Daredevil #24

The Mystery of the Midnight Stalker!

Release: November 3, 1966
Cover: January 1967
12 cents
A Stan Lee * Gene Colan contemporary classic!
Inked by: Frank Giacoia
Lettered by: S. Rosen
20 pages

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His costume is skin tight!

Starting this issue, Colan gets a credit like Romita got last month, and like Kirby and Ditko had been getting. Rather than just crediting him with art, the entire story is credited to the combo of Stan and Gene. This implicitly acknowledges Colan’s contributions to the writing. While still putting Stan’s name first.

On continuity, we haven’t travelled far into the future. Daredevil escaped Owl’s island while the Rhino was first being tried, and got into his tiff with the Tri-Man very soon after. That ended with him trapped in Europe with no money. And he’s still stuck. So this isn’t long after Amazing Spider-Man #43, perhaps still before Amazing Spider-Man Annual 3.

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Daredevil #12

Sightless, in a Savage Land!

Featuring: Daredevil
Release: November 4, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Lettering: Sam Rosen
.. and introducing: the matchless artistic wizardry of Marvel’s newest, and most eagerly-awaited, illustrator… the inimitable John Romita!
20 pages

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Ka-Zar have you, Zabu… Need no other! You are wisest… bravest… swiftest of all!

John Romita’s arrival is greeted enthusiastically by Stan. Kirby does layouts, as is common when welcoming new artists, as Stan doesn’t yet trust their storytelling chops (or his own).

Daredevil has a lack stability with revolving doors of legendary superstar artists. Bill Everett only made it one issue because he struggled with deadlines. Joe Orlando left after 3 issues because he got angry with Stan. Wally Wood left after 5 issues because he got angry with Stan. Good luck, John.

We’ve seen John Romita before in our “Prelude” posts. He was a regular artist on Captain America’s short-lived 1950s revival. His art has improved a lot in the intervening 10 years. He found his niche with the romance genre, and then left comics for a successful career in advertising. He draws good-looking people, in a way that artists like Kirby and Ditko don’t. Stan talked him into coming back to comics.

We talked about Romita’s career when we read Captain America #78. This is his new regular gig as a main artist at Marvel, but we’d seen him before providing finishes for Don Heck in Avengers #23, released 3 months earlier.

The story picks up where last issue left off, with Matt leaving Nelson & Murdock. The characters have lots of thoughts. Matt is leaving to let Foggy and Karen be together. Karen is sad because she loves Matt. Foggy thinks Matt is his best friend, but is happy that Karen can now be his. Matt doesn’t recognize that Karen loves him; he thinks her affection is just pity for a blind man. Matt books an ocean cruise to the other side of the world.

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X-Men #10

The Coming of… Ka-Zar!

Featuring: X-Men
Release: January 5, 1965
Cover: March 1965
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inker: Chic Stone
Letterer: S.Rosen
20 pages

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Marvel Comics #1, Story FPrelude

Stronger than mastodon! Stronger than giant boar! Mighty is Ka-Zar! Lord of Jungle!

The cover claims this comic is introducing Ka-Zar. It’s unclear if that’s true when we just met a Ka-Zar in our last post, introduced almost 30 years earlier.

Same guy? No evidence otherwise, except that he’s somehow moved from the Congo to Antarctica.

I’m so glad they tell us how to pronounce his name. It’s the bane of comics reading. Nobody tells you how to pronounce the names. You think you’re an expert in this stuff, then along comes a movie and you’ve been pronouncing names wrong for decades, and everyone looks at you like an idiot. But now we know: “Kay-Sar”.

My buddy Brian just polled on Twitter about how people pronounced his name when they first read it, and I was forced to admit that I was saying “Kay-Zar” in my head in my ignorant youth. Perhaps if I’d known more German then, I would have different ideas about pronouncing that ‘Z’.

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