Featuring: X-Men Release: March 3, 1964 Cover: May 1964 12 cents Spell-binding story by: Stan Lee Dazzling drawing by: Jack Kirby Inking: Paul Reinman Lettering: S. Rosen 24 pages
They’ve redesigned the cover box to make room for Beast.
The story begins right where the last issue left off, but then has a bit of time jump mid-story. It opens with a strange piece of narration. The narrator tells us Professor X “seemed” to lose his powers. Interesting phrasing. Why not just say Professor X lost his powers? Unless you know something about this issue’s twist ending I don’t.
I would warn you that spoilers follow, but I would argue the opening page narration has already spoiled the whole story.
Featuring: Daredevil Release: February 4, 1964 Cover: April 1964 12 cents Written by: Stan Lee Illustrated by: Bill Everett Lettered by: Sam Rosen 23 pages
Spider-Man and the Fantastic Four do not actually appear in this issue. They mention Spider-Man on the cover and the first page in an attempt to market Daredevil as their next Spider-Man.
Daredevil has a pretty distinctive logo, an expanding font with a swoosh running through it. Preceded by a “Here comes…”. And then the tagline which will endure to this day: “The Man Without Fear”.
Bill Everett is a name we should be plenty familiar with by now even though this is his first time showing up in the Marvel Age. We know him from our “Prelude” reading as the creator of Namor the Sub-Mariner 25 years earlier. Reportedly, he was very slow working on this issue of Daredevil, leading to this issue being released a full 7 months after it was originally scheduled. So he won’t be invited back to illustrate more Daredevil stories. He’ll be put on covers and finishes, jobs where he’s less likely to blow deadlines. A shame, because he does great work here.
Featuring: Avengers Release: March 3, 1964 Cover: May 1964 12 cents An epic tale told with high drama and heroic dignity by: Stan Lee Illustrated with deep sincerity and dazzling beauty by: Jack Kirby Inked by: Paul Reinman Lettered by: S. Rosen 23 pages
Rick Jones gets his name on the cover and on the opening page alongside the book’s actual stars. He i fact is given billing over Giant-Man and Wasp in both places. His placement suggests he comes with Captain America, as though they are partners.
This tale is getting closer to what I feel like a traditional Avengers tale should be. There should be some menace to the world, a threat so great that no single hero can stand against it. Mostly so far, they’ve just fought Hulk over and over again. And he just wants to be left alone.
In this issue, the Lava Men invade Earth. When last we met them, they were referred to as Lava People; not sure how the unneeded gendering crept in.
Almost what I’m looking for. Only two problems. The first is that the Lava Men/People invaded before and Thor stopped them all by himself. So it’s not clear they’re an Avengers-worthy threat. The second is that in addition to fighting the Lava Men, the Avengers also all attack Hulk again. They really should just give the guy a break. This is now their fifth battle with the Hulk, and they all end in a stalemate.
Featuring: Wasp Release: April 2, 1964 Cover: July 1964 12 cents Ring-a-ding story plot by: Stan Lee Jazzy script and art by: Larry Lieber Like wow, man! inking by: Chic Stone Far-out lettering by: S. Rosen 7 pages
Pretty significant issue here. As we’ve mentioned, Wasp is the only female superhero to have a solo series this entire decade. But the series wasn’t really about her. She was always the narrator for another story. Until now.
Starting with this issue, Wasp’s solo adventures actually star the Wasp, as she goes on her own adventures. I feel like this is the real beginning of Wasp’s solo series.
It will last 2 issues.
These comics treat Wasp as though she is not very powerful. And, well, she’s not. However, she’s more powerful than Ant-Man ever was. She’s got his abilities, plus she has a stinger and can fly. And the comics talked about him like he was some unbeatable warrior. Citizens and police praised his prowess while criminals cowered.
This story puts Wasp up against a single crook. Not a supervillain, just an ordinary jewelry thief. And the artists seem at a loss at to how she might fight this guy.
