualified for a variety of titles. Unfortunately Wood left before trying his hand at other Marvel characters.

Romita will be with Marvel for the rest of his days, and have generally more positive things to say about Stan and their relationship than the artists we’ve been seeing up until now. And Romita will get plenty of chances in the future to draw the characters he’s depicting here.

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Avengers #30

Frenzy in a Far-Off Land!

Featuring: Avengers
Release: May 10, 1966
Cover: July 1966
12 cents
Stan Lee: Writer
Don Heck: Artist
Frank Giacoia: Inker
Sam Rosen: Letterer
Irving Forbush: Arbitrator
20 pages

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Avengers #29AvengersAvengers #31

But, the past is over now! The past is dead! You are the master no longer! I’m free of you… at last!

We just saw Galactus appear in the middle of New York. There to devour the Earth. The Avengers have a mansion in the middle of New York. Why didn’t they help out?

Well, maybe they were away. Where? Surely not just elsewhere in New York fighting Black Widow. Maybe off wherever the Collector’s castle is? Or in the middle of the Atlantic fighting Attuma? Or perhaps they were in the “Far-Off Land”, as the title suggests. It seems likely they were quite far away.

Now, the Avengers won’t make it to the titular Far-Off Land this issue, but next issue.

And Marvels will claim this is where the Avengers were when Galactus attacked. Which is good enough for me.

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Tales of Suspense #78, Story B

Them!

Featuring: Captain America
Release: March 10, 1966
Cover: June 1966
12 cents
Wondrous words by: Stan Lee
Awesome art by: Jack Kirby
Incredible inking by: Frank Giacoia
Lop-sided lettering by: Artie Simek
10 pages

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Tales of Suspense #78Tales of SuspenseTales of Suspense #79

…the world will soon tremble before the power of– Them!

In Captain America’s recent battle with Batroc, Batroc was working for some secret cabal. In the pages of Strange Tales, we learned the Fixer was working for some secret cabal called Them. They had some plot involving miniature brains. I don’t know if these two cabals are connected.

Nick Fury confronts Captain America at Avengers HQ. This is their first meeting in the present. Captain America refers to him as “Sarge”, but it’s Colonel Fury now. They reference fighting together, presumably referring to Sgt. Fury #13. That is the only prior meeting we know of.

When Fury notes Cap hasn’t aged much, Cap says Fury seems pretty well-preserved himself. Is this just a compliment? Or a first hint that Fury uses some form of special formula to keep himself young. They last met 20 years ago. Fury could have been in his ’20s then and ’40s now.

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Tales of Suspense #77, Story B

If a Hostage Should Die!

Featuring: Captain America
Release: February 10, 1966
Cover: May 1966
12 cents
Script: Stan Lee
Layouts: Jack Kirby
Penciling: John Romita
Inking: Frank Ray
Lettering: Sam Rosen
Kibitzing: Irving Forbush
10 pages

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Tales of Suspense #77Tales of SuspenseTales of Suspense #78

Oh, Cap… Cap… will this war never end? Will we never be able to lead normal lives? How can we speak of love… when the world is in flames… when I don’t even know your name!

With famed romance artist John Romita on pencils, we will learn the story of the “girl from Cap’s past”. There’s going to be some confusion here. A lot of confusion, in fact. So let’s review what we know.

Two issues ago, Cap encountered a female SHIELD agent who reminded him of an old flame. This SHIELD agent has an older sister who once dated a man named Steve Rogers.

We see the final parting of Cap and this woman in his memory. We’ll recall it here for reference.

Not a lot of details about this woman to go off, but enough that this issue will find a dozen ways to contradict them.

A documentary about Cap’s role in the liberation of Paris stirs up Cap’s memories. He notes it’s been over 20 years. He lost her that day and never learned what became of her, if she survived the war or not.

“That lightning and thunder… it’s like the angry roar of the past… trying to capture me again!”

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Daredevil #17

None Are So Blind..!

Featuring: Daredevil
Release: April 5, 1966
Cover: June 1966
12 cents
Writer: Smilin’ Stan Lee
Artist: Jazzy Johnny Romita
Inker: Fearless Frankie Ray
Letterer: Swingin’ Sammy Rosen
Complaints may be sent to the irascible Irving Forbush!
20 pages

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It’s the challenge… the thrill of battle… the danger! That’s what really grabs me! And, I’ve a hunch that Spider-Man feels the same way!

