Reading the Marvel Universe – Page 31

Tales of Suspense #62, Story B

Break-Out in Cell Block 10!

Featuring: Captain America
Release: November 10, 1964
Cover: February 1965
12 cents
Pow! script: Stan Lee
Wham! art: Jack Kirby
Zowie! inking: Chic Stone
Ulp! lettering: Art Simek
10 pages

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Tales of Suspense #62	Reading order	Avengers #11
Tales of Suspense #62	Tales of Suspense	Tales of Suspense #63

The title brings to mind the classic 1954 film, Riot in Cell Block 11. Perhaps an intentional homage?

These opening credits left me with some fascinating questions. “Pow! Wham!” is forever associated with the medium of comics and the superhero genre, an association devotees of both often bemoan. People rightfully want to make clear that comics is a broad medium and not just superheroes and silliness. Others want to argue that the superhero genre is not children’s stuff, despite the fact that it evidently is.

I am not certain when this association between these sound effects and comics first took place. I believe the 1966 Batman television series really cemented it in the wider public consciousness. These onomatopoeic effects go back to the earliest days of the medium and we’ve seen plenty of sound effects in our reading. What is interesting here is that they are presented as a gag which presupposes the association of these words and superheroes, as well as the choice of words. “Pow” and “Wham”. These seem the sound effects most associated with superheroes (perhaps along with Biff! and Bam!), though I can’t say we’ve seen them any more than other sound effects in our reading.

Tales of Suspense #62

The Origin of the Mandarin!

Featuring: Iron Man
Release: November 10, 1964
Cover: February 1965
12 cents
Brashly written by: Stan Lee
Boldly drawn by: Don Heck
Brazenly inked by: Dick Ayers
Bashfully lettered by: S. Rosen
12 pages

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Tales of Suspense #61, Story B	Reading order	Tales of Suspense #62, Story B
Tales of Suspense #61, Story B	Tales of Suspense	Tales of Suspense #62, Story B

Now that the issue is dual-featured, with each feature of similar importance, they need to think of different ways to highlight two pictures on the cover. We’ve seen the Iron Man picture embedded in the Captain America picture, while consuming a large chunk of the real estate, forming the main art of the Cap picture into an ‘L’. We’ve seen 2 separate pictures placed onto the mat at odd angles like postcards dropped on a canvas. The most conventional format will be a split-screen, either horizontal or vertical. This one is basically a horizontal split, but with a slanted line. It feels like the Iron Man portion wastes the portion of the image where it has the space. The Cap portion has extra space on the left and puts Cap himself there. Iron Man is squeezed into the small space on the left, and the extra space on the right is devoted to landscape.

Apparently Marvel had received more than 500 requests for the origin of the Mandarin.

If you look to the Best we’ve read page, it will become obvious the origin stories tend to be my favorite comics. At present, I see a full quarter of the list are origin stories, including the top 3 entries. Conversely, almost every major origin we’ve read is represented. (Sorry to Ant-Man, Thor, and Watcher.) Therefore I’m excited whenever we get a new origin story… unless it’s Mandarin’s story.

Tales of Suspense #61, Story B

The Strength of the Sumo!

Featuring: Captain America
Release: October 8, 1964
Cover: January 1965
12 cents
Stan Lee writer par excellence!
Jack Kirby illustrator without peer!
Chic Stone delineator extaordinaire!
Artie Simek letterer– what else?
10 pages

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Tales of Suspense #61	Reading order	Tales of Suspense #62
Tales of Suspense #61	Tales of Suspense	Tales of Suspense #62

Captain America goes to Vietnam and fights a sumo wrestler. I usually associate sumo wrestling with Japan, and suspect that Stan and Jack just haven’t thought too hard about the differences between Vietnam and Japan. However, culture does spread in our modern world, and I can’t confirm Vietnam didn’t have any sumo wrestlers in the 1960s, so I’m going to give them a pass.