Featuring: Giant-Man and Wasp Release: April 2, 1964 Cover: July 1964 12 cents Brilliantly written by good ol’ Stan Lee Bashfully drawn by loveable ol’ Dick Ayers Boldly inked by faithful ol’ Paul Reinman Bravely lettered by fearless ol’ S. Rosen 16 pages
We’re throwing two issues of Tales to Astonish together because the Avengers’ series only leaves so much space for Giant-Man/Wasp adventures and because Wasp’s hairdo is difficult to reconcile with Avengers continuity.
Last issue, Hank was ready to propose. He’d even bought a ring. But then he got insecure and doubted that Wasp really loved him. By the end of the issue, he seemed more confident in Jan’s love. But I still don’t see a ring on her finger and there’s no mention of it this issue.
Wasp gets a new addition to her arsenal: a stinger. It’s a compressed air gun. She’d previously had a weapon she referred to as a stinger, but it was just a pin she held. In issue 46, they refer to it as though it’s a regular part of the arsenal. She’d picked up a pin the previous issue. In the backup story of this issue, which takes place before this story, she’ll also pick up a random pin and refer to it as her sting.
Featuring: Wasp Release: March 3, 1964 Cover: June 1964 12 cents Story plot: Stan Lee Script + art: Larry Lieber Inking: Paul Reinman 5 pages
Giant-Man is humiliated that Hulk is stronger than he. Humiliated. At some point we have to address that Hank has some pretty severe issues.
Wasp tells Hank a story of a far-off planet and three suitors competing for the hand of a princess guarded by the Bog Beast. The Bog Beast overcomes those who seem to be the most powerful suitors, but the peasant Lorenzo will win the princess’ hand.
Featuring: Giant-Man and Wasp Release: March 3, 1964 Cover: June 1964 12 cents Written by: Stan Lee Drawn by: Dick Ayers 18 pages
The story leaves out the letterer credit for some reason. The GCD notes it’s Sam Rosen.
They spend a page detailing how Giant-Man’s ring transport method works. It really might be the dumbest thing in this series.
Giant-Man’s costume has been undergoing a gradual evolution. Ayers has been drawing him with these thick black suspenders, while everybody else has favorited light vertical stripes, as on the cover. They will eventually converge on the black suspenders look. Ayers adjusts them slightly in this issue. They had always been vertical like suspenders on the front, but now Ayers has them in a V-shape, meeting at his belt. I’d like to use costumes as a clue for how these issues fit around the Avengers issues, but Giant-Man must be changing back and forth.
Wasp also gets a new look this issue. This is also unhelpful to chronology considerations as this look never shows up in the Avengers comic. She has a new hairdo and new headpiece to show it off. In Avengers #5, she appears to have her old hairdo and headpiece. By Avengers #6, she is wearing a whole new costume. It will be hard to reconcile.
The big news of this issue, besides Wasp’s new do, is that Hank has finally bought a ring, and intends to propose to Jan. She’s been wanting that basically since they met while he has always been too preoccupied with science and superheroing.
Featuring: Tales of Asgard Release: March 3, 1964 Cover: May 1964 12 cents A tale told in splendor by: Stan Lee A drama drawn in glory by: Jack Kirby Inked by: Don Heck Lettering: Art Simek 5 pages
I appreciate that the Tales of Asgard stories are willing to try different things. The initial offerings concerned Odin and the early days of creation. Then we got a series of stories about Thor as a youth. Now we will get a series focused on Heimdall. Stories about Balder will follow. The series feels it has the freedom to explore a variety of characters and eras of Asgard.
Heimdall was briefly introduced to us in Journey Into Mystery #85, where we learned he was the Warder of the Bifrost. We are given the general sense that he is very good at his job and that almost nothing slips past him. However, we haven’t seen much evidence of that. Indeed, we’ve seen Loki fool him twice. In issue 88, Loki disguised himself as a snake to escape Asgard. In an ancient tale told in issue 101, young Loki created a hole in Asgard’s defenses without Heimdall realizing it.
