Daredevil #19

Alone– Against the Underworld!

Featuring: Daredevil
Release: June 2, 1966
Cover: August 1966
12 cents
Script: Masterful Stan Lee
Art: Magnificent Johnny Romita
Inks: Melodramatic Frank Giacoia
Lettering: Melancholy Sam Rosen
20 pages

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“You’ve got to confess that it was a hoax!”
“But then I’ll never have a chance with Karen!”

Hello. Happy new year. Welcome to this blog. We will be reading along with Daredevil #19, the 548th comic in the story that is the Marvel Universe, by our reckoning.

We’ve had a busy few months and found some complications in the Marvel Universe, which unfortunately delayed this latest entry. I thank the readers for their patience.

Without further ado, let’s try to recall that Foggy has recently been pretending he was Daredevil in order to impress Karen. The ruse led to Foggy finding himself in a Daredevil costume, battling a new super-villain called the Gladiator. This all began when Spider-Man mistook Foggy for Daredevil while searching for the Masked Marauder. The Masked Marauder remains at large.

Foggy does not seem to have learned a lesson from last issue’s shenanigans.

Gladiator is off to jail. But he is rescued by the Masked Marauder.

Gladiator isn’t the type to work for someone else, so they need to have a villain fight until they agree the Masked Marauder is in charge. Though we’ll see it’s not quite settled. Later, they’ll settle for being equal partners.

Did Daredevil break Foggy’s window? I guess Foggy had it coming.

Foggy opens the door for some goons because he thinks they are reporters. While I don’t wish death on Foggy for being stupid, at some point natural selection may just take its course.

Fortunately Daredevil is on hand, smashing the already smashed window? Smashing a different window of Foggy’s?

Foggy does help a bit.

Foggy expects the landlord to take care of the windows and the mess. He has a much more generous landlord than I’ve ever had, if so.

Karen is surprisingly cool with how stupid Foggy has been, endangering himself and all of them. She even gives him a kiss on the cheek. This makes Matt jealous until he hears Karen say he’s wonderful.


Astute readers may be noticing we’d long ago read the Namor story from Tales to Astonish #80, but still haven’t read the Hulk story, even though that came out in March. Nor have we read any Hulk/Namor stories since then.

Very astute readers may notice my original reading order called for us to be catching up with Hulk and Namor right now with the May comics, but that I changed up the order and am reading through some June comics instead.

Part of the reason for the delay since I made the last Thor post was that the continuity related to the Secret Empire, Them, and AIM overwhelmed me somewhat. That combined with a recent move across an ocean. I think I’ve gotten it all sorted. I had thought Daredevil would be one of the titles not caught up in the wave of stories about secret evil organizations, but I was wrong. Because Foggy defended the Rhino, and Peter Parker bought a new cycle, and Thor attended an Avengers meeting… I realized I did need to get this Daredevil issue out of the way first.

The plan now is to read some sufficiently standalone June/July comics, then read ahead a bit in Thor until we reach a point we are happy to have him chilling on Earth. And then we’ll dive in headfirst to the saga of the Secret Empire in an attempt to make sense out of it. (Spoiler: we won’t make any sense out of it.)

Besides, we all need closure on this Masked Marauder/Gladiator stuff sooner than later.


For the moment, let’s see what else is going on in the world of comics in June 1966, and then we’ll head back in time to D-Day with the next post.

Marvel has been reprinting older comics in Fantasy Masterpieces and Marvel Tales. This month adds another book, Marvel Super-Heroes, a one-off king-sized special, reprinting three old tales, featuring the Avengers, Daredevil, and Sub-Mariner, respectively.

Here’s a sampling of the Brand Echh publishers from the month.

  • Archie Giant Series Magazine #140, Archie
  • D-Day #4, Charlton
  • Timmy the Timid Ghost #45, Charlton
  • Action Comics #340, DC
  • Adventures of Bob Hope #100, DC
  • Falling in Love #85, DC
  • Flash #163, DC
  • Werewolf #1, Dell
  • Dennis the Menace Giant #42, Fawcett
  • Honey West #1, Gold Key
  • Little Dot’s Uncles and Aunts #18, Harvey
  • Spyman #1, Harvey
  • Popeye #81, King Features
  • Captain Marvel Presents the Terrible Five #1, MF Enterprises
  • Dynamo #1, Tower
  • Eerie #5, Warren

The lawless Dot is up to her usual vandalism. Lots of publishers mashing up the superhero/spy genres. Parasite is a notable new Superman villain. That’s a pretty famous Flash cover. Dynamo is a spin-off from Wally Wood’s THUNDER Agents.

The version of Captain Marvel above is famous mostly for his name. A short-lived character, after Fawcett stopped publishing the more famous Captain Marvel due to a lawsuit from DC and lost the trademark. Marvel has taken note of the comic, and will decide soon that it wants the name for itself.