Captain America is fighting the Commies. This brings to mind his very brief 1954 return as “Captain America… Commie Smasher!” Of course, those stories are hard to reconcile with the modern Marvel Age continuity in which Captain America was frozen in ice from 1945 to 1963. How could he then have been fighting Commies in 1954?

Tales of Suspense #61

The Death of Tony Stark!

Featuring: Iron Man
Release: October 8, 1964
Cover: January 1965
12 cents
Story by: Stan Lee because we wanted the best!
Art by: Don Heck because we wanted the finest!
Inking by: Dick Ayers because we wanted the tops!
Lettering by: S. Rosen because we wanted to keep him busy!
12 pages

Previous	#287	Next
Strange Tales #128, Story B	Reading order	Tales of Suspense #61, Story B
Tales of Suspense #60, Story B	Tales of Suspense	Tales of Suspense #61, Story B

The cover boasts that Tony Stark will die at the hands of the Mandarin. Covers often exaggerate or outright fabricate such things. This caption is closer to true than usual, though.

We are informed the Mandarin returns by overwhelming popular demand. I was not given a vote. He remains my least favorite Marvel villain.

We meet Inspector Flint, investigating the disappearance of Tony Stark. I spent some mental cycles trying to decide if he was the unnamed inspector we met last issue. He resembles that inspector, and it makes sense he would still be on the case. However, since he introduces himself to Happy and Pepper, that implies they’ve never met. So I assume he is a different inspector.

A journalist overhears Flint talking to Happy and Pepper, so the papers reveal that Iron Man is top suspect in Stark disappearance. Clearly, Iron Man is the only suspect. Either Stark is on vacation like Iron Man claimed, or Iron Man is lying. So if there is a criminal case, Iron Man is at the center of it. Or, Iron Man is telling the truth, and there is no criminal case.

Strange Tales #128, Story B

The Demon’s Disciple!

Featuring: Dr. Strange
Release: October 8, 1864
Cover: January 1965
12 cents
Written by: Stan Lee– unchallenged master of the dramatic word!
Drawn by: Steve Ditko– unquestioned innovator of the occult illustration!
Lettered by: Artie Simek– unabashed purveyor of the captivating caption!
10 pages

Previous	#286	Next
Strange Tales #128	Reading order	Tales of Suspense #61
Strange Tales #128	Strange Tales	Strange Tales #129

Dr. Strange gets more cover real estate than usual.

Recall that after last issue’s epic battle with Dormammu, Dr. Strange was rewarded with a more powerful amulet and a new cape. The narrator here notes the amulet and new powers of levitation. This seems to imply the cape itself bestows the power of levitation. Dr. Strange confirms this at the end of the story.

A man comes to Dr. Strange seeking help. He had become the disciple of a magician known as the Demon and wishes to leave the Demon’s service. The Demon summons him back before Dr. Strange can help.

Strange Tales #128

Quicksilver and the Scarlet Witch

Featuring: Human Torch and Thing
Release: October 8, 1964
Cover: January 1965
12 cents
Monumental story by: Stan Lee
Magnificent pencilling by: Dick Ayers
Masterful inking by: Frank Ray
Melancholy lettering by: Artie Simek
12 pages

Previous	#285	Next
Fantastic Four #34	Reading order	Strange Tales #128, Story B
Strange Tales #127, Story B	Strange Tales	Strange Tales #128, Story B

I appreciate that Simek has come up with logos for Quicksilver and Scarlet Witch. Some wooshes over Quicksilver’s name. Some frayed edges for the Scarlet Witch.

Frank Giacoia

We see a new name in the credits. Frank Ray is the inker. Frank Ray is a pen name for Frank Giacoia. He wil become a frequent Marvel inker, initially under the name Frank Ray or Frankie Ray.

Fantastic Four #34

A House Divided!