Who’s Irving Forbush?

Recall the situation: The Masked Marauder had manipulated Daredevil and Spider-Man into being suspicious of each other. Now not only does Spider-Man think Daredevil is in league with the Masked Marauder, but he believes Foggy is Daredevil!

And remember, we’re supposed to be seeing what we think of John Romita’s take on Spider-Man. Somebody needs to take over for Steve Ditko!

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Daredevil #16

Enter… Spider-Man

Featuring: Daredevil
Release: March 3, 1966
Cover: May 1966
12 cents
Sagacious script by: Stan Lee
Phantasmagoric pencilling by: Johnny Romita
Iconographic inking by: Frankie Ray (nee Giacoia)
Lachrymose lettering by: Artie Simek
20 pages

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Let’s talk about your costume! Those red longjohns break me up– but I liked your old yellow duds better! … I mean they matched your new yellow streak!

This might be the first time we learn the true identity of Frankie Ray, really Frank Giacoia. For a lot of these people, the aliases are about not sabotaging regular gigs with Marvel’s competition. Frank Giacoia was a regular DC artist at the time, and hadn’t necessarily wanted them knowing he was freelancing for Marvel. But at some point it becomes clear, or his Marvel gig becomes the more regular gig, and it just stops mattering. Though by this point Marvel fans might know him best as Frank or Frankie Ray and not recognize the name Frank Giacoia.

Just like they might be confused if a comic were credited to Stanley Lieber or Jacob Kurtzberg.

That’s a great cover by Romita and Giacoia. The cityscape is detailed but the lack of color keeps it subtly in the background, leaving the focus on the two colorful characters. This is our first chance to see Spider-Man as rendered by John Romita. He captures that sense of agility that Ditko creates, and you can feel the motion of the cover, even without the helpful motion lines.

We’ve talked a bit about the tension in the pages of Amazing Spider-Man. Lee and Ditko aren’t getting along and Ditko is looking out the door. Lee is well aware of this, but has a huge problem. Spider-Man is his best comic, indelibly associated with Steve Ditko. You can’t just throw anybody on the book. Jack Kirby is Stan’s go-to artist when he needs a good one, but Jack had drawn Spider-Man a couple times by this point, and it was never right. And Jack’s style– while perfect for Fantastic Four– just wasn’t Spider-Man. Nobody was Steve Ditko.

We talked in the last issue about John Romita, who recently passed away. He’s been on Daredevil since Wally Wood left, following a succession of legendary talent from Bill Everett to Joe Orlando. And Romita has been more than up to the task of making his own mark on Daredevil.

But John Romita is not famous for drawing Daredevil. And while he excelled at the romance comics he had been drawing, that’s not really what made him a household name amongst fans. His step into legendary status will come with his next assignment, and this issue will serve as his audition for that assignment.

So, how well can John Romita draw Spider-Man? Let’s find out.

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Avengers #29

This Power Unleashed!

Featuring: Avengers
Release: April 12, 1966
Cover: June 1966
12 cents
Savage script by: Stan Lee!
Powerful pencilling by: Don Heck!
Explosive embellishment by: Frank Giacoia!
Lethargic lettering by: Sam Rosen!
20 pages

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No matter what else… he’ll always be an Avenger! Just as he’ll always be… the man I love!

Frank Giacoia going by his real name for perhaps the first time. He’s usually been under the pen name Frankie Ray or similar.

Dr. Henry Pym. Ant-Man. Giant-Man. Goliath. He who can’t choose a name.

Or a status quo. His latest shtick is that he can only turn exactly 25 feet tall and only for a period of exactly 15 minutes. What happens if he exceeds 15 minutes? We’re about to find out. He did so last issue, then collapsed while shrinking, having gotten down to about 10 feet.

I think it’s cute how quickly all the Avengers have taken to calling him Goliath. There’s probably a lesson for people today to take from this.

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Avengers #28

Among Us Walks… A Goliath!

Featuring: Avengers
Release: March 10, 1966
Cover: May 1966
12 cents
Brilliantly conceived by: Stan Lee, writer
Cleverly perpetrated by Don Heck, penciller
Daringly executed by: Frankie Ray, inker
Stoically buried by: Artie Simek, letterer
20 pages

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Avengers #27AvengersAvengers #29

Goliath! I like the sound of that! That’s what I’ll call myself from now on– Goliath!!

