Featuring: Spider-Man Release: June 8, 1965 Cover: September 1965 12 cents Written and edited with loving care by Stan Lee Plotted and drawn with talent rare by Steve Ditko Lettered and bordered with a vacant stare by Sam Rosen 20 pages
Check out that cover. It’s based on effects Ditko has used before, of letting the blue of Spider-Man’s costume blend into black shadow and disappear, but here fully realized. The negative space defines the cover.
The issue opens picking up on a subplot from last issue. Flash and Peter had a fight; Peter was in trouble until Flash went to the Principal and accepted blame. The matter resolves itself. But leads into Peter and Flash noticing that something is bothering Liz.
Weirdly, Peter calls her Liz Hilton. He knows her name is Liz Allan, but must have been momentarily confused. Mrs. Watson shows some similar confusion later in the issue, referring to her niece Mary Jane as her daughter. Weird.
Featuring: Thor Release: June 1, 1965 Cover: 1965 25 cents Mighty story by: Stan Lee Majestic art by: Jack Kirby Masterful inking by: Vince Colletta Mostly lettered by: Sam Rosen 15 pages
Thus, the Thunder God falls.. for time without end.. through a vast void of heavy nothingness… of shimmering energy barriers and mystic space disrupters…
This is the first Thor Annual. Your 25 cents is mostly buying you reprint stories. But you also get a 15 page new Thor story, which is perhaps more properly a Tales of Asgard story, focused as it is on an early adventure of Thor. In those tales, Loki is always scheming to kill him, but Thor seems blissfully unaware.
We’ve reviewed some early history of Hercules and Zeus. Marvel introduced a gigantic superhero named for Hercules then weeks later introduced a comedic hero named Little Hercules. A mythologically-confused version of Hercules gave his powers to Marvel Boy in 1940 and then to another Marvel Boy in 1943. Tommy Tyme witnessed the mythological Hercules’ legendary battle against Antaeus, which bore quite the resemblance to a Thor story we read where he battled Sigurd.
Jupiter was a recurring character in Venus, and the Jupiter of Roman myth is very similar to the Zeus of Greek myth. We saw Zeus unleash a Fury in a 1955 fantasy story. We know Zeus had given Pandora her box from a 1961 Tales of Suspense story. And that Pandora’s Box was later used by the Sorcerer to menace Johnny Storm. In the early days of our reading, we read a weird tale where Zeus came to Earth to prove his power, and was offered movie deals.
But those appearances of Hercules and Zeus are not necessarily part of our canon. This issue represents the proper Marvel Universe introductions of Hercules and Zeus.
We’re reading this 1950s Marvel tale because we’re looking for the early Marvel appearances of Zeus. This is the earliest appearance I could find. We’ve seen some earlier appearances of Jupiter, who is perhaps the same person.
Zeus has a brief appearance, as the story is really about a Fury, one of the Erinyes, those powerful forces of cosmic justice.
No credits are given, save that of the editorial consultant to make sure it’s child-friendly.
We are reading this because it features Jupiter. I’m not actually interested in Jupiter. I’m interested in Zeus. Jupiter is a Roman god; Zeus a Greek god. But Roman mythology borrowed quite heavily from Greek mythology, and many of their stories are just the Greek stories with different names. The Roman Jupiter basically is Zeus with a different name.
I’m interested in the upcoming introduction of Hercules, whose father is Zeus. This is confusing, because Hercules is the name of a Roman demigod, modeled after the Greek demigod, Heracles. Heracles is the son of Zeus; Hercules the son of Jupiter.
In fact, the Hercules we met in Daring Mystery Comics #6 was the son of Jupiter.
This is confusing enough to make me think that in the Marvel Universe, Hercules and Heracles are the same person. So maybe Zeus and Jupiter are as well.
Geez! Am I dumb! Here am I wishin’ for sumpin’ right in me mits! Let’s go Clock! I’m gittin’ me a ringside seat!
That loin cloth better hold; this is a children’s comic.
No credits are visible. The GCD credits the art to Charles Nicholas and Al Bellman.
We’ve read two appearances of Marvel’s first characters namedHercules. We then sort of met the “real” Hercules in his reincarnated form as Marvel Boy. But now we meet the actual Hercules of myth.
I admit to trepidation when learning that his introduction was in Young Allies, and I was so relieved to learn I didn’t actually have to read the Young Allies story. Give me Tommy Tyme any day. Tempted to give extra points to this story for not being Young Allies.
This story adapts a famous Hercules legend, the defeat of Antaeus the Giant. In the classic story, Hercules’ labours were in the service of Eurytheus in penance for killing his own wife and children. On his quest to find golden apples, Hercules battled Antaeus. The comic leaves out these details and just shows the battle.
We sort of met Tommy Tyme once before. I’d wanted to see the original Marvel versions of Merlin and the Black Knight, though had been reluctant to bother to read the issue. So we talked about it here.
I’ve apparently since grown less picky about what Marvel stories to read. Little Hercules. Tommy Tyme. It’s all one big soup.
Tommy Tyme stories tend to have a similar structure. His “wonderful Clock of Ages” takes him back to some famous time and place to meet some famous people, like Robin Hood or Benjamin Franklin. Think of the series as a precursor to Bill and Ted’s Excellent Adventure.
The only wrecks in this subway will be Nazis– not trains!
We read about Marvel’s original Marvel Boy from 1940, and now we jump ahead almost 3 years. Online sources differ as to whether this is the character’s second appearance, or the first appearance of a new character with the same superhero name.
There is textual evidence to support and refute both positions.