Featuring: Fantastic Four
Release: October 8, 1864
Cover: January 1965
12 cents
Rapturously written by: Stan Lee
Deliciously drawn by: Jack Kirby
Impeccably inked by: Chic Stone
Lavishly lettered by: Art Simek
20 pages

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Sgt. Fury #13	Reading order	Strange Tales #128
Fantastic Four #33	Fantastic Four	Fantastic Four #35

We begin with Ben and Johnny fighting as usual.

Then Ben trying on the Beatles wig he received from the Yancy Street Gang.

Mr. Gideon is a ruthless multi-billionaire financial wizard. By his reckoning, he is about 3 years away from buying out his top competitors and gaining financial control of the world. Impatient, he proposes they speed things up with a gamble. They propose the challenge. If he wins, they sell out now; if he loses, he stops trying to conquer the world. The challenge they propose: the defeat of the Fantastic Four.

Sgt. Fury #13

Fighting Side-By-Side With… Captain America and Bucky!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 8, 1964
Cover: December 1964
12 cents
Written and drawn by the Titanic Two: Stan Lee and Jack Kirby
Inked by: Dick Ayers
Lettered by: A. Simek
23 pages

Previous	#283	Next
Amazing Spider-Man #20	Reading order	Fantastic Four #34
Sgt. Fury #12	Sgt. Fury	Sgt. Fury #14

Jack Kirby returns for one final issue of Sgt. Fury, likely motivated by the choice of guest star. Under Kirby, this was one of Marvel’s best titles. It’s perhaps lost a step under Ayers, though remains one of the better series we are reading.

So far, one could almost question why we are reading this World War II series along with all the superhero ones. It is certainly the odd duck in my reading list. We have had two points of crossover so far. The Commandos teamed with a young Mr. Fantastic when he was Major Richards of the OSS, and we saw an older Colonel Fury team up with the Fantastic Four. This is the third point of crossover between Nick Fury and the superhero titles. There will be more.

Amazing Spider-Man #20

The Coming of the Scorpion!

Featuring: Spider-Man
Release: October 8, 1964
Cover: January 1965
12 cents
Illustrated by: Steve Ditko
Written by: Stan Lee
Lettered by: S. Rosen
20 pages

Previous	#282	Next
Tales to Astonish #63	Reading order	Sgt. Fury #13
Amazing Spider-Man #19	Amazing Spider-Man	Amazing Spider-Man #21

I find the credits interesting. I know that eventually Stan and Steve will fall out over a number of problems, including Stan not giving Steve proper credit for his role in the book. I don’t know where they are at this moment in time. Not long ago, we read the Amazing Spider-Man Annual in which Ditko illustrated a story that poked fun at their working relationship. It seemed in good humor and implied to me a mostly positive working relationship.

The credits for this issue also seem to be in good humor. But Ditko has no involvement with the credits. They’d be added after he turns in the art. They are all Stan and Sam. Perhaps Steve appreciated the humor… or perhaps he did not. I have no way of knowing.

“Many readers have asked why Stan’s name is always first on the credits! And so, big-hearted Lee agreed to put Stevey’s name first this time! How about that?!!”

“…But we still have a feeling that sneaky Stan put something over on us!”

In a similar vein, the letters page notes that Steve is drawing 40 pages a month and “still finds time to argue with Stan for a few hours each week”. Again, seems good-humored on Stan’s part, at least.

Tales to Astonish #63

The Gangsters and the Giant!

Featuring: Giant-Man and Wasp
Release: October 1, 1964
Cover: January 1965
12 cents
Sensationally superb story by: Stan Lee
Absolutely adorable art by: Carl Burgos
Incredibly imaginative inking by: Chic Stone
Logically lovable lettering by: S. Rosen
12 pages

Previous	#281	Next
Daredevil #5	Reading order	Amazing Spider-Man #20
Tales to Astonish #62, Story B	Tales to Astonish	Tales to Astonish #63, Story B

Giant-Man was the clumsiest superhero, but he’s been working really hard to improve that image, learning to shrink and grow really fast while practicing gymnastics.