Rating: ★★★☆☆, 53/100
Significance: ★★★☆☆

I read this story in Daredevil Epic Collection vol. 1: The Man Without Fear.

Characters:

  • Matt Murdock/Daredevil
  • Foggy Nelson/not Daredevil
  • Gladiator
  • Masked Marauder
  • Karen Page
  • Big Joe

Story notes:

  • Foggy still pretending to be Daredevil to impress Karen.
  • On the way to protect Foggy, DD stops to save a worker after the scaffolding broke.
  • Daily Bugle headline reveals Foggy is Daredevil.
  • Masked Marauder’s goons disguised as press greet Gladiator with cameras that shoot gas to break him out of police custody.
  • Battle for dominance between two villains; Masked Marauder wins at first with his Opti-blast.
  • Sensitive touch and hearing make lock picking easy for Daredevil; he looks for clues at costume shop where Foggy bought the costume.
  • Goons picked from elite of the underworld to form Empire of Crime.
  • Top of Marauder’s mask made of strongest cushioned steel.
  • Big Joe a particularly tough hood.
  • Goon reports to Marauder and Gladiator that Nelson is not Daredevil.
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Daredevil #18

There Shall Come a Gladiator!

Featuring: Daredevil
Release: May 5, 1966
Cover: July 1966
12 cents
Story by: Smilin’ Stan Lee
Art by: Jazzy Johnny Romita
Inks by: Fearless Frank Giacoia
Lettering by: Swingin’ Sammy Rosen
20 pages

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Karen is about 99% convinced that I’m really Daredevil! But, she still hasn’t said she’ll marry me!

Next to the credits, we learn Stan had scripted 7 pages before taking a vacation, and that Denny O’Neil finished the script.

We met Dennis O’Neil on the final two issues Ditko’s Dr. Strange, his first comics work. He won’t be at Marvel long. He’ll go on to pretty good things at the Distinguished Competition.

Foggy enters a costume shop featuring various superheroes and villains. Recall how we saw a lot of superhero sculptures from Wally Wood to show off his takes on the characters; this is Romita’s chance to show he’s qualified for a variety of titles. Unfortunately Wood left before trying his hand at other Marvel characters.

Romita will be with Marvel for the rest of his days, and have generally more positive things to say about Stan and their relationship than the artists we’ve been seeing up until now. And Romita will get plenty of chances in the future to draw the characters he’s depicting here.

Continue reading “Daredevil #18”

Daredevil #17

None Are So Blind..!

Featuring: Daredevil
Release: April 5, 1966
Cover: June 1966
12 cents
Writer: Smilin’ Stan Lee
Artist: Jazzy Johnny Romita
Inker: Fearless Frankie Ray
Letterer: Swingin’ Sammy Rosen
Complaints may be sent to the irascible Irving Forbush!
20 pages

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It’s the challenge… the thrill of battle… the danger! That’s what really grabs me! And, I’ve a hunch that Spider-Man feels the same way!

Who’s Irving Forbush?

Recall the situation: The Masked Marauder had manipulated Daredevil and Spider-Man into being suspicious of each other. Now not only does Spider-Man think Daredevil is in league with the Masked Marauder, but he believes Foggy is Daredevil!

And remember, we’re supposed to be seeing what we think of John Romita’s take on Spider-Man. Somebody needs to take over for Steve Ditko!

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Daredevil #16

Enter… Spider-Man

Featuring: Daredevil
Release: March 3, 1966
Cover: May 1966
12 cents
Sagacious script by: Stan Lee
Phantasmagoric pencilling by: Johnny Romita
Iconographic inking by: Frankie Ray (nee Giacoia)
Lachrymose lettering by: Artie Simek
20 pages

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Let’s talk about your costume! Those red longjohns break me up– but I liked your old yellow duds better! … I mean they matched your new yellow streak!

This might be the first time we learn the true identity of Frankie Ray, really Frank Giacoia. For a lot of these people, the aliases are about not sabotaging regular gigs with Marvel’s competition. Frank Giacoia was a regular DC artist at the time, and hadn’t necessarily wanted them knowing he was freelancing for Marvel. But at some point it becomes clear, or his Marvel gig becomes the more regular gig, and it just stops mattering. Though by this point Marvel fans might know him best as Frank or Frankie Ray and not recognize the name Frank Giacoia.

Just like they might be confused if a comic were credited to Stanley Lieber or Jacob Kurtzberg.

That’s a great cover by Romita and Giacoia. The cityscape is detailed but the lack of color keeps it subtly in the background, leaving the focus on the two colorful characters. This is our first chance to see Spider-Man as rendered by John Romita. He captures that sense of agility that Ditko creates, and you can feel the motion of the cover, even without the helpful motion lines.