We now learn the story of how Heimdall was awarded his post. The right to stand eternal watch at a station is not something I would have competed for, but Heimdall did. Agnar the Fierce and Gotron the Agile both presented their cases to Odin. But they could not compete with Heimdall’s heightened senses. He could hear a plant growing far away in hills thought to be barren, and his eyes that can scan time and space could see an approaching army of Storm Giants still two days away.
Featuring: Thor Release: March 3, 1964 Cover: May 1964 12 cents …only the inspired talent of Stan Lee could have written it… Only the gifted hand of Jack Kirby could have illustrated it!! Inked by: Chic Stone Lettered by: S. Rosen 13 pages
As with last month’s Tales of Suspense, this issue sees Thor take a more significant place on the cover. He gets his own logo, prominent on the cover, with the series’ title taking a subordinate position. “Journey Into Mystery with The Mighty Thor”. This is Thor’s comic now.
Thor has spent most of this series battling threats that really should be beneath his notice. Cobra with his slithering power? Finally, Thor’s mettle gets tested. In fact, it’s a test too great for him. He’ll need the help of Balder and his father Odin to overcome this threat.
The story begins soon after the end of the previous issue. Loki is chastising Enchantress and Executioner for their recent failure. If Enchantress could only have waited a few seconds to turn Executioner into a tree…
Those eyes.
We really need to talk about Loki. I mean, we already did, but it’s getting more confounding. Odin had sentenced him to eternal imprisonment. I really must stress the word “eternal”. But then suddenly Loki was seemingly Odin’s most trusted advisor. No explanation was offered. Loki manipulated the supposedly wise Odin into causing Thor’s most recent grief, both his battles against Zarrko and the Enchantress. Now, Loki not only convinces Odin to travel to Earth, but Odin lets Loki rule in his stead, and grants him extra power to do so.
Featuring: Watcher Release: February 11, 1964 Cover: May 1964 12 cents Story plot by: Stan Lee Script + art by: Larry Lieber Inking by: Paul Reinman Lettering by: Art Simek 5 pages
I learned this series existed relatively late in my Marvel reading. I’d gotten it into my head that I wanted every Marvel comic some 20 years ago and got to work. But it took time to even develop a good catalogue of what that meant. I had read the old Iron Man and Silver stories in the Essentialvolumes Marvel put out, but didn’t realize at the time about the Watcher backups not reprinted in those volumes.
As the internet took shape, and comic experts put forth their knowledge, I could borrow from that work to get a sense of the complete list. I meticulously studied the UHBMCC and MCP to find every Marvel Universe comic there was, including the oddities, like this short-lived series of Watcher tales.
My enthusiasm went through a bit of a roller coaster ride. I’d always loved the Watcher from his appearances in What If…? and was excited to learn he had solo adventures. Enthusiasm high. Then I learned the solo adventures were just a light wrapper around other stories he would narrate. Enthusiasm waned. Then I learned some of these stories were reprints of older stories with the Watcher parts added in. Further waning. But then I learned there were a few stories (like this one) which did feature the Watcher in his own adventures. Enthusiasm rising. And then I learned that we would learn the origin of the Watchers. Enthusiasm at its height.
What tragedy at the dawn of time caused this ancient race of immortals to take such a dark vow, to spend eternity observing the events of the cosmos without interference? I was excited to find out.
Then I read it. Enthusiasm has reached equilibrium. It doesn’t help to read so many of these Watcher stories and similar sci/fi tales in close proximity. A very large number of them have the moral that we should end the threat of nuclear war. While I agree, and appreciate that it was on people’s minds a lot back then, it really is overdone in these pages. And then to learn that’s the origin of the Watchers…
We begin with the Watcher making the choice he always makes, to watch a dying patient die and choose not to help, even though he could save the man’s life. He proceeds to explain why.
The Watcher refers to us as “lesser beings”. No offense taken.
His people once shared nuclear secrets with another race, who did with the knowledge what humanity has done and set on a path toward self-destruction.