Today… Hank Pym will be infamous for having taken on too many superhero identities… but this isn’t new. This was a pretty early feature of the character. In under 5 years, he’s on 3, and sort of 4, identities.

When we met him, he wasn’t a superhero at all, just a scientist named Dr. Henry Pym. A year or so later he jumped on the superhero bandwagon as Ant-Man. Another year down and Lee decided the public wanted more powerful superheroes, so Ant-Man became Giant-Man. Those changes all somewhat made sense. But now… he’s no longer Giant-Man… he’s Goliath. That change seems gratutitous.

With the new name comes a new status quo. But he’s had a lot of status quos already. We attempted to recount in the final issue of his ongoing series, Tales to Astonish #69. The rules just keep changing. He drinks a liquid or takes a pill or uses his mind. And he can only chage size every so often or hold the new size for so often or…

Anyways, now he can grow to 25 feet and only 25 feet and remain that way for exactly 15 minutes, no more, no less.

We’ve met one other Goliath, the biblical one, in Avengers #10.

How does he get the new name anyway? It’s a bit weird. We basically learn it’s happening from the cover and title.

We are getting ahead of ourselves. The story begins with Hank Pym contacting the Avengers to help him find the Wasp. We’d last seen her attempting to escape from Attuma. Of course, they don’t know who Dr. Pym is. Because of secret identites.

Now, as secret identities go… Wasp’s costume often didn’t cover her face… she often called Giant-Man Henry or Hank in the presence of others… Giant-Man’s lab was a well known location where his fan club hung out… the kids Jan read sci/stories to knew she was the Wasp… Hank sometimes did experiments in his own house and one day he accidentally turned giant and came bursting out of his house…

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Avengers #27

Four Against the Floodtide!

Featuring: Avengers
Release: February 10, 1966
Cover: April 1966
12 cents
Mad, mixed-up story by Stan Lee
Ickie, insane illustrations by Don Heck
Daffy, dizzy delineation by Frankie Ray
Loony, lampoony lettering by Artie Simek
20 pages

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Avengers #26AvengersAvengers #28

Only a fool– or a liar– says he’s never afraid, Wanda!

A lot of plot threads to pick up on from last issue. Namor headed to New York (though we’ve already seen how that plays out in the pages of Tales to Astonish). Dr. Pym busy with research on ship. Other Avengers captured in attempt to rescue Wasp. Attuma engaging them in trial combat to impress men, as the sea poured in. Hawkeye in a coma attempting to remember his password. A mysterious figure in the shadows. Wasp has escaped Atttuma but her fate is unknown.

The password thing is quite funny. People forget their passwords at work and need to call IT support to get it reset. No such backup here. Hawkeye must hook himself up to a fancy memory-jogging machine.

But the number he couldn’t remember was 1313. How hard is that? It’s not like the password was something actually secure like _b9<Jgu_X^TZDS.

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Avengers #26

The Voice of the Wasp!

Featuring: Avengers
Release: January 11, 1966
Cover: March 1966
12 cents
Incredible script by: Stan Lee
Inconceivable art by: Don Heck
Indescribable inking by: Frank Ray
Indelible lettering by: Artie Simek
20 pages

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Avengers #25AvengersAvengers #27

He endures so much– to hold the Avengers together! And yet– none can help him! He walks– alone!

A recap. Giant-Man and the Wasp left the Avengers in Avengers #16. Then in Tales to Astonish #69, they agreed it was time to retire from superheroing and work on their relationship. And presumably on Pym’s scientific interests as well. Flash forward to Tales to Astonish #77 and Hank’s experiments involve drilling into the ocean to learn the secrets of life. These experiments are wreaking havoc on Namor’s domain. This leads to conflict. Namor breaks their equipment and then decides to head to New York. In a nonsensical plot decision, Jan decides to become the Wasp once more to race Namor across the ocean to New York. But she’s the size of a wasp, and can presumably fly at about the speed of a wasp. She obviously can’t cross an ocean. But she tries anyway.

Unsurprisingly, we haven’t heard from her since. Surprisingly, we will hear from her again.

I’d like to start thinking about something as we read the next several Avengers comics. At some point very soon, the Fantastic Four are going to fight a massive global threat, one the Avengers probably should have helped them with. The Avengers do not show up to help, which implies the Avengers are busy. So let’s be on the lookout for where the Avengers might be at the time that they don’t notice a very noticeable world-ending threat.

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