We’ve talked a bit about the tension in the pages of Amazing Spider-Man. Lee and Ditko aren’t getting along and Ditko is looking out the door. Lee is well aware of this, but has a huge problem. Spider-Man is his best comic, indelibly associated with Steve Ditko. You can’t just throw anybody on the book. Jack Kirby is Stan’s go-to artist when he needs a good one, but Jack had drawn Spider-Man a couple times by this point, and it was never right. And Jack’s style– while perfect for Fantastic Four– just wasn’t Spider-Man. Nobody was Steve Ditko.

We talked in the last issue about John Romita, who recently passed away. He’s been on Daredevil since Wally Wood left, following a succession of legendary talent from Bill Everett to Joe Orlando. And Romita has been more than up to the task of making his own mark on Daredevil.

But John Romita is not famous for drawing Daredevil. And while he excelled at the romance comics he had been drawing, that’s not really what made him a household name amongst fans. His step into legendary status will come with his next assignment, and this issue will serve as his audition for that assignment.

So, how well can John Romita draw Spider-Man? Let’s find out.

Continue reading “Daredevil #16”

Daredevil #15

And Men Shall Call Him… Ox!

Featuring: Daredevil
Release: February 3, 1966
Cover: April 1966
12 cents
Unsurpassed story by: Stan Lee
Unexcelled pencilling by: John Romita
Unparalleled inking by: Frankie Ray
Unabashed lettering by: Artie Simek
20 pages

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The cover is evocative of Kirby’s style with the high melodrama and sense of characters leaning forward out of the page, but it is by the now regular Daredevil artist, John Romita, with inks by Frank Giacoia.

John Romita passed away last month. I thought about making a note of it on this blog at the time but didn’t quite have the words.

I didn’t really know John Romita. Never met him or spoke to him. I just know his work. So my reaction to his death isn’t the same as that of his family, or even those professionals or fans who knew him better. The question is, what does the death of someone I just know through their work mean to me.

I’ve had cause to ask this too many times in the last several years. Tom Palmer. George Pérez. Steve Ditko. Stan Lee. The first artist death to really hit me was John Buscema about 20 years ago. What do these people I only know through their work mean to me?

Everything. They mean everything. Their deaths fill me with a profound sense of sadness and loss.

That said, John Romita was 93 when he passed. He lived a full and good life and leaves behind an extraordinary legacy. Not the least of which is his son, John Romita Jr., a legendary comic artist in his own right.

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Daredevil #14

If This Be Justice…!

Featuring: Daredevil
Release: January 4, 1966
Cover: March 1966
12 cents
Story: Stan Lee
Pencilling: John Romita
Inking: Frankie Ray
Lettering: Artie Simek
20 pages

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There it is– the most valuable ore of all time!

The kids are growing up. After two issues with Kirby layouts, Lee is ready to let Romita stand on his own feet and draw the comic from scratch, which likely means a lot of the plotting for this issue is also owed to Romita. Frank Giacoia is brought in to finish.

This will wrap up the Ka-Zar saga. Bit of a recap of the key points. Ka-Zar and the Plunderer are brothers. Ka-Zar’s original name was Kevin Plunder. Their father Lord Plunder had been an explorer who discovered a Vibrating Ore with strange and powerful properties. The secret of the mound lies in having the completed medallion that he gave half of to each son.

Plunderer has brought Ka-Zar and Daredevil to his castle in England, and called the local authorities on them, taking advantage of his nobility to accuse them of murder.

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Daredevil #13

The Secret of Ka-Zar’s Origin!

Featuring: Daredevil
Release: December 12, 1965
Cover: February 1966
12 cents
Dastardly story by: Stan Lee
Demonic layouts by: Jack Kirby
Devastating artwork by: John Romita
Dilapidated lettering by: Sam Rosen
20 pages

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No man is ever helpless… not while he lives… not while he dares!

The title promises the secret of Ka-Zar’s origin. The narration seems to hedge a bit, promising only new clues to his origin.

Recall, we had a bit of confusion last time. In name and appearance, Ka-Zar appears to be a character we’d met long before. David Rand, a jungle lord in the Congo introduced in Marvel Comics #1. This Ka-Zar looks the same and also goes by Ka-Zar, but lives in a hidden dinosaur-laden land in Antarctica. Is this Ka-Zar David Rand? And if so, how did we get to Antarctica?

We left off with Ka-Zar in peril from a plant and Daredevil in peril from Maa-Gor, last of the Ape Men, whom we met alongside Ka-Zar in X-Men #10.

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Daredevil #12

Sightless, in a Savage Land!

