character: stan lee – Coke & Comics

Sgt. Fury #22

Don’t Turn Your Back on Bull McGiveney!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 8, 1965
Cover: September 1965
12 cents
Story: The greatest, by Stan Lee
Art: The first-ratest, by Dick Ayers
Inking: The ornatest, by Carl Hubbell
Lettering: The straightest, by Art Simek
20 pages

Previous	#432	Next
Marvels #2	PRELUDE
Tales of Suspense #72	Reading order	Amazing Spider-Man #29
Sgt. Fury #21	Sgt. Fury	Sgt. Fury #23

“Figure it wuz worth it, Sarge?”
“That’s for the history books, soldier!”

This story sets the Howlers on a mission that ties into a famous mission from World War II, Operation: Tidal Wave. This shows us where we are in time. It’s now August 1, 1943. The real-life operation was an ambitious bombing of Nazi oil refineries near Ploiești, Romania, which this comic will spell “Ploesti”.

Sergeants Fury and McGiveney will both be assigned to take their squads to provide preliminary support by destroying Nazi flak guns. McGiveney’s Maulers will be assigned to sabotage the main emplacements, while Fury and his Howlers will be assigned to destroy a train used to deploy mobile flak guns.

Of course, these two squads don’t get along and we’ve never before seen them try to work together. In fact, the story opens with them in a typical brawl, which gets interrupted by Captain Sawyer.

A Sergeant Lee and Corporal Ayers witness the Howlers going off to their mission. Lee decides he’s going to write stories about the Howlers one day and that Ayers can draw them. Indeed, we’ve met this Lee fellow a couple times before. We know he would go on to write the Fantastic Four comics, but would not get an invite to the FF wedding.

Sure enough, the rival squads step on each others’ toes a bit come the mission. The squads run into each other in the dark and mistake each other for the enemy. The confusion created leads to the capture of Fury and McGiveney.

Fantastic Four Annual 3

Bedlam at the Baxter Building!

Featuring: Fantastic Four
Release: July 1, 1965
Cover: 1965
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Vince Colletta
Lettered by: Artie Simek
23 pages

Previous	#400!	Next
	POSTLUDE	Marvel: Heroes & Legends #1
Journey Into Mystery #123, Story B	Reading order	X-Men #14
Fantastic Four Annual 2, Story C	Fantastic Four Annual	Fantastic Four Annual 4

I now pronounce you man and wife! You may kiss your bride!

It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!

This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.

This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.

This is the most significant moment in the early Marvel Universe.

I think I’d have come up with a better title than “Bedlam at the Baxter Building”.

I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.

I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.

Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.

Amazing Spider-Man Annual 1, Story C

How Stan Lee and Steve Ditko Create Spider-Man!

Featuring: Stan Lee and Steve Ditko
Release: June 11, 1964
Cover: 1964
25 cents
By: Stan Lee and Steve Ditko
3 pages

Wonderful opening page with the creators, particularly that first panel with Stan and all the characters.

This story is an interesting little artifact. It pokes fun at the two creators and their relationship. Ditko drew the story, seemingly in good humor. This suggests their relationship had not yet fully deteriorated.

Within 2 years, Ditko would leave Marvel over bitter conflict with Stan. He had been refusing to speak to Stan long before he left the series. There are many with more expertise who can give you the behind-the-scenes details, though plenty remain uncertain or debated.

Fantastic Four #10

The return of Doctor Doom!/Back from the Dead!/The End of Mr. Fantastic?/No Place to Turn!
Featuring: Fantastic Four
Release: October 9, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Pencilling: Jack Kirby
Inking: Dick Ayers
23 pages

Previous	#33	Next
Tales to Astonish #39	Reading order	Strange Tales #104
Fantastic Four #9	Fantastic Four	Fantastic Four #11

Our fans have grown to expect real exciting super-villains from us! Too bad that Doctor Doom was lost in space! He was possibly the greatest super-villain of all!

I read this comic in Fantastic Four Omnibus vol. 1.

Again, Stan gives relatively full credits, compared to the previous 25 years of comics. He has been inconsistent about crediting the letterer. He is also not careful to distinguish between plot and script, which has led to much confusion over the years. It is known Kirby contributed at least some, likely much, and perhaps all of most of these plots. Yet he is only ever credited for pencils or art. The plotting is just not in the credits here. Stan does credit himself with plots for the Human Torch and Thor stories when he credits his brother Larry with the scripts.

This comic is most famous for introducing the characters of Stan Lee and Jack Kirby. We learn they exist in the Marvel Universe, and they publish Fantastic Four comics, in consultation with the real team. To preserve a bit of mystery, Jack never draws either creator’s face.