I have my own opinion, but let’s read the issue and consider the evidence.
To remind us of the previous Marvel Boy for comparison: Hercules was a master of the Egyptian art of reincarnation and a staunch defender of America and its ideals. When he died, his soul went to Valhalla, which is presided over by Jupiter. When Hercules realized the threat Hitler posed to America, he had himself reincarnated as young Martin Burns. Martin Burns was a very strong baby, and on his 14th birthday, he learned his true identity and purpose, and was given a name and costume to enable him to battle Germany spies and saboteurs: Marvel Boy.
Hypothesis A: These are the same character. Hypothesis B: These are different characters.
Do not be sad, for I do not really leave you– I shall be back– when America needs me the most–
Well, that’s an unfortunately racist cover from Jack Kirby and Joe Simon.
When we met Marvel Girl in X-Men #1, we took the excuse to meet Marvel Boy from 1950. That was actually not Marvel’s first character named Marvel Boy, and perhaps we should have met the other(s) then. We didn’t.
We’ll read about him/them now due to his/their connections to Hercules. (Join me in the next post to see why I seem so confused about singular vs. plural pronouns.)
This Marvel Boy is a creation of Joe Simon and Jack Kirby, before the same team created Captain America, and before Jack Kirby and various collaborators would go on to create… a lot of famous superheroes.
I think there is a case to be made this might be Kirby’s first superhero co-creation, which makes Marvel Boy quite notable in itself. Moreso because you can see elements that made their way into Captain America, including the basic mask shape, the boots and gloves, using Hitler as an enemy.
Two notes against that point. Kirby had previously co-created with Martin Burstein the feature “Mercury in the 20th Century”. This was about the classic god Mercury. Not precisely a superhero, but if Thor counts, perhaps he should too. (We’ll probably read that Mercury story in the near future when we are ready to meet Pluto.)
That same issue introduced Jack Kirby’s science fiction hero Comet Pierce. In the Flash Gordon or Buck Rogers mold. Again, not exactly a superhero.
Marvel Boy is Kirby’s first standard superhero co-creation.
Except the second note is I have no idea who created Marvel Boy. Harry Mendryk explains the creation of this issue as follows on the Kirby Museum blog. He credits Joe Simon with the initial 3 pages which introduce the character and lay out his origin, and then Kirby with the rest. It’s thus quite possible that Joe Simon created the character on his own, and then gave the partially completed issue to Kirby to finish.
Often, history doesn’t tell us with much certainty what the division of labor going into an issue was. So I usually find it easiest to credit the writers and artists of a character’s inaugural issue as co-creators. By my normal intentionally naive standards, I would say Marvel Boy was a co-creation of Joe Simon and Jack Kirby.
But there is probably room for disagreement and assertion this was a Joe Simon creation.
The character only lasts one issue, though there is a sort-of revival 3 years later we will consider in the next post.
I’ve expressed before my opinion that initials are generally the worst logo for a superhero uniform. Imagine that chest with a better logo, like say a star. And imagine he wore pants. Now lose the cape and add some little wings to the cap. You’re getting closer to a good superhero design.
Marvel’s second character named Hercules debuted just days after the original, this one known as “Little Hercules”.
The comic is signed SAG, referring to Bud Sagendorf.
It’s a gag comic, not the “serious” adventures we’ve been reading. Little Hercules is only 12, but he’s the smartest and strongest boy on Earth. The comic opens with him being awarded a doctorate in all the sciences.
In preparation for meeting Marvel’s Hercules, let’s meet Marvel’s first character with that name. Not the Olympian god but a forgettable superhero who bears his name. Recall that 1940s Marvel had more superheroes than anybody can name.
No credits are given. The Marvel Masterworks reprint credits story and art to Arnold Hicks.
Featuring: Two-Gun Kid Release: June 1, 1965 Cover: September 1965 12 cents Edited by: Stan Lee Written by: Al Hartley Pencilling by: Dick Ayers Inking by: Carl Hubbell Lettering by: Artie Simek 17 pages
We are reading Marvel’s superhero line, which they started back up in 1961. We’ve occasionally read stories older than 1961 that seem vaguely relevant, and refer to those as PRELUDE posts. We occasionally read stories long after 1961 and call those POSTLUDE posts. We will also be doing INTERLUDE posts, which we will read at the time they came out, but are disconnected from the normal superhero universe.
If you’ve been following along, this will be the first INTERLUDE post you’ve come across. But I’ve retroactively made a few other posts be INTERLUDE posts. Those stories featuring Medusa, Merlin, Odin, or Zeus that weren’t really properly connected to the superhero reading.
Superheroes are on the rise and starting to crowd out other genres, but Marvel is still publishing its romance and western comics. Marvel had a single western hero, the Masked Raider, way back in the beginning in Marvel Comics #1. But they’ve been regularly publishing westerns since 1948, starting with Annie Oakley and the Two-Gun Kid.
That’s the original Two-Gun Kid, mind you. Not to be confused with the character we are about to read about. The original Two-Gun Kid was Clay Harder.
In 1962, Lee and Kirby introduced a new hero with the same name, lawyer Matt Hawk.
Marvel’s other continuing western titles are Rawhide Kid, and Kid Colt: Outlaw.
Former western heroes include Wyatt Earp, Apache Kid, Outlaw Kid, Blaze Carson, Tex Morgan, and Tex Taylor.
One of Two-Gun Kid’s steadfast allies is Boom-Boom Brown, a former boxer turned blacksmith.
His most trusted ally of course is his horse Thunder.