Featuring: Daredevil
Release: November 4, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Lettering: Sam Rosen
.. and introducing: the matchless artistic wizardry of Marvel’s newest, and most eagerly-awaited, illustrator… the inimitable John Romita!
20 pages

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Ka-Zar have you, Zabu… Need no other! You are wisest… bravest… swiftest of all!

John Romita’s arrival is greeted enthusiastically by Stan. Kirby does layouts, as is common when welcoming new artists, as Stan doesn’t yet trust their storytelling chops (or his own).

Daredevil has a lack stability with revolving doors of legendary superstar artists. Bill Everett only made it one issue because he struggled with deadlines. Joe Orlando left after 3 issues because he got angry with Stan. Wally Wood left after 5 issues because he got angry with Stan. Good luck, John.

We’ve seen John Romita before in our “Prelude” posts. He was a regular artist on Captain America’s short-lived 1950s revival. His art has improved a lot in the intervening 10 years. He found his niche with the romance genre, and then left comics for a successful career in advertising. He draws good-looking people, in a way that artists like Kirby and Ditko don’t. Stan talked him into coming back to comics.

We talked about Romita’s career when we read Captain America #78. This is his new regular gig as a main artist at Marvel, but we’d seen him before providing finishes for Don Heck in Avengers #23, released 3 months earlier.

The story picks up where last issue left off, with Matt leaving Nelson & Murdock. The characters have lots of thoughts. Matt is leaving to let Foggy and Karen be together. Karen is sad because she loves Matt. Foggy thinks Matt is his best friend, but is happy that Karen can now be his. Matt doesn’t recognize that Karen loves him; he thinks her affection is just pity for a blind man. Matt books an ocean cruise to the other side of the world.

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Daredevil #11

A Time to Unmask!

Featuring: Daredevil
Release: October 5, 1965
Cover: December 1965
12 cents
Writer: Smilin’ Stan Lee
Penciller: Bubbly Bobby Powell
Inker: Wonderful Wally Wood
Letterer: Swingin’ Sammy Rosen
20 pages

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Wally Wood wrote part one of this two-parter just for a lark! But now it’s up to sly ol’ Stan to put all the pieces together and make it come out right in the end! Can he do it? See for yourself!

This really is goodbye for Wally Wood. He was heavily involved with 4 issues of Daredevil, then partially involved with 3 more. Now he’s just on inks, making no claim to having written this story in any part. After this job, he’s out the door.

Bob Powell provides the main art.

The narration box is again important. Stan is speaking in his normal salesman voice, but it barely conceals the behind-the-scenes drama of Wood writing the first half of this tale and then resigning.

I’m guessing Wood left before making a cover, as the cover is just a repurposed interior panel.

Here’s a good rundown from the Marvel in the Silver Age blog about Wally Wood’s career and time with Marvel and on Daredevil.

We’re left with one of those “What If” scenarios. What if Wood and Lee had gotten along better? Then Wood was probably going to be the one to revive Sub-Mariner instead of Colan. We got a taste of Wood’s Sub-Mariner in Daredevil #7.

I want to take a peek at Tower Comics to see what Wood is up to next. We’ll see he’s cocreated the superhero/espionage team the THUNDER Agents. Maybe he could have brought ideas like that to Marvel. Who knows what he and Lee could have come up with if they’d been able to work together.

Continue reading “Daredevil #11”

Daredevil #10

While the City Sleeps!

Featuring: Daredevil
Release: August 3, 1965
Cover: October 1965
12 cents
Exquisite editing by: Stan Lee
Lustrous layouts by: Bob Powell
Stunning script and art by: Wally Wood
Lots of lettering by: Artie Simek
20 pages

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Wally Wood has always wanted to try his hand at writing a story as well as drawing it, and big-hearted Stan (who wanted a rest anyway) said okay! So, what follows next is anybody’s guess! You may like it or not, but, you can be sure of this… it’s gonna be different!

This comic’s cool because if you look closely you can see all the behind-the-scenes drama playing out on the page.

The hype box is unusually important. Stan notes Wally had always wanted to try writing a story as well as drawing it, so Stan’s giving him a shot. Really, Wally claims he’s already been writing these comics, but not being paid for doing so.

The precise way in which this issue was constructed is unclear to me, in part because the people who could describe it to history weren’t in agreement, and nobody involved is still living. My best guess is the process here is something like this. Wally came up with the story and gave it to Bob Powell to lay out. Wood filled in the final art and supplied the script. Lee made his final edits.

The other important part of that narration box is that this is a mystery with clues. We’ll see that the mystery isn’t resolved in this issue, but we’ll also see that Wood doesn’t write the next issue and instead leaves the company.

Having his one writing gig be the setup to a mystery he doesn’t tell anybody the ending of may have been an intentional parting shot from Mr. Wood.

Continue reading “Daredevil #10”